Relevant bibliographies by topics / Domestic England History 18th century

Academic literature on the topic 'Domestic England History 18th century'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Domestic England History 18th century"

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Weiller, Kenneth J., and Philip Mirowski. "Rates of interest in 18th century England." Explorations in Economic History 27, no. 1 (January 1990): 1–28. http://dx.doi.org/10.1016/0014-4983(90)90002-g.

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Kirkham, Linda M., and Anne Loft. "THE LADY AND THE ACCOUNTS: MISSING FROM ACCOUNTING HISTORY?" Accounting Historians Journal 28, no. 1 (June 1, 2001): 67–90. http://dx.doi.org/10.2308/0148-4184.28.1.67.

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Amanda Vickery's, The Gentleman's Daughter: Women's Lives in Georgian England, [1998] provides a challenging and controversial account of the lives of genteel women in provincial England. In this review essay, we consider the implications of her insights and revelations for accounting history research. We argue that her work raises a number of issues concerning what and where accounting took place in the 18th century. In particular, it is suggested that the detailed ‘accounts’ contained within genteel women's pocket books were a means by which they came to ‘know’ their household in order to manage their duties and responsibilities. Accounting historians are encouraged to consider these ‘private’ records as a potentially illuminating source of material on accounting within and without the 18th-century household.
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Bogart, Dan. "Turnpike trusts and the transportation revolution in 18th century England." Explorations in Economic History 42, no. 4 (October 2005): 479–508. http://dx.doi.org/10.1016/j.eeh.2005.02.001.

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Croarken, M. "Mary edwards: computing for a living in 18th-century england." IEEE Annals of the History of Computing 25, no. 4 (October 2003): 9–15. http://dx.doi.org/10.1109/mahc.2003.1253886.

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Nicolini, Esteban A. "Mortality, interest rates, investment, and agricultural production in 18th century England." Explorations in Economic History 41, no. 2 (April 2004): 130–55. http://dx.doi.org/10.1016/j.eeh.2003.09.001.

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Speck, WA. "Shorter notice. The Writing of Urban Histories in 18th-Century England. R Sweet." English Historical Review 114, no. 456 (April 1999): 457. http://dx.doi.org/10.1093/enghis/114.456.457.

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Speck, W. "Shorter notice. The Writing of Urban Histories in 18th-Century England. R Sweet." English Historical Review 114, no. 456 (April 1, 1999): 457. http://dx.doi.org/10.1093/ehr/114.456.457.

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Wilson, Ross J. "'The mystical character of commodities': the consumer society in 18th-century England." Post-Medieval Archaeology 42, no. 1 (June 2008): 144–56. http://dx.doi.org/10.1179/174581308x354038.

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González Vázquez, Araceli, and Montserrat Benítez Fernández. "British 18th-Century Orientalism and Arabic Dialectology." Historiographia Linguistica 43, no. 1-2 (June 24, 2016): 61–97. http://dx.doi.org/10.1075/hl.43.1-2.03gon.

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Summary This article examines a relatively unknown 18th century European source on Moroccan Arabic. It is the article entitled “Dialogues on the vulgar Arabick of Morocco”, published in London in 1797 by William Price (1771–1830), a self-taught linguist and orientalist from Worcester, England. Price’s work is one of the few European texts predating 1800 focused on Moroccan Arabic, and providing some information about this linguistic variety. As we explain, Price obtained these “Dialogues” from “some natives of Barbary”, who happened to be in London. In the first four sections of the article, we examine the life and works of William Price, we place his activities as an expert in Arabic and other of the so-called “Oriental languages” in the context of 18th century British Orientalism, and we analyse the contents of the “Dialogues” provided in his article. These “Dialogues” consist of a conversation between two interlocutors who are taking a stroll in a walled coastal town of the Moroccan Atlantic strip. The fifth section of our contribution is a linguistic dialectological analysis of both the Arabic and Latin character transcriptions of Moroccan Arabic provided by Price. We analyse different issues concerning the transcriptions given, and we focus our linguistic study on phonological, morphological and syntactical issues.
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Croarken, M. "Tabulating the heavens: Computing the Nautical Almanac in 18th-Century England." IEEE Annals of the History of Computing 25, no. 3 (July 2003): 48–61. http://dx.doi.org/10.1109/mahc.2003.1226655.

