Dissertations / Theses on the topic 'Domestic objects'
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Vale, Sam. "Collecting rooms : objects, identities and domestic spaces." Thesis, University of the Arts London, 2014. http://ualresearchonline.arts.ac.uk/7782/.
Full textBrown, Sandra Lois School of Design UNSW. "Significance, the vessel and the domestic." Awarded by:University of New South Wales. School of Design, 2004. http://handle.unsw.edu.au/1959.4/20761.
Full textChen, Dan (Dan Kun-yi). "Digital pregnancy through domestic objects : creation of debate around the topic of surrogacy through creation of speculative domestic objects." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/106057.
Full textCataloged from PDF version of thesis.
Includes bibliographical references (pages 57-58).
Pregnancy or career - that's a question many women face as they progress with their professional careers. In the high tech industry, driven female professionals often choose to pursue their careers in lieu of having children. For many of them, strategies of surrogacy or freezing eggs are popular options not only because of available technological advancements but also because of shifts in cultural perspective enabled by a new biotechnical regime. The dichotomy that forces an "either-or" divide between motherhood and careership can be seen as a modern form of regulatory control on women. The question of reproduction becomes a matter of our bio-techno-capitalist society as a confine of women's options, voices, and freedom. Companies such as Facebook and Apple have recently offered to pay female employees to freeze their eggs so they can continue with their careers, without interrupting their dreams of having children. In addition, companies in India offer outsourced surrogacy services for U.S. couples who can afford to pay, services that are contingent upon the poverty class that needs additional income. The female employees who are now freezing their eggs in Silicon Valley may very well be choosing this surrogacy option fifteen years down the line. However, there still remains many ethical, social and political dilemmas which exist with surrogacy, questions that must be posed to the public. My thesis intends to inspire those discussions through critical speculative design. Women who choose to delay reproduction to stay in the American capitalistic workforce is an obvious economic advantage for the corporate machine, but are women - both the employees and surrogates - being unethically exploited in this capitalistic arrangement?
by Dan Chen.
S.M.
Stoner, Jo. "The cultural lives of domestic objects in Late Antiquity." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/50784/.
Full textRogers, John Gilbert. "Life-long mapping of objects and places in domestic environments." Diss., Georgia Institute of Technology, 2013. http://hdl.handle.net/1853/47736.
Full textLiddy, Lisa Jane Howarth. "Domestic objects in York c.1400-1600 : consumption, neighbourhood and choice." Thesis, University of York, 2015. http://etheses.whiterose.ac.uk/11614/.
Full textFord, Rebecca. "Reducing domestic energy consumption through behaviour modification." Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:ac11b371-82e3-4091-930c-ff0b28b9704e.
Full textCalderón, Nicole. "Housekeeping." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1321930048.
Full textMaxson, Brian. "Review of The Early Modern Italian Domestic Interior, 1400-1700: Objects, Spaces, Domesticaries." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/6192.
Full textTimar, Szuszy Art College of Fine Arts UNSW. ""Low life" small objects to sit upon: a studio investigation into a rational use of materials for small scale domestic objects." Publisher:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/40670.
Full textDarby, Sarah. "Awareness, action and feedback in domestic energy use." Thesis, University of Oxford, 2003. https://ora.ox.ac.uk/objects/uuid:144896dd-f8d8-40ef-8122-5aeb3ac1551c.
Full textMacDougall, Susan. "Domestic interiors : gender, ethics, and friendship in Jordan." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:958cd23d-3a93-42e4-9e49-1fa54607c9b0.
Full textKeirstead, James. "Behavioural responses to photovoltaic systems in the UK domestic sector." Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:f4da2e2c-c118-482f-aa57-44fdd0afbc4f.
Full textMontgomery, Mary Elizabeth. "Hired to be daughters : domestic service among ordinary Moroccans." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:06f23e4f-095b-4136-884c-72a45cc2c363.
Full textHoyle, Carolyn. "Responding to domestic violence : the roles of police, prosecutors and victims." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:cc7acb32-23c1-4286-911f-3b536d015bae.
Full textArmstrong, Peter Michael. "Enhancing the energy storage capability of electric domestic hot water tanks." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:af140a2c-aab4-4fc9-8709-6f9474079cd5.
Full textAllen, Katherine June. "Manuscript recipe collections and elite domestic medicine in eighteenth century England." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:7c96c4db-2d18-4cff-bedc-f80558d57322.
Full textHepburn, Sacha. "A social history of domestic service in post-colonial Zambia, c.1964-2014." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:dfd7ee2e-81f6-458f-8ba9-467be0857040.
Full textPasholok, Maria. "Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.
