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Journal articles on the topic 'Drapery'

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Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Carrera-Gallissà, Enric, Xavier Capdevila, and Josep Valldeperas. "Use a Modified Ring Method to Predict Drape Properties in Drapery Fabrics." Autex Research Journal 18, no. 2 (June 1, 2018): 143–48. http://dx.doi.org/10.1515/aut-2017-0033.

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Abstract Seven drape indicators and four of the parameters assessed in the UPC ring test were determined by using canonical correlations in 15 commercial drapery fabrics of variable composition, aerial weight and weave type. A regression equation relating drape ratio (%DR) and parameter h in the ring test was thus established. Based on the results, the ring test provides a useful tool for the routine industrial assessment of drape in finished drapery fabrics without the need for additional equipment to determine the drape.

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2

Nurlita, Ela, and Yasnidawati Yasnidawati. "ANALISIS PEMBUATAN COWL DRAPERY DENGAN TEKNIK DRAPING PADA BUSANA." Fashion and Fashion Education Journal 10, no. 2 (September 28, 2021): 58–62. http://dx.doi.org/10.15294/ffej.v10i2.48618.

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Abstract. This study aims to describe the results of cowl drapery using the draping technique. The type of research used is applied research. The object of research is cowl drapery using draping technique. The research instrument uses an assessment format with a Likert Scale. The assessment is carried out by 3 panelists, namely lecturers who are experts in the field of clothing, by fitting. The data analysis technique used is quantitative descriptive and inferential analysis. The results of the cowl drapery using the draping technique show that the results of the cowl drapery using the draping technique obtained an assessment result with a percentage value of 80.21% categorized as appropriate. Based on the t-test, it was found that the average results were significant between the results of cowl drapery using the draping technique with a significance level of 0.05. Keywords: Cowl drapery; draping; Abstrak. Penelitian ini bertujuan untuk untuk mendeskripsikan hasil cowl drapery menggunakan Teknik Draping. Jenis penelitian yang digunakan adalah penelitian terapan. Objek penelitian yaitu cowl drapery menggunakan teknik draping. Instrumen penelitian memakai format penilaian dengan Skala Likert. Penilaian dilakukan oleh 3 orang panelis yaitu dosen yang ahli dalam bidang busana, dengan cara fitting. Teknik analisis data yang digunakan adalah deskriptif kuatitatif dan analisis inferensial. Hasil cowl drapery menggunakan Teknik Draping menunjukkan hasil cowl drapery menggunakan teknik draping didapatkan hasil penilaian dengan nilai persentase sebesar 80.21 % dikategorikan Sesuai. Berdasarkan uji t didapatkan hasil rata-rata penilaian yang signifikan antara hasil jadi cowl drapery menggunakan teknik draping dengan taraf signifikansi sebesar 0.05. Kata Kunci: Cowl drapery; draping;

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3

Kazlacheva, Zlatina, Julieta Ilieva, and Tanya Peneva. "FASHION AND PATTERN DESIGN OF LADIES’ DRESSES WITH TRANSFORMATION OF DIFFERENT TYPES OF DRAPERIES." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 10–23. http://dx.doi.org/10.15547/artte.2019.01.002.

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One of the ways of creation of new fashion designs is the transformation of a garment in another one. According to the main design principles silhouettes, lines, and forms of elements and pieces can be changed. According to both fashion and technical design the change of the elements with decorative and constructive function is more important than changing only decorative ones. The transformations are possible for all of elements with decorative and constructive function: darts, seams, 3D elements. And according to the fashion and pattern making view the drapery is maybe the most interesting three dimensional element, which can be with only decorative, but in the more of the cases it is with decorative and constructive function. The paper presents fashion and pattern design of ladies’ dresses on the base of transformation of the three basic types of drapes: twist knot, twisted and free draperies. In created variants draperies are with decorative and constructive function. With presented way of transformation new designs of draped ladies’ dresses are easy and successfully created. Every of the basic three types of drapery with decorative and constructive function: twist knot, twisted and free ones can be changed with other two types. The facilitating of design and pattern making is result not only that transformations are made on one basic model, but also that systemized approaches of constructing of twist knot and twisted draperies are used.

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4

Hernandez, Mario. "Drapery Study." New England Review 38, no. 4 (2017): 179–80. http://dx.doi.org/10.1353/ner.2017.0118.

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5

Yasnidawati, Yasnidawati, and Ela Nurlita. "Hasil Cowl Drapery menggunakan Teknik Draping." EDUKATIF : JURNAL ILMU PENDIDIKAN 3, no. 6 (October 16, 2021): 4757–62. http://dx.doi.org/10.31004/edukatif.v3i6.1487.

