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Books on the topic 'Documentary truth'

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Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Gallery, Whitechapel Art, Tate Modern (Gallery), and ebrary Inc, eds. Truth or dare: Art & documentary. Bristol, UK: Intellect, 2007.

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2

1967-, Navarro Vinicius, ed. Crafting truth: Documentary form and meaning. New Brunswick, N.J: Rutgers University Press, 2010.

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3

Avi. Nothing but the truth: A documentary novel. New York: Orchard Books, 1991.

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4

Kennedy, Michael. An examination of truth and meaning in documentary. London: LCPDT, 1994.

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5

Manufacturing truth: The documentary moment in early Soviet culture. DeKalb: Northern Illinois University Press, 2008.

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6

Screening truth to power: A reader on documentary activism. Montréal, Québec: Cinema Politica, 2014.

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7

Telling the truth: The theory and practice of documentary fiction. Ithaca: Cornell University Press, 1986.

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8

Factual fictions: Narrative truth and the contemporary American documentary novel. Newcastle upon Tyne: Cambridge Scholars, 2010.

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9

Mind's eye, mind's truth: FSA photography reconsidered. Philadelphia: Temple University Press, 1989.

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10

Blood on the lens: A filmmaker's quest for truth in Afghanistan. Washington, D.C: Potomac Books, 2007.

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11

Peterson, F. Paul. The truth about Billy Graham and a documentary on the Vatican appointment. [S.l.]: F.P. Peterson, 1986.

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12

Truth from a lie: Documentary, detection, and reflexivity in Abe Kobo's realist project. Lanham, Md: Lexington Books, 2011.

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13

Justo, Liborio. Liborio Justo: Fotografías : la búsqueda de la verdad = photographs : in search of the thruth [i.e. truth]. Buenos Aires: Museo De Arte Hispanoamericano Isaac Fernández Blanco, 2005.

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14

Zhen xiang: Wei an fu diao cha ji shi = Truth : documentary investigation of "comfort women". Nanjing: Jiangsu wen yi chu ban she, 2007.

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15

Maddow, Ben. Let truth be the prejudice: W. Eugene Smith, his life and photographs. New York City: Aperture, 1985.

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16

McEnteer, James. Shooting the truth: The rise of American political documentaries. Westport, Conn: Praeger Publishers, 2006.

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17

Elusive truth: Four photographers at Manzanar. Nevada City, Calif: C. Mautz, 2002.

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18

1955-, Fontcuberta Joan, ed. Truths & fictions: A journey from documentary to digital photography. New York, N.Y: Aperture, 1995.

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19

Meyer, Pedro. Truths & fictions: A journey from documentary to digital photography. New York: Aperture, 1995.

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20

Okwui, Enwezor, ed. Experiments with truth: Transitional justice and the processes of truth and reconciliation : Documenta 11öPlatform 2. Ostfildern-Ruit: Hatje Cantz, 2002.

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21

Spence, Louise, and Vinicius Navarro. Crafting Truth: Documentary Form and Meaning. Rutgers University Press, 2010.

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22

Crafting Truth: Documentary Form and Meaning. Rutgers University Press, 2010.

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23

Avi. Nothing But The Truth: A Documentary Novel. HarperTrophy, 2003.

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24

Photography, Truth and Reconciliation. Taylor & Francis Group, 2019.

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25

Miles, Melissa. Photography, Truth and Reconciliation. Taylor & Francis Group, 2020.

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26

Miles, Melissa. Photography, Truth and Reconciliation. Taylor & Francis Group, 2020.

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27

Miles, Melissa. Photography, Truth and Reconciliation. Taylor & Francis Group, 2020.

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28

Miles, Melissa. Photography, Truth and Reconciliation. Bloomsbury Publishing USA, 2019.

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29

Miles, Melissa. Photography, Truth and Reconciliation. Taylor & Francis Group, 2020.

