Relevant bibliographies by topics / Dreams and art

Academic literature on the topic 'Dreams and art'

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Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Dreams and art"

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Zipes, Jack. "The art of daydreaming: How Ernst Bloch and Mariette Lydis defied Freud and transformed their daydreams through writing and art." Book 2.0 10, no. 2 (December 1, 2020): 217–31. http://dx.doi.org/10.1386/btwo_00031_1.

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We all dream. Even my dog dreams; he whines when he dreams, perhaps because his dreams are as filled with anxiety as my own sometimes are. Dreams – bad dreams and nightmares, particularly – can be profoundly unsettling and disturbing. They can shock and terrify us because they cannot be controlled: they are their own narrators, and the only way we can resolve their penetrating stories is by attempting to interrupt them. Only by jolting ourselves and waking up, we can enlighten ourselves and come to light, and only by generating daydreams, we can counteract the malign influences of bad dreams and nightmares and take charge of our lives. Bad dreams and nightmares can bring dread and devastating realizations: they can leave us marooned in our past. Daydreams, by contrast, can generate options, and perhaps a renewed joy in life as well: they demand that, despite obstacles and despair, we move onwards into the future. They are artful stories; they are the art of utopia and are filled with our wishes and anticipatory illumination. They appeal to us to become artists and narrators of our lives. Participating in the creative arts – writing, painting, acting and making music – is to envision dream-like visions of where we want to go with our lives. Without the arts, without writing especially, and without our conscious picturing the ideal other life, there is little possibility that our desires will be fulfilled. We need hope, and we need daydreams to map our destiny. I believe we need to act on our daydreams, and not slumber into nocturnal nightmares. These beliefs and ideas have been informed by studying the work of Ernst Bloch and his notions about daydreams (not nocturnal dreams). He is a neglected, iconoclastic philosopher, and I believe brilliant. In this article, I propose to discuss his theories about daydreams and then turn to the neglected, Austrian-Jewish painter Mariette Lydis, who in her various works offers proof that daydreams play an immense and important role in our creative lives. Contemporaries, both Bloch (1885–1977) and Lydis (1887–1970) wrote and/or painted during the same century as Freud (1856–1939) and Jung (1875–1961). Both were of Jewish origin. Both survived the First World War, the Nazis and the Second World War. Both kept realizing their desires for a better world through writing and picturing their writing.
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Villarrubia-Mendoza, Jacqueline, and Roberto Vélez-Vélez. "Iconoclastic Dreams: Interpreting Art in the DREAMers Movement." Sociological Quarterly 58, no. 3 (June 13, 2017): 350–72. http://dx.doi.org/10.1080/00380253.2017.1331415.

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Goffen, Rona. "Renaissance Dreams." Renaissance Quarterly 40, no. 4 (1987): 682–706. http://dx.doi.org/10.2307/2862448.

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Family, marriage, and sex—although it seems to me that the sequence is uncertain—are naturally interrelated in life but not always so in art or, for that matter, in art history. While family and marriage have been much discussed in recent years by historians, they have received very little attention indeed from art historians. Sex, on the other hand, we have always had with us. And while all of one's work is self-referential to some extent, whether one is an artist or an historian of art, it may be that this psychological truth carries a particular danger when one is dealing with matters that are so intimate as family, marriage, and sex. Moreover, there is another issue involved when one is concerned with works of art, at least in the Renaissance or in any period when art was made for patrons, and that is precisely the presence of another psyche in the mixture, in addition to that of the artist himself and that of the historian-observer.
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Schredl, Michael. "Studying the relationship between dreaming and sleep-dependent memory processes: Methodological challenges." Behavioral and Brain Sciences 36, no. 6 (November 21, 2013): 628–29. http://dx.doi.org/10.1017/s0140525x13001428.

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AbstractThe hypothesis that dreaming is involved in off-line memory processing is difficult to test because major methodological issues have to be addressed, such as dream recall and the effect of remembered dreams on memory. It would be fruitful – in addition to studying the ancient art of memory (AAOM) in a scanner – to study the dreams of persons who use AAOM regularly.
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States, Bert O. "Dreams, art and virtual worldmaking." Dreaming 13, no. 1 (2003): 3–12. http://dx.doi.org/10.1023/a:1022182116795.

