Academic literature on the topic 'Écrivains – Dans la littérature – Grande-Bretagne'
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Journal articles on the topic "Écrivains – Dans la littérature – Grande-Bretagne":
Lyons, Martyn, and Pauline Baggio. "La culture littéraire des travailleurs: Autobiographies ouvrières dans l’Europe du XIXe siècle." Annales. Histoire, Sciences Sociales 56, no. 4-5 (October 2001): 927–46. http://dx.doi.org/10.3406/ahess.2001.279994.
Lyons, Martyn, and Pauline Baggio. "La culture littéraire des travailleurs: Autobiographies ouvrières dans l’Europe du XIXe siècle." Annales. Histoire, Sciences Sociales 56, no. 4-5 (October 2001): 927–46. http://dx.doi.org/10.1017/s039526490003331x.
Blanchard, Nelly. "La littérature des prêtres écrivains de langue bretonne (xixe-xxe siècles) : une tradition néopaternaliste d’autodéfense." Port Acadie, no. 24-25-26 (October 31, 2013): 357–86. http://dx.doi.org/10.7202/1019144ar.
Luffin, Xavier. "La Seconde Guerre mondiale, la guerre de l’Autre ? Le conflit mondial dans la littérature arabe (Égypte et Soudan)." Études littéraires africaines, no. 40 (April 5, 2016): 111–23. http://dx.doi.org/10.7202/1035984ar.
Majit, Afaf. "identité à l’épreuve de l’exclusion sociale dans le roman beur." Voix Plurielles 18, no. 2 (December 4, 2021): 188–99. http://dx.doi.org/10.26522/vp.v18i2.3535.
Brown, Cynthia J. "Dédicaces à Anne de Bretagne : éloges d’une reine." Études françaises 47, no. 3 (November 29, 2011): 29–54. http://dx.doi.org/10.7202/1006445ar.
Menage, Line. "problématique de l’exil dans la littérature caribéenne francophone." Voix Plurielles 18, no. 2 (December 4, 2021): 233–44. http://dx.doi.org/10.26522/vp.v18i2.3538.
GÜRSES ŞANBAY, Selin. "Le théâtre de Molière comme pratique de cour." RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, Ö13 (October 23, 2023): 1181–88. http://dx.doi.org/10.29000/rumelide.1379325.
Heizmann, Jürgen. "Les écrivains allemands et le réarmement dans les années cinquante." Revue d’Allemagne et des pays de langue allemande 30, no. 2 (1998): 175–87. http://dx.doi.org/10.3406/reval.1998.4062.
Tessier, Jules. "Quand la déterritorialisation déschizophrénise ou De l’inclusion de l’anglais dans la littérature d’expression française hors Québec." TTR : traduction, terminologie, rédaction 9, no. 1 (March 20, 2007): 177–209. http://dx.doi.org/10.7202/037244ar.
Dissertations / Theses on the topic "Écrivains – Dans la littérature – Grande-Bretagne":
Gheeraert-Graffeuille, Claire. "La cuisine et le forum : images et paroles de femmes pendant la Révolution anglaise (1640-1660)." Paris 3, 2000. http://www.theses.fr/2000PA030124.
Wiart, Stéphanie. "L'écrivain-personnage dans la littérature grand public de l'entre-deux-guerres (Royaume-Uni, Irlande)." Electronic Thesis or Diss., Université de Lille (2022-....), 2024. http://www.theses.fr/2024ULILH013.
The PhD thesis examines the way the fictitious writer is represented in interwar popular (middlebrow) literature (United Kingdom, Ireland). The analysis first tackles the characterisation of the fictitious writer, particularly the way the public image of highbrow and middlebrow writers is depicted in the middlebrow novel ; additionally to this, it studies the way the fictitious writer himself characterises the other characters he encounters, turning them into types. It traces how the indiscreet behaviour of fictitious writers within the plot turns out to be a professional quirk, in the sense that they still behave like writers while they are part of a domestic-related plot focusing on abidance by the rules of propriety. It is one of the aspects taken by the recurring phenomenon, within the primary corpus, according to which the domestic-related plot actually relies upon a metafictional subtext. Finally, the thesis aims at highlighting the recurring dramatisation, within the middlebrow novel, of the authorship of non-writing secondary characters ; it consists in showing that some of the secondary characters met by the fictitious writers are implicitly equated to professional writers, because what seems to be their trivial activities, belonging to the domestic realm, turn out to be metaphors of writing. The uncovering of this phenomenon relies on a detailed analysis of the texts, in an attempt to move beyond the subject of the plot in order to focus on the metafictional metaphorical meshing of the middlebrow novel
Miramon, Denyse. "Les auteurs français du XXe siècle devant la grande ville américaine." Bordeaux 3, 1990. http://www.theses.fr/1990BOR30024.
