Relevant bibliographies by topics / Drapery

Academic literature on the topic 'Drapery'

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Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Drapery"

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Carrera-Gallissà, Enric, Xavier Capdevila, and Josep Valldeperas. "Use a Modified Ring Method to Predict Drape Properties in Drapery Fabrics." Autex Research Journal 18, no. 2 (June 1, 2018): 143–48. http://dx.doi.org/10.1515/aut-2017-0033.

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Abstract Seven drape indicators and four of the parameters assessed in the UPC ring test were determined by using canonical correlations in 15 commercial drapery fabrics of variable composition, aerial weight and weave type. A regression equation relating drape ratio (%DR) and parameter h in the ring test was thus established. Based on the results, the ring test provides a useful tool for the routine industrial assessment of drape in finished drapery fabrics without the need for additional equipment to determine the drape.
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Nurlita, Ela, and Yasnidawati Yasnidawati. "ANALISIS PEMBUATAN COWL DRAPERY DENGAN TEKNIK DRAPING PADA BUSANA." Fashion and Fashion Education Journal 10, no. 2 (September 28, 2021): 58–62. http://dx.doi.org/10.15294/ffej.v10i2.48618.

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Abstract. This study aims to describe the results of cowl drapery using the draping technique. The type of research used is applied research. The object of research is cowl drapery using draping technique. The research instrument uses an assessment format with a Likert Scale. The assessment is carried out by 3 panelists, namely lecturers who are experts in the field of clothing, by fitting. The data analysis technique used is quantitative descriptive and inferential analysis. The results of the cowl drapery using the draping technique show that the results of the cowl drapery using the draping technique obtained an assessment result with a percentage value of 80.21% categorized as appropriate. Based on the t-test, it was found that the average results were significant between the results of cowl drapery using the draping technique with a significance level of 0.05. Keywords: Cowl drapery; draping; Abstrak. Penelitian ini bertujuan untuk untuk mendeskripsikan hasil cowl drapery menggunakan Teknik Draping. Jenis penelitian yang digunakan adalah penelitian terapan. Objek penelitian yaitu cowl drapery menggunakan teknik draping. Instrumen penelitian memakai format penilaian dengan Skala Likert. Penilaian dilakukan oleh 3 orang panelis yaitu dosen yang ahli dalam bidang busana, dengan cara fitting. Teknik analisis data yang digunakan adalah deskriptif kuatitatif dan analisis inferensial. Hasil cowl drapery menggunakan Teknik Draping menunjukkan hasil cowl drapery menggunakan teknik draping didapatkan hasil penilaian dengan nilai persentase sebesar 80.21 % dikategorikan Sesuai. Berdasarkan uji t didapatkan hasil rata-rata penilaian yang signifikan antara hasil jadi cowl drapery menggunakan teknik draping dengan taraf signifikansi sebesar 0.05. Kata Kunci: Cowl drapery; draping;
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Kazlacheva, Zlatina, Julieta Ilieva, and Tanya Peneva. "FASHION AND PATTERN DESIGN OF LADIES’ DRESSES WITH TRANSFORMATION OF DIFFERENT TYPES OF DRAPERIES." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 10–23. http://dx.doi.org/10.15547/artte.2019.01.002.

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One of the ways of creation of new fashion designs is the transformation of a garment in another one. According to the main design principles silhouettes, lines, and forms of elements and pieces can be changed. According to both fashion and technical design the change of the elements with decorative and constructive function is more important than changing only decorative ones. The transformations are possible for all of elements with decorative and constructive function: darts, seams, 3D elements. And according to the fashion and pattern making view the drapery is maybe the most interesting three dimensional element, which can be with only decorative, but in the more of the cases it is with decorative and constructive function. The paper presents fashion and pattern design of ladies’ dresses on the base of transformation of the three basic types of drapes: twist knot, twisted and free draperies. In created variants draperies are with decorative and constructive function. With presented way of transformation new designs of draped ladies’ dresses are easy and successfully created. Every of the basic three types of drapery with decorative and constructive function: twist knot, twisted and free ones can be changed with other two types. The facilitating of design and pattern making is result not only that transformations are made on one basic model, but also that systemized approaches of constructing of twist knot and twisted draperies are used.
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Hernandez, Mario. "Drapery Study." New England Review 38, no. 4 (2017): 179–80. http://dx.doi.org/10.1353/ner.2017.0118.

