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Books on the topic 'Drama – social aspects – history'

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Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2024

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1

Goldman, Emma. The social significance of modern drama. New York, NY: Applause Theatre Book Publishers, 1987.

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2

Goldman, Emma. The social significance of modern drama. New York, NY: Applause Theatre Book Publishers, 1987.

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3

Goldman, Emma. The social significance of the modern drama. Boston: R.G. Badger, 1996.

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4

Peacock, James L. Rites of modernization: Symbolic and social aspects of Indonesian proletarian drama. Chicago: University of Chicago Press, 1987.

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5

Peacock, James L. Rites of modernization: Symbolic and social aspects of Indonesian proletarian drama. USA: University of Chicago Press, 1988.

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6

Cases, Augusto Valera. Cruz y drama musical. Madrid: Alpuerto, 1985.

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7

Beth, Rose Mary, ed. Disorder and the drama. Evanston, [Ill.]: Northwestern University Press, 1990.

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8

Parvez, Nasrīn. Pakistan Television drama and social change: A research paradigm. Karachi: Dept. of Mass Communication, University of Karachi, 1998.

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9

Hebach, Marion. Gestörte Kommunikation im amerikanischen Drama. Tübingen: Narr, 2006.

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10

Suárez, Durán Esther. De la investigación sociológica al hecho teatral. La Habana: Editorial de Ciencias Sociales, 1988.

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11

Hebach, Marion. Gestorte Kommunikation im amerikanischen Drama. Tubingen: Narr, 2006.

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12

Page, Adrian. Cracking morse code: Semiotics and television drama. Luton, Bedfordshire, UK: University of Luton Press, 2000.

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13

Berger, Verena. Theater und Sprache: Das katalanische Theater zwischen Diktatur und Demokratie. Wien: Edition Praesens, 1999.

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14

Kawata, Kō. Kakusareta kokka: Kinsei engeki ni miru kokoro no rekishi. Kyōto-shi: Sekai Shisōsha, 2006.

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15

Axer, Erwin. Kłopoty młodości, kłopoty starości: Felietony teatralne. Kraków: Wydawn. Literackie, 2006.

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16

Ḥusayn, Kamāl al-Dīn. al- Masraḥ wa-al-taghayyur al-ijtimāʻī fī Miṣr: Maʻa dirāsat taḥlīlīyah naqdīyah li-masraḥ Nuʻmān ʻĀshūr wa-masraḥ Najb̄ Surūr. al-Qāhirah: Dār al-Miṣrīyah al-Lubnānīyah, 1992.

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17

Ebstein, Jonny. Au temps de l'anarchie: Un théâtre de combat 1880-1914. Paris: Séguier-Archimbaud, 2001.

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18

Billingham, Peter. Sensing the city through television: Urban identities in fictional drama. Bristol, UK ; Portland, OR: Intellect, 2000.

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19

Lengers, Birgit, Tobias Rausch, and Heiner Remmert. Magic Fonds: Berichte über die magische Kraft des Kapitals. Berlin: Theater der Zeit, 2013.

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20

ʻAṭwān, Ḥassān. al- Ḥayāh al-masraḥīyah fī Qaṭar: Dirāsah sūsiyūlūjīyah wa-tawthīq. [Doha, Qatar]: Ḥ. ʻAṭwān, 1987.

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21

Chaniotis, Angelos. Theatrikotēta kai dēmosios vios ston Hellēnistiko kosmo. Hērakleio: Panepistēmiakes Ekdoseis Krētēs, 2009.

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22

Normington, Katie. Medieval English drama: Performance and spectatorship. Cambridge [England]: Polity, 2009.

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23

Casares, Ana María Enebral. Connotaciónes socio-literarias del lexema "vulgo". Madrid: Peso-Press, 1990.

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24

Calbi, Maurizio. Approximate bodies: Aspects of the figuration of masculinity, power and the uncanny in early modern drama and anatomy. Salerno: Oedipus, 2001.

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25

ʻĀnūs, Najwá Ibrāhīm. Shakhṣīyat al-ʻumdah fī al-masraḥ al-Miṣrī: Min al-Ḥarb al-ʻĀlamīyah al-Ūlá 1914 ilá Thawrat 1952. [Cairo: s.n.], 1989.

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26

Kapusta, Danijela. Dijalektika identiteta: Hrvatsko i njemačko dramsko pismo između postsocijalizma i multikulturalizma. Zagreb: Leykam International d.o.o., 2014.

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27

Tiffany, Grace. Erotic beasts and social monsters: Shakespeare, Jonson, and comic androgyny. Newark: University of Delaware Press, 1995.

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28

Čolić, Snježana. Kultura i povijest: Socio-kulturno antropološki aspekti hijerarhizacije kulture. Zagreb: Hrvatska sveučilišna nakl., 2002.

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29

Grene, Nicholas. The politics of Irish drama: Plays in context from Boucicault to Friel. Cambridge: Cambridge University Press, 1999.

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30

Kasemin, Kasiyanto. Ludruk sebagai teater sosial: Kajian kritis terhadap kehidupan, peran, dan fungsi ludruk sebagai media komunikasi. Surabaya: Airlangga University Press, 1999.

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31

Jamal, Samīr. Fann al-adab al-tilīfiziyūnī. [Cairo]: Dār al-Shabāb al-ʻArabī, 1991.

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32

Goldman, Emma. Social Significance of Modern Drama. Leonard Corporation, Hal, 2000.

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33

Goldman, Emma. Social Significance of Modern Drama. Leonard Corporation, Hal, 2000.

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34

Goldman, Emma. Social Significance of Modern Drama. Leonard Corporation, Hal, 2000.

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35

Goldman, Emma. Social Significance of the Modern Drama. Creative Media Partners, LLC, 2022.

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36

Goldman, Emma. Social Significance of the Modern Drama. Creative Media Partners, LLC, 2022.

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37

Goldman, Emma, and Jan Oliveira. Social Significance of the Modern Drama. Independently Published, 2019.

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38

Goldman, Emma. Social Significance of the Modern Drama. Creative Media Partners, LLC, 2018.

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39

Goldman, Emma. Social Significance of the Modern Drama. Creative Media Partners, LLC, 2018.

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40

Goldman, Emma. The Social Significance of Modern Drama. Cosimo Classics, 2005.

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41

Goldman, Emma. The Social Significance of Modern Drama. Applause Books, 2000.

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42

Goldman, Emma. The Social Significance of Modern Drama. Applause Books, 2000.

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43

Goldman, Emma. Social Significance of the Modern Drama. Gordon Pr Pubs, 1985.

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44

Goldman, Emma. The Social Significance of the Modern Drama. Franklin Classics, 2018.

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45

Goldman, Emma. The Social Significance Of The Modern Drama. Gece Kitapligi, 2020.

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46

Rose, Mary Beth. Renaissance Drama 21: New Series XXI 1990 Disorder and the Drama (Renaissance Drama). Northwestern University Press, 1991.

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47

Pakistan Television drama and social change: A research paradigm. Karachi: Dept. of Mass Communication, University of Karachi, 1998.

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48

Buckley, Anthony D., and Mary Catherine Kenney. Negotiating Identity: Rhetoric, Metaphor, and Social Drama in Northern Ireland. Smithsonian Inst Pr, 1995.

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49

Conflicte Social en el Teatre Català Del Tombant de Segle: Identitat de Classe, Moral Social I Debat Polític. Publicacions de l'Abadia de Montserrat, 2016.

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50

Page, Adrian. Cracking Morse Code: Semiotics and Television Drama. University Of Luton Press, 2003.

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