Relevant bibliographies by topics / Early modern gardens

Academic literature on the topic 'Early modern gardens'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Early modern gardens"

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Nardizzi, V. "Green Desire: Imagining Early Modern English Gardens." Modern Language Quarterly 66, no. 3 (September 1, 2005): 393–96. http://dx.doi.org/10.1215/00267929-66-3-393.

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Bentz, Katherine M. "The Afterlife of the Cesi Garden." Journal of the Society of Architectural Historians 72, no. 2 (June 1, 2013): 134–65. http://dx.doi.org/10.1525/jsah.2013.72.2.134.

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One of the most celebrated gardens in early modern Rome was built by Cardinal Federico Cesi (d. 1565) near St. Peter’s Basilica. Earlier studies of the site have concentrated on the famous sixteenth-century antiquities collection displayed in the garden. The Afterlife of the Cesi Garden: Family Identity, Politics, and Memory in Early Modern Rome shifts the scholarly focus to also examine the changing appearance, functions, and the broader social, political, and economic significance of the garden for the Cesi family and for the city of Rome over the course of the seventeenth and eighteenth centuries. Through a close analysis of visual evidence, unpublished archival documents, and a plan of the garden by the architect Giovanni Battista Contini (d. 1723), Katherine M. Bentz demonstrates that the long post-Renaissance afterlife of the Cesi Garden reveals the ways in which politics shaped specific urban environments in Rome, how aristocratic Romans considered and used gardens over generations, and the vital and symbolic role that the garden played for centuries.
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Mexi, Alexandru. "Early Modern Garden Design Concepts and Twentieth Century Royal Gardens in Romania." Journal of Early Modern Studies 6, no. 1 (2017): 181–96. http://dx.doi.org/10.5840/jems2017619.

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McRae, A. "Review: Green Desire: Imagining Early Modern English Gardens." English Historical Review 119, no. 484 (November 1, 2004): 1420–21. http://dx.doi.org/10.1093/ehr/119.484.1420.

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Coch, Christine. "Green Desire: Imagining Early Modern English Gardens (review)." Journal for Early Modern Cultural Studies 5, no. 2 (2005): 142–45. http://dx.doi.org/10.1353/jem.2005.0014.

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Weaver, Karol K., Mirka Benes, and Dianne Harris. "Villas and Gardens in Early Modern Italy and France." Sixteenth Century Journal 34, no. 2 (July 1, 2003): 488. http://dx.doi.org/10.2307/20061435.

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Fleischer, Alette. "Gardens and Gardening in Early Modern England and Wales." Gardens and Landscapes of Portugal 6, no. 1 (September 1, 2019): 48–52. http://dx.doi.org/10.2478/glp-2019-0012.

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Toniello, Ginevra, Dana Lepofsky, Gavia Lertzman-Lepofsky, Anne K. Salomon, and Kirsten Rowell. "11,500 y of human–clam relationships provide long-term context for intertidal management in the Salish Sea, British Columbia." Proceedings of the National Academy of Sciences 116, no. 44 (October 14, 2019): 22106–14. http://dx.doi.org/10.1073/pnas.1905921116.

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Historical ecology can provide insights into the long-term and complex relationships between humans and culturally important species and ecosystems, thereby extending baselines for modern management. We bring together paleoecological, archaeological, and modern clam records to explore the relationship between humans and butter clams (Saxidomus gigantea) throughout the Holocene in the northern Salish Sea of British Columbia, Canada. We compare butter clam size and growth patterns from different temporal, environmental, and cultural contexts spanning 11,500 y to present. Butter clam size and growth were restricted in early postglacial times but increased over the next few millennia. During the early-Late Holocene, humans took increasing advantage of robust clam populations and after 3.5 ka, began constructing clam gardens (intertidal rock-walled terraces). Environmental and cultural variables, including coarse substrate, stabilized sea surface temperature, and the presence of a clam garden wall, increased clam growth throughout the Holocene. Measurements of clams collected in active clam gardens and deposited in middens suggest that clam gardens as well as other mariculture activities enhanced clam production despite increased harvesting pressure. Since European contact, decline of traditional management practices and increases in industrial activities are associated with reduced clam size and growth similar to those of the early postglacial clams. Deeper-time baselines that more accurately represent clam population variability and allow us to assess magnitudes of change throughout time as well as the complex interactions among humans and clams are useful for modern marine resource management.
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Carrión, María M. "Planting dwelling thinking. Natural history and philosophy in sixteenth-century European dried gardens." Gardens and Landscapes of Portugal 6, no. 1 (September 1, 2019): 5–19. http://dx.doi.org/10.2478/glp-2019-0009.

