Academic literature on the topic 'Dressmaking'

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Journal articles on the topic "Dressmaking"

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Zeeman, Christopher. "Mathematics Applied to Dressmaking." Costume 28, no. 1 (January 1, 1994): 97–102. http://dx.doi.org/10.1179/cos.1994.28.1.97.

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Wijayanti, Ikhsani Alfi, Siti Nurrohmah, and Musdalifah Musdalifah. "PERBANDINGAN HASIL PEMBUATAN BOW DRESS PATTERN MAGIC MENGGUNAKAN POLA DASAR SISTEM MEYNEKE DAN DRESSMAKING." Fashion and Fashion Education Journal 11, no. 2 (October 24, 2022): 79–84. http://dx.doi.org/10.15294/ffej.v11i2.15003.

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Tujuan penelitian ini untuk mengetahui adakah perbedaan hasil Bow Dress yang menggunakan pola dasar Meyneke dan Dressmaking dan manakah hasil yang lebih baik. Metode penelitian yang digunakan yaitu observasi dan dokumentasi dengan menggunakan desain penelitian one shot case study. Hasil uji anova menunjukkan “ada perbedaan hasil pembuatan Bow Dress Pattern Magic menggunakan pola dasar sistem Meyneke dan Dressmaking”. Hasil analisis deskriptif menunjukkan Bow Dress yang menggunakan pola dasar Meyneke lebih baik dibandingkan yang menggunakan pola dasar Dressmaking. Hal tersebut dilihat dari keempat Bow Dress yang menggunakan pola dasar sistem Meyneke memperoleh rata-rata 3,48 untuk desain A, 3,35 untuk desain B, 3,53 untuk desain C, 3,19 untuk desain D, yaitu semua berada pada kriteria tepat, sedangkan Bow Dress yang menggunakan pola dasar sistem Dressmaking memilki dua hasil pada kriteria tepat, yaitu 3,18 untuk desain A dan 3,09 untuk desain B, serta dua hasil lainnya pada kriteria kurang tepat, yaitu 2,85 untuk desain C dan 2,91 untuk desain D. Posisi dan ukuran pita dapat disesuaikan dengan ukuran tubuh pemakai agar tampak proporsional dan memberi kesan menarik pada pakaian
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Madrideo, Jocelyn V. "Dressmaking Module as Supplementary Instructional Material for K To 12 Technology and Livelihood Education: An Assessment." International Journal of Scientific and Management Research 06, no. 05 (2023): 259–79. http://dx.doi.org/10.37502/ijsmr.2023.6513.

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This study aimed to assess a researcher-developed module in Dressmaking by evaluating its usability, adaptability, generalizability, and content validity. The research followed a descriptive-developmental approach and collected data through a questionnaire. Descriptive statistics, such as mean and standard deviation, were used to analyze the assessment data. Additionally, ANOVA was employed to determine if there were significant differences in the assessment between groups of respondents. The findings of the study revealed that the respondents were highly satisfied with all aspects of the module, including its external and internal features. The assessment of the module's usability, adaptability, generalizability, and overall features received an "extremely satisfied" rating from the participants. Furthermore, there were no significant differences in the assessment of the module among different groups of respondents, which included Tech-Voc. Faculty, Technology and Livelihood Education (TLE) students, and laboratory high school students. These results indicate that the developed module in dressmaking is deemed acceptable by various groups of participants and has the potential to be an effective instructional material for teaching Dressmaking among TLE students. The study suggests that further research should consider conducting pilot tests of the module to validate its effectiveness. By doing so, educators and curriculum developers can gather more evidence on the module's efficacy and make any necessary adjustments. In conclusion, this study contributes to the field of Dressmaking education by providing an assessment of a researcher-developed module. The positive evaluation from participants and the absence of significant differences among different groups of respondents support the module's potential as an instructional resource. Further research can build upon these findings to strengthen the evidence base and facilitate the integration of the module into Dressmaking curricula.
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Dancel Castro, Mary Rose, Precious D. Andres, and Mark Jhon R. Prestoza. "The Teaching Techniques and Strategies Use by the Dressmaking Teachers Perceive by the Dressmaking Students." Asian Journal of Assessment in Teaching and Learning 8 (December 3, 2018): 48–56. http://dx.doi.org/10.37134/ajatel.vol8.5.

