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1

Honda, Tetsuya. Donna bianka =: Donna Bianca. Tōkyō: Shinchōsha, 2013.

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2

Wittig, Carlotta. Donna. Milano: Sperling & Kupfer, 1996.

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3

Sapio, Giovanna Lo. Donna danno, donna angelica creatura: Il ruolo psicosociale della donna nei secoli. Milano, Italy: FrancoAngeli, 2011.

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4

Cameron, Donna. Donna Cameron. New York: Spuyten Duyvil, 2007.

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5

Utz, Trevlin. Donna mia. Urbana, IL: Avatar, 1997.

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6

Capitani, Mauro. Ecce Donna. Italia: Assessorati Alla Cultura del Comune e della Provincia di Arezzo, 2001.

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7

Pirandello, Luigi. Donna Mimma. Milano: A.Mondadori, 1994.

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8

Ordaz, J. Prima donna. Barcelona: Editorial Anagrama, 1986.

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9

Piccinini, Valeria Costa. Donna, pittrice. Roma: F.lli Palombi, 1989.

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10

Milani, Mino. Incantesimo donna. Firenze: Giunti/Camunia, 1997.

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11

Modignani, Sveva Casati. Donna d'onore. Milano: Sperling e Kupfer, 1988.

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12

Mihaescu, Gib I. Donna Alba. Bucharest: Gramar, 1999.

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13

Laviosa, Flavia. Donna 2000. Wellesley, MA: Wellesley College, 1996.

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14

Modignani, Sveva Casati. Donna d'onore. [Milan]: Sperling Paperback, 1990.

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15

Lemos, Tite de. Bella donna. [Rio de Janeiro, Brazil]: 7Letras, 2010.

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16

Silvestri, D. Professione donna. Roma: SEAM, 1996.

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17

Roma, Centro Donna-poesia di, ed. Donna poesia. Roma: Fermenti, 1992.

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18

Aleramo, Sibilla. Una donna. 3rd ed. Milano: Feltrinelli, 1996.

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19

Modignani, Sveva Casati. Donna d'onore. [Milano]: Sperling, 1990.

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20

Birago, Girolamo. Donna Perla. Milano: All'insegna del pesce d'oro, 1991.

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21

Bourke-White, Margaret. Prima, donna. Roma: Contrasto, 2020.

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22

Oldenhave, Mirjam. Donna Lisa. Amsterdam: Ploegsma, 2008.

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23

Arkham, Ronald. Donnina Dei Misteri. Independently Published, 2021.

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24

Farina, Salvatore. Tesoro Di Donnina. Independently Published, 2021.

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25

López, Elena Montagud. Donna angelica vs. Donna diavola. Tombooktu, 2013.

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26

Donna angelica vs. Donna diavola. Tombooktu, 2013.

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27

Augusto, Ramón. Donna. Independently Published, 2018.

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28

Augusto, Ramón. Donna. Independently Published, 2018.

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29

Robert, Green. Donna. Independently Published, 2017.

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30

Bracco, Roberto. Donna. Independently Published, 2020.

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31

EZRA, Mazal. Donna. Independently Published, 2021.

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32

Andrews, V. C. Donna. Pocket Star, 2017.

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33

Donna. Buch&Media Gesellschaft fur Buch- und Mediendienstleistungen mbH, 2002.

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34

Aleramo, Sibilla. Donna. Independently Published, 2020.

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35

James, Patterson. Il Gioco Della Donnola. I Tascabili Degli Editori Associati, 2002.

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36

Hichens, Robert. Bella Donna: Bella Donna, Italian Edition. Blurb, Incorporated, 2021.

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37

Lautner, Alaina. Personalized Donna Gift: Donna Name Journal. Independently Published, 2021.

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38

B, I. Donna È Speciale: Libro Di Dediche per la Donna - Festa Della Donna - Idea Regalo Donna - Libro per la Donna - Mimosa - 8 Marzo. Independently Published, 2020.

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39

Donna Delizia. Milano: Sonzogno, 1998.

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40

Jackson, Jon A. Donna Detroit. Grove/Atlantic, Incorporated, 2007.

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41

Scalini, Michele. ultima Donna. Independently Published, 2021.

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42

Dawson, Margrett. Bella Donna. Ellora's Cave, 2005.

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43

Nosari, Luciana Navone. Donna è... Independently Published, 2018.

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44

Serao, Matilde. Donna Paola. Independently Published, 2019.

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45

Donna Giovanna. Zona, 2015.

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46

Slettnes, Elisabeth, Donatella Vespa, and Trista Hendren. Dio Donna. Independently Published, 2019.

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47

Prima Donna. New York: Crown Publishing Group, 2009.

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48

Wink, Paul. Prima Donna. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190857738.001.0001.

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Prima Donna: The Psychology of Maria Callas explores the psychological mechanisms behind the hypnotic power of Callas’s artistry and her tragic life story. Advances in developmental psychology and the concept of narcissism are used to shed light on Callas’s puzzling personal deterioration during the last nine years of her life. Although precipitated by the trauma and shame over being abandoned by Aristotle Onassis and the precipitous deterioration of her voice, Callas midlife disintegration reflects deeper psychological vulnerabilities. Throughout her life, Callas’s lingering view that her career had been imposed upon her and that her mother compelled her to sing professionally led to her ambivalent relationship with the world of opera. Callas’s sense of superiority, derived from being celebrated for her special talent, coincided with feelings of vulnerability and inferiority embedded in her realization that she was celebrated not for her intrinsic worth but for her exceptional talent. Lacking a cohesive and integrated sense of self, she sought affirmation and vitality from merger with adoring audiences and older men, including her husband Battista Meneghini and her long-term partner Onassis. The propensity to fuse her identity with stage roles contributed to her artistic greatness, but envy and the lack of an intrinsic sense of meaning and worth enhanced her vulnerability to life’s vagaries.
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49

Larcher, Fabio. Donna Elettrica. Independently Published, 2018.

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50

Hichens, Robert. Bella Donna. IndyPublish.com, 2006.

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