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Abstract European dried gardens from the 16th century have been traditionally associated with the emergence of early modern botany and its relation to the traditional genre of pharmacopeias. This study reviews a sample of the 37 known exemplars of these bound collections and argues that the design and development of these herbaria or dried gardens (orti sicci), as they were also known, reveal a broader set of questions on nature and about the relationships of humans with the natural world than the ones with which they have been linked. Based on the evidence of a diverse corpus of dried gardens—some richly bound, others composed over recycled paper, some with copious annotations, others with a seemingly random layout and distribution of plants—, this paper argues for a comparative reading of these books as a corpus that contributed significantly to early modern natural history and philosophy.
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Han, Hae-Young, Eui-Je Lim, and Jae-Hyun Rho. "Formative Characteristics of the Soudang (素宇堂) Historic House <italic>Byeoldang</italic> Garden in Uiseong." Journal of People, Plants, and Environment 25, no. 1 (February 28, 2022): 49–65. http://dx.doi.org/10.11628/ksppe.2022.25.1.49.

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Background and objective This study aimed to estimate the creation period and creators of Soudang historic house Byeoldang (Annexe) Garden (素宇堂古宅 別堂庭園, Unification as ‘SB Garden’ from now on) located in Uiseong-gun, Gyeongsangbuk-do through a literature research and field survey, and establish the construction style and value of the garden through research and analysis of its spatial and visual characteristics and garden design. The findings are as follows. Methods The research method was a combination of literature study, field survey, and comparative review. The architectural history of SB Garden were analyzed through a literature survey, and the spatial configuration of Soudanggotaek and the visual and planting design characteristics of SB Garden were derived through field survey. Also the form and style of SB Garden were identified through comparative studies between Japanese garden style cases, and Japanese gardens created in Korea during the late Joseon and Japanese colonial period. Results It is estimated that SB Garden was built between 1890 and 1920, during the late Joseon Dynasty and the early days of Japanese colonial rule, by Lee Jang-seop (1854–1907) and Lee Hong (1887–1972). Comprehensively considering the form of its small hills, the shape of the pond and the introduction of yarimizu, the presentation of oddly-shaped stones and stone structures (stone settings), the introduction of stone bridges and stone lanterns, the strolling route and stepping stones, and the tree species introduced and their planting methods, the hills of SB Garden are different in form and technique from seokgasan created in Korean traditional gardens. Through the hills, the intention of making a garden is detected, with the motif of “garden of cranes and turtles.” Conclusion The foundation from which SB Garden can be considered a Korean traditional garden is very weak, and this garden is evaluated as a modern garden completed by introducing a Japanese garden style in modern times. Specifically, SB Garden is considered to be a stroll-style garden that enables users to appreciate it by connecting the three gardens with stepping stones and stone bridges, including the garden of cranes and turtles (a sort of pond garden), the tea garden centered on the Byeoldang (Annexe), and the stone garden.
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Dissertations / Theses on the topic "Early modern gardens"

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Goff, Jennifer. "The Serpent in the Garden: How early-modern writers and artists depicted devils and witches." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1396523520.

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Tranberg, A. (Annemari). "Ympäristön ja ihmisen suhteen muuttuminen Perämeren rannikolla varhaismodernina aikana:makrofossiilitutkimus kasvien käytöstä muuttuvassa maailmassa." Doctoral thesis, Oulun yliopisto, 2018. http://urn.fi/urn:isbn:9789526219011.

