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Author: Grafiati
Published: 25 July 2024
Last updated: 26 July 2024

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1

Wöhrle, Dieter. Bertolt Brecht, Die Dreigroschenoper. Frankfurt am Main: Diesterweg, 1996.

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2

Wöhrle, Dieter. Bertolt Brecht, Die Dreigroschenoper. Frankfurt am Main: Verlag M. Diesterweg, 1996.

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3

Joachim, Lucchesi, and Müller Ingolf, eds. Brandauer inszeniert Die Dreigroschenoper von Brecht & Weill. Frankfurt am Main: Suhrkamp, 2006.

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4

Csampai, Attila. Bertolt Brecht, Kurt Weill, Die Dreigroschenoper, Igor Strawinsky, The rake's progress: Texte, Materialien, Kommentare. Reinbek bei Hamburg: Rowohlt, 1988.

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5

Brecht, Bertolt. The threepenny opera. London: Methuen Drama, 2005.

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6

Grimm, Reinhold. Die Erweiterung des Kontinents: Brechts "Dreigroschenoper" in Nigeria und der Türkei. Würzburg: Königshausen & Neumann, 2007.

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7

Brecht, Bertolt. Die Dreigroschenoper: Text und Kommentar. Suhrkamp Verlag, 1998.

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8

Brecht, Bertolt. Die Dreigroschenoper. Suhrkamp, 1994.

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9

Bertold Brecht/Kurt Weill, Die Dreigroschenoper--Igor Stravinsky, The rake's progress: Texte, Materialien, Kommentare. Reinbek bei Hamburg: Rowohlt Taschenbuch, 1987.

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10

Büchner, Bogdan. Hollandia Meets Brecht. ein Vergleich der Montageelemente in der Dreigroschenoper Bertolt Brechts und der Inszenierung der Fall der Götter Holland. GRIN Verlag GmbH, 2014.

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11

Wehen, Britta. Original oder Kopie?: Ein Vergleich der 'Dreigroschenoper' von Bertolt Brecht mit der 'Beggar's Opera' von John Gay. GRIN Verlag GmbH, 2009.

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12

1926-, Hecht Werner, ed. Brechts "Dreigroschenoper". Frankfurt am Main: Suhrkamp, 1985.

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13

Brecht, Bertolt. The Threepenny Opera (Bertolt Brecht Collected Plays, Vol 2, Pt 2). A&C Black, 1988.

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14

Lawson-Peebles, Robert. The Beggar’s Legacy. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.24.

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This chapter traces the impact of the 1920 revival of The Beggar’s Opera on a wide variety of texts, ranging from Brecht and Weill’s Die Dreigroschenoper and Ayckbourn’s A Chorus of Disapproval, to BBC dramas of ordinary life, the early productions of Theatre Workshop, Charles Parker’s radio ballads, Osborne’s The Entertainer, and some television plays of Alan Plater and Dennis Potter. It suggests that Gay’s ballad opera, rooted in folk song, provided a model of articulated dramaturgy that raised questions about the nature of authenticity, and that could be adapted by differing media to disintegrate the conventional form of the musical. This open structure responded to the purposes of cultural politics, in particular the needs of a provincial, and sometimes working-class, aesthetic.
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15

Brecht's Dreigroschenoper (Suhrkamp Taschenbuch Materialien). Suhrkamp Verlag, 1998.

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16

Reisyan, Patricia. Aristoteles 'Poetik' und Bertolt Brechts 'Die Dreigroschenoper': Ein Vergleich. GRIN Verlag GmbH, 2009.

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17

Brecht, Bertolt. Threepenny Opera. Faber & Faber, 1988.

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18

Riethmüller, Carina. JOHN DEWEYS ÄSTHETISCHE THEORIE UND IHRE PÄDAGOGISCHE BEDEUTUNG: EINE ANALYSE AM BEISPIEL VON BERTOLT BRECHTS DREIGROSCHENOPER. GRIN Verlag GmbH, 2013.

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