This dissertation studies the various perception and analytical modes of the larger cities in the writings of twentieth secular century french writers. Part. One : looks at the forms of discourse that bring out the various writers'attitudes towards their discovery of the city. . The character of their vision is then studied in its manifest aspect for cach of them. Finally the elaboration of the writing from the moment of discovery is discussed, which bring us to differentiali between various periods from 1900 to 1945 writers are clearly admirative ; from 1945 to 1960, poetry and lyricism are the dominant modes. Over the last twenty years, fiction seems to become the essential approach to travel literature, leaving room for a thoroughly new approach to the larger american city, linked to the developments of contemporary thought
Williams-Wanquet, Eileen. "Les romans d'Anita Brookner de 1981 à 1992 : l'écriture de la subversion." Montpellier 3, 1996. http://elgebar.univ-reunion.fr/login?url=http://thesesenligne.univ.run/H/99_wanquet.pdf.
Anita Brookner's novels have been called "mills & boon for bluestockings" and are usually set in the tradition of the conventional realistic novel by critics, who qualify them as "pre-modern" and "decidedly non-experimental”. The novels do present the outward signs of classic realist texts by their use of conventional methods to represent reality. However, beneath this deceptive appearance, another text can be discerned, as suggested by the various forms of intertextual ity used. Brookner's novels pose as traditional realism, using the latter's conventions to undermine its philosophical principles from inside. The premises of realism are pushed far enough to remorselessly lay bare the illusions it conveys. This subversive text is "modern" by way of its pessimistic, ironical vision of the world. Brookner's modern parodies denounce the ideology behind traditional realism, showing that christian virtue does not win out in the amoral twentieth century, in which neither god nor reason can be relied upon. But, not content with dismantling the traditional novel's message of comfort, the author lays bare the sterility of a purely ironical vision, which, in its turn, gives way to a metaphorical text, the manifestation of an abstract circular structure which re-introduces a mythical poetic world-view of the unending circularity of life. The novels are postmodern by their metafictionality, by their questioning of the very nature and existence of reality, by their self-reflexivity, which is a direct consequence of their autobiographical aspect. The writer, at one with her narrator focaliser heroine, uses literature itself to explain how her life has been "ruined by literature”. But, even if writing allows her to re-edit her life and to survive, it cannot cure her melancholy and she seems condemned to keep on writing the same novel
Ndiaye, El Hadji Malick. "Éthiques et poétiques auctoriales : le dire de l’auteur francophone face aux idéologies de l’appartenance : Bretagne, Québec, « Afriques »." Rennes 2, 2008. http://tel.archives-ouvertes.fr/tel-00269043/fr/.
After having revisited the concept of authorship and analyzed the highly polyphonic and multicultural vocation of the francophone discourse, this work, focusing on three geographical areas (Brittany, Québec, Sub-Saharian Africa) and three authors (Pierre-Jakez Hélias, Félix Leclerc and Cheikh Hamidou Kane), examines the tension between the moral duty of belonging to a minority culture and the universality of the literary project. First, a study of Pierre-Jakez Hélias shows the underexamined biculturalism of some French populations and the uneasy identity of the author in a “French Francophone” context. Then, through Felix Leclerc 's writings, I question the Quebecois author's wor k, whose troubling ambiguity is not entirely accounted for by the myth of a bipolar opposition between English and French. Finally, with the study of potential identities in Kane’s novels, I discuss the evidence of a homogeneous black African identity, in order to better assess the relevance of a manifold reading of African cultures in literature. Ultimately, this work demonstrates that Francophone authors are ethically free to overcome biological constraints so their work can bear the hallmark of an assumed “alterculturality”
Loarer, Tristan. "Broadelouriezh en IIIde Emsav : évolution de la notion de nationalisme dans la littérature écrite en langue bretonne de 1954 à 1970." Thesis, Rennes 2, 2022. http://www.theses.fr/2022REN20010.
The decade following the end of World War II failed to rebuild, in Brittany, the popular emulation that certain “nationalist” militants could have wished for around the question of the specific Breton identity. However, between 1954 and the turn of the year 1970, a real transformation took place in the perception that the Bretons themselves had of their own identity. This perception is questioned, redefined, it is structured and induces the design of tools which uses will later mark out the political, social and cultural demands that will result in the important post-1970 cultural and social revival. This national discourse, from a nucleus of Breton activists, will gradually spread to a large part of the Breton population, Breton speaking people or not. The relevance of the notion of nation to Brittany has long been supported, argued as well as criticized and fought in the context of a “one and indivisible’’ French Republic. The object of this research work is to shed light on the evolution of this notion, with regards to the analysis of an exhaustive corpus which only includes literary works in the Breton language written during the chosen period, whatever the places or the periods of writing and publishing. It will therefore be a question of defining the criteria of what makes literature a regional, national or international subject. This dissertation proposes to analyse these writings on what sometimes appears to be a simple attachment to the territory, sometimes to be the reflection of more emancipatory political approaches, akin to the wave of decolonisation that is overwhelming the world in this second half of the twentieth century
Quénu, Benjamin. "Culture et politique dans l’Ouzbékistan soviétique de la Grande Terreur au Dégel (1937-1956) : l’Union des Écrivains de la RSS d’Ouzbékistan, une expérience de cogestion du pouvoir et de construction des imaginaires politiques." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100034.