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Yasnidawati, Yasnidawati, and Ela Nurlita. "Hasil Cowl Drapery menggunakan Teknik Draping." EDUKATIF : JURNAL ILMU PENDIDIKAN 3, no. 6 (October 16, 2021): 4757–62. http://dx.doi.org/10.31004/edukatif.v3i6.1487.

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Penelitian ini bertujuan untuk untuk mendeskripsikan hasil cowl drapery menggunakan Teknik Draping.Jenis penelitian yang digunakan adalah penelitian terapan. Objek penelitian yaitu cowl drapery menggunakan teknik draping. Instrumen penelitian memakai format penilaian dengan Skala Likert. Penilaian dilakukan oleh 3 orang panelis yaitu dosen yang ahli dalam bidang busana, dengan cara fitting. Teknik analisis data yang digunakan adalah deskriptif kuatitatif dan analisis inferensial. Hasil cowl drapery menggunakan Teknik Draping menunjukkan hasil cowl drapery menggunakan teknik draping didapatkan hasil penilaian dengan nilai persentase sebesar 80.21 % dikategorikan Sesuai. Berdasarkan uji t didapatkan hasil rata-rata penilaian yang signifikan antara hasil jadi cowl drapery menggunakan teknik draping dengan taraf signifikansi sebesar 0.05
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Kenan, Çeven, Günaydin Karakan, and Nejla Çeven. "Impact of weft yarn type and fabric weft density on burning behavior, tearing strength and air permeability for different types of antibacterial drapery fabrics." Tekstilna industrija 69, no. 1 (2021): 4–16. http://dx.doi.org/10.5937/tekstind2101004k.

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Drapery fabrics are textile products utilized for home and decorative textiles. Recently there have been new functional requirements for the drapery fabrics such as flame retardancy, antimicrobial efficiency, UV protection, etc. This study has been conducted to investigate the effect of weft yarn type and weft density on drapery fabrics' burning behaviour, tearing strength and air permeability properties. "A special inherently flame-retardant yarn" was used as the warp and weft yarns of the woven drapery fabrics while "a special inherently and antibacterial yarn" was also used as the weft yarn in some of the sample groups. Two main fabric groups each consisting of 12 woven drapery samples with different weft yarns and weft densities were separately evaluated among themselves by using SPSS Statistical software package and bar graphs. Burning behaviours of the samples in terms of damage length and damage width with the ignition source were satisfying both for the drapery samples with the special inherently flame-retardant weft yarn as well as those with the special inherently flame retardant and antibacterial yarn weft yarns. In other words, usage of inherently flame retardant and antibacterial yarn as the weft yarns did not contribute negatively on the flame retardancy of drapery fabrics. The results of two-way ANOVA test indicated that weft yarn type was a significant factor for tearing strength in warp and weft wise while weft density and the interaction of weft yarn type and weft density factors were non-significant factors on tear strength values in warp and weft wises at significance level of 0.05. Additionally, correlation analyses revealed that weft yarn tenacity values were highly correlated with the drapery fabrics' weft tearing strength values. Moreover, weft yarn type, weft density and their interaction were influential factors on air permeability of the drapery fabrics at significance level of 0.05.
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Chen, Jing, and Yiqiang Cao. "Research on the Drapery in Ancient Greek Sculptures." Asian Social Science 17, no. 6 (May 31, 2021): 29. http://dx.doi.org/10.5539/ass.v17n6p29.

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Sculpture in the ancient Greek period has an extremely lofty position in the history of Western art, and the drapery is one of the most important modeling characteristics of ancient Greek sculpture. This article summarizes the style evolution of drapery in ancient Greek sculptures through the performance of ancient Greek costume characteristics and dressing methods in sculptures. And through the drapery produced by the different postures of the human body in the sculptures, it is explored how the ancient Greek artists used drapery to show the dialectical relationship between clothing, the human body and the posture, thereby shaping the beauty model of classical clothing.
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Kazlacheva, Zlatina. "PATTERN DESIGN OF TWISTED DRAPERIES WITH DECORATIVE AND CONSTRUCTIVE FUNCTION." Applied Researches in Technics, Technologies and Education 7, no. 1 (2019): 1–9. http://dx.doi.org/10.15547/artte.2019.01.001.