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Abstract The purpose of this study is to look at the plant use on the coast of the Bothnian Bay and especially the changes that have taken place in the era of modernization. What changes do we see in the use of grave plants? How did urbanization influence everyday plant use? How did garden culture and food culture influence external contacts? The households surveyed were located on Keskikatu, Tornio, from the end of the 17th century to the beginning of the 19th century. As a reference, to the early modern households, I have studied the use of grave plants of the east coast of the Bothnian Bay. The results are based on the archaeological excavation results of the cemeteries and the inventories under the churches. The burials under the floors of the Tornio, Kempele, Keminmaa and Haukipudas churches have been dated to the 17th to 19th centuries. The results of archaeological excavations at the Iin Hamina and Manamansalo cemeteries indicate the region's medieval graves. The burials from Oulu Cathedral cemetery represent the 17th and 18th centuries, respectively. The gardening of the 18th century is a sign of a modern relationship with nature and, as part of urbanization, a key feature of modernization. The garden culture was visible earlier in the late 17th century and especially in 18th century Tornio and the northernmost parts of Sweden in structures and plans. New architectural currents were also introduced to Tornio in the form of urban plans, and features of classicalism were introduced during the 1700s, but some not until the next century. Ideas largely reached the North thanks to lively trade relations. Even though new commodities - ideas and materials - were wanted, appeared more in desires and plans than in practice. This is reflected in both food culture and garden culture. Foreign plants, medicines or foods were replaced by local plants. The availability of materials defined ownership in Tornio, and the disclosure of one's own ethnic or class identity was not so important in a small community. The manifestations of city identity were a new type of diet and a city garden. The early modern manifestation of nature is a form garden. During the 1700s and 1800s, the town garden grew into a more aesthetic park-like part of the city. In burial ceremonies, different customs and traditions mixed with each other and the origin of the meanings sometimes became obscured. In graves, new plants and artificial decorations were introduced alongside local plants. The 1700s were also central to this change. In the 19th century, burials were associated with indoor flowers and increasingly strong species of origin. There are long traditions in certain graves that follow neither cultural boundaries nor geographical, temporal or religious environments. These include, for example, the use of spruce twigs (Picea abies) and birch bark (Betula). The choice of plants, both in everyday life and in celebrations, began to emphasize individual focus and versatility. Spruce, birch, juniper (Juniperus communis) and raspberry (Rubus idaeus) remained in the life and death of the northern people, as medicines, decorations, food, spices, odours, structures and symbols
Tiivistelmä Tämän tutkimuksen tarkoituksena on tarkastella kasvienkäyttötapoja Perämeren rannikolla ja erityisesti niiden muutoksia modernisaatioon liittyen. Mitä muutoksia hautakasvien käytössä näkyy? Miten kaupungistuminen vaikutti arjen kasvienkäyttöön? Millä tavalla puutarha- ja ruokakulttuuri saivat vaikutteita ulkoa tulevista kontakteista? Tutkimuksen kohteena olevat kotitaloudet sijaitsivat Keskikadulla, Torniossa, 1600-luvun lopusta 1800-luvun alkuun. Vertailukohteena olen tutkinut kasvien käyttöä Perämeren itärannikon hautauksissa. Tulokset perustuvat hautausmaiden arkeologisiin kaivaustuloksiin sekä kirkkojen alla tehtyihin inventointeihin. Tornion, Kempeleen, Keminmaan ja Haukiputaan kirkkojen lattioiden alle tehdyt haudat on ajoitettu 1600- ja 1800-luvuille. Arkeologisten kaivausten tulokset Iin Haminan ja Manamansalon hautausmailla kertovat alueen keskiaikaisista haudoista. Oulun tuomiokirkon hautauksien tutkimustulokset edustavat vastaavasti 1600–1700-lukuja. 1700-luvun puutarhaharrastus on merkki uudenlaisesta luontosuhteesta. Kaupungistumisen osana se on modernisaation keskeinen piirre. Puutarhakulttuuri oli aikaisemmassa vaiheessaan 1600-luvun lopulla ja erityisesti 1700-luvulla Torniossa ja pohjoisimmissa osissa Ruotsia näkyvillä rakenteiden ja suunnitelmien kautta. Myös uudet arkkitehtoniset virtaukset tuotiin Tornioon ensin kaupunkisuunnitelmien muodossa ja klassismin piirteet tulivat käyttöön pitkin 1700-lukua; osa vasta seuraavalla vuosisadalla. Ideat saavuttivat pohjoisen suhteellisen nopeasti vilkkaiden kauppasuhteiden ansiosta. Uudet hyödykkeet – ideat ja materiaalit – vaikka haluttuja olivatkin, esiintyivät enemmän toiveina ja suunnitelmina kuin käytäntönä. Tämä näkyy sekä ruokakulttuurissa että puutarhakulttuurissa. Vieraita kasveja, lääkkeitä tai ruokia korvattiin kotoisilla kasveilla. Torniossa materiaalien saatavuus määritteli omistamista, eikä oman etnisen tai luokkaidentiteetin julkituominen ollut pienessä yhteisössä niin tärkeää. Kaupunki-identiteetin ilmentymiä olivat uudenlainen ruokavalio ja kaupunkipuutarha. Varhainen modernin luontosuhteen ilmentymä on muotopuutarha. Kaupunkipuutarha, joka oli ollut tunnusomaista kaupungeissa jo keskiaikana, jalostui 1700- ja 1800-lukujen aikana esteettisemmäksi, puistomaiseksi kaupungin keskeiseksi osaksi myös Torniossa. Hautaamisessa eri tavat ja perinteet sekoittuivat keskenään ja merkitysten alkuperä hämärtyi. Hautakasveissa paikallisten kasvien rinnalle tuli uusia kasveja ja keinotekoisia koristeita. 1700-luku on tässäkin muutoksessa keskeinen. 1800-luvulla hautaamisen yhteyteen tulivat sisäkukat ja yhä vahvemmin alkuperältään vieraat lajit. Tiettyjen hautakasvien kohdalla on nähtävissä pitkiä perinteitä, jotka rikkovat kulttuurirajoja, sekä maantieteellisessä, ajallisessa että uskonnollisessa ympäristössä. Tällaisia ovat esimerkiksi havujen ja tuohen käyttö. Kasvien valinnassa, sekä arjessa että juhlassa, alkoi korostua yksilökeskeisyys ja monipuolisuus, joita vahvisti varallisuus. Kuusi, koivu, kataja ja vadelma - pysyvät pohjoisen väen elämässä ja kuolemassa, niin lääkkeinä, koristeina, ruokana, mausteina ja hajuina kuin rakenteina ja symboleinakin
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"Women and gardens in medieval and early modern Mediterranean literatures and cultures." Tulane University, 2005.

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This dissertation examines space and gender in three medieval and early modern Mediterranean texts: the illustrated, anonymous, thirteenth-century Arabic manuscript from Seville, Bayad wa Riyad, the anonymous thirteenth-century Old French Romance Aucassin et Nicolette , and Fernando de Rojas's La Celestina (1499). In each text I examine how relations of power are affected by the presence, and in some cases the absence, of gardens. The garden in these three texts defies the binary opposition that has traditionally been used in the discussions of space and gender, since it is difficult, even impossible, to designate it an exclusively male or female space. As a domain of in-between, the garden in the three works operates as a place of both permissibility and prohibition, thus making it a safe stage for the manifestation of struggles and negotiations of power. Each of the three texts offers a unique, yet interrelated illustration of how the garden, because of its ambiguous nature, is transformed into a space for the emergence of subjectivity and the constant shift of identities. Most importantly, I argue that by reading the three texts against each other, one begins to see the medieval and early modern Mediterranean region as an interconnected network in which books, stories, plants, and motifs circulated from one geographical area to the other, defying today's national and linguistic boundaries
acase@tulane.edu
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Ranjbari, Zahra. "Botanic and poetic landscapes: a reading of two Persian texts on early Safavid gardens." Thesis, 2018. http://hdl.handle.net/2440/117913.

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Existing scholarship on Persian gardens reveals a pattern of common interest in spatial layout, formal quality, and symbolic meaning. Gardens are often depicted as symmetrically laid out enclosures, as introverted places for hedonistic purposes, as passive spaces for contemplation, and as symbolically charged, earthly embodiments of Qur’anic paradise. Such depictions present Persian gardens as salubrious oases intended purely for repose and delight. This discourse has oversimplified the history, meaning and function of Persian gardens, which were dynamic venues serving multiple and complex purposes. Against this background, the study attempts to shed new light on Persian gardens and landscapes through a fresh reading of two key Persian texts that provide historically grounded perspectives on the gardens’ botanical functions and poetical meanings. The first text, Irshād al-zirā‘a (Guidance on Agriculture), is a botanical manual offering extensive material on the science of agronomy and gardening as well as rare agricultural instructions regarding the laying out and planting of formal gardens, taking into account both garden aesthetics and the science of horticulture. The second text, Jannāt-i ‘adan (Gardens of Eden), is a compilation of five poems composed in 1557 by Shah Tahmāsp’s court poet and historian, Navīdī Shīrāzī, to celebrate the completion of the new imperial garden city of Qazvin. The new reading of these texts shows how Persian gardens served multiple functions ranging from the most practical to the most poetic, how formal aesthetics and paradise symbolism played only marginal roles in their design and creation, and how different considerations contributed to the creation of desirable garden environments. Adopting a historical method of analysis and interpretation, the study examines examples of both existing and imagined sixteenth-century Safavid gardens, in order to support the reading of and excerpt translations from the selected texts. The study paints a new picture of early Safavid gardens and their centrality as dynamic and adaptable places that fulfil the needs of their patrons, courtiers, harem members, visitors, and even the citizens of their respective cities. It brings to light overlooked factors that contributed directly or indirectly to garden form, structure and meaning, while reintroducing the Persian garden as an intersection where nature, indigenous design, local cultural and social lifestyle, economic efficiency, power, patronage and dynastic politics meet.
Thesis (Ph.D.) -- University of Adelaide, School of Architecture and Built Environment, 2018
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Coch, Christine. "In a lady's bower : poetry, gardens, and the problem of pleasure in early modern England /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3070161.

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Drake-Boyt, Elizabeth M. González Anita Young Tricia Henry. "Dance as a project of the early modern avant-garde." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-03112005-181051.

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Thesis (Ph. D.)--Florida State University, 2005.
Advisors: Dr. Anita González, Florida State University, School of Theatre and Dr. Tricia Young, Florida State University, College of Visual Arts and Dance, Dept. of Dance. Title and description from dissertation home page (viewed June 15, 2005). Document formatted into pages; contains vi, 312 pages. Includes bibliographical references.
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Nonaka, Natsumi. "The illusionistic pergola in Italian Renaissance architecture : painting and garden culture in early modern Rome, 1500-1620." Thesis, 2012. http://hdl.handle.net/2152/ETD-UT-2012-05-5293.

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The present dissertation is intended to be the first systematic investigation of the illusionistic pergola considered within the framework of the intellectual culture and the garden culture of early modern Rome. The subject is the fresco or mosaic decoration featuring a pergola – a depicted trelliswork covered with plants and peopled with birds – in the loggias, porticoes, and garden pavilions of villas and palaces in Rome and its environs. These pictorial fictions have survived in sufficient numbers to constitute a decorative trend, and moreover, appear in clusters at specific periods, which can be partly explained by means of the cultural factors predominant at the time. The dissertation discusses these pergolas in relation to antiquarian culture, the collecting of plants and birds, the study of natural history, garden furnishings and the art of treillage, thereby contextualizing them within the culture of early modern Rome. The dissertation assembles the first corpus of illusionistic pergolas in the period 1500-1620, updating a much earlier general corpus of 1967 by Börsch-Supan, and distinguishes three distinct periods of the proliferation of these pictorial fictions in Rome and its environs: the first period (1517-1520), the second period (1550-1580), and the third period (1600-1620). Important cultural issues relevant to each period are identified,and proposed as the frameworks for study. These include the reference to the antique and to the vernacular, mediation between indoors and outdoors, the tension between art and craft and the ambiguity of the pseudo-architectural, semantic and aesthetic cross reference between architecture and garden, and the reflection of the intellectual culture. On examination, the illusionistic pergolas are revealed to be a nexus of interrelationships between built structure, ornamented surface, garden and landscape, as well as multivalent embodiments of emerging ideas and sensibilities concerning the experience of architectural space and nature. By taking into account the middle ground of architecture and garden, the study explores the multivalence of ephemeral garden furnishings and their fictive counterparts, opening up a new perspective on the sites examined, and attempts to see a resonance of the tradition in modern times.
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Anonby, David. "Shakespeare and soteriology: crossing the Reformation divide." Thesis, 2020. http://hdl.handle.net/1828/12439.

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My dissertation explores Shakespeare’s negotiation of Reformation controversy about theories of salvation. While twentieth century literary criticism tended to regard Shakespeare as a harbinger of secularism, the so-called “turn to religion” in early modern studies has given renewed attention to the religious elements in Shakespeare and his contemporaries. Yet in spite of the current popularity of early modern religion studies, there remains an aura of uncertainty regarding some of the doctrinal or liturgical specificities of the period. This historical gap is especially felt with respect to theories of salvation, or soteriology. Such ambiguity, however, calls for further inquiry into historical theology. As one of the “hot-button” issues of the Reformation, salvation was fiercely contested in Shakespeare’s day, making it essential for scholarship to differentiate between conformist (Church of England), godly (puritan), and recusant (Catholic) strains of soteriology in Shakespearean plays. I explore how the language and concepts of faith, grace, charity, the sacraments, election, free will, justification, sanctification, and atonement find expression in Shakespeare’s plays. In doing so, I contribute to the recovery of a greater understanding of the relationship between early modern religion and Shakespearean drama. While I share Kastan’s reluctance to attribute particular religious convictions to Shakespeare (A Will to Believe 143), in some cases such critical guardedness has diverted attention from the religious topography of Shakespeare’s plays. My first chapter explores the tension in The Merchant of Venice between Protestant notions of justification by faith and a Catholic insistence upon works of mercy. The infamous trial scene, in particular, deconstructs cherished Protestant ideology by refuting the efficacy of faith when it is divorced from ethical behaviour. The second chapter situates Hamlet in the stream of Lancelot Andrewes’s “avant-garde conformity” (to use Peter Lake’s coinage), thereby explaining why Claudius’s prayer in the definitive text of the second quarto has intimations of soteriological agency that are lacking in the first quarto. The third chapter argues that Hamlet undermines the ghost’s association of violence and religion, thus implicitly critiquing the proliferation of religious violence on both sides of the Reformation divide. The fourth chapter argues that Calvin’s theory of the vicarious atonement of Christ, expounded so eloquently by Isabella in Measure for Measure, meets substantial resistance, especially when the Duke and others attempt to apply the soteriological principle of substitution to the domains of sexuality and law. The ethical failures that result from an over-realized soteriology indicate that the play corroborates Luther’s idea that a distinction must be maintained between the sacred and secular realms. The fifth chapter examines controversies in the English church about the (il)legitimacy of exorcising demons, a practice favoured by Jesuits but generally frowned upon by Calvinists. Shakespeare cleverly negotiates satirical source material by metaphorizing exorcisms in King Lear in a way that seems to acknowledge Calvinist scepticism, yet honour Jesuit compassion. Throughout this study, my hermeneutic is to read Shakespeare through the lens of contemporary theological controversy and to read contemporary theology through the lens of Shakespeare.
Graduate
2021-11-20
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Books on the topic "Early modern gardens"

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A Jesuit garden in Beijing and early modern Chinese culture. West Lafayette, Ind: Purdue University Press, 2011.