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Dancel Castro, Mary Rose, Precious D. Andres, and Mark Jhon R. Prestoza. "The Teaching Techniques and Strategies Use by the Dressmaking Teachers Perceive by the Dressmaking Students." Asian Journal of Assessment in Teaching and Learning 8 (December 30, 2018): 48–56. http://dx.doi.org/10.37134/ajatel.vol8.5.2018.

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Pratiwi, Irlanita Indah, and Sugiyem Sugiyem. "Siak Palace Inspiration for Gala Evening Party Dressmaking." TEKNOBUGA: Jurnal Teknologi Busana dan Boga 11, no. 1 (June 30, 2023): 71–77. http://dx.doi.org/10.15294/teknobuga.v11i1.44193.

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Inspiration for dressmaking can come from various sources, such as nature and the surrounding environment, culture and traditions, film, music, and art; textiles and fabrics; and architecture and interior design. Indonesia has many heritage buildings that can be a source of inspiration in gala evening party dressmaking, one of which is the Siak Palace in Riau. Siak Palace is one of the heritage buildings that can be a source of inspiration in fashion creation. Some elements of Siak Palace that can be used as inspiration in designing clothing include colors, ornamental motifs, shapes, textures, and traditional Malay clothing. In evening party dressmaking, inspiration from Siak Palace can be taken from the forms of decoration found in buildings and furniture in the palace. In addition, the dominant colors in Siak Palace, such as red, gold, and green, can be a color choice for elegant and magnificent party clothes. The shapes of objects in Siak Palace, such as jewelry, wood carvings, and wicker, can also inspire details on clothing. By combining elements from Siak Palace with modern fashion designs, it can produce unique and stunning party clothes. Gala evening party dressmaking with silhouette A with elements of white and gold, bustier with a princess line, 1/2 circle skirt that has a cleavage on the front, a long shawl on each sleeve, cone-shaped padding variations, using wrap buttons and Japanese zipper, decoration in some parts is one embodiment of the creation of party fashion with the source of the idea of the Siak palace. By taking inspiration from Siak Palace, people can appreciate Indonesian culture and history. In this case, party fashion is not only an ordinary outfit but also a medium to introduce the richness of Indonesian culture and history to the world.
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Lee, Sanghee, and Sookhee Kwon. "Dress Design Analysis and Pattern Making Techniques for Increasing the Efficiency of Dress Production." Family and Environment Research 61, no. 1 (February 24, 2023): 53–71. http://dx.doi.org/10.6115/her.2023.005.

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Dressmaking is a high value-added sector of the fashion industry in which the individuality and skills of designers play a prominent role. The appropriate use of the draping and the flat pattern techniques in the dressmaking process also play an important part in perfecting the finished product. The purpose of this study was to improve the understanding of dress design and identify a pattern production technique to enhence efficiency in each of the three elements of the dress manufactureing process. For this purpose, analysis of the design of 1,389 wedding dress photographs published in <i>Wedding 21</i>, Korea’s leading wedding magazine, during 2019 and 2020 was conducted. This analysis identified 15 bodice designs and 11 sleeve designs based on neckline and eight skirts based on silhouette which were ranked by frequency distribution. Patterns for the design of samples were then developed according to the highest combined frequency distribution of these three elements. Eight samples were finally produced to test the the efficiency of the patternmaking techniques empolyed and the selected designs. The findings from this study have practical applications, notably in improving the efficiency of pattern production techniques that will facilitate further growth in the dressmaking industry.
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Peace, Jack. "Freehand Cutting Technique in Dressmaking as an Entrepreneurial Skill among Secondary School Students in Port Harcourt Metropolis." International Journal of Home Economics, Hospitality and Allied Research 2, no. 2 (December 28, 2023): 229–37. http://dx.doi.org/10.57012/ijhhr.v2n2.018.

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The present study investigated freehand cutting technique in dressmaking as an entrepreneurial skill among secondary school students for sustainable development in Port Harcourt Metropolis. The researcher employed a descriptive survey research design. The study was conducted in Port Harcourt, Rivers State. The population for the study included all students in eight government secondary schools in Rivers State. A sample of 25 students was randomly selected from each of the schools, resulting in a total of 200 respondents. The researcher created a self-made questionnaire. The results emphasized the importance of teaching freehand cutting technique in dressmaking in secondary schools, as well as the need to provide Nigerian youths with training in various skills, such as creativity and innovation, entrepreneurship skills, managerial experience, and record keeping.
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IGBO, ROSEMARY, and THELMA IGBO. "RUDIMENTS OF DRESSMAKING TECHNOLOGY FOR ADULT LEARNERS." International Journal of Scientific & Engineering Research 11, no. 6 (June 25, 2020): 727–42. http://dx.doi.org/10.14299/ijser.2020.06.08.