Full textRajan, Hamsa. "Beyond the perpetrator : tackling the varied underpinnings of domestic violence on the Tibetan plateau." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:d1d00a72-c242-41db-95d7-f1585d4f62fe.
Full textAbbas, Syed Mohammad Ali. "From foreign aid to domestic debt : essays on government financing in developing economies." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:95219b5a-4e24-4190-b5e3-95fb3d0b2425.
Full textKortkamp, Marco [Verfasser]. "Detecting domestic objects with ensembles of view-tuned support vector machine cascades trained on Web images / Marco Kortkamp." Bielefeld : Universitätsbibliothek Bielefeld, 2011. http://d-nb.info/1030015236/34.
Full textKravets, Nadiya. "Domestic sources of Ukraine's foreign policy : examining key cases of policy towards Russia, 1991-2009." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:65602e5c-0a42-4ff4-95d2-14b58e763187.
Full textShapiro, Nicholas Edward. "Spaces of uneventful disaster : tracking emergency housing and domestic chemical exposures from New Orleans to national crises." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:b42720e6-185b-492b-a83b-aea9de773cd7.
Full textDelman, Rachel Marie. "Elite female constructions of power and space in England, 1444-1541." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:4a55f39b-e422-4b4c-9d8f-40ce6c4351d9.
Full textVan, der Merwe Catrina (Nini). "Recollections of home : a study of the use of domestic objects and needlework in contemporary jewellery and my art practice." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80023.
Full textENGLISH ABSTRACT: This study is motivated by my own art practice, which exhibits a keen interest in objects and activities historically associated with the domestic, specifically with relation to needlework, in the making or producing of contemporary jewellery. Visual analysis of the work of other contemporary jewellers resulted in my realisation that the use of domestic objects and needlework in contemporary jewellery can refer to the idea of “home” through the use of phenomenological devices such as memory and nostalgia. My own art practice makes specific use of memory and nostalgia, and references trauma as experienced in the home. I investigate these themes specifically as they are depicted in contemporary jewellery. I begin my study by discussing how humans go about forming relationships with the objects with which they surround themselves. I discuss Martin Heidegger’s theory of hermeneutic phenomenology, regarding human interaction with objects and our relationship to them with regard to their specific functionality. I argue that taking the domestic objects out of their context, and in so doing ‘removing’ their functionality, allows the subject (maker, viewer, wearer) to suggest a new ‘background or horizon’ (Thomas 2006: 47) against which the object can now be read and understood. I discuss how jewellery can function as a mnemonic device, and how the domestic objects used in the specific jewellery pieces that I discuss add to this reading, identifying memory and nostalgia as the main devices facilitating a discussion of these themes. From here I work towards a definition of the domestic. By tracing the ways in which the domestic has come to denote a “space” traditionally gendered female, I look at the material culture represented within this “space” and how it relates to women. I draw on Svetlana Boym and Susan Stewart’s thoughts regarding nostalgia and its appearance in contemporary culture. Trauma and how it manifests in individual identities is then discussed with the aid of Michael S. Roth and his discussion surrounding Memory, Trauma, and History (2012). I discuss specific contemporary jewellery projects by Manon van Kouswijk (Lepidoptera Domestica, 2007); Gesine Hackenberg (Ceramic Jewellery, 2006-2011); Esther Knobel (My Grandmother is Knitting too, 2000-2002); and Iris Eichenberg (Heimat,2004). In my final chapter I discuss my own work, and highlight the ways in which I use domestic objects and needlework to reference memory, nostalgia and trauma thematically with relation to my own recollections of home.
AFRIKAANSE OPSOMMING: Hierdie studie is gemotiveer deur my eie kunspraktyk, wat my belangstelling toon in voorwerpe en aktiwiteite wat histories verband hou met die huis, spesifiek met betrekking tot naaldwerk, in die vervaardiging van kontemporêre juweliersware. Visuele analise van die werk van ander kontemporêre juweliers het gelei tot die besef dat die gebruik van huishoudelike voorwerpe en naaldwerk in kontemporêre juweliersware kan verwys na die idee van "huis" deur die gebruik van fenomenologiese idees soos herinneringe en nostalgie. My kunspraktyk maak spesifiek gebruik van herinneringe en nostalgie, en verwys na trauma soos in die huis ervaar. Ek ondersoek hierdie temas spesifiek soos hulle uitgebeeld word in kontemporêre juweliersware. Ek begin my studie deur die wyses te bespreek waarop mense te werk gaan in die vorming van verhoudings met die voorwerpe waarmee hulle hulself omring. Ek verwys na Martin Heidegger se teorie van hermeneutiese fenomenologie, ten opsigte van menslike interaksie met voorwerpe en die verhouding wat met hulle gevorm word met betrekking tot hul spesifieke funksies. Ek argumenteer dat deur die huishoudelike voorwerpe uit hulle oorspronklike konteks te neem, en sodoende hul funksie te ‘verwyder’, kan die subjek (maker, kyker, draer) 'n nuwe “agtergrond of horison" (Thomas 2006: 47) voor stel waarteen die voorwerp gelees en verstaan kan word. Ek bespreek hoe juweliersware kan funksioneer as 'n mnemoniese toestel, en hoe die huishoudelike voorwerpe wat gebruik word in die spesifieke juweliersware wat ek in hierdie studie bespreek kan toevoeg tot hierdie bespreking, deur die identifisering van herinneringe en nostalgie as die hoof toestelle. Van hier het ek gewerk aan 'n definisie van wat die huishoudelike behels. Deur ondersoek in te stel na die manier waarop die huishoudelike as 'n tradisioneel vroulike "ruimte" geïdentifiseer is, kyk ek na die materiële kultuur verteenwoordig binne hierdie "ruimte" en hoe dit verband hou met vroue. Ek verwys na Svetlana Boym en Susan Stewart se idees rakende nostalgie en die voorkoms daarvan in hedendaagse kultuur. Trauma en die maniere waarop dit in individuele identiteite manifesteer word vervolgens bespreek met die hulp van Michael S. Roth en sy bespreking van “Memory, Trauma, and History” (2012). Ek analiseer spesifieke kontemporêre juwelierswareprojekte deur Manon van Kouswijk (Lepidoptera Domestica, 2007), Gesine Hackenberg (Ceramic Jewellery, 2006-2011), Ester Knobel (My Grandmother is Knitting too, 2000-2002), en Iris Eichenberg (Heimat, 2004). In my laaste hoofstuk bespreek ek my eie werk, en verwys veral die maniere waarop ek huishoudelike voorwerpe en naaldwerk gebruik om tematies na geheue, nostalgie en trauma met betrekking tot my eie herinneringe van die huis te verwys.
Heirman, Jonas Leo. "The impact of international actors on domestic agricultural policy : a comparison of cocoa and rice in Ghana." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:980ac41f-a591-4e23-ab16-deb6df121573.
Full textCampbell, Carolyn. "The impact of association with the EU on domestic industrial policy making : the case of Poland 1990-1995." Thesis, University of Oxford, 1999. http://ora.ox.ac.uk/objects/uuid:51fa56c3-5e4c-4cfc-ad8e-f0073dd8063d.
Full textTopouzi, Marina. "Occupants' interaction with low-carbon retrofitted homes and its impact on energy use." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ac363b69-c414-4ef8-875a-ada6a9867f8f.
Full textKozak, Ladislav. "British cohabitation and the household division of labour." Thesis, University of Oxford, 2018. https://ora.ox.ac.uk/objects/uuid:a0011a5d-3df8-4ad1-9ba9-790fc5b07c9e.
Full textHsu, Yungtai Alexander. "From the cradle to the craze : a study on China's indigenous automobile industry, 1953-2007." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:08fd9bc0-380d-4e8b-b510-6e7919a879c5.
Full textRodrigues, Vieira Vinícius Guilherme. "Players in the fields : national identity and the politics of domestic preferences of Brazil and India in the Doha Development Round (2001-2008)." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0157e2e9-68bd-4e2a-9f62-9fe10a8576b4.
Full textO'Hea, Margaret Jean. "The conceptual and material transformation of the villa in Aquitanica Prima from the third to seventh centuries A.D." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:9b5b677d-3712-4f30-ad34-3af0bf84a02e.
Full textZaker, Farniyaz. "Allegories of the veil." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:1285e8e1-b9bb-4f0e-b17a-962377646957.
Full textTycz, Katherine Marie. "Material prayers : the use of text in early modern Italian domestic devotions." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/276240.
Full textAlati, Daniel. "Domestic counter-terrorism in a global context : a comparison of legal and political structures and cultures in Canada and the United Kingdom's counter-terrorism policy-making." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:2a37e08e-8463-4000-9fdc-389072bc5960.
Full textDumargne, Anne-Clothilde. "Les chandeliers en bronze, en cuivre et laiton en Europe du XIIIe au XVIIe siècle. Production, diffusion et usages." Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLV016.
