Relevant bibliographies by topics / Drama – Fiction

Academic literature on the topic 'Drama – Fiction'

Author: Grafiati
Published: 26 July 2024
Last updated: 28 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Drama – Fiction.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Drama – Fiction"

1

Tawalbeh, Ahmad, Omar Blibech, and Hesham Elmarsafawy. "Utilization of Science Fiction Drama in Higher Education: An Innovative Pedagogy for Brain Warm-up, Inspire Futuristic Views, and Foster Creativity." International Journal of Media and Mass Communication 05, no. 01 (January 1, 2023): 117–18. http://dx.doi.org/10.46988/ijmmc.05.01.2023.07.

Full text
Abstract:
The research aims to examine the potentiality of utilizing science fiction drama in higher education learning environments. The research team initiated the study by surveying the preferences of both students and instructors in range of higher education institutions towards science fiction drama. The surveys have been extended to explore the existing practices of utilizing science fiction drama in educational processes. The students and instructors’ surveys provided evidence of expressed personal interest in watching science fiction drama with diverse preferences towards various types of science fiction drama. However, the results of the surveys demonstrated low utilization of science fiction drama in the existing teaching and learning practices. Accordingly, an experimental study was conducted in a sample class where a subject on ‘Sustainability’ has been delivered by presenting selected sections of a relevant science fiction movie to a group of students followed by a lecture with reflections on the presented scenes. The students were assigned to reflect on the subject in a structured questionnaire in terms of understanding and innovative thoughts around the subject. The students’ feedback provided valuable insights on the positive impact and effectiveness of utilizing science fiction drama within higher education learning environment. The research contributes to the development of innovative pedagogies at higher education institutions by introducing the approach and outlining the mechanism of utilizing science fiction drama in teaching and learning processes as alternative tool for brain warm-up, better understanding of subject, forming futuristic views, and fostering creativity while enhancing students’ engagement. Keywords: Higher Education, Science Fiction Drama, Educational Processes, Pedagogy, Brain Warm-up, Futuristic View, Foster Creativity, Learner Interest and Engagement.
APA, Harvard, Vancouver, ISO, and other styles
2

Naureen, Abida, Jam Sajjad Hussain, and Nasir Hameed. "Fan Fiction and Fandom: A Case of Pakistani TV Drama "Mere Pas Tum Ho"." Global Digital & Print Media Review VI, no. I (March 30, 2023): 57–66. http://dx.doi.org/10.31703/gdpmr.2023(vi-i).05.

Full text
Abstract:
This research paper focuses on the phenomenon of fan fiction in the context of the popular Pakistani TV Drama, "Mere Pas Tum Ho." Using Henry Jenkins' concept of participatory culture as a theoretical framework, this study aims to explore the themes existent in fan fiction based on the drama. The study employs a thematic analysis approach to examine a selection of fan fiction pieces based on said drama shared on fan fiction websites. Results indicate fan fiction based on "Mere Pas Tum Ho" is a reflection of the fans' engagement with and interpretation of the original work. Fan fiction pieces provide an alternative perspective on the characters of the drama. Fans use them as a platform to express their own ideas and opinions. The study shows fan fiction is a form of participatory culture, as fans actively engage with original work and use it as a springboard for their own creative output.
APA, Harvard, Vancouver, ISO, and other styles
3

PONTARA, JOHANNA ETHNERSSON. "‘You Want Drama? Go to the Opera!’." Music, Sound, and the Moving Image 18, no. 1 (July 2024): 7–27. http://dx.doi.org/10.3828/msmi.2024.3.

