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Books on the topic 'Earle Page'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Earle, Page. Earle Page. Melbourne, Vic: Black Inc, 2001.

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2

Page, John Buford. Early Page families: Joseph Garner Page family genealogy. Fayetteville, Ga: Page Publishers, 1989.

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3

M, Smith Margaret. The title-page, its early development, 1460-1510. London: British Library, 2000.

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4

Fiamengo, Janice Anne. The woman's page: Journalism and rhetoric in early Canada. Toronto: University of Toronto Press, 2008.

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5

1938-, Alford John A., ed. From page to performance: Essays in early English drama. East Lansing: Michigan State University Press, 1995.

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6

Margins and marginality: The printed page in early modern England. Charlottesville: University Press of Virginia, 1993.

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7

Picturing the scientific revolution: Title engravings in early modern scientific publications. Philadelphia: Saint Josephs University Press, 2011.

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8

Acconci, Vito. Language to cover a page: The early writings of Vito Acconci. Cambridge, MA: MIT Press, 2006.

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9

Acconci, Vito. Language to cover a page: The early writings of Vito Acconci. Cambridge, Mass: MIT Press, 2006.

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10

Acconci, Vito. Language to cover a page: The early writings of Vito Acconci. Cambridge, Mass: MIT Press, 2006.

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11

Fathers and godfathers: Spiritual kinship in early-modern Italy. Aldershot, Hants, England: Ashgate Pub. Ltd., 2009.

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12

Pictures on the page. Carlton, Victoria: Australian Reading Association, 1990.

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13

Saenger, Paul Henry. The impact of the early printed page on the history of reading. [Paris]: L. Giraud-Badin, 1996.

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14

1956-, Hines John, Nielsen Karen Høilund, and Siegmund Frank, eds. The pace of change: Studies in early-medieval chronology. Oxford, Oxfordshire: Oxbow Books, 1999.

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15

Jno. Mount and Tho. Page., ed. The non-cartographical maritime works published by Mount and Page: A preliminary hand-list. London: Bibliographical Society, 1985.

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16

Telgársky, Jozef. Typographia Bratislavensis, 1477-1918: Posonium, Prešporok, Pressburg, Pozsony, Bratislava. [V Bratislave]: Univerzitná knižnica, 1992.

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17

Baldacchini, Lorenzo. Aspettando il frontespizio: Pagine bianche, occhietti e colophon nel libro antico. Milano: S. Bonnard, 2004.

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18

O'Mara, Richard. The street where they lived: Early pages of a life. Houston, Tex: Alondra Press, 2011.

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19

R, Sommerlad David J., ed. Thinking about Australia: The Sir Earle Page memorial orations, 1984-1993 and commentary on issues of the day. Woolloomooloo, N.S.W: Sir Earle Page Memorial Trust, 1994.

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20

Thinking about Australia: The Sir Earle Page memorial orations, 1984-1993 and commentary on issues of the day. Sir Earle Page Memorial Trust, 1991.

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21

Thinking about Australia: The Sir Earle Page memorial orations, 1984-1993 and commentary on issues of the day. Sir Earle Page Memorial Trust, 1991.

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22

Barnhurst, Kevin G. Groups Supplanted Persons. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040184.003.0004.

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This chapter focuses on the decline of people news. For several decades people news was growing element in the media landscape. By the early 1970s, The New York Times was running the Notes on People column. By the 1990s a growth area for U.S. television networks was the prime-time News magazine, a genre oriented to people stories. Reality shows, always an element of American TV, grew into a dominant genre by the early twenty-first century and made supposed “real” people the center of attention. However, by the end of the twentieth century, studies noted that people were disappearing from the front page. One cause of the depopulation of front pages is that news stories are getting longer. Even if the average news report included a stable number of persons, they would populate the news more thinly as the typical story grew longer—fewer of them would appear on any page. As the new century began, more groups stood alone as the actors in news, and ordinary named individuals almost never did.

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23

Silver Eagle Page. Whitman Coin Products, 1995.

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24

Maguire, Laurie. The Rhetoric of the Page. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198862109.001.0001.

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This book explores blank space in early modern printed books; it addresses physical blank space (from missing words to vacant pages) as well as the concept of the blank. It is a book about typographical marks, readerly response, and editorial treatment. It is a story of the journey from incunabula to Google books, told through the signifiers of blank space: empty brackets, dashes, the et cetera, the asterisk. It is about the semiotics of print and about the social anthropology of reading. The book explores blank space as an extension of Elizabethan rhetoric with readers learning to interpret the mise-en-page as part of a text’s persuasive tactics. It looks at blanks as creators of both anxiety and of opportunity, showing how readers respond to what is not there and how writers come to anticipate that response. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter 1), the &c (Chapter 2) and the asterisk (Chapter 3). The Epilogue uncovers the rich metaphoric life of these textual phenomena and the ways in which Elizabethan printers experimented with typographical features as they considered how to turn plays into print.

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25

Bourne, Claire M. L. Typographies of Performance in Early Modern England. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198848790.001.0001.