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The paper presents a systemized approach of pattern design of twisted draperies with decorative and constructive function on the base of calculating compensation of shortening after twisting. The presented approach of constructing uses an investigation of obtaining of mathematical dependences on the base of the shortening of the piece in directions of width and height after twisting. The formulas, obtained with linear regressions, make pattern design of this type of drapery full systemized and lead to successful constructing of twisted pieces or parts of them in varied sizes. The pattern design of twisted draperies with decorative and constructive function is systemized with the use of dependence for calculation of the additional width for twisting. The systematization facilitates the processes of fashion and technical design leading to easy and successful constructing of drapery in different sizes of draped parts of clothing pieces, and giving possibilities for new creative ideas and variety of designs. It makes the presented systemized approach of pattern design very suitable for ready-to-wear industry.
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Trower, Valerie Wilson. "Fabric of Vision: Dress and Draper Drapery in Painting by Anne Hollander." Fashion Theory 8, no. 2 (June 2004): 245–47. http://dx.doi.org/10.2752/136270404778051799.

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GÜNAYDIN, Gizem Karakan, Mine AKGÜN, Ayça GÜRARDA, Erhan Kenan ÇEVEN, and Bülent ASLAN. "INVESTIGATIONOF FRICTION COEFFICIENTOF DRAPERY FABRICS TREATED WITH DIFFERENT RATIO OF FLAME RETARDANT." TEXTEH Proceedings 2019 (November 5, 2019): 52–57. http://dx.doi.org/10.35530/tt.2019.12.

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As the security precautions with respect to new standards for the furnishing textiles in big platforms such as concert, theatre halls have increased, flame retardancy has become one of the vital required property for drapery fabrics. However, those kind of additional treatment processes may lead to some differences in fabric properties such as friction which should be considered for the consumers. This study aims to evaluate the influence of using different ratio of flame retardant chemicals (g/l) on friction coefficient of drapery fabrics. For this purpose, nine types of fabrics composed of three different weft density (9, 11, 13 threads/cm) were selected. The warp yarns were selected as 400/200 denier/filament while the weft yarns were selected as 800 /200 denier/filament textured micro polyester yarns. Three levels for flame retardant (0, 60 and 90 g/l) were determined as the finishing processes. After the dobby fabrics were woven and exposed to finishing treatments; Friction coefficient values were recorded with Labthink Param MXD-02. ANOVA tests were performed in order to evaluate the significant effect of weft density and flame retardant chemical ratio on friction properties of drapery fabrics. Additionally, SNK tests were conducted for the comparison of means of friction values of drapery fabrics produced at different weft density also of the samples treated with different flame retardant chemical ratio. Experimental results revealed that structural parameters and the finishing processes were influential factors on the surface frictional characteristics of the fabrics. It was clearly observed that surface friction coefficients of drapery fabrics decreased due to the flame retardant process.
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Dissertations / Theses on the topic "Drapery"

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Quinton, Eleanor Jane Powys. "The drapers and the drapery trade of late medieval London, c.1300-c.1500." Thesis, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394583.

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This thesis explores the political, economic and social fortunes of London's drapers in the Late Middle Ages, and the city's developing role in both the domestic and export trades in cloth. The first section considers the early development of the drapers' guild in the context of political and economic pressures. The city-wide ramifications of collaboration among drapers intent on protecting mutual economic interests are discussed with particular reference to John of Northampton, draper, who was politically-active in late fourteenth century London. An exploration of the identity or identities of London drapers sets the guild's significance in the wider context of other networks of association based on residence, kinship, apprenticeship, property-holding and parish-based brotherhoods. The next section discusses London's emerging role as the distributive centre of an expanding trade in English cloth. The role of cloth consumers (particularly noble and gentle households) in increasing London's magnetism is considered through an analysis of the purchase accounts of the Great Wardrobe. Aspects of investment in the domestic production of cloth, and the relationship between drapers, London clothworkers and provincial clothiers, is brought to light by a study of particulars of ulnage accounts, and of debt and Chancery cases involving drapers. The final section, based on particular accounts of custom and subsidy, supplements what is known of London's expanding role in the cloth export trade with an analysis of the various mercantile interests behind these exports. In addition, the drapers' path from the export of wool and import of Flemish cloth in the early fourteenth century, to the export of cloth from the late fourteenth century, to a diversity in both imports and exports which was born of growing economic confidence by the end of the fifteenth century, is discussed alongside the growing competition faced by drapers as domestic suppliers and retailers of cloth.
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Fraser, Terrie A., and tfra5205@bigpod net au. "The Allegorical Fold. Evoking physical and psychological presence and absence in the painting of folded fabric." RMIT University. Art, 2008. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080828.152600.