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Chun, Namkyu. "Fashion Design Rediscovered: A Theory on Dressmaking Practice." Design Journal 24, no. 1 (January 2, 2021): 97–114. http://dx.doi.org/10.1080/14606925.2020.1851426.

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Dissertations / Theses on the topic "Dressmaking"

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Boorady, Lynn M. "Using animated graphics as a teaching tool in patternmaking a comparison of delivery methods /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/5802.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2005.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (January 25, 2007) Vita. Includes bibliographical references.
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Dunlop, Paula Louise. "Unravelling design : fashion, dressmaking, ethos." Thesis, Queensland University of Technology, 2011. https://eprints.qut.edu.au/47518/1/Paula_Dunlop_Exegesis.pdf.

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Discourses on ethical fashion are usually geared toward finding solutions—or right outcomes—to ethical problems, based on a teleological model of design and a positioning of the designer as an autonomous and isolated design authority. This practice-led project argues, however, that considerations of design ethics must take into account not only the outcome of a design, but also the ongoing, lived experience of designing as a making located in pre-existing social, historical and cultural conditions. Through an exploration of my own dressmaking practice and a reading of ethos as location, I argue for two things: one, for the designer as a located entity rather than an autonomous "author", and, two, against design-asplan and the original design object, and for the circular and conditioned character of design. Through a connection to ethos, understandings of design ethics shift from an end object focus to something situated, and invested in, everyday lived experience—and always in the making.
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Kortsch, Christine Bayles. "Women's handiwork dress culture, literacy, and social activism in British women's fiction, 1883--1900 (South Africa, Olive Schreiner, Ella Hepworth, Sarah Grand, Gertrude Dix, Margaret Oliphant) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 3.85 Mb., 259 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3221129.

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Bush, Trenton D. "The creation of flat-pattern garment samples to serve as visual aids for demonstrative purposes." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/682.

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Murphey, Ina Crouch. "The influence of pattern grading on bodice fit and style sense." Diss., This resource online, 1993. http://scholar.lib.vt.edu/theses/available/etd-06062008-170650/.

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Strange, Poppy. "Stitching the Silver Screen : Dressmaking Patterns, Hollywood and the Second World War." Thesis, Uppsala universitet, Historiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-444445.

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Hamon, Janis Marion, and jan hamon@aut ac nz. "The New Zealand Dressmaker: Experiences, Practices and Contribution to Fashionability, 1940 to 1980." RMIT University. Design and Architecture, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080723.161409.

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Walker, Sue. "Resurgence this exegesis is submitted to Auckland University of Technology in partial fulfillment of the degree of Master of Art and Design, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/372.

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Exegesis (MA--Art and Design) -- AUT University, 2008.
Includes bibliographical references. Also held in print (111 leaves : col. ill. ; 22 x 30 cm.) in the Archive at the City Campus (T 746.92 WAL)
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Bailey, Claire Simone. "Petite women: the reflection of confidence for petite women through dress." Thesis, Cape Peninsula University of Technology, 2010. http://hdl.handle.net/20.500.11838/1341.

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Thesis (BTech (Fashion Design))--Cape Peninsula University of Technology, 2010
Petite women face many difficulties when purchasing clothing (Kam, 2006). This has been the common reaction expressed by a number of petite women all over the globe (Kam, 2006). Although there have been efforts made to accommodate petite women in South Africa( National Textiles Research brief, 2007) regarding clothing such as Edgars in particular there is still a large amount of petite women who feel dissatisfied. To test whether poorly fitted clothing does have a psychological effect on the petite women, interviews will be conducted with students attending CPUT and UCT. Research on theories revolving around the human mind and how the perception of other people influence our own perceptions of our self image were covered and the product of this research will be a new sizing system for petite women and a range of smart wear which allows women to express themselves age appropriately. The apparel industry has been growing and has worked side by side with technology to address many problems concerning fit and have succeeded in many departments. The fashion industry has in fact paid little attention to petite individuals not recognizing the psychological effect it has on the consumer and could largely benefit if the industry concentrates more on fit, aesthetic and design problems.
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Goodrum, Alison Lesley. "Producing 'Britishness' : globalisation and the construction of national identity in British fashion." Thesis, University of Gloucestershire, 2001. http://eprints.glos.ac.uk/3379/.

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British fashion is poised amidst a clutch of conflicting narratives, representations and ideologies. Through an examination of these rival encounters and the events that have gone to generate them, this thesis gives an insight into the culture of contemporary fashion, its dilemmas and the industry it supports. In particular, my discussion looks at the relationship between fashion and national identity. It posits fashion as a site central both to the re-branding of Britain and also to contestations over British identity itself, including the gendering of Britishness and its class relations. Using the cases of two iconic British fashion companies, Paul Smith Ltd and Mulberry Plc, I explore how the apparently straightforward and economically driven process of the globalisation of British fashion is, in fact, a far more culturally nuanced and locally embedded encounter than has previously been suggested. I unpack the different ways in which Paul Smith and Mulberry go about negotiating and sometimes even shaping and mobilising a sense of nationness in what is a rapidly globalising commercial marketplace. For in spite of their shared iconic national status both companies go about generating and deploying their self-confessed British character in exceedingly different ways. It is through an exploration of Paul Smith and Mulberry's contrasting corporate strategies, symbolic production techniques and product profiles that I investigate the different meanings afforded by the term Britishness. Indeed the thesis contends that, in the arena of fashion, Britishness is characterised less through some distinct essence or by a particular 'look' and more through its 'narratives of ambiguity'. In turn, it suggests that an understanding of these narratives goes some way in problematising and disrupting commonly imagined notions of Britishness borne out of Anglo-centric, androcentric and bourgeois tradition and, still further, it looks at how such notions might be re-worked in more multiple and complex ways.
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Books on the topic "Dressmaking"

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Cock, Valerie I. Dressmaking simplified. 3rd ed. London: Collins, 1985.

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Cock, Valerie I. Dressmaking simplified. 3rd ed. London: Blackwell Scientific Publications, 1993.

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Kristina, Harris, ed. Authentic Victorian dressmaking techniques. Mineola, N.Y: Dover Publications, 1999.

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Stringer, Pamela C. Pattern drafting for dressmaking. London: B.T. Batsford, 1992.

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Mayhew, Joy. A-Z guide to dressmaking. London: Constable, 1985.

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Ladbury, Ann. Start dressmaking: A book for beginners. London: Dryad Press, 1986.

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Dressmaking. London: Merehurst, 1994.

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Dressmaking. Creative Media Partners, LLC, 2023.

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Dressmaking. Book Guild, 1987.

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Fales, Jane. Dressmaking. Creative Media Partners, LLC, 2018.

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Book chapters on the topic "Dressmaking"

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Dowdell, Carolyn. "Fashion, Fashion Plates and Dressmaking, 1785–1795." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 5–14. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-3.

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Nevile, Maurice. "1. Objects of Agreement: Placing Pins to Progress Collaborative Activity in Custom Dressmaking." In Objects, Bodies and Work Practice, edited by Dennis Day and Johannes Wagner, 3–32. Bristol, Blue Ridge Summit: Multilingual Matters, 2019. http://dx.doi.org/10.21832/9781788924535-004.

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Dowdell, Carolyn. "1790 Chemise Gown." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 167–72. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-12.

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Dowdell, Carolyn. "1786 Robe à la Turque and Petticoat." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 109–22. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-8.

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Dowdell, Carolyn. "1795 Riding Habit." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 241–58. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-19.

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Dowdell, Carolyn. "1792 Robe à l'Anglaise and Petticoat." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 195–205. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-15.

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Dowdell, Carolyn. "1791 Lévite Gown and Petticoat." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 185–94. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-14.

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Dowdell, Carolyn. "1794 Drop-Front Round Gown and Open Robe." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 227–39. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-18.

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Dowdell, Carolyn. "1793 Chemise Gown Variation and Petticoat." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 207–16. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-16.

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Dowdell, Carolyn. "1794 Open-Front Round Gown." In Stitching La Mode: Patterns and Dressmaking from Fashion Plates of 1785-1795, 217–26. New York: Focal Press, 2023. http://dx.doi.org/10.4324/9781003212713-17.

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Conference papers on the topic "Dressmaking"

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Nafiah, Annisau, Soenar Soekopitojo, and Hakkun Elmunsyah. "The Implementation Production Unit Expertise Dressmaking Program in Vocational High School (SMK) Malang." In 2nd International Conference on Social, Applied Science, and Technology in Home Economics (ICONHOMECS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200218.025.

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