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Penelitian ini bertujuan untuk untuk mendeskripsikan hasil cowl drapery menggunakan Teknik Draping.Jenis penelitian yang digunakan adalah penelitian terapan. Objek penelitian yaitu cowl drapery menggunakan teknik draping. Instrumen penelitian memakai format penilaian dengan Skala Likert. Penilaian dilakukan oleh 3 orang panelis yaitu dosen yang ahli dalam bidang busana, dengan cara fitting. Teknik analisis data yang digunakan adalah deskriptif kuatitatif dan analisis inferensial. Hasil cowl drapery menggunakan Teknik Draping menunjukkan hasil cowl drapery menggunakan teknik draping didapatkan hasil penilaian dengan nilai persentase sebesar 80.21 % dikategorikan Sesuai. Berdasarkan uji t didapatkan hasil rata-rata penilaian yang signifikan antara hasil jadi cowl drapery menggunakan teknik draping dengan taraf signifikansi sebesar 0.05

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6

Kenan, Çeven, Günaydin Karakan, and Nejla Çeven. "Impact of weft yarn type and fabric weft density on burning behavior, tearing strength and air permeability for different types of antibacterial drapery fabrics." Tekstilna industrija 69, no. 1 (2021): 4–16. http://dx.doi.org/10.5937/tekstind2101004k.

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Drapery fabrics are textile products utilized for home and decorative textiles. Recently there have been new functional requirements for the drapery fabrics such as flame retardancy, antimicrobial efficiency, UV protection, etc. This study has been conducted to investigate the effect of weft yarn type and weft density on drapery fabrics' burning behaviour, tearing strength and air permeability properties. "A special inherently flame-retardant yarn" was used as the warp and weft yarns of the woven drapery fabrics while "a special inherently and antibacterial yarn" was also used as the weft yarn in some of the sample groups. Two main fabric groups each consisting of 12 woven drapery samples with different weft yarns and weft densities were separately evaluated among themselves by using SPSS Statistical software package and bar graphs. Burning behaviours of the samples in terms of damage length and damage width with the ignition source were satisfying both for the drapery samples with the special inherently flame-retardant weft yarn as well as those with the special inherently flame retardant and antibacterial yarn weft yarns. In other words, usage of inherently flame retardant and antibacterial yarn as the weft yarns did not contribute negatively on the flame retardancy of drapery fabrics. The results of two-way ANOVA test indicated that weft yarn type was a significant factor for tearing strength in warp and weft wise while weft density and the interaction of weft yarn type and weft density factors were non-significant factors on tear strength values in warp and weft wises at significance level of 0.05. Additionally, correlation analyses revealed that weft yarn tenacity values were highly correlated with the drapery fabrics' weft tearing strength values. Moreover, weft yarn type, weft density and their interaction were influential factors on air permeability of the drapery fabrics at significance level of 0.05.

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7

Chen, Jing, and Yiqiang Cao. "Research on the Drapery in Ancient Greek Sculptures." Asian Social Science 17, no. 6 (May 31, 2021): 29. http://dx.doi.org/10.5539/ass.v17n6p29.

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Sculpture in the ancient Greek period has an extremely lofty position in the history of Western art, and the drapery is one of the most important modeling characteristics of ancient Greek sculpture. This article summarizes the style evolution of drapery in ancient Greek sculptures through the performance of ancient Greek costume characteristics and dressing methods in sculptures. And through the drapery produced by the different postures of the human body in the sculptures, it is explored how the ancient Greek artists used drapery to show the dialectical relationship between clothing, the human body and the posture, thereby shaping the beauty model of classical clothing.

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8

Kazlacheva, Zlatina. "PATTERN DESIGN OF TWISTED DRAPERIES WITH DECORATIVE AND CONSTRUCTIVE FUNCTION." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 1–9. http://dx.doi.org/10.15547/artte.2019.01.001.

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The paper presents a systemized approach of pattern design of twisted draperies with decorative and constructive function on the base of calculating compensation of shortening after twisting. The presented approach of constructing uses an investigation of obtaining of mathematical dependences on the base of the shortening of the piece in directions of width and height after twisting. The formulas, obtained with linear regressions, make pattern design of this type of drapery full systemized and lead to successful constructing of twisted pieces or parts of them in varied sizes. The pattern design of twisted draperies with decorative and constructive function is systemized with the use of dependence for calculation of the additional width for twisting. The systematization facilitates the processes of fashion and technical design leading to easy and successful constructing of drapery in different sizes of draped parts of clothing pieces, and giving possibilities for new creative ideas and variety of designs. It makes the presented systemized approach of pattern design very suitable for ready-to-wear industry.

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9

Trower, Valerie Wilson. "Fabric of Vision: Dress and Draper Drapery in Painting by Anne Hollander." Fashion Theory 8, no. 2 (June 2004): 245–47. http://dx.doi.org/10.2752/136270404778051799.

