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Journal articles on the topic 'Dorothy Richardson'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Felber, Lynette, Gloria G. Fromm, George H. Thomson, and Susan Gevirtz. "Dorothy Richardson: A Biography." Tulsa Studies in Women's Literature 16, no. 1 (1997): 147. http://dx.doi.org/10.2307/464045.

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2

Guy, Adam. "Dorothy Richardson in Abingdon." Women: A Cultural Review 29, no. 2 (April 3, 2018): 267–69. http://dx.doi.org/10.1080/09574042.2018.1449851.

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3

Charles, A. "The Pilgrimage of Dorothy Richardson." American Literature 74, no. 1 (March 1, 2002): 167–69. http://dx.doi.org/10.1215/00029831-74-1-167.

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4

Caselli, Daniela. "Dante's Pilgrimage in Dorothy Richardson." Comparative Literature 69, no. 1 (February 27, 2017): 91–110. http://dx.doi.org/10.1215/00104124-3794631.

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5

Garrity, Jane. "The Pilgrimage of Dorothy Richardson (review)." MFS Modern Fiction Studies 49, no. 4 (2003): 864–66. http://dx.doi.org/10.1353/mfs.2003.0068.

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6

Caselli, Daniela. "Dante"s Piligrimage in Dorothy Richardson." Comparative literature 69, no. 1 (2017): 91–110.

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7

Guy, Adam, and Scott McCracken. "Editing Experiment: The New Modernist Editing and Dorothy Richardson's Pilgrimage." Modernist Cultures 15, no. 1 (February 2020): 110–31. http://dx.doi.org/10.3366/mod.2020.0282.

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This article examines the challenges experimental writing poses for textual editing, drawing on the experience of the Dorothy Richardson Editions Project, which was inaugurated in 2007 with the aim of producing new scholarly editions of Richardson's fiction and letters. Here we focus on Richardson's thirteen-volume novel sequence Pilgrimage (1915–67) and the particular problems its constantly unfolding experimental aesthetic present for both the critic and the scholarly editor. We adopt Adorno's concept of ‘constructive methods’ to describe Richardson's project, the composition of a narrative without a predictable endpoint, asking what kind of editorial practice best captures her unconventional and deliberately inconsistent approach to writing. We conclude by discussing the implications that editing Pilgrimage might have for a broader understanding of modernist aesthetics.

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8

Kinsley, ZoË. "Cutting and Pasting the Popular Press." Bulletin of the John Rylands Library 96, no. 1 (March 1, 2020): 77–98. http://dx.doi.org/10.7227/bjrl.96.1.5.

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This article offers a survey of the recently discovered scrapbooks collated over a number of decades by the Yorkshirewoman Dorothy Richardson (1748–1819). The large set of thirty-five volumes presents an important collection of press cuttings relating to the history and consequences of the French Revolution, and also contains ‘historical and miscellaneous’ material of a more eclectic nature. I argue that the texts significantly improve our understanding of Dorothy Richardson’s position as a reader, writer and researcher working in the North of England at the turn of the nineteenth century. Furthermore, her set of albums raises important questions about the relationship between commonplacing and scrapbooking practices, and the capacity of such textual curatorship to function as a form of both political engagement and autobiographical expression.

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9

Levy, Anita. "Gendered Labor, the Woman Writer and Dorothy Richardson." NOVEL: A Forum on Fiction 25, no. 1 (1991): 50. http://dx.doi.org/10.2307/1345661.

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10

Hanson, Clare, Dorothy Richardson, and Gloria G. Fromm. "Windows on Modernism: Selected Letters of Dorothy Richardson." Modern Language Review 92, no. 3 (July 1997): 714. http://dx.doi.org/10.2307/3733420.

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11

Bowler, Rebecca. "Pointed RoofsCentenary: A Blue Plaque for Dorothy Richardson." Women: A Cultural Review 27, no. 2 (April 2, 2016): 234–36. http://dx.doi.org/10.1080/09574042.2016.1227148.

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12

Buchanan, Averill. "Dorothy Miller Richardson: A Bibliography 1900 to 1999." Journal of Modern Literature 24, no. 1 (2000): 135–60. http://dx.doi.org/10.1353/jml.2000.0021.

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13

McLoughlin, Kate. "Moments of Insight in Long Novels by Henry James and Dorothy Richardson." Modernist Cultures 10, no. 3 (November 2015): 299–315. http://dx.doi.org/10.3366/mod.2015.0116.

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Henry James and Dorothy Richardson wrote long novels in response to what they perceived as a crisis in transferable experience, a crisis traced by Walter Benjamin to the First World War. The scenes under discussion may, prima facie, seem to articulate what Benjamin termed Erlebnis (experience in the raw) or Jetztzeit (‘now-time’, in which the entire history of mankind is encompassed). However, the scenes (which occur in James's The Portrait of a Lady and The Wings of the Dove and in Richardson's Honeycomb and Dimple Hill from the Pilgrimage sequence) in fact depict Erfahrung (the wise yield of reflected-upon experience). Furthermore, the novels’ lengthiness inculcates Erfahrung in the reader, too, who achieves insight based upon memory, resemblance, repetition and recognition across these long texts.

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14

Maddison, Isobel. "‘Trespassers Will Be Prosecuted’: Dorothy Richardson among the Fabians." Literature & History 19, no. 2 (November 2010): 52–68. http://dx.doi.org/10.7227/lh.19.2.4.

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15

Díaz, María Francisca Llantada. "Proust’s Traces on Dorothy Richardson. Involuntary Memory and Metaphors." Études britanniques contemporaines, no. 36 (November 19, 2009): 125–35. http://dx.doi.org/10.4000/ebc.4131.

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16

LÓPEZ FOLGADO, Vicente. "Dorothy Osborne: sensibilidad e ironía epistolar." Hikma 7 (October 1, 2008): 109. http://dx.doi.org/10.21071/hikma.v7i.5292.

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Abordamos en este trabajo los aspectos más destacados de la personalidad de la escritora epistolar Dorothy Osborne, quien, aunque considerada "menor" por lo parvo de su obra, sienta un claro precedente en la literatura "realista" posterior profusa en grandes autores ya clásicos. Sterne, Smollett, Richardson o Fielding, son los iniciadores de la novela dieciochesca, basada, en gran medida, en la correspondencia epistolar entre personajes de ficción. Estas 84 cartas personales de Dorothy escritas a su amigo y prometido Sir W. Temple entre 1652 y 1654, rezuman una gran sensibilidad literaria, con un estilo personal, desenfadado y emotivo, al tiempo que una ironía ante hechos y acontecimientos sociales y políticos de su tiempo.

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17

Finn, Howard. "Objects of Modernist Description: Dorothy Richardson and the Nouveau Roman." Paragraph 25, no. 1 (March 2002): 107–24. http://dx.doi.org/10.3366/jsp.2002.25.1.107.

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18

Llantada Díaz, María Francisca. "Going against the grain in literary studies: an analysis of boosters, hedges and other rhetorical strategies in The Pilgrimage of Dorothy Richardson by Joanne Winning." Revista Alicantina de Estudios Ingleses, no. 22 (November 15, 2009): 155. http://dx.doi.org/10.14198/raei.2009.22.10.

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In The Pilgrimage of Dorothy Richardson (2000), Joanne Winning negotiates her claim to credibility in the world of Richardson’s studies when introducing a theory that goes against the grain. The study of boosters, hedges and other rhetorical strategies in its introduction and afterword will be of key importance to show how Winning conciliates her self-assurance about her proposal with her deference to other researchers. Researchers are able to convince their colleagues if they have full command of rhetorical strategies to present their findings in an acceptable way. Thus, this article will analyse how boosters, hedges and the coexistence of self-mention with impersonalization strategies help Winning create an adequate scholarly identity for herself that guarantees her inclusion in the literary critical scene.

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19

Randall, Bryony. "‘Telling the day’ in Beatrice Potter Webb and Dorothy Richardson: The Temporality of the Working Woman." Modernist Cultures 5, no. 2 (October 2010): 243–66. http://dx.doi.org/10.3366/mod.2010.0105.

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In this article, the concept of ‘telling the day’, taken from the recent work of sociologist Jonathan Gershuny, is used as the starting point for a consideration of two texts which share as one of their key aims the accurate rendering of the working lives of women around the turn of the last century. These texts are Beatrice Webb's ‘Pages from a Work-Girl's Diary’ (1888), and a chapter from The Tunnel (1919), the fourth chapter-novel of Dorothy Richardson's Pilgrimage. I pay particular attention to the temporality of the way that these texts ‘tell the day’ of their working women protagonists. Apparently from very different genres (early participant-observation sociology, and literary modernism), this article both takes seriously the status of Webb's text as ‘literary experiment’, and argues for the productivity of seeing Richardson as engaging in kind of feminist sociology.

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20

Finn, H. "'In the Quicksands of Disintegrating Faiths': Dorothy Richardson and the Quakers." Literature and Theology 19, no. 1 (March 1, 2005): 34–46. http://dx.doi.org/10.1093/litthe/19.1.34.

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21

Kinsley, Zoë. "Considering the Manuscript Travelogue: The Journals of Dorothy Richardson (1761–1801)." Prose Studies 26, no. 3 (December 2003): 414–31. http://dx.doi.org/10.1080/0144035042000328914.

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22

Frattarola, Angela. "Developing an Ear for the Modernist Novel: Virginia Woolf, Dorothy Richardson, and James Joyce." Journal of Modern Literature 33, no. 1 (December 2009): 132–53. http://dx.doi.org/10.2979/jml.2009.33.1.132.

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23

Polishchuk, Nadiya. "THE FLORISTIC WORLDS OF MODERNIST WOMEN’S PROSE: DOROTHY RICHARDSON, VIRGINIA WOOLF, AND DARIYA VIKONSKA." Inozenma Philologia, no. 130 (September 15, 2017): 154–66. http://dx.doi.org/10.30970/fpl.2017.130.1510.

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24

Bulson, Eric. "Theorists of the Modernist Novel: James Joyce, Dorothy Richardson, Virginia Woolf (review)." James Joyce Quarterly 47, no. 3 (2011): 469–71. http://dx.doi.org/10.1353/jjq.2011.0032.

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25

Tambling, Jeremy. "Judaism and Heterogeneity in the Modernist Long Novel." Modernist Cultures 10, no. 3 (November 2015): 357–79. http://dx.doi.org/10.3366/mod.2015.0119.

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This paper explores how Judaism is represented in non-Jewish writers of the nineteenth-century (outstandingly, Walter Scott and George Eliot) and in modernist long novels, such as those by Dorothy Richardson, Marcel Proust, James Joyce, Alfred Döblin, Robert Musil, and Thomas Mann, and, in the Latin American novel, Carlos Fuentes and Roberto Bolaño. It finds a relationship between the length of the ‘long’ novel, as a meaningful category in itself (not to be absorbed into other modernist narratives), and the interest that these novels have in Judaism, and in anti-semitism (e.g. in the Dreyfus affair) as something which cannot be easily assimilated into the narratives which the writers mentioned are interested in. The paper investigates the implications of this claim for reading these texts.

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26

Friedman, Ellen G. ""Utterly Other Discourse": The Anticanon of Experimental Women Writers from Dorothy Richardson to Christine Brooke-Rose." MFS Modern Fiction Studies 34, no. 3 (1988): 353–70. http://dx.doi.org/10.1353/mfs.0.0601.

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27

Mattisson, Jane. "Modernist Short Fiction by Women. The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf." English Studies 95, no. 5 (July 4, 2014): 589–90. http://dx.doi.org/10.1080/0013838x.2014.926670.

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28

Kinsley, Zoë. "Narrating Travel, Narrating the Self: Considering Women‘s Travel Writing as Life Writing." Bulletin of the John Rylands Library 90, no. 2 (September 2014): 67–84. http://dx.doi.org/10.7227/bjrl.90.2.5.

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This article considers the ways in which eighteenth-century womens travel narratives function as autobiographical texts, examining the process by which a travellers dislocation from home can enable exploration of the self through the observation and description of place. It also, however, highlights the complexity of the relationship between two forms of writing which a contemporary readership viewed as in many ways distinctly different. The travel accounts considered, composed (at least initially) in manuscript form, in many ways contest the assumption that manuscript travelogues will somehow be more self-revelatory than printed accounts. Focusing upon the travel writing of Lady Mary Wortley Montagu, Katherine Plymley, Caroline Lybbe Powys and Dorothy Richardson, the article argues for a more historically nuanced approach to the reading of womens travel writing and demonstrates that the narration of travel does not always equate to a desired or successful narration of the self.

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29

Bell, Michael. "Towards a Definition of the ‘long modernist novel’." Modernist Cultures 10, no. 3 (November 2015): 282–98. http://dx.doi.org/10.3366/mod.2015.0115.

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This paper considers a number of long fictions from the modernist period to see how far their length serves specifically modernist concerns, especially temporality and history. Various extended narratives suit modernist aesthetic mythopoeia for which Nietzsche's essay on The Advantages and Disadvantages of History for Life provides a philosophical articulation. Joyce's Ulysses, Proust's A la recherche, and Mann's Joseph and his Brothers (along with Lawrence's The Rainbow and Women in Love) are the principal works compared and contrasted. But there are authors who stand apart from these encompassing, if not to say masterful, mythopoeic visions. Musil's unfinished Man without Qualities resists the modes of resolution which in several of the former instances have a strongly masculinist inflection. So too, to a significant extent, does Lawrence with his strongly feminine sensibility. Above all, Virginia Woolf and Dorothy Richardson, while engaging with similar concerns, constitute a critical outside to the mythopoeic grouping.

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30

Mullholland, T. "CLAIRE DREWERY, Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf." Notes and Queries 60, no. 3 (July 4, 2013): 462–63. http://dx.doi.org/10.1093/notesj/gjt101.

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31

Besnault-Levita, Anne. "Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf (review)." Modernism/modernity 19, no. 1 (2012): 214–16. http://dx.doi.org/10.1353/mod.2012.0004.

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32

Bayley, Susan. "Fictional German governesses in Edwardian popular culture: English responses to German militarism and modernity." Literature & History 28, no. 2 (September 14, 2019): 194–213. http://dx.doi.org/10.1177/0306197319870372.

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Historians have tended to focus on propaganda when assessing Edwardian attitudes towards Germans, but a shift of focus to fiction reveals a rather different picture. Whereas propaganda created the cliché of ‘the Hun’, fiction produced non- and even counter-stereotypical figures of Germans. An analysis of German governess characters in a selection of short stories, performances, novels, and cartoons indicates that the Edwardian image of Germans was not purely negative but ambivalent and multifarious. Imagined German governesses appeared as patriots and spies, pacifists and warmongers, spinsters and seducers, victims and evil-doers. A close look at characterisations by Saki [H. H. Munro], M. E. Francis [Margaret Blundell], Dorothy Richardson, D. H. Lawrence, Radclyffe Hall, Frank Hart and others reveals not only their variety but also their metaphorical use as responses to Germany’s aggressive militarism and avant-garde modernity. Each governess figure conveyed a positive, negative or ambivalent message about the potential impact of German militarism and modernity on England and Englishness. The aggregate image of German governesses, and by inference Germans, was therefore equivocal and demonstrates the mixed feelings of Edwardians toward their ‘cousin’ country.

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33

Gleadhill, Emma. "“For I Asked Him Men's Questions”: Late Eighteenth-Century British Women Tourists’ Contributions to Scientific Inquiry." Eighteenth-Century Life 45, no. 3 (September 1, 2021): 158–77. http://dx.doi.org/10.1215/00982601-9273034.

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“We endeavoured with some tools our servants had, to carry some pieces of it with us,” Caroline Powys wrote of her visit to Stonehenge in 1759. “Tho’ our party were chiefly female,” she remarked, “we had no more curiosity than the learn'd gentlemen of the Royal Society.” Carolyn was not alone in challenging the gendered demarcation of scientific observation. From the second half of the century, British women travelers carefully packed minerals in cases, filled bags with botanical specimens, and roamed the shores in search of shells and seaweed. This article proposes that British women of the late eighteenth century used the empirical approach promoted by their polite scientific education to turn their leisured travels into knowledge-finding pursuits. The specimens and observations that they brought home played an overlooked role in allowing them to shape themselves as authoritative observers within the larger scientific knowledge-building enterprise that drew from the diffusion of Enlightenment classificatory systems, overseas exploration, and trade. This article brings to light four understudied eighteenth-century female empiricists: the mistress of Hardwick House, Whitchurch, Oxfordshire, Caroline Lybbe Powys (1738–1817); the first woman to publish a Grand Tour account, Lady Anna Miller (1741–81) of Batheaston, Somerset; the unmarried daughter of the rector of Thornton in Craven, Yorkshire, Dorothy Richardson (1748–1819); and the Whig political salon hostess, Lady Elizabeth Holland (1732–95). Each woman is of interest in her own right, but together, as I will argue, their scientific contributions add significantly to the ongoing investigation of the role that women played in developing Enlightenment science.

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34

Thomson, George H. "Dorothy Richardson's Foreword to Pilgrimage." Twentieth Century Literature 42, no. 3 (1996): 344. http://dx.doi.org/10.2307/441767.

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35

Smith, Angela. "Claire Drewery, Modernist Short Fiction by Women: The Liminal in Katherine Mansfield, Dorothy Richardson, May Sinclair and Virginia Woolf (Farnham and Burlington: Ashgate, 2011), 150 pp., £50, ISBN 978 0 7546 6646 2." Katherine Mansfield Studies 4, no. 1 (September 2012): 137–38. http://dx.doi.org/10.3366/kms.2012.0042.

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36

Podnieks, Elizabeth. "The Ultimate Astonisher: Dorothy Richardson's "Pilgrimage"." Frontiers: A Journal of Women Studies 14, no. 3 (1994): 67. http://dx.doi.org/10.2307/3346681.

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37

Hidalgo Andreu, Pilar. "Female flânerie in Dorothy Richardson's Pilgrimage." Revista Alicantina de Estudios Ingleses, no. 6 (1993): 93–98. http://dx.doi.org/10.14198/raei.1993.6.08.

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38

Nyman, Micki. "Sexuality and Subjectivity in Dorothy Richardson’s Pilgrimage." Journal of the Midwest Modern Language Association 44, no. 1 (2011): 105–21. http://dx.doi.org/10.1353/mml.2011.0034.

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39

Nyman, Micki. "Dorothy M. Richardson's 1948 Letter to Lita Hornick." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 19, no. 1 (January 2006): 47–58. http://dx.doi.org/10.3200/anqq.19.1.47-58.

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40

Trajanoska, Ivana. "Religious identity and music in Dorothy Richardson’s Pilgrimage." Journal of Contemporary Philology, Ss Cyril and Methodius University, B Koneski Faculty of Philology 2 (2019): 133–47. http://dx.doi.org/10.37834/jcp1920133t.

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41

Radford, Jean, Elisabeth Bronfen, and Victoria Applebee. "Dorothy Richardson's Art of Memory: Space, Identity, Text." Tulsa Studies in Women's Literature 19, no. 2 (2000): 353. http://dx.doi.org/10.2307/464440.

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42

Guy, Adam. "The Noise of Mediation: Dorothy Richardson’s Sonic Modernity." Modernism/modernity 27, no. 1 (2020): 81–101. http://dx.doi.org/10.1353/mod.2020.0003.

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43

Collins, Ed. "Faith S. Holsaert, Martha Prescod Norman Noonan, Judy Richardson, Betty Garman Robinson, and Dorothy M. Zellner, eds., Hands on the Freedom Plow: Personal Accounts by Women in SNCC., Urbana, University of Illinois Press, 2010. Pp. 616. Cloth $34.95. Paper $26.95." Journal of African American History 97, no. 3 (July 2012): 354–58. http://dx.doi.org/10.5323/jafriamerhist.97.3.0354.

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44

Cucullu, Lois. "Over-Eating: Pilgrimage's Food Mania and the Flânerie of Public Foraging." Modernist Cultures 2, no. 1 (May 2006): 42–57. http://dx.doi.org/10.3366/e2041102209000173.

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Reading Dorothy Richardson's Pilgrimage through its protagonist's bodily rhythms (specifically hunger), Lois Cucullu (University of Minnesota) suggests that eating is, in one sense, the most democratic of corporeal drives. Maintaining that Miriam Henderson is as much a “conscripted New Woman ... compelled into the workforce as a teenager”, Cucullu focuses on ‘alimentary protocols’ (after Girard) as a vector of Henderson's sinusoidal integration with and resistance of the modern urban landscape.

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45

Rácz, Lilian. "Writing as Remembering : Proust’s Influence on Dorothy Richardson’s Pilgrimage." Eger Journal of English Studies 19 (2019): 115–34. http://dx.doi.org/10.33035/egerjes.2019.19.115.

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46

Harvey, Melinda. "Dorothy Richardson's Art of Memory: Space, Identity, Text (review)." Modernism/modernity 7, no. 3 (2000): 524–26. http://dx.doi.org/10.1353/mod.2000.0060.

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47

Troxell, Jenelle. "Shock and “Perfect Contemplation”: Dorothy Richardson’s Mystical Cinematic Consciousness." Modernism/modernity 21, no. 1 (2014): 51–70. http://dx.doi.org/10.1353/mod.2014.0012.

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48

Newman, Hilary. "The Influence of Villette on Dorothy Richardson’s Pointed Roofs." Brontë Studies 42, no. 1 (November 30, 2016): 15–25. http://dx.doi.org/10.1080/14748932.2017.1242622.

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49

Egger, Rebecca. "Deaf Ears and Dark Continents: Dorothy Richardson's Cinematic Epistemology." Camera Obscura: Feminism, Culture, and Media Studies 10, no. 3 (May 1, 1992): 4–33. http://dx.doi.org/10.1215/02705346-10-3_30-4.

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50

Davis, Rebecca Rauve. "Stream and Destination: Husserl, Subjectivity, and Dorothy Richardson’s Pilgrimage." Twentieth-Century Literature 59, no. 2 (2013): 309–42. http://dx.doi.org/10.1215/0041462x-2013-3005.

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