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Windt, Jennifer Michelle. "Minding the dream self: Perspectives from the analysis of self-experience in dreams." Behavioral and Brain Sciences 36, no. 6 (November 21, 2013): 633. http://dx.doi.org/10.1017/s0140525x13001477.

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AbstractCan ancient art of memory (AAOM) principles explain the function of dreaming? The analysis of self-experience in dreams suggests that the answer is no: The phenomenal dream self lacks certain dimensions that are crucial for the efficacy of AAOM in wakefulness. However, the comparison between dreams and AAOM may be fruitful by suggesting new perspectives for the study of lucid dreaming as well an altered perspective on the efficacy of AAOM itself.
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Choi, Kate. "The Waiting Room." After Dinner Conversation 2, no. 1 (2021): 23–31. http://dx.doi.org/10.5840/adc2021214.

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Should you abandon your dream to pursue where you true talents lie? Is a lifetime following your dream to be a painter a successful life if it turns out you simply don’t have an eye for art? Where do our dreams come from? When should they be abandoned? In this work of philosophical short story fiction, a young boy is in the government waiting room waiting to be assigned a new “dream.” He strikes up a conversation with other people in the waiting room. Some of them are anxious to get new dreams implanted into their brain as they have not found success. Others don’t want to let go of the failed dream they were originally assigned because they believe, in their heart-of-hearts, it is what they were born to do. The government is indifferent to the desires of the people. Society has needs, people have innate talents, and the government, as far as they are concerned, should focus on getting people to follow the dreams they are good at, as well as the dreams that are most needed by society. This story was the winner of the Fall 2020 After Dinner Conversation Writing Competition.
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Blagrove, Mark, Perrine Ruby, and Jean-Baptiste Eichenlaub. "Dreams are made of memories, but maybe not for memory." Behavioral and Brain Sciences 36, no. 6 (November 21, 2013): 609–10. http://dx.doi.org/10.1017/s0140525x13001222.

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AbstractLlewellyn's claim that rapid eye movement (REM) dream imagery may be related to the processes involved in memory consolidation during sleep is plausible. However, whereas there is voluntary and deliberate intention behind the construction of images in the ancient art of memory (AAOM) method, there is a lack of intentionality in producing dream images. The memory for dreams is also fragile, and dependent on encoding once awake.
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Palacio-Pérez, Eduardo, and Aitor Ruiz Redondo. "Imaginary creatures in Palaeolithic art: prehistoric dreams or prehistorians' dreams?" Antiquity 88, no. 339 (March 2014): 259–66. http://dx.doi.org/10.1017/s0003598x00050341.

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In the course of research currently being carried out at Santimamine (Bizkaia, Spain) (Gonz’alez S’ainz & Idarraga 2010) and Altxerri (Gipuzkoa, Spain) a series of zoomorphic figures have been identified (four in total between the two sites) that represent creatures that do not exist in nature (Figure 1). They are examples of the so-called ‘imaginary creatures’, unreal or fantastic beings that appear in Palaeolithic art ensembles. Despite their rarity—fewer than 50 are known in Palaeolithic parietal art—they have been the subject of debate and controversy since the first of them were discovered.
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Holmes, Jeremy. "The Democracy of the Dream." British Journal of Psychiatry 159, no. 6 (December 1991): 20–23. http://dx.doi.org/10.1192/s0007125000031925.

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The Mystique of Dreams: A Search for Utopia Through Senoi Dream Theory (University of California Press, Berkeley, $9.95 (pb), 146 pp., 1990) is by G. William Domhoff, Professor of Psychology and Sociology at the University of California, Santa Cruz. The Dreaming Brain (Penguin, London, £6.99, 319 pp., 1990) is by J. Allan Hobson, Professor of Psychiatry at Harvard and an internationally recognised dream researcher. Dreamwork in Psychotherapy and Self Change (Norton, New York, £25, 372 pp., 1990) is by Alvin R. Mahrer who is Professor of Psychology at the University of Ottawa, and author of numerous books on psychotherapy and dreams. Dream, Phantasy and Art (Routledge, London, £30 (hb), £10.99 (pb), 120 pp., 1991) is by Hanna Segal, former Freud Professor of Psychoanalysis at University College, London, and a leading Kleinian psychoanalyst and writer. The Rhetoric of Dreams (Cornell University Press, Cornell, $22.50, 217 pp., 1988) is by Bert. O. States, Professor of Drama at the University of California, Santa Barbara.
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Dissertations / Theses on the topic "Dreams and art"

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Sheah, Julie. "Reading Dreams| Representation of Dreams Through Artists' Books." Thesis, The George Washington University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1591082.