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10

GÜNAYDIN, Gizem Karakan, Mine AKGÜN, Ayça GÜRARDA, Erhan Kenan ÇEVEN, and Bülent ASLAN. "INVESTIGATIONOF FRICTION COEFFICIENTOF DRAPERY FABRICS TREATED WITH DIFFERENT RATIO OF FLAME RETARDANT." TEXTEH Proceedings 2019 (November 5, 2019): 52–57. http://dx.doi.org/10.35530/tt.2019.12.

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As the security precautions with respect to new standards for the furnishing textiles in big platforms such as concert, theatre halls have increased, flame retardancy has become one of the vital required property for drapery fabrics. However, those kind of additional treatment processes may lead to some differences in fabric properties such as friction which should be considered for the consumers. This study aims to evaluate the influence of using different ratio of flame retardant chemicals (g/l) on friction coefficient of drapery fabrics. For this purpose, nine types of fabrics composed of three different weft density (9, 11, 13 threads/cm) were selected. The warp yarns were selected as 400/200 denier/filament while the weft yarns were selected as 800 /200 denier/filament textured micro polyester yarns. Three levels for flame retardant (0, 60 and 90 g/l) were determined as the finishing processes. After the dobby fabrics were woven and exposed to finishing treatments; Friction coefficient values were recorded with Labthink Param MXD-02. ANOVA tests were performed in order to evaluate the significant effect of weft density and flame retardant chemical ratio on friction properties of drapery fabrics. Additionally, SNK tests were conducted for the comparison of means of friction values of drapery fabrics produced at different weft density also of the samples treated with different flame retardant chemical ratio. Experimental results revealed that structural parameters and the finishing processes were influential factors on the surface frictional characteristics of the fabrics. It was clearly observed that surface friction coefficients of drapery fabrics decreased due to the flame retardant process.

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11

HEMELRIJK, J. M. "Phrasikleia: Style, Drapery and Meanders." BABESCH - Bulletin Antieke Beschaving 79 (January 1, 2004): 197–210. http://dx.doi.org/10.2143/bab.79.0.504744.

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12

SALTER, MARY JO. "DRAPERY FOR GOD THE FATHER." Yale Review 103, no. 2 (2015): 67–68. http://dx.doi.org/10.1353/tyr.2015.0091.

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13

SALTER, MARY JO. "DRAPERY FOR GOD THE FATHER." Yale Review 103, no. 2 (March 11, 2015): 67–68. http://dx.doi.org/10.1111/yrev.12256.

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14

Maxmudjon, Turdiyev, and Yuldasheva Dildora. "Hygienic Effect Of The Drapery Of Children’s Clothes." American Journal of Interdisciplinary Innovations and Research 03, no. 11 (November 13, 2021): 48–52. http://dx.doi.org/10.37547/tajiir/volume03issue11-09.

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Today, the youth, whose education process has been developing, need to be prepared for the demands of society is the main purpose. The pedagogue’s experience, knowledge and personality play a big role in obsessed knowledge of youth, morality, tradition, getting learned culture, ability and developing worldwide and getting the appropriate place in society during the practical experience. In addition, developing the problem-solving abilities of the young, in the modern world, is the main responsibility of the pedagogue. For this, pedagogues should have their creative ways of teaching and the ability to react positively to the increasingly changing world. This article explains the range of clothes for pre-school children, draperies mechanical features, estimating the saving heat character of children’s clothes.

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15

Mayzlish, Anna A. "Borders and Walls Made of Privileges? Urban Communities and the Rivalry in Drapery in the Surroundings of Ypres during the 14th Century." Izvestia of the Ural federal university. Series 2. Humanities and Arts 22, no. 4 (202) (2020): 84–96. http://dx.doi.org/10.15826/izv2.2020.22.4.064.

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This article deals with several conflicts between Flemish cities in the fourteenth century that concerned export-oriented drapery. The focus is made on the contradictions between one of the powerful Flemish cities, Ypres, and two of the smaller neighbouring towns, the monastic town of Poperinge and Langemark that produced drapery resembling that manufactured in Ypres. The author also draws a comparison with a similar conflict between Saint-Omer and the monastic town of Arques in the county of Artois. The study of these contradictions is mostly based on documental sources and gives an opportunity to find out what measures the cities resorted to in order to protect the well-being of their artisans and drapers. For example, Ypres and Saint-Omer obtained privileges over their neighbouring regions with monopoly rights to produce cloth meant for export; their rivals (Langemark, Poperinge) made attempts to get excluded from such “monopolies”; the cities in question also used legal methods of regulation (arbitrage, appeals to supreme courts) and sometimes employed force to convince smaller towns to observe their “monopoly”, especially during revolts. Additionally, the author defines various forces that took part in the process of balancing the interests of the rival cities and towns: the count, the lords of the towns, urban authorities, supreme courts (the Council of Flanders, the Parliament of Paris), and deans of the craft guilds of the cities. The measures used by the rival towns often brought no durable results, but the search of means to protect their interests in long-time conflicts itself shows the high level of self-organisation reflected in what urban authorities, city craft-guilds, and the urban communities did.