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Suzette, Harris Dianne, ed. Villas and gardens in early modern Italy and France. Cambridge, U.K: Cambridge University Press, 2001.

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Fischer, Hubertus, Volker R. Remmert, and Joachim Wolschke-Bulmahn, eds. Gardens, Knowledge and the Sciences in the Early Modern Period. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7.

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Gender and the garden in early modern English literature. Aldershot, England: Ashgate, 2008.

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Horace, Walpole. The history of the modern taste in gardening. New York: Ursus Press, 1995.

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Of books and botany in early modern England: Sixteenth-century plants and print culture. Burlington, VT: Ashgate Pub. Company, 2009.

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Literature and the Renaissance garden from Elizabeth I to Charles II: England's paradise. Aldershot, England: Ashgate, 2012.

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The island garden: England's language of nation from Gildas to Marvell. Notre Dame, Ind: University of Notre Dame Press, 2012.

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Christopher, Butler. Early modernism: Literature music and painting in Europe, 1900-1916. Oxford: Clarendon Press, 1994.

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Garden and labyrinth of time: Studies in Renaissance and Baroque literature. New York: P. Lang, 1988.

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Book chapters on the topic "Early modern gardens"

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Henderson, Paula. "Gardens." In Early Modern Court Culture, 156–72. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429277986-13.

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Bladen, Victoria. "Political Gardens." In The Tree of Life and Arboreal Aesthetics in Early Modern Literature, 79–122. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003180043-4.

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Price, Eoin. "Political Gardens in Early Modern English Drama." In The Medieval and Early Modern Garden in Britain, 123–32. New York : Routledge, 2018. | Series: Routledge studies in cultural history ; 58: Routledge, 2018. http://dx.doi.org/10.4324/9781351051422-8.

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Anderson, Jaynie. "Gardens of Love in Venetian Painting of the Quattrocento." In Late Medieval and Early Modern Studies, 201–34. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.lmems-eb.3.3532.

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Barnhouse, Lucy C. "From Helpful Gardens to Hateful Words." In Disease and the Environment in the Medieval and Early Modern Worlds, 52–64. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429055478-5.

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Ribouillault, Denis. "Sundials on the Quirinal: Astronomy and the Early Modern Garden." In Gardens, Knowledge and the Sciences in the Early Modern Period, 103–34. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7_6.

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Fischer, Hubertus. "Utopia, Science and Garden Art in the Early Modern Era." In Gardens, Knowledge and the Sciences in the Early Modern Period, 153–80. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7_8.

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Schmiedel, Irina. "Gardens on Canvas and Paper: Cataloguing Botanical Abundance in Late Medici Tuscany." In Gardens, Knowledge and the Sciences in the Early Modern Period, 211–33. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7_10.

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Fischer, Hubertus, Volker R. Remmert, and Joachim Wolschke-Bulmahn. "Introduction." In Gardens, Knowledge and the Sciences in the Early Modern Period, 1–6. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7_1.

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Grämiger, Gregory. "Reconstructing Order: The Spatial Arrangements of Plants in the Hortus Botanicus of Leiden University in Its First Years." In Gardens, Knowledge and the Sciences in the Early Modern Period, 235–51. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26342-7_11.

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Conference papers on the topic "Early modern gardens"

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Strizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.

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Museums as cultural institutions certainly reflect the sociocultural transformations of the new era and are changing with the new reality. Except for that, a museum is, by definition, an institution of memory, a keeper of history, it is based on adoption: the collection, successiveness and actualisation of past experience. What is perceived as innovation by contemporary society may have historical roots and be an actualisation of innovations of a bygone era. Modern museum development recalls a global project undertaken by Russian avant-garde artists in the early 20th century, and implying the institutional modernisation of museums. This study addresses a project taken on by avant-garde artists for the modernisation of museums in the context of general cultural construction, in cooperation with the Soviet Government. The research methodology is based on a conjunction of a historical study and culturological analysis, primarily the concept of the institutional approach. The study consisted in looking through archival documents: The Fund of the People’s Commissariat for Education and its departments (declarations, provisions, resolutions, decrees, minutes of meetings, correspondence, protocols and statements of estimates, inventory books of the State Museum Fund etc.), personal funds of artists and cultural figures, their theoretical works, articles, correspondence. A holistic inter-disciplinary approach combining historical and culturological analysis with prospects for contemporary sociocultural development and the role of museums is seen as a promising novelty of the research. Russian avantgardism as an artistic and sociocultural phenomenon has remained of great interest for a century. Different studies shed light only on separate aspects of this vast topic in different scientific contexts. The examination of the museum project by avant-garde artists under this study allows us to conclude that they were the first to undertake the institutional modernisation of museums by considering them in the focus of new demands of time and society, innovative programmes as forms of personal initiatives and experiments expressed in the broad public space of artistic culture.
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Francel, Andrés. "Tensiones ideológicas y materializaciones de una ciudad intermedia a comienzos del siglo XX: paradigmas y repercusiones en la ciudad contemporánea: Ibagué, Colombia (1910-1935)." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6142.

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A comienzos del siglo XX se implementaron tres modelos de planeamiento urbano en Colombia: el embellecimiento urbano historicista, la Ciudad jardín y la Ciudad funcional. Simultáneamente, se repudiaron y amalgamaron, dinámicas de las cuales surgieron los pensamientos prospectivos sobre las ciudades colombianas. El conflicto de intereses ideológicos, sociales, económicos y políticos que conllevaron estos lineamientos nacionales de desarrollo urbano es estudiado en Ibagué, población que debió asumir su transformación de ignorada aldea colonial a ciudad capital de Departamento y centro logístico y comercial del país, de acuerdo a su posición geográfica. Las interpretaciones para estas dinámicas proceden del examen comparativo de las actas notariales, la cartografía histórica, las publicaciones periódicas y las colecciones fotográficas de la época. In the early twentieth century were carried out three models of urban planning in Colombia: City beautiful, Garden city and Funtional city. At the same time, were repudiated and amalgamated, dynamics of which emerged prospective thoughts on Colombian cities. The conflict of ideological, social, economic and political interests that led to these national guidelines of urban development is studied in Ibague, that must assume its transformation from an ignored departmental colonial town to the capital city of Deparment and the logistical and commercial center of the country, according to its geographical position. Interpretations for this dynamic come from the comparative examination of the affidavits, historical maps, periodicals and photographic collections of this time.
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Stojiljković, Danica. "The Concept of Synthesis in Yugoslav Socialist Society – Synthurbanism of Vjenceslav Richter." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.gkjs9365.

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Abstract The avant-garde inclinations in the socio-political and cultural milieu of Yugoslav socialism postulated the concept of synthesis as the central theme in architecture and visual arts. This was facilitated by the critique of functionalist and formal concepts and by promoting ideas of organic systems that balance natural and built environments and are unsustainable outside the context of integrity. Vjenceslav Richter was probably the most persistent in developing the concept of synthesis among Yugoslav architects, proposing a global, holistic and systematic approach. In the early 1960s, Richter used experimental models to explore spatial-plastic relations, which led to the development of the concept that provided synthetic solutions for urban functions – synthurbanism. Richter’s theory of the organisation of living synthesis was rooted in the key concepts of socialist society – harmonious relations between individuals and the collective and human as an integrated biological and social being. The premise of this study is that the original ideological agenda of Yugoslav Socialism based on the values of Marxist humanism provided a comprehensive social and philosophical context for the concept of synthesis.This study aims to describe a broader context of synthetic thought in Yugoslav society through the architectural and urbanistic ideas of Vjenceslav Richter. His utopian model is based on the premise that the environment represents a system of intertwined functions and that living space and humans are integrated into interactive processes, which show functional correlativeness in achieving sustainable urban living. Keywords: synthesis, synthurbanism, Vjenceslav Richter, Marxism, self-management socialism
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