Relevant bibliographies by topics / Easy poems

Academic literature on the topic 'Easy poems'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Easy poems.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Easy poems"

1

Phipps, Jake. "‘The Art of Easy Writing’: The Case of Burns and Byron." Romanticism 28, no. 3 (October 2022): 222–32. http://dx.doi.org/10.3366/rom.2022.0563.

Full text
Abstract:
This article focuses on several unexplored relationships between the poetry of Robert Burns and Lord Byron. In the first part of the article, I discuss how Burns and Byron manipulated their chosen verse forms to perform an ironic account of their own productions, which are often critical not only of conventional tastes, but also of their role as poets. In the second part of this article, I turn to two satires: ‘A Dream’, a poem that featured in Burns’s debut volume, Poems, Chiefly in the Scottish Dialect (1786), and Byron’s ‘The Vision of Judgment’ (1822). Here I explore the shared satiric sympathies of the poets, examining how Burns’s and Byron’s satires reflect a similarity in temperament and geniality, despite criticising political or poetic foes, namely King George III and Robert Southey.
APA, Harvard, Vancouver, ISO, and other styles
2

Dr. Budhanath Pratihast. "A.K. Ramanujan’s Select Poems: A Humanistic Approach." Creative Launcher 5, no. 2 (June 30, 2020): 48–53. http://dx.doi.org/10.53032/tcl.2020.5.2.05.

Full text
Abstract:
Attipat Krishnaswamy Ramanujan (1929-1993), needs no introduction in the word of Indian English Poetry. His poems are liked by every person because his poems are either replete with the humanistic approach or his poem have autobiographical elements. He was a poet, translator, playwright and folklorist. He belonged to a Hindu family. He was a trilingual writer who wrote in English, Tamil and Kannada. He has interpreted some works written in Sanskrit and Tamil bases on some classical and modern variants. He had four poetry collections to his credit: The Striders (1966), Relations (1971), Second Sight (1986), and The Black Hen (1995). Ramanujan’s poems are so easy and personal that these poems touch the heart of reader.
APA, Harvard, Vancouver, ISO, and other styles
3

Niles, John D. "The trick of the runes in The Husband's Message." Anglo-Saxon England 32 (December 2003): 189–223. http://dx.doi.org/10.1017/s0263675103000097.

Full text
Abstract:
The Old English poem known as The Husband's Message begins in the same minimalist style as is typical of a number of poems of the Exeter Book (Exeter, Cathedral Library, 3501). A first-person speaker, an ‘I’, begins speaking without any context for speech yet being established, without any self-introduction, and without as yet any known purpose: Nu ic onsundran þe secgan wille … As with the Exeter Book elegies known as The Seafarer, The Wife's Lament and Wulf and Eadwacer, just as with all fifty Exeter Book riddles that are put into the first person singular voice, there is an implied challenge for the reader to discover who the speaker is and to fill out his or her full story. The poem thus begins with a small enigma. It is easy to tell that we are in the midst of that part of the Exeter Book that consists of close to one hundred riddles interspersed by a small miscellany of other poems, several of which are riddle-like in their resistance to easy interpretation.
APA, Harvard, Vancouver, ISO, and other styles
4

Asmael, M. Swrood weli. "A reflection of the love and spinning on notice poet Abdullah Taho (Women and the homeland)." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 221, no. 1 (November 6, 2018): 229–52. http://dx.doi.org/10.36473/ujhss.v221i1.433.

Full text
Abstract:
- It is shown to us through the poems of our poet (Pashyo) that he lived floating between two great seas of love with no dam between them… his love for his beloved lady (Yar) and his inordinate love for his (homeland), all of which was reflected in his poems, so the love of (Yar) was the source of his small inspiration with the love of homeland and the treatment of the pains and tortures of his nation. - (Pashyo) differs from the poets preceding him, he is one of scarce poets who declares with high and clear voice what his Kurdish people suffer of political and human problems through the words of his poems, he rises the mettles and addresses all the classes of his nation to uncover the occupiers and usurpers and expose them. His weapon is words that have more intensive effect that the bullets on them. - With respect to language, (Pashyo) wrote his poems in a simple and fluent language and at the same time they rise to high technical levels of superiority and beauty and what is named as abstained easy. - (Pashyo) was sincere and honest in his expressions, and did not write his poems for private purposes, except for the beloved love, while the rest of his poems were in the explanation and treatment of his nation's political problems. - Within the folds of his poems, it is shown that there is a directed message controlling in an obvious way over the shape and content.
APA, Harvard, Vancouver, ISO, and other styles
5