Full text
Abstract:
This article addresses the role played by opera in fiction film by drawing attention to the action film Mission: Impossible – Rogue Nation (Christopher McQuarrie, 2015). Giacomo Puccini’s Turandot (1926) is treated here in a way that makes it appear as something more than a diegetic background and energy reinforcement for action scenes. By taking into consideration Daniel Yacavone’s (2012; 2014) view of film as a combination of a construction and a known world, I argue that the use of opera displays a stretching of the boundaries between fiction and real life, which in turn has implications for how the film can be regarded as an opera–film encounter. The film makes the opera emerge as significant in its own right through an intricate interaction between fictional denotation and engagement with the lived reality of the film viewer. Ultimately, I suggest that Rogue Nation provides an opportunity not only to reconsider a common way of approaching intersections between opera and fiction film, but also to extend and refine Yacavone’s theory.
APA, Harvard, Vancouver, ISO, and other styles
4

Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (March 2023): 1–19. http://dx.doi.org/10.2979/jmodelite.46.3.01.

Full text
Abstract:
Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction can be understood, in these terms, as world dramas, which is one of the reasons for their influence. The history of the world drama reveals how the effort to create a revolutionary world-oriented artwork spanned international modernism, evolving as it passed from Wagner to Joyce and then later to artists such as Sergei Eisenstein and Mulk Raj Anand.
APA, Harvard, Vancouver, ISO, and other styles
5

Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (March 2023): 1–19. http://dx.doi.org/10.2979/jml.2023.a901928.

Full text
Abstract:
Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction can be understood, in these terms, as world dramas, which is one of the reasons for their influence. The history of the world drama reveals how the effort to create a revolutionary world-oriented artwork spanned international modernism, evolving as it passed from Wagner to Joyce and then later to artists such as Sergei Eisenstein and Mulk Raj Anand.
APA, Harvard, Vancouver, ISO, and other styles
6

Khalil, Hend Khalil. "Science Fiction Drama: Promoting Posthumanism." CDELT Occasional Papers in the Development of English Education 66, no. 1 (January 1, 2019): 447–62. http://dx.doi.org/10.21608/opde.2019.133249.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rainey, K., M. Price, P. Creber, A. Youssef, A. Pieris, and D. Dutta. "Medical drama: Fact or fiction?" European Geriatric Medicine 4 (September 2013): S142. http://dx.doi.org/10.1016/j.eurger.2013.07.464.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Muhammad Ashraf and Muhammad Nasir Kiazai. "براہوئی ڈرامہ نا اولیکو کتاب ’’استو نا بندغ‘‘ اسہ جاچ اس." Al-Burz 11, no. 1 (December 25, 2019): 44–50. http://dx.doi.org/10.54781/abz.v11i1.44.

Full text
Abstract:
Raag, a folk term has used for Drama in ancient Brahui. In folk literature when the Brahui modern literature were not introduced the Term Raag were used for entertain. After establishment of Radio Station center at Quetta, the different parts of modern literature opened the windows for Brahui fiction. There is prominent writer which Mr. Ghulam Nabi Rahi has started firstly Brahui radio Drama, soon after the tradition of Brahui drama has spread all over the Balochistan. A compilation of his first period’s Drama known as Isto naa Bandagh. This research paper discussed and analyses the technique and tendency of Rahi’s Drama. Mostly his dramas have played from Radio and Television Quetta center after Sixties. Shaahbeg naa wataakh a very famous radio Drama, where the social problems were reflecting. A descriptive method has been used to complete this paper.
APA, Harvard, Vancouver, ISO, and other styles
9

Cooke, Lez. "Six and ‘Five More’: Experiments in Filmed Drama for BBC2." Journal of British Cinema and Television 14, no. 3 (July 2017): 298–323. http://dx.doi.org/10.3366/jbctv.2017.0375.