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In this project notions of presence and absence will be explored through a study of 'the fold'. I will closely examine a number of paintings that depict folded drapery or cloth and from this examination I will select examples that evoke a response in me to these fundamental states of being, My objective is to produce a body of paintings that explore the structure of the fold and its expression through light, shadow and darkness to develop a range of images that metaphorically represent these phenomena and the possibility of a relational field between the two. This examination will re-present, reinterpret, fragment and transform the selected images using the materials of oil painting and drawing to visualize my response to the changing perceptions of this phenomenon. This investigation is informed by philosophical and psychoanalytical writings that explore the phenomenology of states of presence and absence. In part, these states are suggested by other terminologies, for example, form and space or volume and void. The project draws on the work of writers who have examined and changed perceptions of this phenomenon, particularly where they attribute the structure of absence to contribute to an understanding of subjectivity, question the favouring of presence in Western thought and explore the relationship between the two.
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Rabochová, Agáta. "STRUKTURY." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2017. http://www.nusl.cz/ntk/nusl-316053.

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The subject of the thesis is a series of paintings. It is based on painting concept of drapery. The history of art is accompanied by drapery almost from the beginning. I´m interested in the variety of aproaches, once the drapery supports the meaning of the painting, once it is the main object of the paintwork. My intention is to paint a series of pantings, which will follow and complement the historic aproach.
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Gatty, Fiona K. A. "Ideal beauty in late eighteenth- and early nineteenth-century French art and art criticism with special reference to the role of drapery and costume." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:9c3f5f9e-0a0c-4c1e-a7c1-62ed972cfd12.

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Scholarly attention to late eighteenth- and early nineteenth-century French art has focused on the importance that Johann Joachim Winckelmann attributed to the male nude figure in his definition of ideal beauty, and the impact of his work on debates over the 'beau idéal' in French art and art criticism. In contrast, Winckelmann's extensive interest in the detail of ancient costume, the folds of drapery, and the teleological and aesthetic significance that he ascribed to them, has been underplayed. The role played by costume and drapery as components of the 'beau idéal' in French art and aesthetics has also not been fully explored. This thesis examines the way in which costume and drapery formed an important component and embodiment of ideal beauty in the work of Winckelmann and in late eighteenth- and early nineteenth-century French artistic circles, providing new insights into the arguments over the meanings of Truth, Beauty and Nature in this period. The thesis proposes that ideal beauty in late eighteenth- and early nineteenth- century France was conveyed in works of art through the accurate rendering of costume and the expressive qualities of drapery in combination with the perfect form and contour of the nude body. The first part of the thesis sets up a proposition that costume and drapery formed part of the definition of ideal beauty in the work of Winckelmann. Highlighting the significance of Winckelmann's work on costume and drapery in French art theory, it demonstrates how the definition of ideal beauty in France also incorporated the accurate rendering of costume and the aesthetic impact of drapery. In demonstrating the significance of costume and drapery to both Winckelmann and French theorists it is proposed that the application of a meta-historical approach of costume and drapery to French art theory can provide new understandings and readings of the definition of ideal beauty, the hierarchy of the genres and the broader aesthetic concerns of late eighteenth- and early nineteenth- century French art. The second part of the thesis applies the proposed hermeneutic of costume and drapery to a small selection of theoretical work on the nature of ideal beauty and on a significant collection of Salon criticism. With this approach to the primary material this thesis demonstrates how French artists were able to express the 'beau idéal' within the traditional academic conventions and hierarchies, and negotiate the sense of public unease over the use of nudity in contemporary art.
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Richard, Noelle M. "Statistical Consulting at Draper Laboratory." Digital WPI, 2014. https://digitalcommons.wpi.edu/etd-theses/1203.

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"This Master’s capstone was conducted in conjunction with Draper Laboratory, a non-profit research and development organization in Cambridge, Massachusetts. During a three month period, the author worked for the Microfabrication Department, assisting with projects related to statistics and quality control. The author gained real-world experience in data collection and analysis, and learned a new statistical software. Statistical methods covered in this report include regression analysis, control charts and capability, Gage R & R studies, and basic exploratory data analysis."
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Draper, Mark. "Exploring the influence of a virtual body on spatial awareness /." Connect to this title online (HTML format) Connect to this title online (PostScript format) Connect to this title online (RTF format), 1995. http://www.hitl.washington.edu/publications/draper/.

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Nold, Michael George. "Draped Interiors." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461599487.

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Nold, Michael George. "Draped Interiors." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461675130.

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Berg, Linus, and Gustav Thuresson. "Matarverk för kartong : Ett konstruktionsprojekt för Draper Europe AB." Thesis, Högskolan i Halmstad, Akademin för företagande, innovation och hållbarhet, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-45048.