The present dissertation explores the interactions between culture and politics by focusing on the history of the Soviet Writer’s Union of the Uzbek SSR and the fate of the writers who ruled this institution during the second Stalinism. Analysing these relationships as a form of co-ruling, the study sheds light on the conditions of production of the literature, on the changing ratio of power between the institutions, and on the public role of the writer after the Great Terror of 38-39, which leads to the decimation of the cultural elites, ans especially of the Muslim reformists. Surviving writers have to use new strategies to re-stablish a continuity in literature, like using propaganda productions to rehabilitate literary genres. During the world war two, the evacuation of industries and intellectuals reinforce the power of the Soviet Writer’s Union, as Tashkent is becoming a prime cultural centre. The writers nationalise and give a new meaning to the political imaginary of the Soviet Union, giving birth to an hybrid culture, which go far beyond the Stalinist project of “national in form, proletarian in content”. Finally, the study analyses the late Stalinism at the light of the local reinterpretations of the repressive Soviet literary politics from 1945 to 1953. Shedding light on the conflicts between institutions and factions, the study shows the singular character of this period, as the nationalisation of imaginaries and language is reinforced whilst the centre aims to regain power on this territory and wants to establish the primacy of Russian culture. The study ends with the resolution of this tension in a new episode of terror. The nationalisation of the culture is then suspended until the Thaw
Garcia, Moratinos Pilar, and de Salas José Pellicer. "Un florilège courtisan dans l'Espagne baroque : étude et édition de l'Anfiteatro de Felipe el Grande de José Pellicer (1631)." Paris 4, 1999. http://www.theses.fr/1999PA040142.
Gouthe, Glenn. "Xavier de Langlais et la langue bretonne : création, sauvegarde, transmission : étude de la place du breton dans la vie d’une personnalité bretonne du XXe siècle." Thesis, Rennes 2, 2021. http://www.theses.fr/2021REN20051.
How did Xavier de Langlais participate in the life and survival of the Breton language during the 20th century? Breton personality, member of the Seiz Breur, he is a direct witness of the upheavals then affecting the Breton language and gradually leading to its decline. His artistic activity, such as his paintings, engravings, illustrations and even his frescoes have made him famous in Brittany and beyond. His work in the Breton language and in favour of it is less well known. This study attempts to understand the link he had with the Breton language and his activism in favour of it. He took it upon himself to learn the Breton language in a non-breton-speaking family background. He composed poems, novels, short stories, plays. He actively participated in the main literary journals of the time such as Gwalarn or Dihunamb. He took interest in the language of his environment in Vannes country by collecting songs, tales, phrases, proverbs in the field, in the region of Surzur. He fully embarked on a spelling reform which had become essential in his eyes so that the language could be taught in the school system and thus allow a transmission to future generations
Aumercier-Vial, Claire. "Fêtes et littérature en Grande-Bretagne aux XIVe et XVe siècles." Paris 4, 1999. http://www.theses.fr/1998PA040282.
Books on the topic "Écrivains – Dans la littérature – Grande-Bretagne":
Kleff, Patrice. Ceux de Verdun: Les écrivains et la Grande Guerre. Paris: Flammarion, 2006.
Robert, Ferrieux, and Amiot-Jouenne Pascale, eds. La littérature autobiographique en Grande-Bretagne et en Irlande. Paris: Ellipses, 2001.
King, Ros. Cymbeline: Constructions of Britain. Aldershot, Hants, England: Ashgate, 2005.
Bodenheimer, Rosemarie. The politics of story in Victorian social fiction. Ithaca, N.Y: Cornell University Press, 1988.
Dooley, Allan C. Author and printer in Victorian England. Charlottesville: University Press of Virginia, 1992.
Steedman, Carolyn. Radical Soldier's Tale: John Pearman, 1819-1908. Taylor & Francis Group, 2017.
Steedman, Carolyn. Radical Soldier's Tale: John Pearman, 1819-1908. Taylor & Francis Group, 2016.
King, Ros. Cymbeline: Constructions of Britain. Taylor & Francis Group, 2017.
King, Ros. Cymbeline: Constructions of Britain. Taylor & Francis Group, 2017.
Bodenheimer, Rosemarie. The Politics of Story in Victorian Social Fiction. Cornell University Press, 1991.
Book chapters on the topic "Écrivains – Dans la littérature – Grande-Bretagne":
Sheringham, Michael. "La littérature française dans l’université anglophone : La Grande-Bretagne." In La littérature française du 20e siècle lue de l'étranger, 141–49. Presses universitaires du Septentrion, 2011. http://dx.doi.org/10.4000/books.septentrion.13816.