Desyatov, V. V. "THE TEMPLE OF ACMEISM. FRAGMENTS OF A DIALOGUE BETWEEN NIKOLAY GUMILEV AND OSIP MANDELSTAM." Voprosy literatury, no. 3 (October 1, 2018): 123–69. http://dx.doi.org/10.31425/0042-8795-2018-3-123-169.

Full text
Abstract:
In the article numerous allusions and direct citations that reciprocally reveal an intensive dialogue between the two Acmeist poets are pointed out and examined. The data are extracted from O. Mandestam’s and N. Gumilev’s poems and articles, as well as the latter’s narrative poems and plays: mostly texts with references to temples, with which Acmeists strongly identified their creative work on poetic as well as thematic levels. Since the erection of a temple is a recurrent image in Gumilev’s works throughout his lifetime, it is easy to assume that Mandelstam’s poems like Notre Dame, Hagia Sophia [Aya-Sofiya], and others can be seen as responses to the leader of Acmeists from his loyal disciple. Mandelstam tends to follow Gumilev’s lead in this dialogue, developing and detailing his ‘architectural philologism’. However, he also sympathizes with the idea of rebuilding a temple, the topic becoming even more pronounced after Gumilev’s untimely death.
APA, Harvard, Vancouver, ISO, and other styles
6

Maysoon Fuad, Shibi. "The Evolution of the Rajaz Meter in Modern Arabic Poetry, Al-Rajaz Poem as Narrative Poetry, as Reflected in the Works of Ṣalāḥ ‘ABD AL-Ṣabūr." Journal of Semitic Studies 64, no. 2 (August 23, 2019): 583–603. http://dx.doi.org/10.1093/jss/fgz028.

Full text
Abstract:
Abstract The rajaz meter has always been folkloric, from its inception to this day. It is easy to compose verses in it, so that poets used it to express the concerns of their nation, especially following the consecutive political defeats which the Arab world has experienced. Modern Arab poets use this meter in poems that express the concerns of the common people and urge them to stand together in the face of defeats and despotic, oppressive regimes. The rajaz meter allows them to write in one voice that represents the collective as a whole. The Egyptian poet Ṣalāḥ ’Abd al-Ṣabūr (1931–81) used the rajaz meter in an innovative manner, in a way that he succeeded in making an equilibrium between poetry and prose. This can be seen in his use of the rajaz meter to compose narrative poems, as we shall see in the present study.
APA, Harvard, Vancouver, ISO, and other styles
7

Akingbe, Niyi. "Speaking denunciation: satire as confrontation language in contemporary Nigerian poetry." Afrika Focus 27, no. 1 (February 25, 2014): 47–67. http://dx.doi.org/10.1163/2031356x-02701004.

Full text
Abstract:
Contemporary Nigerian poets have had to contend with the social and political problems besetting Nigeria’s landscape by using satire as a suitable medium, to distil the presentation and portrayal of these social malaises in their linguistic disposition. Arguably, contemporary Nigerian poets, in an attempt to criticize social ills, have unobtrusively evinced a mastery of language patterns that have made their poetry not only inviting but easy to read. This epochal approach in the crafting of poetry has significantly evoked an inimitable sense of humour which endears these poems to the readers. In this regard, the selected poems in this paper are crowded with anecdotes, the effusive use of humour, suspense and curiosity. The over-arching argument of the paper is that satire is grounded in the poetics of contemporary Nigerian poetry in order to criticize certain aspects of the social ills plaguing Nigerian society. The paper will further examine how satire articulates social issues in the works of contemporary Nigerian poets, including Niyi Osundare, Tanure Ojaide, Chinweizu, Femi Fatoba, Odia Ofeimun, Ezenwa Ohaeto, Obiora Udechukwu and Ogaga Ifowodo. Viewed in the light of artistic commitment, the paper will demonstrate how satire accentuates the role of these poets as the synthesizers/conduits of social and cultural concerns of Nigerian society for which they claim to speak. As representatively exemplified in the selected poems, the paper will essentially focus on the mediation of satire for the impassioned criticism of social and moral vices, militating against Nigeria’s socio-political development.
APA, Harvard, Vancouver, ISO, and other styles
8