Full text
Abstract:
In 1964–6 John McGrath produced two series of filmed dramas for BBC2, the first under the series title Six, while the second series, provisionally titled ‘Five More’, was transmitted without a series title. At a time when most drama was being produced from the television studio, some of it still being transmitted live, this was a new departure, with the first six films pre-dating Up the Junction (1965) and the second series predating Cathy Come Home (1966), the two Wednesday Plays which have been celebrated for making the breakthrough to filmed drama at the BBC. Unlike the Loach/Garnett films, which were made by the Drama Department, McGrath's series were commissioned by Huw Wheldon's Documentary and Music Programmes department, which also produced Peter Watkins’ Culloden (1964), and were described as a hybrid of ‘documentary fiction’. In fact, they were an eclectic mix of different forms and styles, from Ken Russell's silent cinema pastiche, The Diary of a Nobody (1964) to Philip Saville's experimental The Logic Game (1965) and John Irvin's lyrical Strangers (1966). This article seeks to reconsider these films as examples of forgotten television drama from the mid-1960s and to examine the claim that they represent a new form of ‘documentary fiction’.
APA, Harvard, Vancouver, ISO, and other styles
10

Murphy, Sarah. "Drama as Docufiction." Canadian Theatre Review 94 (March 1998): 36–41. http://dx.doi.org/10.3138/ctr.94.009.

Full text
Abstract:
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product. How did you decide on this approach?
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Drama – Fiction"

1

Narasaki, Roxanne. "Drama." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/220.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

齊曉楓 and Hsiao-feng Chi. "Patterns of husband selection in traditional Chinese fiction and drama." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hutton, Philip. "The Scientific Protagonist: A study of character in fiction and drama." Thesis, Hutton, Philip (2022) The Scientific Protagonist: A study of character in fiction and drama. PhD thesis, Murdoch University, 2022. https://researchrepository.murdoch.edu.au/id/eprint/63667/.

Full text
Abstract:
The intention of this research project is to present the Scientific Protagonist as a defined character type and valid means of literary analysis, and to explore the potential benefit this concept offers to academic enquiry within theatre and drama regarding the representation of scientific stories in fiction. I present the concept of the ‘Scientific Protagonist’ as a main character within a fictional narrative that promotes scientific stories, and solves their problems through the non-martial use of scientific knowledge, innovation or invention. Within dramatic texts, this character-type allows the audience or reader an opportunity to access scientific discourse and learning through a relatable character-led journey, promoting interaction between the imagination and scientific stories. The aim of this research project is to present this concept of the Scientific Protagonist as a valid form of analysis for the critical reading and creation of modern drama and fiction and to demonstrate the interpretive value this concept has to offer in the context of academic interests in the institutions of both theatre and science. This project draws on primary examples of literary art ranging in origin from Renaissance plays to modern novels and film which highlight the gradual emergence of a ‘Scientific Protagonist’ character-type within our cultural stories in recent centuries. Textual examples of the Scientific Protagonist will demonstrate the critical analysis of this character-type with a methodology of creative practice-led research applied simultaneously with post-modern reading methods appropriated from contemporary performance-theory. This research aims to achieve this presentation through a combined approach of Practice-led research along with the reading and analysis practices of New Historicism and Cultural Materialism. This methodology will be applied to samples of literary art in order to support the argument that the use of a Scientific Protagonist as a concept allows audiences to interact with scientific discourse and topics.
APA, Harvard, Vancouver, ISO, and other styles
4

Decker, Martin [Verfasser]. "Irish Identities and the Great War in Drama and Fiction / Martin Decker." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1116874733/34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Howard, James Joseph. "The English novel's cradle the theatre and the women novelists of the long eighteenth century /." Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019834031&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274465922&clientId=48051.

Full text
Abstract:
Thesis (Ph. D.)--University of California, Riverside, 2010.
Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 21, 2010). Includes bibliographical references. Also issued in print.
APA, Harvard, Vancouver, ISO, and other styles
6

Acheson, James. "Samuel Beckett's early fiction and drama: A study of artistic theory and practice." Thesis, University of Canterbury. English, 1988. http://hdl.handle.net/10092/4761.

