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Books on the topic 'Early chinese song'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Song ci san bai shou. 2nd ed. Nanjing Shi: Dong nan da xue chu ban she, 2013.

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2

Zhu, Zumou, Qitong Deng, and Rong Xiong. Song ci san bai shou. 8th ed. Nanjing Shi: Dong nan da xue chu ban she, 2010.

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3

Sheyuan suo jian Song ban shu ying. Beijing Shi: Beijing tu shu guan chu ban she, 2003.

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4

Sheyuan suo jian Song ban shu ying. Yangzhou Shi: Jiangsu Guangling gu ji ke yin she, 1998.

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5

She yuan suo jian Song ban shu ying. Yangzhou Shi: Jiangsu guang ling gu ji ke yin she, 1998.

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6

J.J. Lally & Co. Early dynastic China: Works of art from Shang to Song : March 26-April 26, 1996. New York: J.J. Lally & Co., 1996.

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7

Song Yuan jiu ben shu jing yan lu. Nanjing Shi: Jiangsu gu ji chu ban she, 2000.

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8

Mo, Youzhi. Song Yuan jiu ben shu jing yan lu. [Yangzhou?]: Jiangsu Guangling gu ji ke yin she, 1987.

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9

Gu wen er bai pian: Ming jia pei hua song du ben. Shanghai Shi: Shanghai ci shu chu ban she, 2000.

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10

Wang, Qingming, and Haiyuan Wang. Gu wen er bai pian: Ming jia pei hua song du ben. 8th ed. Xianggang: Shang wu yin shu guan (Xianggang) you xian gong si, 2002.

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11

Feng, Jiren. Chinese architecture and metaphor: Song culture in the Yingzao fashi building manual. Honolulu: University of Hawaiʻi Press, 2012.

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12

Jian, Zhang, and Mo Youzhi 1811-1871, eds. Song Yuan jiu ben shu jing yan lu: Lüting shu hua jing yan lu. Beijing Shi: Zhonghua shu ju, 2008.

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13

Jian, Zhang, and Mo Youzhi 1811-1871, eds. Song Yuan jiu ben shu jing yan lu: Lüting shu hua jing yan lu. Beijing Shi: Zhonghua shu ju, 2008.

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14

1977-, Lei Xiaopeng, ed. Song dai dao jiao shen mei wen hua yan jiu: Liang Song dao jiao wen xue yu yi shu. Chengdu Shi: Sichuan da xue chu ban she, 2012.

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15

Hong, Yang, ed. Qian jia shi. Changchun Shi: Jilin wen shi chu ban she, 1994.

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16

Yong you sheng shu qing song ting chu Ying yu li: Yi nian 52 zhou 100 ben Ying wen hui ben yue du ji hua. Taibei Shi: Tian xia za zhi gu fen you xian gong si, 2012.

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17

Zou xiang nan fang: Tang Song zhi ji zi bei xiang nan de yi min yu qi ying xiang. Taibei Shi: Guo li Taiwan da xue chu ban wei yuan hui, 2004.

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18

Zou xiang nan fang: Tang Song zhi ji zi bei xiang nan de yi min yu qi ying xiang. Taibei Shi: Guo li Taiwan da xue chu ban wei yuan hui, 2004.

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19

Chao, Tzu-yung. Cantonese love songs: An English translation of Jiu Ji-yung's Cantonese songs of the early 19th century. Hong Kong: Hong Kong University Press, 1992.

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20

Anne, Birrell, ed. New songs from a jade terrace: An anthology of early Chinese love poetry. Harmondsworth, Middlesex, England: Penguin Books, 1986.

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21

Owen, Stephen. Just a Song: Chinese Lyrics from the Eleventh and Early Twelfth Centuries. Harvard University Asia Center, 2019.

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22

Samei, Maija Bell. Gendered Persona and Poetic Voice: The Abandoned Woman in Early Chinese Song Lyrics. Lexington Books, 2004.

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23

Sieber, Patricia. Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300-2000. Palgrave Macmillan, 2003.

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24

Sieber, P. Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300-2000. Palgrave Macmillan, 2004.

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25

Sieber, P. Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300-2000. Palgrave Macmillan Limited, 2003.

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26

Zhang, Dai. Dao'an meng yi (Song Ming Qing xiao pin wen ji ji zhu). Shanghai yuan dong chu ban she, 1996.

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27

Morris, Peter. Cantonese Love Songs: An English Translation of Jiu Ji-Yung's Cantonese Songs of the Early 19th Century. Hong Kong University Press, 1992.

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28

various. New Songs from a Jade Terrace: An Anthology of Early Chinese Love Poetry (Penguin Classics). Penguin Classics, 1987.

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29

Tian, Xiaofei. Collections (ji集). Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199356591.013.15.

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Abstract:
Ji, “collection,” is the last of the four-part Chinese bibliographical scheme after “Classics,” “Histories,” and “Masters.” Referring to collections of literary works, it is central to our understanding of the premodern Chinese conception of literature. This chapter focuses on bieji (literary collections by individual authors) and introduces the fundamental issues regarding the formation and content of a literary collection. It discusses when the term bieji first appeared, and what the early collections were; how a literary collection was constituted, circulated, transmitted, and reconstituted; what genres a literary collection might include, and more important, exclude; and in what ways a bieji is important to a historicized understanding of what constituted “literature” in the Middle Period. The coda briefly discusses the rebuilding of the lost and scattered medieval literary collections and the proliferation of specialized collections in the Song and beyond.
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30

Birrell, Anne. New Songs from a Jade Terrace: An Anthology of Early Chinese Love Poetry, Translated with Annotations and an Introduction. Taylor & Francis Group, 2022.

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31

Birrell, Anne. New Songs from a Jade Terrace: An Anthology of Early Chinese Love Poetry, Translated with Annotations and an Introduction. Taylor & Francis Group, 2022.

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32

New Songs from a Jade Terrace: An Anthology of Early Chinese Love Poetry, Translated with Annotations and an Introduction. Taylor & Francis Group, 2022.

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33

Maruyama, Toshiaki. Kotei naikyo to Chugoku kodai igaku: Sono keisei to shisoteki haikei oyobi tokushitsu. Tokyo Bijutsu, 1988.

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