Khan, Mamona Yasmin, Nausheen Rasheed, and Shaheen Rasheed. "Teaching Grammar through Literature to EFL Learners: A Corpus Approach." Journal of English Language, Literature and Education 2, no. 03 (March 29, 2021): 19–52. http://dx.doi.org/10.54692/jelle.2021.020368.

Full text
Abstract:
A plethora of researches have been conducted to improve the grammar teaching technique of English language in order to make it easier for the students to learn English in a fun way. To teach the grammar, the corpus approach proves to be very beneficial. The focus of this study is to explore the way how literary poems can be of great use for teaching English language to the students, by using a Simple Concordance Program Scp (4.09). For this purpose, we have selected four English poems. This is an exploratory research. This study investigates the ways in which the application of Corpus Analysis Tool on poems can assist English language teaching. Hence, it makes it easy for the students in ELT classrooms to comprehend the grammatical structures. The results illustrate that the Scp (4.09) tool helps in extracting the words with higher frequency rate but as well as in the teaching of imperative, conditional sentences, present (indefinite, continuous and perfect) and simple past tenses, as it provides the concordances of the words. Further researchers can find out the word collocations by using the same tool. Moreover, the selected poems in this study, can be analyzed through other corpus tools available. This study can also be expanded to the stylistic analysis of the poems. The literary devices used by both poets can be studied, compared and taught to the students.
APA, Harvard, Vancouver, ISO, and other styles
9

Haji Jukim, Maslin. "A Collection of Poems The Rivers, Seas, and Us by Morsidi M.H: The Story about Life." Malay Literature 35, no. 1 (June 5, 2022): 127–54. http://dx.doi.org/10.37052/ml35(1)no7.

Full text
Abstract:
Poetry has become a popular choice among Bruneian writers. As a result, many of those who received the Southeast Asian Writers' Awards came from the genre of poetry. Most recently, in 2021, Morsidi M.H was announced as the recipient of the award for his book, Kumpulan Sajak Sungai, Laut and Kita, which was published in 2021. This book contains 57 poems and is divided into four themes, namely Pulse and the Journey of Life (20 poems) , Homeland (7 poems), Nature and the Meaning of Life (12 poems), and Introspection and the Reality of Life (18 poems). In accordance with the contents and title, this collection of poetry presents life in line with time that is always moving forward. It works on the poet's imagination, wisdom, and emotions to produce the poems. In the Pulse and Journey of Life section alone, there is a connection between one poem and another. This attracts attention to be used as research with the objective to study and interpret all the events that the poet went through during the passage of time recorded in the form of verses of his poems. A close reading of the poems in the Pulse and Journey of Life section is not enough. Therefore, it is coupled with an expressive approach to achieve the objective of this study more effectively. The findings of this research showed that these poems share the meaning of life, which is a journey that is not considered too easy to go through, especially when confronted with many faces of human nature. This journey of life is passed along with the passage of time, and it is finally realized that there is no best way to follow this journey of life except with faith and the guidance of Islamic teachings.
APA, Harvard, Vancouver, ISO, and other styles
10

Ibikunle, Tolulope. "Serialization of Ọbasa’s Poems in The Yorùbá News." Yoruba Studies Review 5, no. 1 (December 21, 2021): 1–15. http://dx.doi.org/10.32473/ysr.v5i1.130068.