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30

Miles, Melissa. Photography, Truth and Reconciliation. Taylor & Francis Group, 2019.

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31

Friedlander, Jennifer. Documentary Real-ism. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190676124.003.0003.

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This chapter considers two recent films, Catfish (Ariel Schulman and Henry Joust) and This Is Not a Film (Jafar Panahi), with a view to arguing how the most prized indicators of filmic realism can function as signs of lapses in the realist edifice. It argues that such signs function as pointers to the elusive truth characteristic of what will be called “Real-ism” — that is, hints of the Real that emerge precisely when the symbolic framework governing reality becomes imperiled. In particular, these films exploit the realist conventions that lend credibility to the documentary form in a way that not only demonstrates the commonplace expectation that what is presented as truth might turn out to be a fiction but also shows the more radical possibility that fiction may pave the pathway for arriving at truth.

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32

Documentary Comics: Graphic Truth-Telling in a Skeptical Age. Palgrave Macmillan, 2015.

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33

Mickwitz, Nina. Documentary Comics: Graphic Truth-Telling in a Skeptical Age. Palgrave Macmillan, 2015.

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34

Mickwitz, Nina. Documentary Comics: Graphic Truth-Telling in a Skeptical Age. Palgrave Macmillan, 2016.

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35

Spence, Louise, and Vinicius Navarro. Crafting Truth. Rutgers University Press, 2010.

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36

Foley, Barbara C. Telling the Truth: The Theory and Practice of Documentary Fiction. Cornell University Press, 2018.

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37

Ehrlich, Nea. Animating Truth: Documentary and Visual Culture in the 21st Century. Edinburgh University Press, 2022.

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38

Ehrlich, Nea. Animating Truth: Documentary and Visual Culture in the 21st Century. Edinburgh University Press, 2021.

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39

Maddow, Ben. Let Truth Be the Prejudice: W. Eugene Smith, His Life and Photographs. Aperture, 1998.

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40

When Fact Is Fiction: Documentary Art in the Post-Truth Era. Valiz, 2020.

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41

Burroughs, Jim. Blood on the Lens: A Filmmaker's Quest for Truth in Afghanistan. Potomac Books Inc., 2007.

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42

Detweiler, Craig, and Justin Wells. How to Film Truth: The Story of Documentary Film As a Spiritual Journey. Wipf & Stock Publishers, 2018.

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43

Detweiler, Craig, and Justin Wells. How to Film Truth: The Story of Documentary Film As a Spiritual Journey. Wipf & Stock Publishers, 2019.

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44

Key, Margaret. Truth from a Lie: Documentary, Detection, and Reflexivity in Abe Kobo's Realist Project. Lexington Books/Fortress Academic, 2011.

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45

Detweiler, Craig, and Justin Wells. How to Film Truth: The Story of Documentary Film As a Spiritual Journey. Wipf & Stock Publishers, 2018.

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46

La Caze, Marguerite, and Ted Nannicelli, eds. Truth in Visual Media. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.001.0001.

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This book investigates the interrelations between aesthetics, ethics, and politics in a variety of visual media forms ranging across art installations, film and television, interactive documentaries, painting, photography, social media and videogames. An international mix of emerging and established authors, with interdisciplinary expertise, explores how different ethical questions, political implications, and aesthetic pleasures arise and shape one another in particular ways in distinct visual media. Investigating themes such as the use of cinema as a medium for ethical and political thought, how documentary subjects both conceal and reveal truth, the new ethical challenges arising from interactive media and the role of images in responding to political events and trauma, this is a groundbreaking work about the interrelations of aesthetic, ethical and political values in visual media.

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47

Shooting the Truth: The Rise of American Political Documentaries. Praeger Publishers, 2005.

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48

Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. University of California Press, 2016.

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49

Nichols, Bill. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. University of California Press, 2016.

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50

Nichols, Bill. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. University of California Press, 2016.

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