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Books on the topic 'Dutch composer'

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Author: Grafiati
Published: 26 July 2024
Last updated: 28 July 2024

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1

Franz Liszt: Im Triumphzug durch Europa. Wien: Österreichischer Bundesverlag, 1986.

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2

Hoppe, Günther. Bach-Gedenkstätte Schloss Köthen: Kleiner Führer durch die Ausstellung. Köthen: Historisches Museum, 2000.

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3

Taylor, Chip. Songs from a Dutch tour: The book. Amsterdam: Ambo, Anthos, 2008.

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4

Roquet, Flavie. Vlaamse componisten geboren na 1800: Lexicon. Roeselare: Roularta Books, 2007.

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5

Haschen, R. J. Franz Liszt, oder, Die Überwindung der Romantik durch dans Experiment. Frankfurt am Main: Athenäum, 1989.

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6

Schaefer, Hansjürgen. Anton Bruckner: Ein Führer durch Leben und Werk. Berlin: Henschel, 1996.

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7

1929-, Campert Remco, and Loevendie Theo 1930-, eds. CC: Een correspondentie. [Amsterdam, Netherlands]: Bas Lubberhuizen, 2011.

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8

The music of Louis Andriessen. Cambridge: Cambridge University Press, 2006.

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9

Wagner-Trenkwitz, Christoph. Durch die Hand der Schönheit: Richard Strauss und Wien. Wien: K & S, in Zusammenarbeit mit dem Richard-Strauss-Verlag, 1999.

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10

Yoffe, Boris. Im Fluss des Symphonischen: Eine Entdeckungsreise durch die sowjetische Symphonie. Hofheim: Wolke, 2014.

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11

Tarnow, Volker. Das romantische Schweden: 1790 bis 1940 : Reisen durch eine unbekannte Kultur. Münster: Edition Octopus, 2013.

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12

Marcin, Tarnowski, ed. Pieśni niemieckie Władysława Tarnowskiego: Still klingt das Glöcklein durch Felder, Kennst du die Rosen, Ich sank verweint in sanften Schlummer, Die Perle, Die Schwalben. Łódź: Rozpisani.pl, 2017.

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13

1891-1953, Prokofiev Sergey, Kuhn Ernst, Dorigné Michel, Neef Sigrid, and Rozhdestvenskiĭ Gennadiĭ, eds. Um das Spätwerk betrogen?: Prokofjews letzte Schaffenperiode : mit Texten von Michel Dorigné, Sigrid Neef, Gennadi Roshdestwenski, eigenen Äusserungen (Thesen und Redetexten) des Komponisten sowie zahlreichen bislang wenig bekannten Dokumenten der Zeit ; ergänzt durch eine "Systematische Bibliographie der Internationalen Prokofjew-Literatur bis 2006". Berlin: Kuhn, 2007.

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14

Zwart, Frits. Conductor Willem Mengelberg, 1871-1951. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462986060.

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Willem Mengelberg is undeniably the greatest conductor in Dutch music history. In his biography, Frits Zwart carefully examines a musical life lived. Mengelberg was not only one of the world’s greatest, he had an excellent reputation as a trainer of orchestral ensembles, responsible for the international reputation of his own Concertgebouw as well as many others including the New York Philharmonic. A champion of numerous composers, including Mahler and Strauss, Mengelberg was the founder of the renowned tradition of annual performances of Bach’s St. Matthew Passion. As Chief Conductor of Amsterdam’s (now Royal) Concertgebouw Orchestra, Mengelberg developed it into one of the world’s most illustrious, simultaneously forging a music life of international eminence for its city of residence. His recordings bear witness to a singular musical interpreter. In 1920, Mengelberg was even more popular than his own Queen, yet a mere thirty years later he died in exile, banned to his remote Swiss chalet. Willem Mengelberg fell from grace, becoming a despised, disputed target of gossip, jealousy and rebuke. His dubious role during World War II has since overshadowed his extraordinary career. Zwart contests that few have ever surpassed Mengelberg‘s international musical legend.
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15

Mandel'shtam, Nadezhda. Mozart & Salieri: An essay on Osip Mandelstam & the poetic process. 2nd ed. Ann Arbor, Mich: Ardis, 1994.

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16

Musique pour faire plaisir: Leven en werk van Herman Strategier. Arnhem NL: Herman Strategier Stichting, 2013.

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17

Meehan, Norman, and Michael Brown. Finding Language: The Massey University Composer Addresses. Victoria University of Wellington Press, 2018.

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18

Alphons Diepenbrock: The Life, Times and Music of a Dutch Romantic Composer. Toccata Press, 2023.