Full text
Abstract:
Every newspaper has its form, structure, and pattern. The Yorùbá News published between 1924-1945 was not an exception, as it comprised of different contents ranging from the editorial opinion to home news, gossip, adverts, and serialization of different forms of narratives. D.A. Ọbasa, the publisher ́ of The Yorùbá News, also published many works of poetry. Ọbasa started the publication of excerpts of his poems in The Yoruba News under the column “Àwọn Akéwì.” Serializing these poems, therefore, means issuing them regularly and consecutively in diferent editions of the newspaper. In the various scholarly engagements with Ọbasa’s works, little or no attention has been given to the serialization of his poems in Te Yorùbá News. The focus of this easy therefore is to fill this gap by highlighting and documenting the serialized poems of Ọbasa in Te Yorùbá News. Trough intertextuality theory, the easy aims at appraising how Ọbasa transfer his knowledge of the Yorùbá oral literature to his readers through his application of oral poetic form from his serialized poems. Tis work will therefore dwell on Intertextuality and its influence on the works of Ọbasa, which will enable us to discuss his creative ability as a cultural activist.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Easy poems"

1

Mihalyi-Jewell, Gyorgyi Sara. "Szuret: Translating Magda Szabo." Kent State University Honors College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1420913280.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Saavedra, Casco José Arturo. "Swahili poetry as a historical source : utenzi, war poems and the German conquest of East Africa, 1888-1910." Thesis, SOAS, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289839.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Saavedra, Casco José Arturo. "Swahili poetry as a historical source utenzi, war poems, and the german conquest of East Africa, 1888-1910 /." Online version, 2002. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.289839.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Napiorkowska, Marta Maria. "The perduring sublime| The poetics of post-sublime recovery in the poems of Adam Zagajewski, Miroslav Holub, and Allen Grossman." Thesis, The University of Chicago, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3568409.

Full text
Abstract:

Theorists of the sublime have struggled to make the category coherent because they have collapsed its causes, the experience of the event itself, its subsequent effects on a subject, the symptomatic appearance of those effects in written texts, and the effects such texts have on a readership or audience, all into one concept: "the sublime." However, by slowing down the sublime event, parsing out its stages temporally, and drawing out their distinctive qualities, we not only can make some parts of the total sublime experience effable and coherent, but also we can discover meaning and significance in texts, such as strange or difficult poems, that may otherwise seem to be incomprehensible, irrational, or irresponsible uses of language. In turn, because such sublime texts refer both to experiences and to the subject that has them, such readings invite expanded understandings of human being (noun) and human being (gerund). This hypothesis is not new, but I complicate it by understanding human being through not one but at least three interrelated lenses: existential/experiential, biological/embodied, and social/civilizational. Therefore, to show adequately the sublime event's reputed "interruption of being", its continued relevance to the study of being, and what it reveals about human being, I analyze three types of poetries interested in these three aspects of human being.

In my introductory chapter, I critically review arguments made about the sublime in literary history, both canonical – such as Longinus's, Burke's, and Kant's – and more recent, such as Suzanne Guerlac's, Francis Ferguson's, and Neil Hertz's. I attend to the sublime's delineations as well as its rewards and risks. I differ, however, when I conclude that the cause is a perception that interrupts meaning-making and self-making cognitive processes. I clarify why the experience of the event is reputably private, contingent, and virtually ineffable. I argue that the sublime can only enter public discourse through the logic of symptom, of which poems can be examples. In other words, because poems are in and of language, they show a recovery from the sublime event, to which they can refer but which they cannot represent. I read Sappho's Ode and a section of Wordsworth's "Prelude" to demonstrate the effectiveness of reading poems in this way.

In each of the chapters that follow, I read both typical poems and sublime recovery poems, highlighting the qualities that make a sublime recovery poem recognizable within the context of its respective poet's work. Thereafter, I discuss the consequences of the meaning these poems make. In my analysis, I remain faithful to the terms the poet develops across his body of work.

I introduce the existential sublime event through Zagajewski's poetry. I build the contextual background that the sublime event interrupts through an overview of Zagajewski's more typical Dasein poems. Against this background, his sublime recovery poems emerge. They expand the meaning of human being (gerund) to include atemporal experiences – a virtual contradiction in terms considering that being happens in time and that time plays a strong role in Zagajewski's poetics. As a consequence, I argue, his sublime poems propose to the reader possible being that is non-ethical, asocial, and transcendent and that contrasts with Zagajewski's speaker's more usual ethical stance of praise. They also invite important questions about human consciousness that can reinvigorate our understanding of Dasein.

In chapter three, I examine the biological sublime, an interruption in Holub's organic, empirical context that typically acknowledges both failure and paradox in science, thought, and art. In response, poems act as intensive care for being by holding off the encroachment of non-being, which threatens in moments of failure or paradox. In "Transplantace Srdce," however, Holub's speaker adopts uncharacteristic language associated with sublime recovery and reaches unempirical, rational certainty about being's presence where non-being should be. This conclusion redefines the parameters of embodied being.

In chapter four, I begin with the civilizational sublime, to which Grossman's elaborate edifice of poetic theory and poems, on which he seeks to hang the value of persons, responds. The rupture in civilization is marked by Trinity, the first atomic explosion that entered social consciousness and ushered in the use of nuclear weapons and the ever-imminent threat to repeat sociability's utter failure. Grossman's search for a non-violent account of representation that protects sociability culminates in a collection of poems distinguished by their inclusion of others' speech, which I read as a poetics of courtesy that is not violent. Courtesy requires the simultaneous presence of both the speaker and the one who is offered a chance to speak; otherwise, it fails.

In the Coda, I discuss the relevance of my approach to other theories of the sublime, to the study of poetry, and to the philosophy of consciousness. (Abstract shortened by UMI.)

APA, Harvard, Vancouver, ISO, and other styles
5

Gilbert, Matthew. "Fir-Flower Petals on a Wet Black Bough: Constructing New Poetry through Asian Aesthetics in Early Modernist Poets." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3588.

Full text
Abstract:
Critics often credit Ezra Pound and his Imagist movement for the development of American poetics. Pound’s interest in international arts and minimalist aesthetics of cross-cultural poetry gained the attention of prominent writers throughout Modernist and Post-Modern periods. From writers like Wallace Stevens and Gertrude Stein to later poets like Jack Kerouac and Gary Snyder, image and precise language has shaped American literature. Few critics have praised Eastern cultures or the Imagist poets who adopted an East-Western form of poetics: Amy Lowell and William Carlos Williams. Studying traditional Eastern painting and short-form poetry and interactions with personal connections to the East, Lowell and Williams adapt then progress aesthetic fusions Pound began and abandoned through his interpretation of Eastern art. Like Pound, Lowell and Williams illustrate a mix of form, free-verse language, and modernized poetics to not only imitate Eastern art but to create poetics of international discourse which shape American Modernism.
APA, Harvard, Vancouver, ISO, and other styles
6

Blackmore, Sabine [Verfasser], Helga [Akademischer Betreuer] Schwalm, and Verena [Akademischer Betreuer] Lobsien. "In soft Complaints no longer ease I find : poetic onfigurations of melancholy by early eighteenth-century women poets / Sabine Blackmore. Gutachter: Helga Schwalm ; Verena Lobsien." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät II, 2015. http://d-nb.info/1069156426/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Blackmore, Sabine [Verfasser], Helga Akademischer Betreuer] Schwalm, and Lobsien Verena [Akademischer Betreuer] [Olejniczak. "In soft Complaints no longer ease I find : poetic onfigurations of melancholy by early eighteenth-century women poets / Sabine Blackmore. Gutachter: Helga Schwalm ; Verena Lobsien." Berlin : Humboldt Universität zu Berlin, Philosophische Fakultät II, 2015. http://d-nb.info/1069156426/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Blackmore, Sabine. "In soft Complaints no longer ease I find." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2015. http://dx.doi.org/10.18452/17176.

