Academic literature on the topic 'Dong Yong (Legendary character)'

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Journal articles on the topic "Dong Yong (Legendary character)"

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Choi, Won Oh. "Cultural Status of Dong-A Ilbo Serials during the Japanese Colonial Era: “Jeonseol-ui Joseon (legend of Joseon)”and “Jeonseol (legend)”." Society Of Korean Oral Literature 71 (December 31, 2023): 213–67. http://dx.doi.org/10.22274/koralit.2023.71.007.

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This study explores the cultural status of “Jeonseol-ui Joseon (legend of Joseon)” (1927.8.20-12.28) and “Jeonseol (legend)” (1932.6.2. -10.15) serialized in Dong-A Ilbo during the Japanese colonial period. Thus far, researchers have not mentioned the Japanese colonial period in the process of discussing the “history of Korean legends.” However, many recent studies have been conducted on legend collections from this period, making it possible to supplement the history of Korean legends with prior studies. The most noteworthy aspect of these studies is the claim that Lee Hong-ki's Joseon Legend
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Seligey, V. V. "THE TRANSCULTURAL SEMANTICS IN THE WORKS BY JIN YONG." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 200–212. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-200-212.

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The works by Chinese Hong Kong writer Jin Yong (1924-2018) fare in the focus of Chinese readers’ attention as the exemplified wu-xia literature. His novels only recently became the object of literary studies within China, and are seen as an alternative to the literary discourse founded by the May Fourth Movement. The article is focused on the transcultural qualities of his prose. Though the imagery and background in his works are distinctly ancient Chinese, embodying the genre principle ancient clothing“’, a lot of techniques, including plot development, characters’ traits are highly reminisce
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Shin, youngmi. "A Study of the Changes in Spatiality in the Cheong-hak-ri Area of Byeol-nae-myeon." Institute For Kyeongki Cultural Studies 44, no. 1 (2023): 51–74. http://dx.doi.org/10.26426/kcs.2023.44.1.51.

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The Cheong-hak-ri Area of Byeol-nae-myeon, Nam-yang-ju, once known as Dogok(陶谷), is steeped in history, having been inhabited by the Ui-ryeong-Nam clan(宜寧南氏) from the Joseon Dynasty to the present. In the late Joseon Dynasty, Nam Yong-ik(1628-1692), who held the position of I-jo-pan-seo(吏曹判 書), managed several villas here and interacted with his colleagues. Su-rak-mountain(水落山) Ok-ryu Waterfall(玉流瀑布) and the Gan-pok-jeong(看瀑 亭) built next to it became a kind of marker symbolizing Ui-ryeong-Nam clan and Nam Yong-ik.
 The reason why the Ui-ryeong-Nam clan of Ui-ryeong(宜寧), Gyeong-sang-nam-d
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4

Ten, Van. "CHINESE CINDERELLAAND HER RUSSIAN “SISTERS” (COMPARATIVE ANALYSIS OF FAIRYTALES TYPE ATU 510A)." Philological Studies 19, no. 1 (2021): 144–63. http://dx.doi.org/10.17072/1857-6060-2021-19-1-144-163.

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The articlecompares the Chinese and Russian versions of fairy tales related to the plot type of ATU 510A “Cinderella”. The Chinese history of “Ye Xian”is known as part of a literary monument of the IX century; Russian texts having a folklore nature appeared much later, in the XIX century. Their comparison allows us toidentify common plot elements and culturally determined differences. In addition, the inclusion of a literary monument with oral origins in the corresponding typological series of folklore works reveals the range of “narrative perspectives”of the plot: the set of possible variatio
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Chen, Rubi. "The Characteristics and Significance of Gu Zhi’s Annotations and Research on the Poetry of Wei and Jin Dynasties." SHS Web of Conferences 168 (2023): 02026. http://dx.doi.org/10.1051/shsconf/202316802026.

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All his life, Gu Zhi was interested in the literature research of Han, Wei and six Dynasties, especially focusing on the annotated Wei and Jin poems. His imagination and interpretation of Wei Jin is centered on Wei Jin poetry notes, including Wei Jin poetry notes as evidence, poetry creation as dictionaries, and business interests as righteous people. The academic path embodied in the poetry of Guzhi Wei and Jin With the characteristics of traditional scripture “commenting on scripture and making notes”, academic resources are immersed in the essence of classical scripture and history under th
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., Sulton, Betty Yulia Wulansari, and Prihma Sinta Utami. "Wayang Golek Reog Ponorogo: The Acculturation of Indonesian Culture As Patriotism Character Education Learning Medium to Early Age Children." KnE Social Sciences, February 19, 2020. http://dx.doi.org/10.18502/kss.v4i4.6494.