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16

Marchelli, Maddalena, Antonio Pol, Daniele Peila, and Fabio Gabrieli. "Towards a Hybrid Design Approach of Anchored Drapery Systems." Geosciences 13, no. 5 (May 14, 2023): 147. http://dx.doi.org/10.3390/geosciences13050147.

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Anchored drapery meshes represent a worldwide adopted protective solution against rockfall. The mechanical performance of a wire mesh is evaluated through laboratory procedures in which the boundary conditions strongly differ from the ones typical of field applications. This shows that the laboratory characterization is, in general, not representative of the field behavior. In this work, referring to a double-twisted wire mesh, a simple approach allowing the extension of the laboratory characteristic values to field conditions is proposed. The approach is based on the definition of analytical relations for evaluating the effects of both the mesh’s system geometry and the loading condition on the force–displacement response. These relations are derived from previously calibrated laboratory tests and are extended to different configurations on the basis of a large number of discrete element simulations. A master curve allowing the prediction of the entire force–displacement response of a general configuration of the drapery system is then defined. The results of this study can provide useful information for designing anchored drapery systems and can be easily associated with standard limit equilibrium calculations to move toward a hybrid design approach that couples forces with mesh deformations.

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17

Leberg, Dan. "Digital Drapery and Body Schema-tics." Public 30, no. 60 (March 1, 2020): 236–49. http://dx.doi.org/10.1386/public_00018_7.

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This paper provides a theoretical framework for analyzing motion capture acting for film as a creative professional collaboration between actors and animators. Animators are framed as the draper (rathe than the drafter) of the synthespian’s digital costume, informed but not overdetermined by the raw data of the motion capture actor’s performance. Similarly, the data ensuing from the actor’s performance is analyzed in the neuroscientific terms of body image versus body schema, which makes a distinction between the self’s physical appearance and the self’s capacity for action. The paper concludes that ethnographic research on motion capture acting with this new terminology will provide a holistic view of the collective creative processes in digital cinematic production.

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18

SHEINA, Tatyana V., and Elena A. AVDEEVA. "TECHNOLOGIES OF PROTECTION OF HIGHWAYS FROM ROCKFALLS." Urban construction and architecture 8, no. 1 (March 15, 2018): 28–34. http://dx.doi.org/10.17673/vestnik.2018.01.5.

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The technology of the device of certain anti-dump structures for the sections of mountain roads subject to collapses is considered. A comprehensive analysis of rockfall risk factors has been identifi ed and justifi ed in order to select the most eff ective protection system. The measures on passive protection (catching structures and devices, anti-galleries galleries, simple drapery systems) and active protection (restraining structures and drapery systems with additional reinforcement) have been analyzed. The materials used in advanced anti- dump systems are distinguished, they are characterized by increased strength, enhanced corrosion protection, relatively low weight, which makes it possible to use light technology.

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19

YELKOVAN, SINEM, ERHAN KENAN ÇEVEN, GİZEM KARAKAN GÜNAYDIN, and LAURA CHIRILĂ. "Research on thermal comfort and moisture management properties of drapery fabrics produced with polyester yarns having different fibre cross-sectional shapes and TiO2 amount." Industria Textila 74, no. 06 (December 22, 2023): 640–52. http://dx.doi.org/10.35530/it.074.06.202327.

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This study aims to provide an investigation regarding the effect of fibre cross-sectional shape, incorporated TiO2 amount (%) during polyester yarn production, and the weft density parameters respectively, on thermal comfort, moisture management, water vapour permeability, and air permeability properties of polyester drapery fabrics. Completely randomized three-factor analysis of variance (ANOVA) was conducted at the significance level of 0.05. SNK tests were also performed to observe the means of each parameter. Some of the weft yarn production parameters and the weft density (picks/cm) factors were found as significant factors in some thermal comfort and moisture management, water vapour, and air permeability properties of drapery samples.

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20

HUTTON, SHENNAN. "Organizing specialized production: gender in the medieval Flemish wool cloth industry (c. 1250–1384)." Urban History 45, no. 3 (October 30, 2017): 382–403. http://dx.doi.org/10.1017/s0963926817000566.

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ABSTRACT:In the earliest centuries of the Flemish wool cloth industry, the lower-level, preparatory stage of wool processing and spinning was organized by a form of ‘putting-out’ significantly different from later forms in the industry. It took place in and around the cities or smaller drapery centres rather than in rural areas, and women were prominent as middle-level organizers, managers and small entrepreneurs, despite their marginal status in or exclusion from the craft guilds. Using small bits of evidence from Flemish regulations and contracts from the earliest documented period of cloth production, this article analyses lower-level organization through the lens of gender. It shows that the production of yarn was organized by a broad middling level of drapers and small marketsellers, who were women, men and husbands and wives working together. The gendered lens distinguishes this middle level, which was indispensable to the efficient production of wool cloth in medieval Flanders.

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21

Marchelli, Maddalena, and Giorgio Giacchetti. "Reinforced Drapery Meshes: A Design Method Accounting for Retaining Ropes Contribution." Applied Sciences 11, no. 23 (November 25, 2021): 11176. http://dx.doi.org/10.3390/app112311176.

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Reinforced drapery meshes, both secured and pinned, constitute a compelling solution for rockfall risk mitigation on rock slopes facing structures and infrastructures. They consist of steel wire mesh panels combined with a systematic anchoring pattern. In secured drapery systems, the anchors are connected to each other and to the net through ropes. The system prevents both global instability of the surficial part of the slope thanks to the anchors and local instability by confining small detached fragments in delimited mesh sections. The mesh is generally designed with mechanical resistance derived from the puncturing force–displacement behavior observed during a standardized laboratory test. Despite the fact that a codified design method has not yet been defined, the mesh is generally verified without considering the presence of the ropes. In the present work, an enhanced design method is introduced that accounts for retaining ropes, with the aim of achieving a confining effect similar to the constraints adopted in laboratory tests. In addition, the rope pattern enables the consideration of portions of mesh smaller than pinned drapery systems. In the proposed method, rope elongation is limited such that failure of the mesh near the anchor plate is prevented. The proposed design assessment reveals that the presence of ropes provides possible cost reductions in the choice of the mesh type.

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22

Simpson, P. "Drapery: Classicism and Barbarism in Visual Culture." Journal of Design History 16, no. 2 (January 1, 2003): 194–95. http://dx.doi.org/10.1093/jdh/16.2.194.

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23

Warnaar, Karin. "Dresses and Drapery: The Material Essie Summers." Scope: Contemporary Research Topics (Art & Design), no. 25 (2023): 91–96. http://dx.doi.org/10.34074/scop.1025005.

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24

Çeven, Erhan, Sinem Yelkovan, Nejla Çeven, Günaydin Karakan, and Eda Çorapçi. "Effect of production parameters of polyester weft yarns on some thermal comfort properties of drapery fabrics." Tekstilna industrija 71, no. 2 (2023): 23–35. http://dx.doi.org/10.5937/tekstind2302023c.

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This study has been performed to investigate the eff ECT some weft yarn properties such as weft yarn type, fiber cross sectional shape of the yarn and the incorporated TiO 2 amount (%) during yarn spinning process on some thermal comfort properties of drapery fabrics such as thermal, air permeability and water vapor permeability properties. 12 woven drapery fabrics were produced by using 334/192 denier/fi l draw textured polyester and 400/192 denier/fi l air jet textured polyester weft yarns produced with different fiber cross sectional shape (round, hollow) and different amount of incorporated TiO2 additive (0.3%, 1.2%, 1.8%) and with the same 150 denier Trev-ira yarns at the weft density of 26 threads/cm. SPSS Statistical software package and bar graphs were utilized for the evaluation of the results. Randomized three-way ANOVA was utilized at the significance level of 0.05. And SNK tests were also performed for observing the means of each parameter.

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25

Lamour, Liz L., Ben Bridgewater, and Ben Brooks. "Sound absorbing vertically retracting drapery: A comparative study." Journal of the Acoustical Society of America 130, no. 4 (October 2011): 2535. http://dx.doi.org/10.1121/1.3655130.

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26

안선희 and Myoung-Hee Lee. "A Study on Aesthetic Characteristics of Drapery Costume." Research Journal of the Costume Culture 17, no. 3 (June 2009): 396–406. http://dx.doi.org/10.29049/rjcc.2009.17.3.396.

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27

Allmer, Açalya. "The architecture of gigantic drapery: the Richard B. Fisher Center for the Performing Arts, Bard College." Architectural Research Quarterly 11, no. 3-4 (December 2007): 265–75. http://dx.doi.org/10.1017/s1359135500000762.