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19

Alphons Diepenbrock: The Life, Times and Music of a Dutch Romantic Composer. Toccata Press, 2023.

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20

The essential guide to Dutch music: 100 composers and their work. Amsterdam: Amsterdam University Press, 2000.

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21

The Essential Guide to Dutch Music: 100 Short Lives of Composers. Amsterdam University Press, 2000.

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22

Weill, Ernest B. 1890. Weil-De Veil: A Genealogy, 1360-1956. Weil, Weill, Weyl, de Veil, de Veille, de Weille. Important Figures among the Descendants of Juda Weil, Generations of Rabbis, Teachers, Priests, Ministers, Writers, and a Composer; a Guide to German, Dutch, And... Creative Media Partners, LLC, 2023.

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23

Weill, Ernest B. 1890. Weil-De Veil: A Genealogy, 1360-1956. Weil, Weill, Weyl, de Veil, de Veille, de Weille. Important Figures among the Descendants of Juda Weil, Generations of Rabbis, Teachers, Priests, Ministers, Writers, and a Composer; a Guide to German, Dutch, And... Creative Media Partners, LLC, 2021.

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24

Gaspar Van Weerbeke: New Perspectives on His Life and Music. Brepols Publishers, 2019.

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25

Liszts Konzertreise durch Spanien 1844/45. Laaber: Laaber, 2017.

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26

Het honderd componisten boek: Nederlandse muziek van Albicastro tot Zweers. Centrum Nederlandse Muziek, 1997.

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27

Het honderd componisten boek: Nederlandse muziek van Albicastro tot Zweers. Haarlem: Gottmer, 1997.

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28

Kalinak, Kathryn, Asing Walthaus, and Nico de Villiers. Richard Hageman: From Holland to Hollywood. Lang AG International Academic Publishers, Peter, 2021.

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29

Kalinak, Kathryn, Asing Walthaus, and Nico de Villiers. Richard Hageman: From Holland to Hollywood. Lang AG International Academic Publishers, Peter, 2021.

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30

Kalinak, Kathryn, Asing Walthaus, and Nico de Villiers. Richard Hageman: From Holland to Hollywood. Lang AG International Academic Publishers, Peter, 2021.

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31

Kalinak, Kathryn, Asing Walthaus, and Nico de Villiers. Richard Hageman: From Holland to Hollywood. Lang AG International Academic Publishers, Peter, 2021.

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32

Richard Hageman: From Holland to Hollywood. Lang AG International Academic Publishers, Peter, 2021.

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33

Die Sonne brennt fortissimo: Händel, Mozart, Berlioz und Mendelssohn-Bartholdy reisen durch Italien. Frankfurt: Edition Büchergilde, 2003.

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34

Über Musik und Musiker: Streifzüge durch die Musikgeschichte. 2nd ed. Kassel: Bärenreiter, 2016.

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35

Everett, Yayoi Uno. Music of Louis Andriessen. Cambridge University Press, 2007.

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36

Everett, Yayoi Uno. Music of Louis Andriessen. Cambridge University Press, 2012.

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37

Everett, Yayoi Uno. Music of Louis Andriessen. Cambridge University Press, 2007.

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38

Everett, Yayoi Uno. Music of Louis Andriessen. Cambridge University Press, 2006.

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39

Everett, Yayoi Uno. Music of Louis Andriessen. Cambridge University Press, 2009.

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40

Rocco, Roberto, Gregory Bracken, Caroline Newton, and Marcin Dabrowski. Teaching, Learning & Researching: Spatial Planning. TU Delft OPEN Publishing, 2022. http://dx.doi.org/10.34641/mg.50.

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This book is composed of a general introduction followed by 18 chapters written by teachers and researchers from TU Delft, as well as frequent collaborators, each describing an issue or tool used in Spatial Planning, as it is taught and researched at our university. The book aims to give readers around the world an introduction to how spatial planning is conceived at TU Delft. Spatial planning is a highly idiosyncratic discipline and is conceived differently around the world. In most places, spatial planning is part of an architectural approach to the city, in which design exists almost autonomously, while in other places it is part of a political-economical approach to the city. What distinguishes Delft is the bridge we have managed to build between design and politics, and the way we understand space as foundational for the understanding of socio-economic processes. This is anchored on a Dutch tradition of city-making in which issues of “maakbaarheid” (roughly translated by “feasibility”), a guiding concept in Dutch society, which was built upon an exceedingly difficult territory to plan, design and manage. Spatial planning in the Netherlands is hence a combination of planning, design and management that is unique. Simultaneously, spatial planning as a discipline in the Netherlands is rather forward-thinking and uniquely equipped to deal with the great societal challenges of our time (climate change, pandemics, growing inequality, etc) and may be useful for students and teachers elsewhere seeking to learn from other traditions. Each chapter addresses issues that we see as central to the way of teaching and researching spatial planning.
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41

Scholl, Lars U., and Merja-Liisa Hinkkanen. Sail and Steam. Liverpool University Press, 2004. http://dx.doi.org/10.5949/liverpool/9780973007374.001.0001.