Full textThis work focuses, from an interdisciplinary perspective, on bronze, copper and brass candlesticks produced in Europe between the 13th and the 17th century. These objects have been neglected since the end of the 19th century and abandoned to the despised field of minor and popular arts. Since that time, they have never been considered as a real research topic. Since these ordinary objects are anepigraphic and because of the impossibility to attribute them to specific workshops, the research have been reduced to stylistic and typological issues.This study aims at overcoming the traditional approach that confines research into aporetic considerations. It mobilized several types of sources – written ones, archaeological ones, iconographic ones and analytical ones – to study candlesticks in context. They contributed to describe and analyze the life course of an ordinary utensil in medieval and modern societies in both secular and religious contexts. This is why the historicization of candlesticks is here built on materiality.This work focuses on metallurgical production, on copper alloys craftsmen, on the composition of alloys, on the diffusion of candlesticks in society and on practical, cultural, symbolic and devotional uses. The discussion also points out that this methodology helps to understand how the different types of sources, because they concern different social groups, different contexts, different protagonists and different lexical realities, influence how these objects were perceived
Neagu, Mariela. "Young adults' perspectives on their experiences of different types of placement in Romania." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:d1fe5a7a-bcbb-4482-b9f1-298904bf776d.
Full textBjorge, Eirik. "A theory of national application of the European Convention on Human Rights." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:886adfa8-c036-415c-9268-cc1f828792a5.
Full textHamilton, Julie. "Isotopes in the landscape : carbon and nitrogen isotopes of domestic animals and their application to the archaeology of the Upper and Middle Thames Valley in the Neolithic to Roman periods." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:948287d6-a930-41ad-951b-8fe865e96002.
Full textShahid, Tahrat Naushaba. "Imaginary lines? : 'Islam', 'secularism', and the politics of family laws in Bangladesh." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:5d092800-be1a-42bf-8632-e733889ada15.
Full textFilipova, Rumena Valentinova. "The differential Europeanisation of Central and Eastern Europe, 1989-2000 : a constructivist study of the foreign policy identities of Poland, Bulgaria and Russia." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:430c07fc-8979-4ce0-9340-f20ac9c3c30a.
Full textMinoletti, Paul. "The importance of gender ideology and identity : the shift to factory production and its effect on work and wages in the English textile industries, 1760-1850." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:7697b548-d389-4d20-9150-1891ec65c95f.
Full textErmis, Asli. "Segregation at work, segregation at home : Turkish women, gendered jobs and prestige." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:75012971-763f-4ba9-ba87-be44bc85e1b2.
Full textLall, Priya. "Susceptibility and vulnerability of Indian women to the impact of HIV/AIDS." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:e4da0b05-58f3-4e81-9ae1-80dc89beed87.
Full textHughes, Carys Farrell. "Object play in the domestic horse." Thesis, University of Southampton, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.247039.
Full textGifford, Amanda Kristyne. "Assessing object recognition memory in the domestic pig." Online access for everyone, 2005. http://www.dissertations.wsu.edu/Thesis/Spring2005/a%5Fgifford%5F012105.pdf.
Full textMasley, Jennifer Irene. "Transitory Ephemera." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619444631965175.
Full textHall, Sarah Louise. "Object play in the adult domestic cat : Felis silvestris catus." Thesis, University of Southampton, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263860.
Full textBrayet, Aurélie. "Des modes d’appropriation des objets techniques de la vie quotidienne : le cas des Arts ménagers culinaires." Thesis, Bourgogne Franche-Comté, 2017. http://www.theses.fr/2017UBFCA022.
Full textOften overlooked in the history of technology, objects of domestic, everyday life will be examined in this thesis through the lens of the culinary « Arts Ménagers » (the household culinary arts). The omnipresence of technical objects at home and especially in the kitchen is inversely proportional to the interest given to these objects in the history of technology. Witnesses, actors, culinary objects are interrelated with men and women. These objects are designed, constructed, bought, donated, used, embraced, discarded, worn out, misused, modified, idealized, loved, passed down, hated, preserved, displayed ... numerous relations and modes of appropriation which reveal permanent connections between men and women, inventors, designers, users, curators, and objects that evolve and change with their interactions. Appropriation by science, heritage, society, museums, families, and individuals, are consequently highlighted. These exchanges, confrontations, and co-constructions are questioned and different levels of appropriation are broken down in order to highlight the heuristic values of these objects (particularly the pressure cooker and the refrigerator). This work covers an expanded twentieth century (1880-1980), placing special emphasis on the interwar period (objects considered as science) and the glorious thirties (objects of consumption). The analysis of the cultural, political, social, technological and geopolitical crystallisations of these familiar items is studied in a comparative approach in order to identify the specificity of the French mode of adoption of the Culinary “Arts ménagers”