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Indonesian society deals with a decline of patriotism. Foreign culture comes in with Access 4.0 influencing young generation rapidly. People start leaving traditional arts as an eastern cultural heritage. One of the examples is that many people do not know the legendary story of the origin of Reog Ponorogo but the dance. Early childhood education is one of the important agents to preserve Indonesia’s cultural heritage. One of them is done through Wayang Golek Reog Ponorogo. Wayang golek is an acculturation of West Java and East Java cultures. It comes from Priangan arts in West Java, whereas h
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Liu, Quan. "Cultural exploitation in Chinese politics: Reinterpreting Liu Sanjie." Prometheus 37, no. 2 (2021). http://dx.doi.org/10.13169/prometheus.37.2.0111.

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Liu Sanjie is a typical Chinese legendary figure, adapted from folk custom and transformed during many historical and political stages. By comparing the musical film Liu Sanjie with the landscape performing art Impression Liu Sanjie, this paper explores how Liu Sanjie is reconstructed in the Impression to be in accord with contemporary demands (shidaixing). In the film, made during the 1960s, Liu Sanjie was promoted as a heroine fighting against the privileged classes, but in the Impression, her class struggle has been erased and only a harmonious and abstract legend remains. Her ethnicity is
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8

Costello, Moya. "Reading the Senses: Writing about Food and Wine." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.651.

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"verbiage very thinly sliced and plated up real nice" (Barrett 1)IntroductionMany of us share in an obsessive collecting of cookbooks and recipes. Torn or cut from newspapers and magazines, recipes sit swelling scrapbooks with bloated, unfilled desire. They’re non-hybrid seeds, peas under the mattress, an endless cycle of reproduction. Desire and narrative are folded into each other in our drive, as humans, to create meaning. But what holds us to narrative is good writing. And what can also drive desire is image—literal as well as metaphorical—the visceral pleasure of the gaze, or looking and
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Miletić, Saša. "Just an Illusion?" M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3009.

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Introduction In this article I suggest a reading of the magic trick from a politico-ideological perspective, using Slavoj Žižek’s critique of ideology, and in particular, the aspect of cynicism as a part of the functioning of a certain ideology by keeping a distance towards it at the same time. The structure of the magic trick – from the classic sleight of hand up to levitation in front of a live television (TV) audience – can be useful in understanding how politics and ideology function today, and perhaps more importantly, how the critique of ideology can paradoxically help rehabilitate the n
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Heckman, Davin. "Being in the Shadow of Hollywood." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2436.

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Landing in the Midwest after a lifetime in Los Angeles, I was shocked to learn how “famous” that great city really is. It used to seem perfectly reasonable that the freeways on CHiPs looked just like the ones I rode to school. When I was five, I remember being secretly bummed that my mom never took us to the disco-classical mural from Xanadu, which I was convinced had to be hidden somewhere in Venice Beach. In high school, it never seemed strange that the Peach Pit on Beverly Hills 90210 was the same as the Rose City Diner. From the L.A. River to the Griffith Park Observatory, from the Hollywo
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Books on the topic "Dong Yong (Legendary character)"

1

Xiaogan Shi fei wu zhi wen hua yi chan bao hu zhong xin. Dong Yong chuan shuo: Di yi pi guo jia ji fei wu zhi wen hua yi chan ming lu. Chang Jiang chu ban she, 2010.

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2

Idema, W. L. Filial piety and its divine rewards: The legend of Dong Yong and Weaving Maiden with related texts. Hackett Pub. Co., 2009.

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3

L, Idema W., ed. Filial piety and its divine rewards: The legend of Dong Yong and Weaving Maiden with related texts. Hackett Pub. Co., 2009.

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L, Idema W., ed. Filial piety and its divine rewards: The legend of Dong Yong and Weaving Maiden with related texts. Hackett Pub. Co., 2009.

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5

董永传说. 2-ге вид. Zhongguo she hui chu ban she, 2008.

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6

Filial piety and its divine rewards: The legend of Dong Yong and Weaving Maiden with related texts. Hackett Pub. Co., 2009.

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