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Dissertations / Theses on the topic "Domestic England History 18th century"

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Allen, Katherine June. "Manuscript recipe collections and elite domestic medicine in eighteenth century England." Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:7c96c4db-2d18-4cff-bedc-f80558d57322.

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Collecting recipes was an established tradition that continued in elite English households throughout the eighteenth century. This thesis is on medical recipes and advice, and it addresses the evolution of recipe collecting from the seventeenth century and throughout the eighteenth century. It investigates elite domestic medicine within a cultural history of medicine framework and uses social and material history approaches to reveal why elites continued to collect medical recipes, given the commercialisation of medicine. This thesis contends that the meaning of domestic medicine must be understood within a wider context of elite healthcare in order to appreciate how the recipe collecting tradition evolved alongside cultural shifts, and shifts within the medical economy. My re-appraisal of the meaning of domestic medicine gives elite healthcare a clearer role within the narrative of the social history of medicine. Elite healthcare was about choice. Wealthy individuals had economic agency in consumerism, and recipe compilers interacted with new sources of information and products; recipe books are evidence of this consumer engagement. In addition to being household objects, recipe books had cultural significance as heirlooms, and as objects of literacy, authority, and creativity. A crucial reason for the continuation of the recipe collecting tradition was due to its continued engagement with cultural attitudes towards social obligation, knowledge exchange, taste, and sociability as an intellectual pursuit. Positioning the household as an important space of creativity, experiment, and innovation, this thesis reinforces domestic medicine as an important part of the interconnected histories of science and medicine. This thesis moreover contributes to the social history of eighteenth-century England by demonstrating the central role domestic medicine had in elite healthcare, and reveals the elite reception of the commercialisation of medicine from a consumer perspective through an investigation of personal records of intellectual pastimes and patient experiences.
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West, Shearer. "The theatrical portrait in eighteenth century London." Thesis, University of St Andrews, 1986. http://hdl.handle.net/10023/2982.

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A theatrical portrait is an image of an actor or actors in character. This genre was widespread in eighteenth century London and was practised by a large number of painters and engravers of all levels of ability. The sources of the genre lay in a number of diverse styles of art, including the court portraits of Lely and Kneller and the fetes galantes of Watteau and Mercier. Three types of media for theatrical portraits were particularly prevalent in London, between c.1745 and 1800 : painting, print and book illustration. All three offered some form of publicity to the actor, and allowed patrons and buyers to recollect a memorable - performance of a play. Several factors governed the artist's choice of actor, character and play. Popular or unusual productions of plays were nearly always accompanied by some form of actor portrait, although there are eighteenth century portraits which do not appear to reflect any particular performance at all. Details of costume in these works usually reflected fashions of the contemporary stage, although some artists occasionally invented costumes to suit their own ends. Gesture and expression of the actors in theatrical portraits also tended to follow stage convention, and some definite parallels between gestures of actors in theatrical portraits and contemporary descriptions of those actors can be made. Theatrical portraiture on the eighteenth century model continued into the nineteenth century, but its form changed with the changing styles of acting. However the art continued to be largely commercial and ephemeral, and in its very ephemerality lies its importance as a part of the social history of the eighteenth century.
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Stevens, Ralph. "Anglican responses to the Toleration Act, 1689-1714." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708765.

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Nitcholas, Mark C. "The Evolution of Gentility in Eighteenth-Century England and Colonial Virginia." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2617/.