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Within pages and spreads, a reader can sometimes experience someone’s stream of consciousness. The book’s narrative, images, prose, and other components can break free from the parameters of a conventional book, unbound by the rules of formatting styles, grammar, and narrative. An artists’ book is free to be confusing, delightful, and horrifying. When creating an artists’ book to represent a dream, the difficulty of solidly recounting images and events that existed only in my mind creates a barrier between the reader and me. This barrier makes me feel inarticulate and ineffectual in that one of my main objectives as an artist is to coherently express an idea. While no medium possesses the capacity to fully transmit a dream, the artists’ book is one of the most comprehensive, artistic representations of a dream, and the parallels between experiencing a dream and experiencing a book allow for the terms “artist” and “dreamer” to shift interchangeably.

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Ilnicki, Diann. "Drawing on dreams : an art therapy contribution to group dream work." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ39124.pdf.

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Lyons, Mark W. "American dreams /." Online version of thesis, 1990. http://hdl.handle.net/1850/11237.

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Bickel, Jesse. "In dreams /." Online version of thesis, 2009. http://hdl.handle.net/1850/11244.

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Ramdin, Catherine Lasch. "Primitive dreams : in search of judgment /." Online version of thesis, 1991. http://hdl.handle.net/1850/11624.

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Gafny, Tal. "Pools / Dreams / Parental Gaze." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3482.

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This thesis is a testimony of thoughts and ideas that have been circulating in my studio for the past few years, in their current form. It is also an experiment in writing an autobiographical piece of prose. It was written parallel to, and after, making the film Double Take with Perrin Turner. The film is an exploration of a number of relationships, related and sometimes haunted by one another. I wish for this text to operate not only as an after-the-fact recollection of thoughts, but also in relation to what will follow it – similarly to the way a trailer operates in relation to a movie. This is an extract and a prologue rather than conclusion or resolution.
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Riede, Danielle Felice. "Paint Chip Dreams." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/35.

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This thesis summarizes Danielle Riede's current art practice by detailing her materials, processes and inspiration. It also contextualizes her "Room Paintings" within the context of art history and contemporary art-making.
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Himebaugh, Keith. "Mythic Drawing| An archetypal approach to drawing with dreams." Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565655.

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This production-style dissertation explores the psychological aspect of drawing with dream images. It introduces a practical method, called Mythic Drawing, which can help artists work with dream images in an authentic way. For James Hillman, the founder of Archetypal Psychology, dreams do not reflect the outer world of empirical reality. Rather, they express the inner world of psychic reality through mythological resemblances. Therefore, to draw adequately with images, the artist must give up the rational approach of step-by-step formulas and abstract concepts, and instead, sensitize these methods to the metaphorical style of the dream.

The essence of Mythic Drawing is play. The artist engages the dream image as an active participant, like an actor playing a part. The role of "artist" is relativized and seen through to the many archetypal figures one embodies while drawing, such as a child, a dancer, an architect, or a shaman. The artist accepts the dream images as alive, intelligent and capable of asserting a will of their own. In this way, drawing becomes a collaborative activity that fosters a dynamic relationship between the artist and the creative figures of his or her imagination.

Using a hermeneutic method, the dissertation outlines the theoretical basis of Mythic Drawing, while at the same time examining traditional assumptions and biases in art education. It then tests the efficacy of the ideas discussed through two intensive drawing projects. A heuristic method is applied throughout the production of drawings which helps provide reflection upon and analysis of the creative process.

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Chambers, Julia. "TIGER JELLY: EXPLORING THE SUBCONSCIOUS MIND THROUGH DREAMSCAPES." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1187.

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My installation is an exploration of the subconscious ventures within dreams, focusing on aspects of identity, anxiety, and intimacy. The personal disposition of an ‘active’ imagination, even while I sleep, has made me both fascinated and exasperated by my dreamed experiences. By documenting my dreams through animation I am able to explore this power dynamic between my consciousness and subconscious which orchestrates these scenes. Tension between the audio, content, and aesthetic of the work explore the grey emotional areas of dreams that leave residue in the back of our head as we navigate the real world. Time, form, and the scientific and societal laws that govern our lived experiences may be distorted beyond recognition within a dream, and mankind’s proclivity to fantastical dreams makes sleep a gateway to something otherworldly and freeing, all-consuming and overwhelming.
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Ahlstone, Daisy M. "Thylacine Dreams: The Vernacular Resurrection of an Extinct Marsupial." DigitalCommons@USU, 2019. https://digitalcommons.usu.edu/etd/7563.

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This thesis explores the folk resurrection of the thylacine through artwork and symbolic interaction. The thylacine, better known as the Tasmanian tiger, is a marsupial that suffered a government-sanctioned massacre leading to its extinction in 1936. The thylacine’s status as a hidden animal has inspired what folklorists call “ostensive practice”; people not only actively seek out the thylacine in the wilderness of Tasmania today and share their sightings online, but they have also incorporated the thylacine as a symbol of hope and perseverance into various forms of folk art. There have been upwards of five thousand documented sightings of the thylacine since its extinction. This documentation can take the form of amateur or phone-recorded films, or sightings described in interviews for local news agencies. Some people have even found alleged biological remains of the thylacine and have described hearing its unique call. In addition to these types of legend-tripping activities, the thylacine is also represented in a variety of folk-art forms, including digital, painted, and hand-drawn artwork, written fiction, fiber arts, and costuming. This content is shared widely across the internet. Keeping the thylacine alive through the creation of folk art and legend-tripping search parties helps thylacine enthusiasts cope with the guilt for having lost an ecologically important animal due directly to ignorance and financial gain. If the thylacine is resurrected, whether literally or figuratively, people can symbolically undo some of the damage they have caused the natural world. Thus, the vernacular resurrection of the thylacine, understood through a folklorist lens, offers a model for comparing some of the vernacular ways that people are presently dealing with the general loss of wildlife due to climate change.
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Books on the topic "Dreams and art"

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Shaw, Jim. Dreams. Santa Monica, CA: Smart Art Press, 1995.

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Dreams. Santa Monica, CA: Smart Art Press, 1995.

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Royo, Luis. Dreams. New York: NBM, 1999.

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Bamso: The art of dreams. New York: Jeremy P. Tarcher/Penguin, 2009.

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Adams, Maggi. Iggam's dreams: Stories and art. Roseau, Minn: Roseau Area Friends of the Library, 2003.

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Asanaro. Bamso: The art of dreams. New York: Jeremy P. Tarcher/Penguin, 2009.

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Asanaro. Bamso: The art of dreams. New York: Jeremy P. Tarcher/Penguin, 2009.

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Asanaro. Bamso: The art of dreams. New York: Jeremy P. Tarcher/Penguin, 2009.

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Hamel, Johanne, and Hélène Hamel. Art Therapy, Dreams, and Healing. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624.

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Chagall: The art of dreams. New York: Harry N. Abrams, 1998.

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Book chapters on the topic "Dreams and art"

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Hamel, Johanne. "Dreams and existential messages." In Art Therapy, Dreams, and Healing, 4–32. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624-2.

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Hamel, Johanne. "Art Therapy Dreamwork Methods." In Art Therapy, Dreams, and Healing, 80–95. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624-6.

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Richards, Greg, and Lian Duif. "The Art of Collaboration." In Small Cities with Big Dreams, 88–117. New York, NY: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351201193-4.

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Achté, Kalle, and Taina Schakir. "Dreams in Different Cultures." In Psychiatry The State of the Art, 715–20. Boston, MA: Springer US, 1985. http://dx.doi.org/10.1007/978-1-4757-1853-9_114.

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Hamel, Johanne. "Art Therapy Dreamwork Methods." In Dreams and Nightmares in Art Therapy, 36–73. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003124610-3.

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Petersson, Dag. "Introduction to a Reality of Dreams." In The Art of Reconciliation, 3–25. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137029942_1.

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Hamel, Johanne. "Introduction." In Art Therapy, Dreams, and Healing, 1–3. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624-1.

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Hamel, Johanne. "How to keep a Dream Journal." In Art Therapy, Dreams, and Healing, 33–43. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624-3.

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Hamel, Johanne. "Creative writing methods for dreamwork." In Art Therapy, Dreams, and Healing, 44–57. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624-4.

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Hamel, Johanne. "Experiential dreamwork methods." In Art Therapy, Dreams, and Healing, 58–79. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003026624-5.

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Conference papers on the topic "Dreams and art"

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Xu, Daisy Yangyang. "Dreams in Art History." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.013.

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Rademacher, Paul, Michael North, and Todd Gaul. "Desert dreams." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312899.

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Draves, Scott. "Dreams in High Fidelity." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179010.

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Fiadante, Miguel. "Dreams Stage 3- Procession." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179015.

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Brooks, Nicholas. "What dreams may come." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313111.

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Tsakos, Natasha. "UPWAKE: Art performance fusing dreams and technology." In 2009 8th IEEE International Symposium on Mixed and Augmented Reality (ISMAR). IEEE, 2009. http://dx.doi.org/10.1109/ismar.2009.5336510.

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Han, Zhengshun. "Girl of Dreams Comes to Life." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.126.

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Tsakos, Natasha. "Keynote speaker, UPWAKE: Art performance fusing dreams and technology." In 2009 IEEE International Symposium on Mixed and Augmented Reality 2009 - Arts, Media and Humanities. IEEE, 2009. http://dx.doi.org/10.1109/ismar-amh.2009.5336739.

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Debackere, Boris. "Augmented dreams." In 2010 IEEE International Symposium on Mixed and Augmented Reality - Arts, Media, and Humanities (ISMAR-AMH). IEEE, 2010. http://dx.doi.org/10.1109/ismar-amh.2010.5643301.

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Dolinsky, Margaret, and Girt Sehmisch. "Dream grrls." In ACM SIGGRAPH 97 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '97. New York, New York, USA: ACM Press, 1997. http://dx.doi.org/10.1145/259081.259214.

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Reports on the topic "Dreams and art"

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Lee, Jeesun, Bernie Murrary, and Sandra Tullio-Pow. Evening Dress - Joan of Arc. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-707.

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Ruhl, Nathan, and Taylor Dobson. Are Humans Natural? Part 3: Nature Relatedness and the American Dream. Rowan University, September 2019. http://dx.doi.org/10.31986/issn.2689-0690_rdw.oer.1015.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan technology we are able to create an archival quality digital record of the dress and exhibit it virtually at life size in 3D panorama. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Hunter, Matthew, Laura Miller, Rachel Smart, Devin Soper, Sarah Stanley, and Camille Thomas. FSU Libraries Office of Digital Research & Scholarship Annual Report: 2020-2021. Florida State University Libraries, July 2021. http://dx.doi.org/10.33009/fsu_drsannualreport20-21.

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The Office of Digital Research and Scholarship partners with members of the scholarly community at FSU and beyond to engage with and act on innovative ideas in teaching, research, and creative activity. We privilege marginalized voices and unique contributions to scholarly discourse. We support interdisciplinary inquiry in our shared pursuit of research excellence. We work with scholars to explore and implement new modes of scholarship that emphasize broad impact and access.Our dream is to create an environment where our diverse scholarly community is rewarded for engaging in innovative modes of research and scholarship. We envision a system of research communication that is rooted in open, academy-owned infrastructure, that privileges marginalized voices, and that values all levels and aspects of intellectual labor. In addition to the accomplishments related to our core work areas outlined in this report, we also developed an Anti-Racist Action Plan in 2020 and continue to work on enacting and periodically revising and updating the goals outlined therein.
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Kamminga, Jorrit, Cristina Durán, and Miguel Ángel Giner Bou. Zahra: A policewoman in Afghanistan. Oxfam, December 2020. http://dx.doi.org/10.21201/2020.6959.

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As part of Oxfam’s Strategic Partnership project ‘Towards a Worldwide Influencing Network’, the graphic story Zahra: A policewoman in Afghanistan was developed by Jorrit Kamminga, Cristina Durán and Miguel Ángel Giner Bou. The project is funded by the Ministry of Foreign Affairs of the Netherlands. The graphic story is part of a long-standing Oxfam campaign that supports the inclusion and meaningful participation of women in the Afghan police. The story portrays the struggles of a young woman from a rural village who wants to become a police officer. While a fictional character, Zahra’s story represents the aspirations and dreams of many young Afghan women who are increasingly standing up for their rights and equal opportunities, but who are still facing structural societal and institutional barriers. For young women like Zahra, there are still few role models and male champions to support their cause. Yet, as Oxfam’s project has shown, their number is growing, which contributes to small shifts in behaviour and perceptions, gradually normalizing women’s presence in the police force. If a critical mass of women within the police force can be reached and their participation increasingly becomes meaningful, this can reduce the societal and institutional resistance over time. Oxfam hopes the fictional character of Zahra can contribute to that in terms of awareness raising and the promotion of women’s participation in the police force. The story is also available on the #IMatter website.
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6

Kløcker Larsen, Rasmus, and Maria Boström. “Renen får aldrig betesro”: Konsekvenser av Bolidens gruva och vägen i Stihkeområdet för Voernese sameby. Stockholm Environment Institute, June 2021. http://dx.doi.org/10.51414/sei2021.008.

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Denna rapport presenterar en studie av Voernese samebys erfarenheter av de konsekvenser som gruvan i Stihkeområdet fört med sig, en gruva som drevs av Boliden Mineral AB mellan år 1976–1988. Det finns i dag ett stort kunskapsglapp angående vilka de faktiska konsekvenserna är av gruvindustri på renskötsel och annan samisk markanvändning. Detta är så vitt vi vet första gången som forskningen empiriskt belyser konsekvenserna av gruvindustrin och försöken till efterbehandling av gruvområdet utifrån en samebys egna erfarenheter och kunskap. Studien genomfördes 2019–2020 i ett samarbete mellan samebyn, Svenska Samernas Riksförbund och SEI. Datainsamlingen har bestått av arbetsmöten, intervjuer, workshops, dokumentanalys och kartering med stöd av RenGIS och forskning om störningszoner. Fokus i denna rapport är på just Voernese samebys erfarenheter, gruvans konsekvenser för andra samebyar eller icke-renskötande samer i området har därför inte inkluderats. Resultaten visar den omfattande påverkan som gruvan haft på samebyn, dels under driftperioden men i högsta grad också efteråt. Eftersom samebyn bedriver samrenskötsel i Stihkeområdet med Vilhelmina Södra sameby, på vars mark gruvverksamheten bedrevs, har samebyn påverkats både av direkta markförluster och betesskador från gruvområdet liksom andra störningarna under drifttiden. I nutid handlar de största konsekvenserna om påverkan från vägen som drogs i tidigare väglöst land och störningarna på renen från besöksnäringen. Detta har försvårat för renen att finna betesro, inneburit omfattande merarbete och ökade kostnader för samebyn vid samling och flytt, samt medfört stress och oro för samebyns medlemmar liksom även förlust av traditionell kunskap. Renskötseln försvåras även av kvarlämnade borrör och järnskrot från SGU:s provborrningar. Studien visar också hur samebyn exkluderades från beslutsfattandet när Bolidens gruva etablerades på 1970-talet och nu återigen har marginaliserats i samband med tillståndsprövningen för Vilhelmina Minerals planer för återupptagning av brytningen. Dessa forskningsresultat är viktiga för att korrigera en vanlig missuppfattning i den politiska och offentliga debatten kring gruvindustrin: att gruvindustri och renskötsel skulle kunna samexistera utan någon större påverkan på renskötseln. De bidrar också till en ökad förståelse för den omfattande påverkan som ett gruvprojekt, samt dess följdeffekter, kan ha på en grannsameby trots det att själva gruvområdet ligger utanför samebygränsen. I ett vidare perspektiv bidrar studien med ytterligare ett empiriskt baserat exempel på hur gruvbolag och stat marginaliserar samisk kunskap och missbrukar samebyars deltagande i miljöbedömningar. Dessa problem härrör främst från det faktum att svensk lagstiftning inte ger tillräckligt skydd för samiska rättigheter. Det hänger även ihop med statens tvetydiga roll i hanteringen av de intressekonflikter som uppstår när man både har en skyldighet att skydda samiska rättigheter och ska tillgodose olika samhälls- och företagsekonomiska intressen i utvinningen av mineraler. Denna brist på ansvarstagande, som samebyn upplever från statens sida, visar med all tydlighet att den koloniala exploateringen av naturresurserna i Sápmi inte är ett historiskt fenomen utan något som i högsta grad fortgår än i dag. Som ett exempel har inga ansträngningar gjorts för att se över om den begränsade ekonomiska ersättningen som staten genomförde under 1960–70 talet verkligen motsvarar de faktiska skador som samebyn fått uthärda. På kortare sikt skulle många förbättringar troligen kunna åstadkommas genom enskilda insatser för att adressera de problem som samebyn har i Stihkeområdet. Exempelvis skulle kommun och länsstyrelse kunna ingripa för att hantera de problem som besöksnäringen och friluftslivet orsakar och regeringen skulle kunna ge SGU i uppdrag att återställa tidigare prospekteringsverksamhet i Stihkeområdet. Vad denna studie främst belyser är dock behovet av en mer genomgripande strategi från statens sida för att komma till rätta med konsekvenserna av Bolidens gruvprojekt och dess följdeffekter. Utifrån senaste årens rättsutveckling torde det numera finnas goda möjligheter för staten att se över sitt ansvar för de skador som framkommit i Stihkeområdet.
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7

Kløcker Larsen, Rasmus, and Maria Boström. “Låt renen få igen landet som det var”: Konsekvenser av gruvan och vägen på Stihken för Vilhelmina Södra sameby. Stockholm Environment Institute, June 2021. http://dx.doi.org/10.51414/sei2021.007.

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Denna rapport presenterar en studie av Vilhelmina Södra samebys erfarenheter av de konsekvenser som gruvan på Stihken fört med sig, en gruva som drevs av Boliden Mineral AB 1976–1988. Det finns i dag ett stort kunskapsglapp angående vilka de faktiska konsekvenserna är av gruvindustri på samisk markanvändning, inklusive renskötseln. Detta är så vitt vi vet första gången som forskningen empiriskt belyser konsekvenserna av gruvindustrin, och de faktiska utfallen av försöken till efterbehandling, utifrån en samebys egna erfarenheter och kunskap. Studien genomfördes 2019–2020 i ett samarbete mellan samebyn, Svenska Samernas Riksförbund och Stockholm Environment Institute. Datainsamlingen har bestått av arbetsmöten, intervjuer, workshops, dokumentanalys och kartering med stöd av RenGIS och forskning om störningszoner. Fokus i denna rapport ligger på just Vilhelmina Södra samebys erfarenheter och gruvans konsekvenser för andra samebyar eller icke-renskötande samer i området har därför inte inkluderats. Resultaten visar den omfattande påverkan som gruvan haft på samebyn, dels under driftperioden men i högsta grad också efteråt. Under drifttiden förorsakade gruvan stora direkta och indirekta markförluster, med störningar från brytningen och trafiken, damning på betet, blockering av det naturliga flyttstråket och förlust av stora delar av samebyns renar in i Norge eller in på grannbyarnas mark på svensk sida. I nutid handlar de största konsekvenserna om en omfattande störning från besöksnäringen på grund av vägen som drogs i tidigare väglöst land. Detta föranleder i sin tur stort betesbortfall; försämrad djurhälsa och kondition för renen; förhöjd arbetsbelastning, fysiska påfrestningar, och arbetsmiljörisker för renskötarna; ökade kostnader för renskötselaktiviteter; samt förlust av samiska kulturminnen, ökad psykisk påfrestning, försämrade möjligheter för samebyns unga att satsa på renskötseln, och förlust av traditionell kunskap. Dessa forskningsresultat är viktiga för att korrigera vanligt förekommande missuppfattningar i den politiska och offentliga debatten kring gruvindustrin: nämligen att gruvindustrin och renskötseln kan samexistera utan någon större påverkan på renskötseln. De visar också tydligt vem som har bäst kunskap att bedöma riskerna vid en gruvetablering: samebyn identifierade redan på 1960-talet, och det ganska så exakt, de risker som denna studie nu kunnat visa blivit verklighet medan försöken från statens representanter var långt mindre precisa. Exempelvis antog statens experter en total störningszon på 500 meter runt gruvområdet och 100 meter på bägge sidor om vägen. Detta står i stark kontrast till de störningszoner som samebyn faktiskt har upplevt, nämligen upp mot 10 kilometer för gruvan och 1,5 kilometer för vägen. Problemen härrör främst från det faktum att svensk lagstiftning inte ger tillräckligt skydd för samiska rättigheter. De hänger även ihop med statens tvetydiga roll i hanteringen av de intressekonflikter som uppstår när man både har en skyldighet att skydda samiska rättigheter och ska tillgodose olika samhälls- och företagsekonomiska intressen i utvinningen av mineraler. Denna brist på ansvarstagande, som samebyn upplever från statens sida, visar med all tydlighet att den koloniala exploateringen av naturresurserna i Sápmi inte är ett historiskt fenomen utan något som i allra högsta grad fortgår än i dag. Som ett exempel har inga ansträngningar som helst gjorts för att se över huruvida den begränsade ekonomiska ersättningen som staten genomförde under 1960–70 talet verkligen motsvarar de faktiska skador som samebyn fått uthärda. Det finns flera sätt att åtgärda problemen i området vid Stihken. Exempelvis skulle regeringen kunna ge SGU i uppdrag att återställa området från tidigare prospekteringsverksamhet och kommun och länsstyrelse skulle i sin tur kunna ingripa för att hantera besöksnäringen och friluftslivet. Vad denna studie främst belyser är dock behovet av en genomgripande strategi från statens sida för att komma till rätta med konsekvenserna av Bolidens gruvprojekt och dess följdeffekter. Utifrån senaste årens rättsutveckling torde det numera finnas goda möjligheter för staten att se över sitt ansvar för de skador som framkommit på området vid Stihken.
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8

Hearing from men in Uganda: Experiences with HIV services and prevention programming, and perceptions of DREAMS—Findings from DREAMS implementation science research. Population Council, 2021. http://dx.doi.org/10.31899/hiv16.1001.

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HIV prevention efforts across sub-Saharan Africa are increasingly focused on engaging men, for their own health and that of their partners and families. We examined experiences with HIV services and prevention programing among men in Uganda whose partners were enrolled in DREAMS, a large-scale initiative to reduce new HIV infections among adolescent girls and young women (AGYW). The study is part of the Population Council’s implementation science research portfolio on the DREAMS Partnership.
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Hearing from men in South Africa: Shifts in HIV risk and service uptake—Findings from DREAMS implementation science research. Population Council, 2021. http://dx.doi.org/10.31899/hiv16.1002.

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HIV prevention efforts across sub-Saharan Africa are increasingly focused on engaging men, for their own health and that of their partners and families. We examined whether and how HIV risk and protective factors are changing among men in Durban, South Africa—a country with a substantial HIV burden. The study is part of the Population Council’s implementation science research portfolio on the DREAMS Partnership, a large-scale initiative to reduce new HIV infections among adolescent girls and young women and their partners.
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10

Hearing from men in Eswatini: Shifts in HIV risk and service uptake—Findings from DREAMS implementation science research. Population Council, 2021. http://dx.doi.org/10.31899/hiv16.1000.

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HIV prevention efforts across sub-Saharan Africa are increasingly focused on engaging men, for their own health and that of their partners and families. We examined whether and how HIV risk and protective factors are changing among men in Eswatini (formerly Swaziland)—a country with a substantial HIV burden. The study is part of the Population Council’s implementation science research portfolio on the DREAMS Partnership1, a large-scale initiative to reduce new HIV infections among adolescent girls and young women (AGYW) and their partners.
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