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The client for the project was Draper Europe AB. The project's goal was to produce designdocumentation to improve Draper's packaging station. The purpose of the new packingstation was that the cardboard would not be damaged during feeding as it risks damagingproducts during shipping. The criteria given by Draper were: ● The cardboard should not bend ● The construction should not be too complex for the task ● The construction must be space-efficient with the floor surface The advantages of creating a better packing station are that a better process contributes toless work being needed and makes the process less time-consuming. The station will also bemore ergonomic when the process is largely automated. The feasibility study examined previous projects done in the same subject as well as acompetitor analysis to see how other companies had solved the same problem. Thefeasibility study resulted in a decision that a modified drum would be used to prevent thecardboard from bending by making the edges land in the folds of the cardboard, this wouldplace all the load on the parts of the carton that could be bent. In the Principle Construction, four different ideas were examined. Among these wereseveral different types of feeders. Finally, a friction solution was chosen that would feed thecardboard over a modified drum using two feeders. In the Primary Design, CAD models were created that were used to perform constructionanalyzes and to create drawings. A component list was created in the Manufacturing Design. The component list contains thenumber of components needed for the design, from which standard components can beobtained, and how the design is intended to be manufactured. To ensure correct and safe useof the design, a user manual is also included in the component list.The result of the project was two feeders that fed corrugated cardboard over a modifieddrum. The modified drum consisted of a drum with three edges, the edges should end up inthe folds of the cardboard to prevent it from bending. Two feeders were used to create slackin the carton to ensure that it would enter at a good angle.
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Virot, Emmanuel. "Flottement de drapeau : dynamique et couplage." Palaiseau, Ecole polytechnique, 2015. https://theses.hal.science/tel-01162549v2/document.

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En flottant, les drapeaux puisent l’énergie cinétique du vent et produisent des oscillations périodiques. Utiliser des drapeaux pour générer de l’électricité est donc une perspective rendue possible par le flottement. Partant de ce principe très simple, cette thèse porte sur la dynamique des drapeaux dans le vent. En soufflerie, nous étudions les efforts qui s’appliquent sur le mât de drapeaux flottants, en termes de fluctuations de moment et de traînée. En particulier, nous observons de fortes variations d’efforts entre les différents régimes de flottement caractérisés par un nombre constant de noeuds de vibration. Un modèle de drapeau résolu numériquement par une méthode de Galerkin nous montre que lors des transitions entre les régimes de flottement, le moment appliqué au mât diminue fortement du fait de la diminution de la courbure du drapeau à l’encastrement. Lorsque le mât du drapeau est lui-même un oscillateur d’inertie et de raideur paramétrable, nous constatons un couplage fort entre le mouvement du drapeau et du mât avec un phénomène d’accrochage fréquentiel. Nous étudions ce couplage expérimentalement, et nous montrons qu’un nombre de “raideur-amortissement” pilote la rotation du mât. Notamment, nous obtenons un dispositif qui génère des rotations de 80o crête-à-crête à des vitesses de vent de l’ordre de 10 m/s
When flags flutter, they harvest the wind kinetic energy for producing periodic oscillations. Using flags for generating energy is then possible with flutter. Starting from this simple principle, this thesis deals with flag dynamics in the wind. In a wind tunnel, we study the forces on the flagpole of fluttering flags, focusing on the fluctuations of the flapping moment and drag. In particular, we observe strong variations of forces between different regimes of flutter characterized by a constant number of nodes. A model for flags is solved numerically with a Galerkin method and shows that during transitions between flutter regimes, the moment applied to the flagpole decreases because of the decrease of the flag curvature at the flagpole. When the flagpole is an oscillator with configurable inertia and stiffness, we report a strong coupling between the motion of the flag and its flagpole, with a frequency lock-in phenomenon. We study this coupling experimentally, and we show that a “stiffness-damping” parameter regulates the flagpole rotation. Notably, we design a coupling generating peak-to-peak rotations of 80o at wind speed of the order of 10 m/s
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Books on the topic "Drapery"

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Arrowsmith, James. An analysis of drapery. New York: Acanthus Press, 1993.

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Hogarth, Burne. Dynamic wrinkles and drapery. New York: Watson-Guptill Publications, 1992.

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Dynamic wrinkles and drapery. New York: Watson-Guptill Publications, 2002.

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Stephenson, John W. Drapery cutting and making: A handbook for drapery workers, upholsterers and interior decorators. Thirsk: Potterton Books, 1988.

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Yaker, Rebecca. How to make curtains: Measuring and making the perfect window coverings for every room in your home. North Adams, MA: Storey Publishing, 2015.

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Upstyle your windows. London: Apple Press, 2015.

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Wrey, Caroline. Caroline Wrey's complete curtain making course. Woodstock, N.Y: Overlook Press, 1997.

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Marc, Boone, and Prevenier Walter, eds. La draperie ancienne des Pays-Bas: Débouchés et stratégies de survie, 14e-16e siècles : actes du colloque tenu à Gand le 28 avril 1992 = Drapery production in the late medieval Low Countries : markets and strategies for survival, 14th-16th centuries : proceedings of the Colloquium Ghent, April 28th 1992. Leuven-Apeldoorn: Garant, 1993.

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1973-, Svensson David, ed. Drapings: David Svensson. [Åhus]: Kalejdoskop förlag, 2020.

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Wrey, Caroline. Designs for window treatments: Over 100 stylesfor curtainsand other soft furnishings. London: Ebury, 1995.

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Book chapters on the topic "Drapery"

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Hohman, Ben. "Upholstery/Drapery." In 101+ Tips and Tricks Every Prop Maker Should Know, 34–49. New York: Focal Press, 2024. http://dx.doi.org/10.4324/9781003384182-4.

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Sesiano, Jacques. "Chapter B–VI: Drapery." In Sources and Studies in the History of Mathematics and Physical Sciences, 1448–56. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03940-4_85.

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Sesiano, Jacques. "Chapter (B–VI) on Drapery." In Sources and Studies in the History of Mathematics and Physical Sciences, 856–62. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03940-4_50.

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Lahiji, Nadir. "The obscene surplus of drapery." In Architecture in the Age of Pornography, 81–92. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003195092-14.

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Thoeni, K., A. Giacomini, C. Lambert, and S. W. Sloan. "Rockfall Trajectory Analysis with Drapery Systems." In Engineering Geology for Society and Territory - Volume 2, 2007–11. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09057-3_356.

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Grimod, Alberto, and Giorgio Giacchetti. "Design Approach for Secured Drapery Systems." In Landslide Science for a Safer Geoenvironment, 99–105. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04996-0_17.

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Giacchetti, Giorgio, and Alberto Grimod. "Rockfall Mitigation Using Simple Drapery System: Design Approach." In Engineering Geology for Society and Territory - Volume 2, 1881–84. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09057-3_333.

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Grimod, Alberto, and Giorgio Giacchetti. "Design Approach for Rockfall Protections with Simple Drapery Systems." In Landslide Science for a Safer Geoenvironment, 77–82. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04996-0_14.

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Gibson, Steven J. "Draper, Henry." In Biographical Encyclopedia of Astronomers, 607–10. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_380.

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Smoller, Laura Ackerman, Michelle Chapront‐Touzé, Mihkel Joeveer, Ian T. Durham, M. J. Martres, David M. Rust, Jacques Lévy, et al. "Draper, Henry." In The Biographical Encyclopedia of Astronomers, 310–11. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_380.

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Conference papers on the topic "Drapery"

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Thoeni, Klaus, Cédric Lambert, Anna Giacomini, Scott Sloan, and John Carter. "An integrated approach for rockfall analysis with drapery systems." In 2013 International Symposium on Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2013. http://dx.doi.org/10.36487/acg_rep/1308_81_thoeni.

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Tahmasbi, Soheil, Anna Giacomini, Roland Bucher, and Olivier Buzzi. "A new approach to simulate the dynamic response of high-tensile chain-link drapery systems." In 2020 International Symposium on Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2020. http://dx.doi.org/10.36487/acg_repo/2025_52.

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Monticelli, Carol, and Alessandra Zanelli. "Design-driven Uniaxial and Biaxial Tensile Testing of Knitted Fabrics Applied to Construction." In IABSE Symposium, Prague 2022: Challenges for Existing and Oncoming Structures. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2022. http://dx.doi.org/10.2749/prague.2022.0942.