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Typographies of Performance is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fourteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for “plays” to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, “If a play is a book, it is not a play.” Typographies of Performance shows that “play” and “book” were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.

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26

publishing, Josef. Eagle: 120 Lined Page Journal. Independently Published, 2021.

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27

boltson, mark. Eagle: 120 Lined Page Journal. Independently Published, 2021.

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28

boltson, mark. Eagle: 120 Lined Page Journal. Independently Published, 2021.

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29

publishing, Josef. Eagle: 120 Lined Page Journal. Independently Published, 2021.

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30

Publishing, Joseph. Eagle: 120 Lined Page Journal. Independently Published, 2020.

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31

publishing, Josef. Eagle: 120 Lined Page Journal. Independently Published, 2021.

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32

publishing, Josef. Eagle: 120 Lined Page Journal. Independently Published, 2021.

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33

Barnes, Diana G. Emotional Debris in Early Modern Letters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198802648.003.0008.

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As Ovid’s heroine Briseis acknowledges, letters carry material traces of the emotions that motivated the writer. This is true of any handwritten document, but more so for letters that stand in for face-to-face conversation with familiars. Emotion may be suggested by a tremor in an upright line, an ink blot, a torn page, or a hurried scrawl. Nevertheless, it is difficult to pin these signs to a manifest emotion with certainty. And yet we should not disregard these traces altogether; they were part of an epistolary vocabulary familiar to early modern writers and readers. This chapter elucidates affective traces by reading letters written by early modern women through the literary lens of Ovid’s Heroides, a key text in humanist pedagogy with broad influence across literary and non-literary writing.

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34

Vint, James M., and Jonathan B. Mabry. The Early Agricultural Period. Edited by Barbara Mills and Severin Fowles. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199978427.013.13.

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Continuing research on the Early Agricultural period has bolstered our understanding of early farming technology, community structure, and chronology. Environmental factors clearly affected the pace of agriculture’s spread, as did social interaction and population movement. Recent projects have contributed new information on how irrigation communities were organized, and how early farmers worked on the landscape. Much of the research conducted over the past thirty years has been conducted under the aegis of Section 106 of the National Historic Preservation Act of 1966. Methodological and theoretical advances have broadened the scope of study, but international and interdisciplinary cooperation remain goals to further this research.

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35

publishing, Josef. Golden Eagle: 120 Lined Page Journal. Independently Published, 2021.

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36

boltson, mark. Golden Eagle: 120 Lined Page Journal. Independently Published, 2021.

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publishing, Josef. Golden Eagle: 120 Lined Page Journal. Independently Published, 2021.

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boltson, mark. Golden Eagle: 120 Lined Page Journal. Independently Published, 2021.

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39

boltson, mark. Golden Eagle: 120 Lined Page Journal. Independently Published, 2021.

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40

Early Childhood Smart Pages. Gospel Light Publications, 2002.

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41

notebook, Eagle, and Eagle notebook. Notebook Eagle: The Notebook Is Empty 6x9 Inch 120 Page Eagle Lovers/notebook Eagle. Independently Published, 2020.

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42

Wakelin, Daniel. Designing English: Early Literature on the Page. Bodleian Library, University of Oxford, 2018.

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43

(Designer), Denise Low, ed. Looking for the Pale Eagle. Bob Woodley Memorial Press, the, 1993.

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44

JHINGRAN, Lavji. Eagle Drawing Book (50 Pages). Independently Published, 2021.

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45

JHINGRAN, Lavji. Eagle - Drawing Book (30 Pages). Independently Published, 2021.

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46

Marovich, Robert M. Sacred Music in Transition. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0003.

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This chapter examines Chicago sacred music in a period of transition, focusing on the roles played by Charles Henry Pace and the Pace Jubilee Singers. The Pace Jubilee Singers are a fascinating example of African American sacred music in transition. They were among Chicago's first black religious artists to perform on radio, broadcasting during the 1920s and early 1930s over radio station WCBN and megawatt stations WLS and WGN. The group was also among the first mixed jubilee ensembles to feature a female soloist prominently in the person of Hattie Parker. This chapter first provides a historical background on Pace and his formation of the Pace Jubilee Singers before discussing the group's recordings, including sessions with Victor Records, and Parker's contribution to the group. It also considers the Pace Jubilee Singers' radio appearances following the end of their recording career, as well as the careers of Parker and Pace after the group's disbandment. Pace continued writing and publishing sacred music, including gospel songs, in Pittsburgh. He died on December 16, 1963.

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47

Publishing, Whitman. American Silver Eagle Album Page, Dated 2013-2021. Whitman Publishing, 2016.

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48

Fiamengo, Janice. Woman's Page: Journalism and Rhetoric in Early Canada. University of Toronto Press, 2016.

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49

Smith, Margaret M. The Title-Page: Its Early Development 1460-1510. Oak Knoll Press, 2001.

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50

Meadows, Daisy. Rainbow Magic Early Reader : Paige the Pantomime Fairy Rainbow Magic Early Reader: Paige T. Taylor & Francis Group, 2099.

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