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Books on the topic 'Ecstatic dance'

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Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

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1

Rahman, Mohd Kipli Abdul. Mabuk mistikal: Semiotik metafizik dalam kuda kepang mabuk. [Minden], Pulau Pinang: Penerbit Universiti Sains Malaysia, 2009.

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2

Rahman, Mohd Kipli Abdul. Mabuk mistikal: Semiotik metafizik dalam kuda kepang mabuk. [Minden], Pulau Pinang: Penerbit Universiti Sains Malaysia, 2009.

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3

Bushman shaman: Awakening the spirit through ecstatic dance. Rochester, Vt: Destiny Books, 2005.

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4

Susanne, Gödde, ed. Ekstase. München: Edition Text + Kritik, 2012.

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5

Jaranan: The horse dance and trance in East Java. Leiden: KITLV Press, 2008.

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6

Victoria M. Clara van Groenendael. Jaranan: The horse dance and trance in East Java. Leiden: KITLV Press, 2008.

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7

Nancy, Van Deusen, Del Giudice Luisa, and Italian Oral History Institute, eds. Performing ecstasies: Music, dance, and ritual in the Mediterranean. Ottawa: Institute of Mediaeval Music, 2005.

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8

The religious dancing of American slaves, 1820-1865: Spiritual ecstasy at baptisms, funerals, and Sunday meetings. Lewiston: Edwin Mellen Press, 2008.

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9

Roth, Gabrielle. Ecstatic Dance. Sounds True, 2000.

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10

Roth, Gabrielle. Ecstatic Dance. Sounds True Audio, 2004.

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11

Bhattacharjee, M.S.,M.A., Jayita. Ecstatic Dance of Soul: The Dance That Reveals a Thousand Wonders. Independently Published, 2018.

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12

Keeney, Bradford. Bushman Shaman: Awakening the Spirit through Ecstatic Dance. Destiny Books, 2004.

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13

Keeney, Bradford. Bushman Shaman: Awakening the Spirit Through Ecstatic Dance. Inner Traditions International, Limited, 2004.

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14

Henkesh, Yasmin. Trance Dancing with the Jinn: The Ancient Art of Contacting Spirits Through Ecstatic Dance. Llewellyn Publications, 2016.

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15

Publishing, Notebook. Eat Sleep Ecstatic Dance Repeat: Or Personal Use for Men, Women and Kids Cute Gift for Ecstatic Dance Lovers. 6 X 9 - 120 Pages. Independently Published, 2020.

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16

Ecstasy: In Art, Music and Dance. Prestel, 2019.

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17

Humphrey, Doris, and Ernestine Stodelle. Doris Humphrey: The Collected Works, Volume 2: Air for the G String/Two Ecstatic Themes/Day on Earth. Dance Notation Bureau Pr, 1992.

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18

Gotman, Kélina. Médecine Rétrospective. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190840419.003.0007.

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Neurology emerged as a transdisciplinary field of research, allying iconographic collage, clinical experimentation, performative re-enactment, narrative, and historiography. Jean-Martin Charcot and his colleagues at the Salpêtrière Hospital in Paris engaged in what they called ‘retrospective medicine’, an archival exercise that involved compiling images from the past depicting convulsive gestures that represented, they thought, hysteria, epilepsy, and ‘hysteroepilepsy’, a theatrical form of acting out they considered stemmed from the patient’s imagination. From the Convulsionaries of Saint-Médard to maenads on Greek vase paintings and ecstatic figures depicted in religious frescoes, Charcot and his collaborators collected artefacts resembling their patients’ dance-like gestures: arches of the back and other attitudes passionnelles re-enacted on the lecture-hall stage. This exuberant comparativism, and iconographic excavation, paved the way for ethnographic fieldwork (and eventually anthropology), as one neurology student took it into his hands to visit the reportedly still living remains of choreomania in a nearby dancing procession.

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19

D'Andrea, Anthony. Global Nomads: Techno and New Age As Transnational Countercultures in Ibiza and Goa. Taylor & Francis Group, 2007.

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20

D'Andrea, Anthony. Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa (International Library of Sociology). Routledge, 2007.

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21

Global Nomads: Techno and New Age As Transnational Countercultures in Ibiza and Goa. Taylor & Francis Group, 2007.

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22

Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa. Taylor & Francis Group, 2009.

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23

Reckson, Lindsay V. Realist Ecstasy. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479803323.001.0001.

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Realist Ecstasy: Religion, Race, and Performance in American Literature recovers a series of ecstatic performances in late nineteenth- and early twentieth-century American realism. From camp meetings to Native American ghost dances to storefront church revivals, Realist Ecstasy explores how realism represents ecstatic bodies as objects of fascination, transforming spiritual experience into the very material of realist description. In an era of “separate but equal” religious pluralism and systematic racial terror, realism mobilized the gestural and performative idioms of religious ecstasy to confront ongoing histories of violence and imagine new modes of social affiliation. Realist Ecstasy demonstrates how the realist imagining of possessed bodies helped produce and naturalize racial difference, while excavating the complex, shifting, and dynamic possibilities embedded in ecstatic performance. Approaching realism as both an unruly archive of performance and a wide-ranging repertoire of media practices, Realist Ecstasy argues that the real was repetitively enacted and reenacted through bodily practice, at a moment when the body’s capacity to reliably signify was everywhere at stake. Interrogating realist practices that worked to order, disorder, and reify racial and religious difference under Jim Crow, Realist Ecstasy challenges and transforms conventional understandings of realism’s relationship to histories of secularization, while reframing secularism itself as a densely heterogeneous set of performances and representations.

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