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‘The power of architecture (the potential of architecture) is integral to the spirit that orders the grouping of the elements that make up the house; – because architecture emanates, and does not clad; it is more an odour than a drapery, a state of aggregations, more than an enveloping surface.’ (Le Corbusier)

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28

Hill, J. D., Christopher Evans, Mary Alexander, C. Eden, and C. A. Shell. "The Hinxton Rings – A Late Iron Age Cemetery at Hinxton, Cambridgeshire, with a Reconsideration of Northern Aylesford-Swarling distributions." Proceedings of the Prehistoric Society 65 (1999): 243–73. http://dx.doi.org/10.1017/s0079497x00002012.

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The excavation of a 1st century BC cremation cemetery having ring-ditch surrounded interments is reported. One of its two richly accompanied burials included an unparalleled drapery-cast stud/knob – an extraordinary object found within a cemetery with uniquely delineated graves. Given its location on the northern fringe of the distribution of Aylesford-Swarling cremation burials, the site prompts questions of core/periphery interrelationships, regionally and group definition.

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29

Sherman, Michael R. "The Effectiveness of Aluminized Impregnated Drapery on Window Energy Savings." Journal of Interior Design 11, no. 1 (May 1985): 13–17. http://dx.doi.org/10.1111/j.1939-1668.1985.tb00043.x.

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30

Giacomini, A., K. Thoeni, C. Lambert, S. Booth, and S. W. Sloan. "Experimental study on rockfall drapery systems for open pit highwalls." International Journal of Rock Mechanics and Mining Sciences 56 (December 2012): 171–81. http://dx.doi.org/10.1016/j.ijrmms.2012.07.030.

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31

Plagnes, Valérie, Christiane Causse, Michel Fontugne, Hélène Valladas, Jean-Michel Chazine, and Luc-Henri Fage. "Cross dating (Th/U-14C) of calcite covering prehistoric paintings in Borneo." Quaternary Research 60, no. 2 (September 2003): 172–79. http://dx.doi.org/10.1016/s0033-5894(03)00064-4.

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AbstractWe present the first application of cross-dating (Th/U measured by thermo-ionization mass spectrometry (TIMS) and 14C measured by accelerator mass spectrometry (AMS)) of calcite covering prehistoric paintings. Th/U age estimates of cave drapery range from 9800 to 27,300 yr B.P. while conventional 14C age is estimated between 9900 and 7610 yr B.P. depending on the dead carbon correction. The age discrepancy is attributed to a disturbance of Th/U and/or 14C geochemical systems, showing the limits of the geochronological approach applied to this kind of material. For the Th/U system, the poor consistency of U data (U content, 234U/238U activity ratios) and apparent ages argue for open system conditions. For 14C system, variation of the dead carbon fraction (dcf) and a possible mixing of successive generations of calcite could account for age discrepancy. Nevertheless, one sample shows concordant ages for the two methods. Compatible ages through corrections for open system conditions are assumed for other samples. Then, the cross-dating suggests 9900 yr as the minimum age of the piece of drapery; the underlying painting must be older. This study of rock art demonstrates the presence of a Pleistocene population before 9900 yr in the southeast of Borneo, whereas previously the only population in evidence in this area was of Austronesian type from ∼5000 to 6000 yrs ago.

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32

Smirnova, N. A., V. V. Lapshin, V. V. Zamyshlaeva, and N. A. Gruzintseva. "Drapery Research and Forecasting of Costume and Dress Pure Linen Fabrics." Proceedings of Higher Education Institutions. Textile Industry Technology, no. 5 (2021): 78–82. http://dx.doi.org/10.47367/0021-3497_2021_5_78.

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Lambert, Bart, and Milan Pajic. "Drapery in Exile: Edward III, Colchester and the Flemings, 1351-1367." History 99, no. 338 (December 2014): 733–53. http://dx.doi.org/10.1111/1468-229x.12077.

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Moger, Angela S. "Dressing and Undressing the Princess of Cadignan: Female Drapery/Narrative Striptease." Romanic Review 95, no. 3 (May 1, 2004): 315–25. http://dx.doi.org/10.1215/26885220-95.3.315.

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Hendrix, Elizabeth A. "COLORS ON ANCIENT GREEK TERRA‐COTTA FIGURINES." Sculpture Review 50, no. 2 (June 2001): 32–35. http://dx.doi.org/10.1002/j.2632-3494.2001.tb00152.x.

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AbstractSmall terra‐cotta figures, mostly of women, but occasionally of men or domestic animals, were produced in Greece in great numbers during the third and second centuries B.C. These miniature figures were often beautifully sculpted, with graceful poses and lively drapery. Traces of pigment still visible today reveal that the sculptures were vividly painted over their entire surfaces with a full spectrum of colors, creating a vibrant effect. Today, scientific analysis can identify the remaining pigment and present a clearer concept of the figures' original appearance.

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Pieren, Reto, Beat Schäffer, Stefan Schoenwald, and Kurt Eggenschwiler. "Sound absorption of textile curtains – theoretical models and validations by experiments and simulations." Textile Research Journal 88, no. 1 (October 23, 2016): 36–48. http://dx.doi.org/10.1177/0040517516673337.

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Textile curtains can be designed to be good sound absorbers. Their acoustical performance, as usually described by the sound absorption coefficient, not only depends on the textile itself but also on the drapery fullness and the backing condition, that is, the spacing between the fabric and a rigid backing wall, or the absence of a backing in the case of a freely hanging curtain. This article reviews existing models to predict the diffuse-field sound absorption coefficient, which to date can only predict the case of flat curtains. A set of existing models is extended to the case of curtains with drapery fullness using a semi-empirical approach. The models consider different backing conditions, including freely hanging curtains. The existing and new models are validated by comparing predicted sound absorption coefficients with data measured in a reverberation room. Hereby, curtains consisting of different fabrics and with different degrees of fullness are considered. Besides situations with rigid backing, also the measurement data of textiles hung freely in space are included in this study. Comparisons reveal a very good agreement between measured and predicted sound absorption coefficients. Compared to currently available commercial sound absorption prediction software that can only handle the situation of flat textiles with rigid backing, the results of the presented models not only show a better agreement with measured data, but also cover a broader range of situations. The presented models are thus well applicable in the design and development of new textiles as well as in the room acoustical planning process.

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Martín-Pérez, Andrea, Ana Alonso-Zarza, and Rebeca Martín-García. "Diagenesis of a drapery speleothem from Castañar Cave: from dissolution to dolomitization." International Journal of Speleology 41, no. 2 (July 2012): 251–66. http://dx.doi.org/10.5038/1827-806x.41.2.11.

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Welters, Linda, Abby Lillethun, Jean L. Druesedow, and Julia Petrov. "Ptychoseis = Folds + Pleats: Drapery from Ancient Greek Dress to 2lst-Century Fashion." Dress 31, no. 1 (January 2004): 72–77. http://dx.doi.org/10.1179/036121104805253216.

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Thoeni, Klaus, Anna Giacomini, Cédric Lambert, Scott W. Sloan, and John P. Carter. "A 3D discrete element modelling approach for rockfall analysis with drapery systems." International Journal of Rock Mechanics and Mining Sciences 68 (June 2014): 107–19. http://dx.doi.org/10.1016/j.ijrmms.2014.02.008.

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Yu, Di Mei, Li Xia Fan, Hong Xia Zhang, and Chen Yan Zhu. "Study on the Light-Proofness of Double-Layer Curtain Fabrics." Advanced Materials Research 1035 (October 2014): 250–53. http://dx.doi.org/10.4028/www.scientific.net/amr.1035.250.

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To provide the technical support for developing the highly light-proof decorative fabrics. Based on the weaving rationale of jet-weaving technology of electronic dobby jacquard, 2 type of double-layer fabrics was designed from weft arrangement ration, fabric count and yarn type, then tested on related performance including light-proofness. This dissertation combines all results of the fabric performance tests. Designed with 140 ends/cm, 72 picks/cm, weft arrangement ratio 2:1:1, and FDY silk as weft yarn, the highly light-proof drapery fabrics can achieve soft texture, lustrous surface and excellent light-proofness, which can satisfy the customers.

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Beilharz, Kirsty, and Andrew Vande Moere. "Sonic drapery as a folding metaphor for a wearable visualization and sonification display." Visual Communication 7, no. 3 (August 2008): 271–90. http://dx.doi.org/10.1177/1470357208092320.

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Jacqué, Bernard. "Drapery Wallpapers by Dufour and Dufour & Leroy, 1808-1830: Imitation or Creation?" Studies in the Decorative Arts 17, no. 1 (September 2009): 68–95. http://dx.doi.org/10.1086/652664.

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Simpson, Pat. "The New Person's body: drapery and disclosure in Stalinist monumental sculpture 1937–44." Sculpture Journal 15, no. 1 (June 2006): 36–51. http://dx.doi.org/10.3828/sj.15.1.3.

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Gafurova, N. T., N. I. Hikmatov, and D. F. Barakaeva. "Influence of raw properties on product quality." Современные инновации, системы и технологии - Modern Innovations, Systems and Technologies 2, no. 2 (June 22, 2022): 0169–77. http://dx.doi.org/10.47813/2782-2818-2022-2-2-0169-0177.

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The purpose of this article is to study methods for determining and predicting the drapability of a fabric. Drapability is one of the main aesthetic properties of fabric that must be taken into account when designing fabrics with desired properties, obtaining garments of the desired shape and ensuring their efficient production. An analysis of the literature revealed a number of results of experimental methods for the formation of drapery and the need to take into account new information about the characteristic methods for the formation of folds and gathers. The indicators of production of current volumes of silk and mixed fabrics chosen for clothing are analyzed, and the results of experimental studies are presented.

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Marchelli, Maddalena, Valerio De Biagi, and Daniele Peila. "A quick-assessment procedure to evaluate the degree of conservation of rockfall drapery meshes." Frattura ed Integrità Strutturale 13, no. 47 (December 14, 2018): 437–50. http://dx.doi.org/10.3221/igf-esis.47.34.

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Forti, Paolo, Giovanni Badino, José Maria Calaforra, and Jo De Waele. "The ribbed drapery of the Puerto Princesa Underground River (Palawan, Philippines): morphology and genesis." International Journal of Speleology 46, no. 1 (January 2017): 93–97. http://dx.doi.org/10.5038/1827-806x.46.1.2011.

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Dei Cas, Luca, Maria Luisa Pastore, Andrea Pavan, and Nicola Petrella. "Geological monitoring networks for risk management close to large rock cliffs: the case history of Gallivaggio and Cataeggio in the italian Alps." Geographica Helvetica 76, no. 1 (April 1, 2021): 85–101. http://dx.doi.org/10.5194/gh-76-85-2021.

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Abstract. In areas located near large rock cliffs, risk reduction by early warning monitoring systems highligts potentiality but also critical issues and limits. The paper examines two rock slope failures that occurred in a short time from each other near inhabited areas in the Italian Alps. The viscous behavior of the rock mass was reconstructed through data processing from ground-based Synthetic Aperture Radar Interferometry (InSAR), and elaboration of acceleration and speed curves. Landslides types and underlying complexity associated with rock detachment mechanisms suggest the identification of precautionary alarm thresholds for collapse forecasting. The analysis of financial outlay, both for mitigation works and for monitoring activities, highlight the adequacy and the opportunity to combine passive systems, like embankments or rockfall drapery meshes, with a reliable monitoring network for early warning.

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Verri, Giovanni, Hero Granger-Taylor, Ian Jenkins, Tracey Sweek, Katarzyna Weglowska, and William Thomas Wootton. "The goddess’ new clothes: the carving and polychromy of the Parthenon Sculptures." Antiquity 97, no. 395 (October 2023): 1173–92. http://dx.doi.org/10.15184/aqy.2023.130.

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White marble sculpture is a cornerstone of Western art history. Archaeological inquiry, however, has demonstrated that Classical sculpture and its associated architecture were once coloured. The authors examine the Parthenon Sculptures at the British Museum to identify traces of colour and carving on their surfaces. Using close examination and archaeometric techniques, the study shows that the sculptors finished surfaces with textures that reflected specific elements (e.g. skin, wool, linen) and these were then enhanced through the application of colour, including a purple colourant and Egyptian blue. The latter was used extensively to paint elaborate figurative designs on the carved textiles. Despite the complexity of the carved drapery, elaborate ornament was applied to the finish. The findings encourage a reconsideration of the appearance of the Parthenon in the fifth century BC.

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Doy, Gen. "Exhibition Review: Ptychoseis = Folds + Pleats: Drapery from Ancient Greek Dress to Twenty-first-century Fashion." Fashion Theory 9, no. 2 (June 2005): 251–59. http://dx.doi.org/10.2752/136270405778051383.

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YALCINKAYA, M. ALPER. "Science as an ally of religion: a Muslim appropriation of ‘the conflict thesis’." British Journal for the History of Science 44, no. 2 (June 14, 2010): 161–81. http://dx.doi.org/10.1017/s0007087410000749.

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AbstractJohn W. Draper's History of the Conflict between Religion and Science (1874) is commonly regarded as the manifesto of the ‘conflict thesis’. The superficiality of this thesis has been demonstrated in recent studies, but to read Draper's work only as a text on ‘science versus religion’ is to miss half of its significance, as it also involved evaluations of individual religions with respect to their attitudes towards science. Due to Draper's favourable remarks on Islam, the Ottoman author Ahmed Midhat translated his work into Turkish, and published it along with his own comments on Draper's arguments. Midhat interpreted Islam using the cues provided by Draper, and portrayed it as the only religion compatible with science. While his Christian readers condemned Draper for his approach to Islam, Midhat transformed the ‘conflict thesis’ into a proclamation that Islam and science were allies in opposition to Christian encroachment on the Ottoman Empire. This paper analyses Midhat's appropriation of Draper's work and compares it to the reaction of Draper's Christian readers. It discusses the context that made an alliance between Islam and science so desirable for Midhat, and emphasizes the impact of the historico-geographical context on the encounters between and representations of science and religion.

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