Full text
Abstract:
Though Beckett is best known for Waiting for Godot, his first published work was not a play but a critical essay. That essay, "Dante • • • Bruno • Vico • • Joyce" (1929), a defence of Joyce's "Work in Progress," was the first of a number of occasional essays and reviews he was to write over the next quarter century. Beckett's main ambition during this period was to establish himself as a creative writer; he did not set out to develop a literary aesthetic. Nevertheless, there emerges from these occasional pieces a consistent theory about the relationship between art and the limits of human knowledge, a theory he puts into practice in his early fiction and drama. What Beckett argues in the essays, in essence, is that absolute knowledge lies beyond human reach, and that art must reflect this. If the human artist were possessed of the omniscience and omnipotence of God, he would be able not only to mirror in art the infinite complexity of the world at large, but to devise a succession of works independent of anything previously created. It is because the artist's knowledge and power are limited that he is able only to hint at the world's complexity in works that derive, inevitably, from earlier art. Thus, in his first (as yet unpublished) novel, "Dream of Fair to Middling Women," Beckett uses Chaucer's The Legend of Good Women, Tennyson's "A Dream of Fair Women," and Henry Williamson's The Dream of Fair Women: a Tale of Youth After the Great war as points of departure for the creation of an original novel concerned with the impossibility of making sense of the complexity of life. Similarly, in the novel that follows it, More Pricks Than Kicks. he draws on the comic epic form pioneered by Fielding to present us with a modern innovation: a comic epic of relativism designed to demonstrate that absolute knowledge is unattainable. Subsequently, in Murphy, Hatt, the Nouvelles and Mercier and Camier, Beckett makes it clear that there can be no definitive answers to either metaphysical or epistemological questions; while in his trilogy of novels, Molloy, Malone Dies and The Unnamable, he demonstrates that it is impossible to know anything with absolute certainty about the human mind. Between Malone Dies and The Unnamable, Beckett wrote his first major play, Waiting for Godot, which focuses, like the novels that precede and the stage plays that follow it, on the relationship between art and the limits of human knowledge. As we read the novels in the order in which Beckett wrote them, we become aware of his increasing sophistication in respect of artistic form. This is also the case when we read the plays, and what is especially interesting about them is his experimentation with what can be done not only on stage, but on radio, television and film, to demonstrate the implications of the fact that human knowledge is limited.
APA, Harvard, Vancouver, ISO, and other styles
7

Slagle, Judith Bailey. "Recovering the Works of Margaret Wrench Holford (1757-1834): Dramatic Fiction and Drama." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5435.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ingham, Michael Anthony. "Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /." Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Logie, Linda. "Neil Bartlett and the politics of form." Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390928.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Nweba, Lena. "Characterisation in isiXhosa drama with specific reference to two isiXhosa dramas." Thesis, Stellenbosch : Stellenbosch University, 2004. http://hdl.handle.net/10019.1/49878.

Full text
Abstract:
Thesis (MA)--Stellenbosch University, 2004.
ENGLISH ABSTRACT: The main aim of study is to investigate characterisation in two of Ngewu's dramas. Ngewu's dramas are contemporary and many scholars have not yet had time to research them. The story in the drama Amadada la afunani ezintsaneni ?( 1998), is about the sexual abuse of children. This is new because the abuse of small children is not seen to indicate culture especially now that even fathers abuse their children. In the olden days children used to look to grown -ups for protection of every kind. The story in the second drama Yeha Mfazi Obulala Indada (1997) , is about a wife who hires assassins to kill her husband. In the past wives were submissive to their husbands. It was unheard of a wife challenging the husband's authority, let alone hiring assassins to kill him. Chapter 1 introduces the aim, the scope, the theories and the methods of the study. Chapter 2 deals with the plot structure of the dramas Amadada la afunani ezintsaneni? (1998) and Yeha Mfazi Obulala Indada (1997) Chapter 3 deals with characterisation in isiXhosa dramas, Amadada la afunani ezintsaneni(1998) and Yeha Mfazi Obulala lndoda (1997) Chapter 4 deals with language and the pattern of stylistic devices Chapter 5 concludes the findings of the study.
AFRIKAANSE OPSOMMING: Die hoofdoel van hierdie studie is om die karakterisering in twee van Ngewu se dramas te ondersoek. Ngewu se dramas is hedendaagse daarom is daar nog veel navorsing daaroor ezintsaneni (1998) gedoen nie. Die storie in die drama Amadoda la afunani handel hoofsaaklik oor die seksuele molestering van kinders. Seksuele kindemolestering is In relatiewe nuwe versknser want dit is taboe in kultuur veral nou dat die bekend is dat kinders deur hulle vaders gemolesteer word. In vroeer jare was kinders van volwassens afhanklik vir beskermering en welvaart. Die tweede drama Yeha Mfazi Obulala lndoda (1997) handeloor I vrou wat sluipmoordenaars huur om haar man om die lewe te bring. In vroeer jare was vroue aan hul mans onderdaning. Dit was ongewoon dat I vrou haar man se gesag sou ondermyn, en nog meer ondenkbaar die huur van sluipmoordenaars om hom om die lewe te bring. In hoofstuk 1 vind ons die doel van die studie, die omvang ,teoretiese raamwerk en metode van die studie. Hoofstuk 2 handeloor die struktuur van die twee Amadoda la afunani ezintsaneni (1998) en Yeha Mfazi Obulala Indoda ( 1997) Hoofstuk 3 handeloor die karakterisering in die isiXhosa dramas, Amadoda la afunani ezintsaneni (1998) en Yeha Mfazi Obulala Indoda (1997) Hoofstuk 4 handeloor die taal en skryfstyl van die skrywer. Hoofstuk 5 bevat die samevatting van die studie.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Drama – Fiction"