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This study analyzes the impact of eighteenth-century commercialization on the evolution of the English and southern American landed classes with regard to three genteel leadership qualities--education, vocation, and personal characteristics. A simultaneous comparison provides a clearer view of how each adapted, or failed to adapt, to the social and economic change of the period. The analysis demonstrates that the English gentry did not lose a class struggle with the commercial ranks as much as they were overwhelmed by economic changes they could not understand. The southern landed class established an economy based on production of cash crops and thus adapted better to a commercial economy. The work addresses the development of class-consciousness in England and the origins of Virginia's landed class.
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Wong, Chi-man Lorraine, and 黃芷敏. "Cultural fever, consumer society and pre-orientalism China in eighteenth-century England." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227946.

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Bertram, Aldous Colin Ricardo. "Chinese influence on English garden design and architecture between 1700 and 1860." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610795.

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Williams, Laura. "Rus in urbe : greening the English town, 1660-1760." Thesis, University of Wales Trinity Saint David, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683367.

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Topping, Christopher James. "Welfare, class and gender : non-affiliated friendly societies in Lancashire, 1750-1835." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670192.

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Lindsay, Christy. "Reading associations in England and Scotland, c.1760-1830." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cfeb9aa2-6917-4356-8d11-b26237c795a5.

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This thesis examines provincial literary culture in the late eighteenth and early nineteenth century, through the printed and manuscript records of reading associations, the diaries of their members, and a range of other print materials. These book clubs and subscription libraries have often been considered to be polite and sociable institutions, part of the cultural repertoire of a new urban, consumer society. However, this thesis reconsiders reading associations' values and effects through a study of the reading materials they provided, and the reading habits they encouraged; the intellectual and social values which they embodied; and their role in the performance of gender, local and national identities. It questions what politeness meant to associational members, arguing for the importance of morality and order in associational conceptions of propriety, and downplaying their pursuit of structured sociability. This thesis examines how provincial individuals conceived of their relationship to the reading public, arguing that associations provided a tangible link to this abstract national community, whilst also having implications for the 'public' life of localities and families. The thesis also considers how these institutions interacted with enlightenment thought, suggesting that both the associations' reading matter and their philosophies of corporate improvement enabled 'ordinary' men and women to participate in the Enlightenment. It assesses English and Scottish associations, which are usually subjected to separate treatment, arguing that they constituted a shared mechanism of British literary culture in this period. More than simply a 'polite' performance, reading, through associations, was fundamentally linked to status, to citizenship, and to cultural participation.
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Vaughan, Gerard. "The collecting of classical antiquities in England in the 18th century : a study of Charles Townley (1737-1805) and his circle." Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239427.

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Books on the topic "Domestic England History 18th century"

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Stone, Lawrence. An open elite?: England 1540-1880. Oxford: Clarendon Press, 1995.

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Fawtier, Stone Jeanne C., ed. An open elite?: England, 1540-1880. Oxford [Oxfordshire]: Oxford University Press, 1986.

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Private matters and public culture in post-Reformation England. Ithaca: Cornell University Press, 1994.

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Daily life in 18th-century England. Westport, Conn: Greenwood Press, 1999.

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Kelsall, R. K. Glass in 18th century England: The footed salver. Sheffield: R. K. Kelsall, 1989.

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Smith, Elise Lawton, 1953-, author, ed. WOMEN, LITERATURE, AND THE DOMESTICATED LANDSCAPE: ENGLAND'S DISCIPLES OF FLORA, 1780-1870. Cambridge: Cambridge University Press, 2011.

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Plumb, J. H. England in the eighteenth century. Harmondsworth: Penguin Books, 1990.

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Glass in 18th century England: The footed salver. [Sheffield]: Sheffield Academic Press, 1989.

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Kelsall, R. K. Glass in 18th-century England: The open-flame lamp. (Sheffield): Keith Kelsall, 1995.

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Brown, Peter. Pyramids of pleasure: Eating anddining in 18th century England. York: York Civic Trust, 1990.

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Book chapters on the topic "Domestic England History 18th century"

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"Bankruptcy, fresh start and debt renegotiation in England and France (17th to 18th century)." In The History of Bankruptcy, 229–41. Routledge, 2013. http://dx.doi.org/10.4324/9780203066836-22.

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Light, Alison. "The Figure of the Servant." In Alison Light - Inside History, 134–40. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481557.003.0012.

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A review of an exhibition of servant portraits, this is a wide-ranging discussion – one of the first – of the absolute centrality of domestic service in British society. It explores the ways in which servants are represented literature and art, from the domestic novel of the 18th and 19th century to the present day, and the history of the relationship between mistress and maid. It suggests that service is still crucial in the making of class difference and fostering racial assumptions, especially today when those doing society’s dirty work are often low-paid migrants.
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Vinogradov, Igor A. "“Taras Bulba” and Russian History of the 19th–20th Centuries." In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 97–168. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-97-168.

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The article is devoted to the study of readers’ receptions of N.V. Gogol “Taras Bulba” in Russia. This work, imbued with a deep religious and patriotic intention, occupies such a significant place in Russian culture that the reviews of readers and critics, the assessments and interpretations of its researchers, dramatizations in the theater, opera and ballet, etc. allows to analyze not only history of the story’s existence, but also to trace the key moments of Russian life in the second half of the 19th–20th centuries. The interaction of the patriotic story’s spiritual lyricism with the contradictory socio-political processes of the era identifies the most significant features of the poetics of Gogol’s work. Enthusiastically received by contemporaries, including A.S. Pushkin, “Taras Bulba” was subsequently met with hostility from domestic liberalradical and Polish nationalist criticism. Continuing to be one of the favorite works of the domestic and foreign readers, the story after 1917 was removed from the Soviet school curriculum and again restored in rights only during the Great Patriotic War. The article presents a detailed analysis of the assessments and interpretations of “Taras Bulba” for more than a century and a half.
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Ershov, Bogdan, and Natalia Muhina. "Factors of Political Development of Russia From the 10th to the 18th Centuries." In Political, Economic, and Social Factors Affecting the Development of Russian Statehood, 1–20. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9985-2.ch001.

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The chapter deals with the formation and development of Russian statehood from the 10th to the 18th centuries. It was at this time that domestic statehood was formed in very peculiar conditions. The following factors greatly influenced the specifics of Russian statehood: peasant, national, geopolitical, modernization. Throughout its history, Russia has gone through five major periods of state development: the Old Russian state, Muscovy, the Russian Empire, the Soviet state, and the Russian Federation. The process of Russian statehood was birthed in the ancient Russian state, which arose in the middle of the 9th century with its center in Kiev and existed until the middle of the 15th century. This period was marked by the approval of the basic principles of statehood in Russia, the merging of its northern and southern centers, and the growth of the military-political and international influence of the state.
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Hope, Charles. "Francis James Herbert Haskell 1928–2000." In Proceedings of the British Academy, Volume 115 Biographical Memoirs of Fellows, I. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197262788.003.0011.

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Publication of Patrons and Painters (1963), which dealt with art in 17th-century Rome and 18th-century Venice, established Francis Haskell as one of the leading art historians of his generation. He held posts at King's College Cambridge and was then appointed Professor of the History of Art at Oxford University with a Fellowship at Trinity College. Haskell turned to studying French painting of the 19th century. Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France (1976) won the Mitchell Prize for Art History. Haskell was elected a Fellow of the British Academy in 1971. Obituary by Charles Hope.
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Harris, James A. "3. Politics." In Hume: A Very Short Introduction, 53–80. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780198849780.003.0004.

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‘Politics’ examines Hume’s political thought as developed in Book Three of A Treatise of Human Nature, his essays, and The History of England. Hume wrote about his ideas on political obligation. Hume also engaged with 18th-century party politics and as a result, developed a self-consciously ‘moderate’ approach to the political questions of the day. Hume considered a number of economic topics in the Political Discourses and came up with a revisionary theory of money. Hume faced some stylistic challenges as he moved from philosophy to history. He then made a pessimistic turn in his thinking about politics in the final decade of his life.
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Martino, Gina M. "Resolute Motherhood." In Women at War in the Borderlands of the Early American Northeast, 135–57. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640990.003.0006.

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Chapter 5 explores how local and regional historians in eighteenth and nineteenth-century New England appropriated memories of colonial women’s war making to help shape new gender ideologies, national identities, and westward expansion policies in the first decades of the American republic. As part of a larger trend that saw many Americans embrace ideas of separate, gendered public and private spheres and roles for women as republican mothers, historians writing a new national history for a new nation drew on stories of colonial heroines. To better fit their stories into increasingly popular ideas about women’s place in a private, domestic sphere, these authors reworked accounts of colonial women’s war making, transforming essential martial public actors into resolute mothers who served as the last line of defense of the home in historical memory.
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Hair, Ross. "The Avant-Folkways of Lorine Niedecker." In Avant-Folk: Small Press Poetry Networks from 1950 to the Present. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383292.003.0002.

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This chapter examines the ‘avant-folkways’ of Lorine Niedecker and her poetry and demonstrates how Niedecker’s poetry of the 1940s and 1950s draws on various aspects of folk, including folk speech, nursery rhymes and ballads, local history, and artisanal and domestic craft practices. Niedecker’s folk sensibility, chapter 1 argues, was enhanced considerably by her work on the Federal Writers’ Project, from 1938 to 1941. Niedecker’s poetry, it is argued, undermines the dichotomies that underpin the pervasive ideological construction of American folk in the twentieth century—notions of the regional versus the cosmopolitan, the modern versus the traditional—as well as popular distinctions regarding ‘formal’ versus ‘folk’ poetry, art, and aesthetics. Chapter 1 also examines the social implications of Niedecker’s folkways and their defining role in her own ‘renaissance’ across the Atlantic, in England and Scotland, via the channels of small press networks in the 1960s that her own handmade gift books, it is argued, significantly prefigures.
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Hough, Susan Elizabeth, and Roger G. Bilham. "The Lisbon Earthquake and the Age of Reason." In After the Earth Quakes. Oxford University Press, 2005. http://dx.doi.org/10.1093/oso/9780195179132.003.0005.

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An individual’s response to any catastrophic event, including the capacity for rebound, surely depends a great deal on one’s expectations before the event. In a short-term sense, earthquakes remain as utterly unpredictable and abrupt as they have been since the dawn of time. Looking back through history, however, it becomes apparent that some earthquakes were more unexpected— and seemingly more mercurial—than others. In the middle of the 18th century, earthquake science had barely reached its infancy. Earthquakes had fascinated, and posed a challenge to, the best minds since at least the day of Aristotle. Aristotle, Pliny the Elder, St. Thomas Aquinas—whether they viewed earthquakes as acts of God or not, they and other philosophers approached the subject with a decidedly naturalist bent. Aristotle and Pliny interpreted earthquakes as the result of subterranean winds or subterranean storms. St. Thomas Aquinas argued in favor of the scholastic approach, supporting Aristotle’s scientific views over later, more theologically oriented interpretations. During the 17th century, earthquakes continued to be the source of scientific speculation. Galileo argued that the earth had a dense, solid core. In 1680 Robert Hooke published Discourse on Earthquakes, arguably the first significant book dealing with earthquakes as a natural phenomenon. In 1750 a series of earthquakes was widely felt throughout England. During this “year of earthquakes,” shocks were felt in London on February 19 and March 29, in Portsmouth and the Isle of Wight on March 29, in northwest England and northeast Wales on April 18, and in and around Northamptonshire on October 11. These shocks are now estimated to have been no larger than mid-magnitude-4: the first two events were quite small, felt strongly in London only because their epicenters were within city limits. But pound for pound—or, rather, magnitude unit for magnitude unit—the impact of these earthquakes far outstripped their literal reverberations within the earth.
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