Full text
Abstract:
Diese Dissertation untersucht die verschiedenen Konstruktionen poetischer Selbstrepräsentationen durch Melancholie in Gedichten englischer Autorinnen des frühen 18. Jahrhunderts (ca. 1680-1750). Die vielfältigen Gedichte stammen von repräsentativen lyrischer Autorinnen dieser Epoche, z.B. Anne Wharton, Anne Finch, Elizabeth Singer Rowe, Henrietta Knight, Elizabeth Carter, Mary Leapor, Mary Chudleigh, Mehetabel Wright und Elizabeth Boyd. Vor einem ausführlichen medizinhistorischen Hintergrund, der die Ablösung der Humoralpathologie durch die Nerven und die daraus resultierende Neupositionierung von Frauen als Melancholikerinnen untersucht, rekurriert die Arbeit auf die Zusammenhänge von Medizin und Literatur im 18. Jahrhundert. Für die Gedichtanalysen werden gezielt Analysekategorien und zwei Typen poetisch-melancholischer Selbstrepräsentationen entwickelt und dann für die Close Readings der Texte eingesetzt. Die Auswahl der Gedicht umfasst sowohl Texte, die auf generisch standardisierte Marker der Melancholie verweisen, als auch Texte, die eine hauptsächlich die melancholische Erfahrung inszenieren, ohne dabei zwangsläufig explizit auf die genretypischen Marker zurück zu greifen. Die detaillierten Close Readings der Gedichte zeigen die oftmals ambivalenten Strategien der poetisch-melancholischen Selbstkonstruktionen der Sprecherinnen in den Gedichttexten und demonstrieren deutlich, dass – entgegen der vorherrschenden kritischen Meinung – auch Autorinnen dieser Epoche zum literarischen Melancholiediskurs beigetragen haben. Die Arbeit legt ein besonderes Augenmerk auf die sog. weibliche Elegie und ihrem Verhältnis zur Melancholie. Dabei wird deutlich, dass gerade Trauer, die oftmals als weiblich konnotierte Gegendiskurs zur männlich konnotierten genialischen Melancholie wahrgenommen wird, und die daraus folgende Elegie von Frauen als wichtiger literarischer Raum für melancholische Dichtung genutzt wurde und somit als Teil des literarischen Melancholiediskurses dient.
This thesis analyses different constructions of poetic self-representations through melancholy in poems written by early eighteenth-century women writers (ca. 1680-1750). The selection of poems includes texts written by representative poets such as Anne Wharton, Anne Finch, Elizabeth Singer Rowe, Henrietta Knight, Elizabeth Carter, Mary Leapor, Mary Chudleigh, Mehetabel Wright und Elizabeth Boyd. Against the background of a detailed analysis of the medical-historical paradigmatic change from humoral pathology to the nerves and the subsequent re-positioning of women as melancholics, the thesis refers to the close relationship of medicine and literature during the eighteenth century. Specifical categories of analysis and two different types of melancholic-poetic self-representations are developed, in order to support the close readings of the literary texts. These poems comprise both texts, which explicitly refer to generically standardized melancholy markers, as well as texts, which negotiate and aestheticize the melancholic experience without necessarily mentioning melancholy. The detailed close readings of the poems discuss the often ambivalent strategies of the poetic speakers to construct and represent their melancholic selves and clearly demonstrate that women writers of that time did – despite the common critical opinion – contribute to the literary discourse of melancholy. The thesis pays special attention to the so-called female elegy and its relationship to melancholy. It becomes clear that mourning and grief, which have often been considered a feminine counter-discourse to the discourse of melancholy as sign of the male intellectual and/or artistic genius, and the resulting female elegy offer an important literary space for women writers and their melancholy poetry, which should thus be recognized as a distinctive part of the literary discourse of melancholy.
APA, Harvard, Vancouver, ISO, and other styles
9

Renner-Fahey, Ona. "Mythologies of poetic creation in twentieth-century Russian verse." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1056554664.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Avila, Alex. "THE BRONX COCKED BACK AND SMOKING MULTIFARIOUS PROSE PERFORMANCE." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/394.

Full text
Abstract:
The Bronx Cocked Back And Smoking is a collection of multifarious prose performances recounting the historical, personal, social, political and cultural constructs of a city birthed by violence. This body of work is accompanied by video, audio, photography, and theatre performance texts. St. Mary’s Housing project, in the Bronx, is the foundation where most of this literary work takes place. The modern day Griot (storyteller) is a Poet, guiding his audience through the social inequalities and disparities that plague St. Mary’s community. The Poet shares personal traumatic insights while simultaneously utilizing writing as a form of survival to the conditions of the Bronx. This multi-platform performance highlights the metaphorical and physical concerns with the cycle of violence. This question is answered through the Poet’s choice by selecting the pen over the gun.
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Easy poems"

1

Easy: Poems. Baton Rouge: Louisiana State University Press, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Easy: Poems. New York: Alfred A. Knopf, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Easy math: Poems. Louisville, Ky: Sarabande Books, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gail, White. Easy marks: Poems. Cincinnati, OH: David Robert Books, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Speak easy: 101 poems. [Place of publication not identified]: Publishamerica Inc., 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Brodsky, Louis Daniel. The easy philosopher: Poems. St. Louis, Mo: Time Being Books, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Easy to learn songs, poems, rhymes, and fingerplays. Nashville, Tenn: Scythe Publications, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Salas, Laura Purdie. Tiny dreams, sprouting tall: Poems about the United States. Mankato, Minn: Capstone Press, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Ross, Linda B. The super book of phonics poems: 88 playful poems with easy lessons that teach consonants, vowels, blends, digraphs, and much more! New York: Scholastic Professional Books, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Canonigo, C. S. Conversational English-Cebuano made easy: Thru: situational translations, questions and answers, quizzes and dialogs, short poems; plus English-Cebuano vocabulary. Cebu City, Philippines: JUCIP Books, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Easy poems"

1

Castiglione, Davide. "Processing Baseline: The Easy Poem." In Difficulty in Poetry, 197–221. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97001-1_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rand, Michael. "From West to East: The Poems of Samuel ha-Nagid in the Cairo Geniza." In The Poet and the World, 41–58. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110599237-004.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Yeshaya, Joachim. "Some Observations on Jewish Poets and Patrons in the Islamic East: Twelfth–Thirteenth Centuries." In Medieval Church Studies, 79–97. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.mcs-eb.5.103105.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cucinelli, Diego. "幻の春の声. 近現代日本文学における「亀鳴く」/ The illusory voice of the spring: the motif of ‘crying turtle’ in modern and contemporary Japanese literarure." In Studi e saggi, 29–50. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-260-7.02.

Full text
Abstract:
The turtle (kame) is of great importance in East Asian culture and it is seen as a supernatural creature. In Japanese literature, we can find examples of the turtle in works dating back to the Nara period, such as Tangokuni fudoki and Nihonshoki. Just like the crane, the turtle is a symbol of longevity. However, from the Kamakura period a new and unique interpretation of the turtle as the “singing/crying turtle” makes its appearance. Of this topos, known as kame naku, we can find only very few examples in literature until the Meiji era and the most known are the waka anthologies Shinsen waka rokujō and Fuboku wakashō, and Kyokutei Bakin’s kigo collection Haikai saijiki shiorigusa. However, from the beginning of the modern age, kame naku has been used by many poets as a kigo connected to spring and its frequency has hugely increased. After the war, it began to appear not only in poetry but also in novels and essays. The best known examples of this being Mishima Yukio’s short novel Chūsei, Uchida Hyakken’s essay Kame naku ya, Kawakami Hiromi’s work Oboreru. Using kame naku as a keyword, in this paper we will analyze the attitudes and approaches of modern and contemporary poets and novelists toward the topos.
APA, Harvard, Vancouver, ISO, and other styles
5

Szabo, Lucian-Vasile, and Marius-Mircea Crişan. "“Bloodthirsty and Remorseless Fangs”: Representation of East-Central Europe in Edgar Allan Poe’s Gothic Short Stories." In Dracula, 53–68. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63366-4_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Kipling, Rudyard. "The Man who would be King." In Stories and Poems. Oxford University Press, 2015. http://dx.doi.org/10.1093/owc/9780198723431.003.0012.

Full text
Abstract:
Brother to a Prince and fellow to a beggar if he be found worthy. The Law° , as quoted, lays down a fair conduct of life, and one not easy to follow. I have been fellow to a beggar again and again under...
APA, Harvard, Vancouver, ISO, and other styles
7

James, Elaine T. "Contexts." In An Invitation to Biblical Poetry, 138–69. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190664923.003.0006.

Full text
Abstract:
Chapter 5 uses the model of the three “worlds of the text” to discuss the ways that poems are always spanning the ancient world and the worlds of their readers. It advocates for the necessity of both historical sensitivity and attention to the needs of the present moment. It discusses allusion as one way in which biblical poems can relate to one another. It argues that prophetic poetry in particular is both uniquely oriented to historical moments and at times paradoxically resistant to specific rhetorical purposes. It also considers how the destruction of Jerusalem in 586 BCE was a traumatic catalyst for new creative work. The chapter ends with a reading of Psalm 137 as a poem of rage and trauma, in conversation with W. E. B. Du Bois and Reginald Dwayne Betts. Ultimately, this chapter argues that the work of reading poems is not easy, but is myriad, demanding, and morally complex. It requires patient consideration of the poem in its diverging contexts and the extension of empathy to readers and writers, past and present.
APA, Harvard, Vancouver, ISO, and other styles
8

Bleakley, Chris. "Superhuman Intelligence." In Poems That Solve Puzzles, 203–14. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198853732.003.0012.

Full text
Abstract:
Chapter 12 is the story of AlphaGo – the first computer program to defeat a top human player at the board game Go. On March 19, 2016, grandmaster Lee Sedol took on AlphaGo for a US$1 million prize in a best of five match. Experts expected that it would be easy money for Sedol. To most observers surprise, AlphaGo swept the first three games to win the match. AlphaGo was based on deep artificial neural networks (ANNs). The networks were trained with 30 million example moves followed 1.2 million games played against itself. AlphaGo was the creation of a London based company named Deep Mind Technologies. Founded in 2010 and acquired by Google 2014, DeepMind’s made a succession of high profile breakthroughs in artificial intelligence. Recently, their AlphaZero ANN displayed signs of general-purpose intelligence. It learned to play Chess, Shogi, and Go to world champion level in a few days.
APA, Harvard, Vancouver, ISO, and other styles
9

Goldstein, David. "Solomon Ibn Gabirol." In Hebrew Poems from Spain, 61–70. Liverpool University Press, 2007. http://dx.doi.org/10.3828/liverpool/9781904113669.003.0006.

Full text
Abstract:
This chapter addresses the poetry of Solomon Ibn Gabirol. Solomon was born in Malaga in 1021 or 1022, and lived the greater part of his life in Saragossa. From his early years, he was crippled by disease, and his illness is a constant theme of his poetry. He was compelled to live by his writing, and found a sympathetic patron in Yekutiel ben Isaac ibn Hasan, who was executed in 1039. Perhaps as a result of his indisposition, and his consequent sense of inferiority, he was not an easy companion, and he left Saragossa, to die, perhaps in Valencia, between 1053 and 1058. He devoted much of his life to the pursuit of philosophy or ‘wisdom’, in which he found consolation for his physical cares; he was an adherent of the Neoplatonic school. His absorption in the ‘new’ philosophy, however, contributed to his personal unpopularity in the Jewish community of Saragossa. Meanwhile, Solomon’s fame as a poet rests mainly on his liturgical poems, which are masterpieces of concision and delicacy. It was he who introduced into the Hebrew poetic canon the poem addressed to the ‘soul’, by which he generally meant man’s intellectual aspiration to discover God.
APA, Harvard, Vancouver, ISO, and other styles
10

"i+can% t+believe+how+easy+it+is+for+people+to+abandon+each+other." In epochs of morning light: prose poems, 28. Mwanaka Media and Publishing, 2018. http://dx.doi.org/10.2307/j.ctvh9vx1r.23.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Easy poems"

1

Dudareva, Marianna A., Yuliya V. Vel’dina, Rimma M. Mirzoeva, and Denis G. Bronnikov. "The Search of the East or Apofatic Reality in V.Khlebnikov’s Poem “Shaman and Venus”." In 7th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.330.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Sutrimah, Sutrimah, Retno Winarni, Nugraheni Wardani, and Ngadiso Ngadiso. "Need Analysis: Textbook Development of Modern Indonesian Literary History (Poem in East Java Province, Indonesia)." In International Conference of Science and Technology for the Internet of Things. EAI, 2019. http://dx.doi.org/10.4108/eai.19-10-2018.2282177.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Easy poems' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography