Relevant bibliographies by topics / Dorfles, Gillo

Academic literature on the topic 'Dorfles, Gillo'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Dorfles, Gillo"

1

Turney, Jo. "Kitsch: The World of Bad Taste by Gillo Dorfles (Studio Vista, 1968)." Home Cultures 3, no. 3 (November 2006): 307–9. http://dx.doi.org/10.2752/174063106779090703.

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Bogalecki, Piotr. "Możliwości partytury – możliwości poezji. Schäffer i Wirpsza." Acta Universitatis Lodziensis. Folia Litteraria Polonica 52, no. 1 (March 28, 2019): 99–116. http://dx.doi.org/10.18778/1505-9057.52.07.

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Artykuł stanowi próbę porównania eksperymentalnych działań artystycznych kompozytora Bogusława Schäffera i poety Witolda Wirpszy podejmowanych niezależnie od siebie w latach 60. XX wieku. W dorobku tego pierwszego zwrócono uwagę na rolę i sposoby wykorzystania słowa w jego graficznych partyturach; postanowiono tezę, że partyturę S·alto na saksofon altowy i solistyczną orkiestrę kameralną z 1963 roku postrzegać można jako pierwszy w Polsce przykład poezji konkretnej. W dorobku Wirpszy omówiono przede wszystkim nawiązujący do nowych form notacji muzycznej poemat Południe odnaleziony w archiwum poety w Książnicy Pomorskiej w Szczecinie oraz poświęcone notacji muzycznej fragmenty ważnego dla polskiej neoawangardy literackiej eseju Gra znaczeń. Idąc za intuicjami Gillo Dorflesa, działania obu twórców omówiono jako intermedialne z ducha próby odpowiedzi na powojenny „kryzys semiotyczny”, na różne sposoby eksplorowany przez artystów europejskiej neoawangardy.
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Mari, Marcelo. "Gillo Dorfles e il dibattito sull’architettura brasiliana (1946-1980)." Quaderni Culturali IILA 1, no. 1 (March 1, 2022). http://dx.doi.org/10.36253/qciila-1518.

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Gillo Dorfles is one of the main reference authors on modern international architecture studies, particularly in the post WWII period. In his article “Attualità del barocco” published in 1946, the Italian critic pointed out new categories of modern design, well beyond aesthetics based on a prerogative of functional exclusivity in architecture. In his essay “Barocco nell’architetturamoderna” (1951), Dorfles pointed to the architecture of Oscar Niemeyer and Alvar Aalto as virtuous expressions of the balance between form and function. Dorfles’ perception of Brazilian architecture derives from his interest in the architectural design of the Ministry of Education in Rio de Janeiro, of the Brazilian Pavilion at the World Fair in New York, of Pampulha in Minas Gerais and other works by Niemeyer in Brazil, disseminated in Europe in the catalog of the MoMA exhibition titled “Brazil Builds”. Dorfles viewpoint was integrated by the trend of that time, that emphasized a type of architecture well detached from Bauhaus’ functionalist model. Dorfles found newconcepts to interpret this new wave in architecture that developed in the first phase of the Cold War in Europe, and his position on Brazilian art was very attentive to changes in modern architecture.
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4

Souquet, Lionel. "Le kitsch : une esthétique hors-normes ?..." Normal, anormal, anomal, no. 5 (November 1, 2022). http://dx.doi.org/10.56078/motifs.766.

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Cet article se propose d’explorer la notion de kitsch, apparue à la fin du xixe siècle. D’abord perçu comme esthétique et art de vivre de la bourgeoisie triomphante, le kitsch va peu à peu être associé à la classe moyenne puis aux milieux populaires. Tout au long du xxe siècle, et surtout avec l’entrée dans la postmodernité à partir des années 1960, les choses commencent à changer de perspective. Selon Gillo Dorfles, le kitsch naîtrait d’une conception de l’art basée sur l’ascension sociale et la consommation. Il apparaît dès que le sacré est démystifié et remplacé par des fétiches et de nouveaux rites en relation avec l’homme-machine, le sport, la musique, la danse. Les « hommes de mauvais goût » jouiraient de tout ce qui est de mauvais goût car, selon Dorfles, ils confondent jugement esthétique et jugement éthique. Le kitsch serait plein de faux dramatisme, de pathos et de sentimentalisme.
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5

Martins, Claudia Mentz. "Ana Hatherly e um redimensionamento de postura lírica." Revista Desenredo 16, no. 2 (May 5, 2020). http://dx.doi.org/10.5335/rdes.v16i2.10384.

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Ana Hatherly é uma poeta portuguesa que estabelece uma (re)visão na poética lusa, enquanto artífice de um experimentalismo que ordena e reordena uma constante evolução de sua própria obra. Nossa proposta, neste texto, é a de olhar parte de sua poética presente em O cisne intacto sob a ótica do homem contemporâneo, o qual assume o papel de leitor em processo de descobrimento de sua produção. As sucessivas reflexões, implícitas no fazer artístico da autora, são também objetivo de nosso próprio pensar e que encontra embasamento sobretudo em Octavio Paz, em O Arco e a Lira, e Gillo Dorfles, em Elogio da Desarmonia.
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Books on the topic "Dorfles, Gillo"

1

1910-2018, Dorfles Gillo, and Fondazione "Giorgio Cini ", eds. Gillo Dorfles: Ghiribizzi. Milano: Electa, 2021.

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2

1910-, Dorfles Gillo, and Museo d'arte moderna e contemporanea di Trento e Rovereto, eds. Gillo Dorfles: Opere recenti. Milano: Electa, 2011.

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3

Divenire di Gillo Dorfles. Roma: Castelvecchi, 2010.

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1910-, Dorfles Gillo, ed. Gillo Dorfles: Catalogue raisonné. Milano: Mazzotta, 2010.

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5

Martina, Corgnati, and Civico museo Revoltella. Galleria d'arte moderna., eds. Gillo Dorfles, 1935-2007. Milano: Skira, 2007.

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Luigi, Sansone, and Palazzo reale di Milano, eds. Gillo Dorfles: L'avanguardia tradita. Milano: Mazzotta, 2010.

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7

1910-2018, Dorfles Gillo, and Museo d'arte contemporanea Roma, eds. Gillo Dorfles: Essere nel tempo. Milano: Skira, 2015.

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8

Dorfles, Gillo. Gillo Dorfles: Métamorphoses : una esposizione antologica. Milano: Fabbri, 1988.

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9

Dorfles, Gillo. Gillo Dorfles: Materiali minimi : 1938-1985. Salerno: Edizioni Taide, 1986.

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10

Luciano, Caramel, ed. Gillo Dorfles: Metamorfosi : una esposizione antologica. Milano: Fabbri, 1988.

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Book chapters on the topic "Dorfles, Gillo"

1

"Dorfles, Gillo." In Encyclopedia of Contemporary Italian Culture, 296. Routledge, 2002. http://dx.doi.org/10.4324/9780203440254-58.

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Yarza, Alejandro. "Introduction." In The Making and Unmaking of Francoist Kitsch Cinema. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9780748699247.003.0001.

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Francoist kitsch is interpreted as an essential part of a politically eclectic discourse whose study brings together aesthetics, film theory and the politics of fascist Spain. Drawing on conceptual work on fascism by thinkers such as Theodor Adorno, Walter Benjamin, Christopher Bollas, Mark Neocleous and Susan Sontag, and on studies on kitsch by Hermann Broch, Matei Calinescu, Gillo Dorfles, Umberto Eco and Saul Friedländer, among others, my theoretical framework elucidates how Francoism appropriated the fetishistic nature of cinema and kitsch aesthetics, relying on its potential both to mobilize and secure ideological control over the Spanish citizenry.
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Hopkins, Claudia, and Iain Boyd Whyte. "Gillo Dorfles, “‘Action Painting’,” translated from Italian by Madeline Robinson, originally published as “La ‘pittura d’azione’,” in Ultime tendenze nell’arte d’oggi (Milan: Feltrinelli, 1961), 77–81 and 87–89 (excerpt)." In Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945–1990, 149–51. Routledge, 2020. http://dx.doi.org/10.4324/9781003009979-3224.

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