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This collection provides a tribute to the career of maritime historian Yrjö Kaukiainen, composed upon his retirement from the University of Helsinki. It collects seventeen of his maritime essays written in English, reprinted in order to celebrate his career and impact on the field of maritime history. The selected essays encompass the following themes: maritime Finland; maritime labour; sail, steam, coal, and canvas; the timber-trade; maritime communication and networks; ship measurement and shipping statistics; the economics of merchant shipping; managerial skills in Finnish merchant fleets; and international freight markets. The collection primarily concerns Finnish shipping, and the maritime relationships between Finland and the wider international community, including the British timber-trade, the wider Baltic timber-trade, and Dutch shipping in relation to the Swedish Navigation Act. The essays are prefaced by three tributes of Kaukiainen’s career, penned by Lars U. Scholl, Merja-Liisa Hinkkanen, and Lewis R. Fischer, respectively. The volume concludes with a bibliography of Kaukiainen’s work on maritime history, in both Swedish and English, from 1981 to 2003.
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42

Martins, Ana Maria, and Adriana Cardoso, eds. Word Order Change. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198747307.001.0001.

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This book is a collection of thirteen detailed studies on word order change within the framework of diachronic generative syntax. An initial chapter contextualizes them and introduces the theme in order to make clear from the onset its relevance and appeal. The sample of languages investigated is diverse and displays significant historical depth. Different branches of the Indo-European family are represented both through classical and living languages, namely: a wide range of Early Indo-European languages (Sanskrit, Greek, Indic, Avestan, Hittite, Tocharian, among others), Romance languages (Latin, Italian, European Portuguese, Brazilian Portuguese), Germanic languages (Dutch, English), and a Celtic language (Irish). Besides, three chapters are dedicated to Hungarian and one chapter deals with Coptic Egyptian. The essays in the book use the tools provided by the generative theory of grammar to investigate the constrained ways in which older linguistic variants give rise to new ones in the course of time, with the aim of contributing insights into the properties of natural language. Two ingredients of the generative framework make it especially appropriate to deal with word order phenomena, namely movement as a syntactic operation (embedded in the theory of grammar) and a richly articulated clausal architecture composed with lexical but also abstract functional categories. This collective volume is unique in the way it provides through in-depth language-internal or comparative studies new perspectives on the relation between word order change and syntactic movement, under the constraints imposed by particular instantiations of clausal architecture.
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43

Mandel'shtam, Nadezhda. Mozart & Salieri: An Essay on Osip Mandelstam & the Poetic Process. Vintage Books, 1994.

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44

Ng, Julia. Gershom Scholem. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474423632.003.0030.

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Giorgio Agamben’s earliest encounter with Gershom Scholem concerns an essay from 1972 entitled ‘Walter Benjamin and his Angel’,1 Scholem’s first attempt to provide a definitive account of Benjamin’s legacy. At its centre was a short text entitled ‘Agesilaus Santander’, which Benjamin composed on 12 and 13 August 1933 as a gift for the Dutch painter Anna Maria Blaupot ten Cate. In the text, the narrator is first given a ‘secret’ Jewish name, which is then revealed to contain an image of the ‘New Angel’ as well as a ‘female’ and ‘male’ form. Before naming himself as such, the ‘new angel’ presents himself as one of a host of angels that God creates at every given moment, whose only task, according to the Kabbalah, is to sing God’s praises at His throne before returning to the void. By sending his ‘feminine aspect’ to the masculine one, however, the angel has only strengthened the narrator’s ‘ability to wait’; even when face to face with the woman he awaits he does not fall upon her because ‘he wants happiness: […] the conflict in which the rapture of that which happens just once [des Einmaligen], the new, the as-yet-unlived is combined with the bliss of experiencing something once more [des Nocheinmal], of possessing once again, of having lived’. Thus, the narrator continues, ‘he has nothing new to hope for on any road other than the road home’ to the future whence he came, where the as-yet-unlived will have been lived.
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45

Hoeksema, Jack. Categorial Morphology. Taylor & Francis Group, 2015.

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46

Categorial Morphology. Taylor & Francis Group, 2013.

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