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<p>Knitted fabrics are rarely subjected to tensile stress tests in the field of architectural construction materials, mostly due to their common use as drapery. However, recent non-standard applications of tensioned knitted textiles to hybrid lightweight constructions call for the assessment of their mechanical behavior. In the light of the absence of specific testing methodologies regarding knitted fabrics in the field of construction, this study aims at investigating customized testing techniques that target design requisites, as well as extending previous groundwork on plain weft- knitted textiles to tuck-loop knit structures. Fabrics with a piquet Lacoste loop structure are tested uniaxially and biaxially in order to estimate the feasibility of a relatively large-scale project. The challenging task consists of stretching the limited production width in weft direction to the extended dimensions of the tensile architectural project. Hence the study focuses on elongation limits and especially on the maximum elongation that allows elastic deformation. Extracted empirical data are expressed in the form of stress/strain curves that enable an appropriate understanding of the textiles’ mechanical behavior. This inquiry points out the extent to which knit pattern favors directional elongation in warp as opposed to weft or vice-versa. In addition, it addresses the mechanical performance of knitted textiles by means of a strategic customization of tensile tests that can make them better at informing the design process and feasibility assessment.</p>
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Becho, Anabela. "Sculpting the fabric: Madame Grès’ emotional and innovative Pleating Technique." In Intelligent Human Systems Integration (IHSI 2023) Integrating People and Intelligent Systems. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002874.

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Madame Grès (1903-1993) worked for six decades in the exclusive world of Parisian haute couture, creating clothes as if they were living sculptures, always in search of the ideal dress.Her legacy was designs marked by a ceaseless quest for absolute beauty. Her long,draped dresses crafted with obsession and technical mastery are a profound reflection on fashion, time and memory. In its undying association with sculpture, her oeuvre encloses an inherent affirmative, solid, timeless perpetuity. Respect for the principles of design lies in Grès’s discourse with textiles; because it is a discourse, a thought that is transformed into matter, that grows pleat by pleat in a game of alternating light and shade. The couturier's folds enclose successive pain and mystery, melancholy and persistence, obsession and conviction. There can be no doubt that Grès’s gowns were designed for the female form, in the cutting and manipulation of the fabric, in a prodigious, precise technique in which nothing could be left to chance. This is why they are perfect examples of the highest calling of design.Nonetheless, it is precisely in the relationship between body and gown, the harmony and tension between the organic and inorganic, that Grès’s work goes beyond mere design. It moves naturally into the real world of creation, as the couturier’s gowns do not just dress the body; they become the body itself, in which fabric and flesh turn into a single, indivisible, absolute entity. Even though her oeuvre was much wider than the so-called “goddess dresses”, the long draped gowns, reminiscent of eternal time, became her archetype. Incontrast with the ephemeral nature of fashion, it is my goal to show in the course of this paper that precisely the opposite can be true, through the observation of the French couturier’s meticulous, emotional and innovative pleating technique, in which the role of avant-garde materials is crucial. The expressive use of pleating and drapery in all its limitless variation and fluidity along the outside is rightly considered to be Grès’ hallmark. Grès had a profound respect for the textile material, honouring its integrity, preferring not to cut it, and reducing its size through successive pleats — the amplitude of her dresses’ skirts could occasionally reach twenty metres in diameter. Grès’s work was unmistakably modern, though it did not seem to belong to a particular age. At the same time, it takes us back to a distant past and forward into the future. The evocative power of her gowns is absolutely breathtaking. It is ingrained in their materiality, the details of their construction, and the quest for perfection and for beauty. Although a woman of her time, bound by a cultural context specific to her epoch, there is a deliberate quest for timelessness at the very heart of Grès’ work, which, I argue, can be perceived in her technique. In a manual process, wrapped in an emotional dimension, each draping, rib, or pleat is worked minutely, actively taking part in the construction of the garment’s final shape. The initial width of the fabric could be reduced to a few centimetres by an exquisite pleating technique: to be kept in place the folds were sewn at the back, a sartorial innovation in the universe of Parisian haute-couture. Time seems to be suspended by this technical detail. In the light of the French philosopher Henri Bergson's theory, this suspension can be seen as durée, a moment of simultaneity, an experience of temporality based on a constant interaction between the past (the classical approach), the present (the moment of the making of the dress) and the future (the preview of the following repetitive gesture of making). In the draping of the fabric, we become conscious of the physical dimension of the hand that created the sculptural object, that carved the cloth as if it was stone, involving the body in a game of hide and seek, concealing and revealing its contours, emphasising its movements. It is this tension between the body and the fabric that brings the dresses alive, as the result of an emotional relationship between the humanity of the making process and the technical innovation of the textile material.
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DeBitetto, Paul A., Eric N. Johnson, Michael C. Bosse, and Christian A. Trott. "Draper Laboratory small autonomous aerial vehicle." In AeroSense '97, edited by Jacques G. Verly. SPIE, 1997. http://dx.doi.org/10.1117/12.277228.

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Barbour, N., J. Connelly, J. Gilmore, P. Greiff, A. Kourepenis, and M. Weinberg. "Micromechanical silicon instrument and systems development at Draper Laboratory." In Guidance, Navigation, and Control Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1996. http://dx.doi.org/10.2514/6.1996-3709.

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Morrison, Richard H., David J. D. Carter, and Livia M. Racz. "The Design and Building of the Draper Laboratory Microfabrication Center." In 2012 19th Biennial University/Government/Industry Micro/Nano Symposium (UGIM). IEEE, 2012. http://dx.doi.org/10.1109/ugim.2012.6247070.

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Jang, Jiann-Woei, Nazareth Bedrossian, Jeremy Zoss, Jeremy Templeton, and Edward McCants. "Draper Station Simulation - A standard architecture for space vehicle simulation." In Modeling and Simulation Technologies Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2000. http://dx.doi.org/10.2514/6.2000-4084.

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Laznicka, Jr., Oldrich M., Larry J. Freier, Jerold P. Gilmore, and Mark D. Fontanella. "Interferometric fiber optic gyro (IFOG) technology achievements at Draper Laboratory." In SPIE's 1994 International Symposium on Optics, Imaging, and Instrumentation, edited by Ramon P. DePaula. SPIE, 1994. http://dx.doi.org/10.1117/12.191832.

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Daru, Pankil, Siddhant Gada, Meet Chheda, and Purva Raut. "Neural Style Transfer to Design Drapes." In 2017 IEEE International Conference on Computational Intelligence and Computing Research (ICCIC). IEEE, 2017. http://dx.doi.org/10.1109/iccic.2017.8524424.

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Reports on the topic "Drapery"

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Pilkington, M., W. R. Roest, K. C. H. Kwan, and R. Dumont. Comparison of drape-flown and computationally draped aeromagnetic data in central British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1995. http://dx.doi.org/10.4095/202759.

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Lanier, Camille A. Draped Floral Tunic. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1044.

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Starkey, Sandra. Sheer Force Sustainable Draped Ensemble No. 4. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1636.

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Dumont, R., and Z. Bardossy. Drape DTM 2.0: software to calculate a smooth drape surface for an airborne geophysical survey. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2014. http://dx.doi.org/10.4095/295442.

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Dumont, R. Drape DTM 1.0: software to calculate a smooth drape surface for an airborne geophysical survey. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2005. http://dx.doi.org/10.4095/220500.

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Pilkington, M., and W. R. Roest. DRAPE programs for draping of potential field data. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1993. http://dx.doi.org/10.4095/184045.

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Keating, P. Residual total magnetic field draped to basement topography, Athabasca Basin, Saskatchewan and Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2007. http://dx.doi.org/10.4095/224453.

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McKean, Adam. Interim Geologic Map of the Midvale Quadrangle, Salt Lake County, Utah. Utah Geological Survey, May 2024. http://dx.doi.org/10.34191/ofr-761.

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The Midvale 7.5' quadrangle is in the south-central part of Salt Lake Valley. The quadrangle contains parts of Midvale City, South Jordan City, West Jordan City, Riverton City, Sandy City, Draper City, Herriman City, and Bluffdale City and the southern part of South Valley Regional Airport. The Jordan River and Bingham, Midas, Barneys, Rose, Corner Canyon, Willow, and Dry Creeks flow through the quadrangle. A single outcrop of Pennsylvanian Oquirrh Group bedrock, likely Bingham Mine Formation, was previously exposed in the southeast corner of the quadrangle; however, recent development has destroyed and covered this outcrop. The surficial geology is composed of alluvial, deltaic, eolian, lacustrine, and massmovement deposits. The Midvale quadrangle was mapped to provide geologic data for a variety of derivative uses. The Utah Geological Survey (UGS) Geologic Hazards Mapping Initiative will use this map to identify and delimit potential geologic hazards for UGS geologic hazard maps of urban, high recreational use, and rapidly developing areas
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Evenchick, C. A., P. S. Mustard, M. E. McMechan, C. J. Greig, F. FerrI, D. H. Ritcey, G T Smith, T. Hadlari, and J. W F Waldron. Geological compilation of Bowser and Sustut basins draped on shaded relief map, north-central British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2009. http://dx.doi.org/10.4095/247304.

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Evenchick, C. A., P. S. Mustard, M. E. McMechan, F. Ferri, D H Ritcey, and G. T. Smith. Compilation of geology of Bowser and Sustut basins draped on shaded relief map, north-central British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2006. http://dx.doi.org/10.4095/222247.

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