1

Center, Caddo Writing, ed. Fiction & drama contest directory. [Shreveport, LA]: Caddo Writing Center, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Center, Caddo Writing, ed. Fiction & drama contest directory. [Shreveport, LA]: Caddo Writing Center, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

1936-, Duncan Barry, ed. Transformations: Fiction, poetry, non-fiction, and drama. Toronto: Harcourt Brace Canada, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Acheson, James, and Kateryna Arthur, eds. Beckett’s Later Fiction and Drama. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18713-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Bogarad, Carley Rees. Legacies: Fiction, poetry, drama, nonfiction. 2nd ed. Fort Worth, TX: Harcourt College Publishers, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Lynne, Crockett, and Bogarad Carley Rees, eds. Legacies: Fiction, poetry, drama, nonfiction. 4th ed. Boston: Wadsworth Cengage Learning, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

L, Rico Gabriele, ed. Discovering literature: Fiction, poetry, and drama. Englewood Cliffs, NJ: Prentice-Hall, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Conner, Marc C., Julie Grossman, and R. Barton Palmer, eds. Screening Contemporary Irish Fiction and Drama. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-04568-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Palmer, R. Barton, and Marc C. Conner, eds. Screening Modern Irish Fiction and Drama. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-40928-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Schmidt, Jan Zlotnik. Portable legacies: Fiction, poetry, drama, nonfiction. 4th ed. Boston, MA: Wadsworth Cengage Learning, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Drama – Fiction"

1

Kojecky, Roger. "Post-war Drama and Fiction." In Coward the Dramatist, 133–51. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52284-0_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Beattie, Keith. "The Fact/Fiction Divide: Drama-Documentary and Documentary Drama." In Documentary Screens, 146–60. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-0-230-62803-8_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Longxi, Zhang. "Drama, Fiction, and Late Qing Literature." In A History of Chinese Literature, 368–88. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003164173-19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Hall, Alexander. "Imagining Evolution: Drama and Science Fiction." In Palgrave Studies in Science and Popular Culture, 125–63. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83043-4_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

D’Amelio, Elena, and Valentina Re. "A ‘Bottom-Up’ Approach to Transcultural Identities: Petra and Women Detectives in Italian TV Crime Drama." In Contemporary European Crime Fiction, 229–51. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-21979-5_13.

Full text
Abstract:
AbstractIn her The TV Crime Drama, Turnbull (The TV Crime Drama. Edinburgh: Edinburgh University Press, 2014) argues that “the portrayal of women in the crime drama series has served as an index of women’s changing role in society while providing a catalyst for debate, both in the popular press and in the field of feminist media studies”. Moving from these premises, our aim is to analyse the Italian series Petra (Sky 2020–) within the larger context of contemporary European TV crime productions, to investigate the recurrences, similarities, and differences in the construction, representation, and consumption of TV female detectives, through a conceptualization of what has been called “mediated cultural encounters” (Bondebjerg et al. Transnational European Television Drama: Production, Genres and Audiences. Palgrave Macmillan, 2017). We consider Rosi Braidotti’s claim of the necessity of a “post nationalistic understanding of cultural identity” (2001) as a framework of analysis for the inter-related issues of gender, multiculturalism, and European identities.
APA, Harvard, Vancouver, ISO, and other styles
6

Hurley, Ursula. "Looking For The Drama." In How To Write Fiction (And Think About It), 200–206. London: Macmillan Education UK, 2007. http://dx.doi.org/10.1007/978-0-230-20789-9_27.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Wilcher, Robert. "‘Out of the Dark’: Beckett’s Texts for Radio." In Beckett’s Later Fiction and Drama, 1–17. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18713-3_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Zurbrugg, Nicholas. "Ill Seen Ill Said and the Sense of an Ending." In Beckett’s Later Fiction and Drama, 145–59. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18713-3_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Brater, Enoch. "Voyelles, Cromlechs and the Special (W)rites of Worstward Ho." In Beckett’s Later Fiction and Drama, 160–74. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18713-3_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Duckworth, Colin. "Beckett’s New Godot." In Beckett’s Later Fiction and Drama, 175–92. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18713-3_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Drama – Fiction"

1

Corradini, Andrea, Manish Mehta, and Santi Ontanon. "Evaluating a Drama Management Approach in an Interactive Fiction Game." In 2009 IEEE/WIC/ACM International Joint Conference on Web Intelligence and Intelligent Agent Technology. IEEE, 2009. http://dx.doi.org/10.1109/wi-iat.2009.143.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Fernando, B. S. C. "Creating realistic and safe "Dummy Props" for medical drama and action scenes." In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.5.

Full text
Abstract:
The film industry, as a captivating visual medium, thrives on its ability to intertwine reality and fiction, captivating audiences with compelling storylines. At the heart of film production lies the significance of props, instrumental in bringing characters to life and shaping the narrative. These inanimate objects serve as the backdrop to characters, establish settings, time periods, and cultural contexts, and often act as powerful symbols influencing societal trends. This research delves into the creation of realistic medical props for medical drama (films) scenes, where real props are not viable due to safety concerns. The challenge lies in crafting dummy props that convincingly mimic real objects, ensuring the safety of actors while maintaining an immersive experience for audiences. While international film industries rely on specialized design agencies and facilities, the Sri Lankan film industry faces limitations in accessing such resources and dedicated design institutes. Therefore, the creation of low-cost yet authentic props becomes a significant obstacle. To address this, the research combines technical expertise, medical knowledge, technical skills, and hands-on experience to develop props adhering to safety standards while upholding a high level of realism. These props enhance storytelling in medical dramas (films), providing a compelling and immersive experience. Creating realistic and safe props commences with a meticulous analysis of the film’s script and scene requirements. For medical drama scenes, extensive research into medical equipment, procedures, and terminology ensures accuracy and authenticity. Consultation with medical experts provides valuable insights during the design process, while material selection ensures the dummy props closely resemble their real counterparts in appearance and texture. Medical sequences demand props that can withstand physical interactions without endangering actors. Throughout the creation process, continuous collaboration between prop designers, directors, and actors is crucial to ensure seamless integration of props into the film’s narrative and performances. Visual representations and simulations aid in refining functionality and appearance, resulting in a coherent visual style aligned with the film’s vision. In conclusion, this research successfully demonstrates the creation of realistic and safe props for medical drama (films) in the Sri Lankan film industry. The fusion of technical expertise, medical knowledge, and creative ingenuity has produced props that elevate the cinematic experience while prioritizing actor safety. By overcoming limitations in accessing specialized design agencies, this research offers a practical and cost-effective solution catering to the unique needs of the Sri Lankan film industry, contributing to its growth and development.
APA, Harvard, Vancouver, ISO, and other styles
3

YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

Full text
Abstract:
Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and drama, and its role in promoting the plot. After its birth at the end of the 16th century and the beginning of the 17th century, western opera art quickly received widespread attention and affection. The reason for its success is mainly due to its fusion of the essence of classical music and drama literature. Because of this, there have always been debates about the importance of music and drama in the long history of opera art development. In the book Opera as Drama, Joseph Kerman, a well-known contemporary musicologist, firmly believes that "opera is first and foremost a drama to show conflicts, emotions and thoughts among people through actions and events. In this process, music assumes the most important performance responsibilities."[1] Objectively speaking, these two elements with very different external forms and internal structures play an indispensable role in opera art. A classic opera is inseparable from the organic integration of music and drama, otherwise it will be difficult to meet the aesthetic experience expected by the audience. On the stage, it is necessary to present wonderful audio-visual enjoyment, and at the same time to pursue thematic expressions with deep thoughts, but the expression of emotions in music creation must be reflected through its independent specific language rather than separated from its own consciousness. Only through the superb expression of music can conflicts, thoughts and emotions be fully reflected, or it may be reduced to empty preaching. Joseph Kerman once pointed out that "the true meaning of opera is to carry drama with music". He believes that opera expresses thoughts and emotions through many factors such as scenes, actions, characters, plots and so on. However, the carrier of these elements lies in music. Only under the guidance and support of music can the characters, thoughts and emotions of the drama be truly portrayed. Indeed, opera scripts fictional plots with words, and music presents abstract literary image specifically and recreationally, allowing more potentially complex emotions that are difficult to express in words to be perceived by the audience in the flow of notes, thereby resonate with people.[2] Mefistofele, which this article intends to explore, is such an opera that is extremely exemplary in the organic integration of music and drama.
APA, Harvard, Vancouver, ISO, and other styles
4

Vishnubhotla, Krishnapriya, Adam Hammond, and Graeme Hirst. "Are Fictional Voices Distinguishable? Classifying Character Voices in Modern Drama." In Proceedings of the 3rd Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature. Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/w19-2504.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Trein, Fernanda, and Taíse Neves Possani. "Literature As a Mean of Self-knowledge, Liberation, and Feminine Empowerment: The Legacy of Clarice Lispector." In 13th Women's Leadership and Empowerment Conference. Tomorrow People Organization, 2022. http://dx.doi.org/10.52987/wlec.2022.004.

Full text
Abstract:
Abstract: Access to books and literature is, above all, a human right. The acts of reading, creating, and fictionalizing are in themselves, acts of power. Accordingly, literature is a well-respected necessity in society; therefore, a universal human need. Thus, denying women the right to literature is also a form of violation. In this presentation, the author aims to reflect not only on literature by female authors but also its importance in the process of constructing women's subjectivity and identity, whether in reading fiction or in its production. To reflect on women's right to read and write literature, as well as their way of expressing their perception, anxieties, and ways of understanding the world, this presentation proposes a literary analysis of texts by the Brazilian writer Clarice Lispector. Her works evidence the potential of bringing light to the processes of self-knowledge and freedom. These processes can be ignited because these texts can trigger the process of self-awareness and can then generate female empowerment. By reading Clarice Lispector's writing, it remains clear that she reveals human dramas specific to the female universe, as she opens up possibilities for readers to know themselves as women and to project themselves as producers of literature. It would seem that these realities are founded worlds and realities apart from those that dominated male perceptions during the 1950s to 1970s when she was writing; however, many of those predominant male perceptions prevail in today’s contemporary society. Keywords: Women's Writing; Reception; Self knowledge; Clarice Lispector; Empowerment.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Drama – Fiction' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography