Journal articles on the topic 'Documentary Director'
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Besschastnaya, A. M., and V. E. Gorshkova. "Documentary Film-Investigation: Manipulation or Impartiality?" Vestnik NSU. Series: History and Philology 18, no. 6 (2019): 92–103. http://dx.doi.org/10.25205/1818-7919-2019-18-6-92-103.
Full textSturgis, Meshell, and Victoria Thomas. "Brownson, Laura (Director). The Rachel Divide [Documentary]." Women's Studies in Communication 43, no. 3 (July 2, 2020): 318–20. http://dx.doi.org/10.1080/07491409.2020.1803652.
Full textHill, Annette. "Documentary imaginary: Production and audience research of The Act of Killing and The Look of Silence." European Journal of Cultural Studies 24, no. 4 (August 2021): 801–15. http://dx.doi.org/10.1177/13675494211033291.
Full textBrucher, Katherine. "Festa. Joe Sousa, director. Documentary Educational Resources, 2006." Journal of the Society for American Music 2, no. 4 (October 23, 2008): 597–99. http://dx.doi.org/10.1017/s1752196308081406.
Full textMendonça, Rosiel, and Sérgio Braga. "Glauber Rocha descobre a Amazônia: discurso e representações sociais no documentário Amazonas, Amazonas." Arteriais - Revista do Programa de Pós-Gradução em Artes 6, no. 11 (September 27, 2021): 121. http://dx.doi.org/10.18542/arteriais.v6i11.11028.
Full textGao, Zeyuan, and Lifan Deng. "The American Documentary Fahrenheit 9/11 under the Vision of Structural Anthropology." World Journal of Educational Research 5, no. 3 (August 15, 2018): 260. http://dx.doi.org/10.22158/wjer.v5n3p260.
Full textBirtwistle, Andy. "Jack Ellitt as Director: Documentary Films of the 1940s." Journal of British Cinema and Television 18, no. 3 (July 2021): 329–59. http://dx.doi.org/10.3366/jbctv.2021.0577.
Full textStonys, Audrius. "CINEMATIC SHIFT FROM THE FRONT TO THE BACKGROUND. LANDSCAPE IN A POST WORD ERA." Culture Crossroads 14 (November 9, 2022): 63–69. http://dx.doi.org/10.55877/cc.vol14.91.
Full textLia Susanthi, Nyoman, Ni Kadek Dwiyani, and I. Kadek Puriartha. "Directing Of Documentary Bilingual “Lukisan Barong Gunarsa” In Exspository Style." Mudra Jurnal Seni Budaya 33, no. 3 (September 27, 2018): 345. http://dx.doi.org/10.31091/mudra.v33i3.522.
Full textAk, Musa. "Bertolt Brecht’in Epik Tiyatrosu Üzerinden İnteraktif Belgesellere Bakmak." Etkileşim 4, no. 7 (April 2021): 170–89. http://dx.doi.org/10.32739/etkilesim.2021.7.123.
Full textJeż, Aleksandra, and Dominika Narożna. "Kreowanie rzeczywistości w filmach dokumentalnych. Kazsus Leni (Helene Amalie Berthy) Riefenstahl na podstawie produkcji Triumf woli i Olympia." Świat Idei i Polityki 16, no. 1 (December 31, 2017): 106–22. http://dx.doi.org/10.15804/siip201706.
Full textBozheyeva, Aibarsha Muratbekovna, and Baubek Bauyrzhanuly Nogerbek. "Director’s Methods in the Kazakhstan Auteur Documentary Filmmaking." American Journal of Applied Sciences 13, no. 6 (June 1, 2016): 804–13. http://dx.doi.org/10.3844/ajassp.2016.804.813.
Full textBirkholc, Robert. "Notatki filmowe Federica Felliniego. "Notatnik reżysera" jako manifest poetyki twórcy." Załącznik Kulturoznawczy, no. 9 (2022): 303–22. http://dx.doi.org/10.21697/zk.2022.9.16.
Full textKrobb, Florian. "Resistant Culture, African Travel." Transfers 6, no. 3 (December 1, 2016): 142–45. http://dx.doi.org/10.3167/trans.2016.060313.
Full textKostrykina, N. V. "CREATIVITY OF THE KRASNOYARSK DOCUMENTARY FILMMAKER I. ZAITSEVA AS A PHENOMENON OF REGIONAL AND NATIONAL CULTURE." Northern Archives and Expeditions 5, no. 2 (June 30, 2021): 103–12. http://dx.doi.org/10.31806/2542-1158-2021-5-2-103-112.
Full textNas, L. "The ‘unreel’ in Woody Allen’s Zelig." Literator 13, no. 3 (May 6, 1992): 93–100. http://dx.doi.org/10.4102/lit.v13i3.775.
Full textWorrall, Matt. "College to feature in flagship science documentary." Bulletin of the Royal College of Surgeons of England 90, no. 2 (February 1, 2008): 59. http://dx.doi.org/10.1308/147363508x276468.
Full textBen-Zvi, Linda. "Staging the Other Israel: The Documentary Theatre of Nola Chilton." TDR/The Drama Review 50, no. 3 (September 2006): 42–55. http://dx.doi.org/10.1162/dram.2006.50.3.42.
Full textStory, Brett, Michelle Brown, and Eamonn Carrabine. "The Prison in Twelve Landscapes: An interview with film producer and director Brett Story." Crime, Media, Culture: An International Journal 13, no. 1 (September 26, 2016): 107–13. http://dx.doi.org/10.1177/1741659016669192.
Full textGoryachok, K. L. "Dziga Vertov and Walt Whitman: Poetic Image in Documentary Films." Discourse 8, no. 1 (February 25, 2022): 51–63. http://dx.doi.org/10.32603/2412-8562-2022-8-1-51-63.
Full textCass, Philip. "REVIEW: Noted: Documentary exposes dark side of Tongan diaspora." Pacific Journalism Review : Te Koakoa 25, no. 1&2 (July 31, 2019): 314. http://dx.doi.org/10.24135/pjr.v25i1and2.497.
Full textDemidko, Olha. "The phenomenon of documentary theater and its influence on the theater culture of Ukraine." Bulletin of Mariupol State University. Series: Philosophy, culture studies, sociology 11, no. 22 (2021): 45–51. http://dx.doi.org/10.34079/2226-2830-2021-11-22-45-51.
Full textEtchells, Tim. "Instructions for Forgetting." TDR/The Drama Review 50, no. 3 (September 2006): 108–30. http://dx.doi.org/10.1162/dram.2006.50.3.108.
Full textZylberman, Lior. "The Missing Picture - Film Review, Director: Rithy Panh, Documentary Cambodia/France, 2013." Genocide Studies and Prevention 8, no. 3 (October 2014): 103–5. http://dx.doi.org/10.5038/1911-9933.8.3.10.
Full textStezhko, N. G. "The history of television documentary drama genesis, its ontological characteristics." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 63, no. 4 (October 31, 2018): 482–89. http://dx.doi.org/10.29235/2524-2369-2018-63-4-482-489.
Full textLiu, Yike. "The application of the pseudo-documentary form in the film "The Evil”." Advances in Education, Humanities and Social Science Research 1, no. 3 (January 30, 2023): 129. http://dx.doi.org/10.56028/aehssr.3.1.129.
Full textWilliams, Rua M. "Review of David James Savarese (Producer) & Robert Rooy (Director, Producer), Deej (2017)." Canadian Journal of Disability Studies 8, no. 3 (May 24, 2019): 165–68. http://dx.doi.org/10.15353/cjds.v8i3.513.
Full textRampling, Jeremy. "Waltz with Bashir (2008; director/writer: Ari Folman)." British Journal of Psychiatry 207, no. 3 (September 2015): 220. http://dx.doi.org/10.1192/bjp.bp.115.163022.
Full textTengku Sabri, Tengku Intan Maimunah. "Filming Visual Artist Biopic: Reflections on the Making of Short Documentary Dark Drawings Unpacked." International Journal of Creative Multimedia 1, no. 1 (May 18, 2020): 51–64. http://dx.doi.org/10.33093/ijcm.2020.1.1.7.
Full textKhor, Denise. "History before and behind the Camera: An Interview with Renee Tajima-Peña." Film Quarterly 74, no. 1 (2020): 21–29. http://dx.doi.org/10.1525/fq.2020.74.1.21.
Full textOuyang, Yuxin. "Warm and Realistic, Romantic Yet Cruel ——On the Master of Cinema Giuseppe Tornatore." Learning & Education 10, no. 2 (September 16, 2021): 114. http://dx.doi.org/10.18282/l-e.v10i2.2296.
Full textCastelli, Elizabeth. "Interview with Adele Horne, Director of 'The Tailenders' (2006)." Postscripts: The Journal of Sacred Texts, Cultural Histories, and Contemporary Contexts 2, no. 2-3 (March 14, 2008): 316–27. http://dx.doi.org/10.1558/post.v2i2.316.
Full textDavid, Mirela. "Hooligan Sparrow: Representation of sexual assault in Chinese cinema, feminist activism and the limits of #MeToo in China." Asian Cinema 32, no. 1 (April 1, 2021): 55–73. http://dx.doi.org/10.1386/ac_00033_1.
Full textFilewod, Alan. "The Interactive Documentary in Canada: Catalyst Theatre's Its About Time." Theatre Research in Canada 6, no. 2 (January 1985): 133–47. http://dx.doi.org/10.3138/tric.6.2.133.
Full textLutherová, Soňa G. "“Do not use the word anthropology!”: On the struggle of artistic and scientigic selves in anthropological film-making." Human Affairs 31, no. 3 (July 1, 2021): 276–89. http://dx.doi.org/10.1515/humaff-2021-0023.
Full textOstmeier, Dorothee. "The Aesthetic Hyper-Object in Experimental Short Film Practices: Lina Sieckmann and Miriam Gossing’s Art Documentaries." Konturen 12 (2022): 47–72. http://dx.doi.org/10.5399/uo/konturen.12.0.4915.
Full textQuarmby, Kevin. "“Would they not wish the feast might ever last?”: Strong Spice, Oral History and the Genesis of Globe to Globe." Multicultural Shakespeare: Translation, Appropriation and Performance 11, no. 26 (December 30, 2014): 17–30. http://dx.doi.org/10.2478/mstap-2014-0003.
Full textDemeshchenko, Violeta. "From Theater to Cinematography: Creative Search of Les Kurbas." Culturology Ideas, no. 18 (2'2020) (2020): 109–19. http://dx.doi.org/10.37627/2311-9489-18-2020-2.109-119.
Full textZlobina, O. N., and G. Yu Vorozhtsov. "DOCUMENTARY FROM TRANSLATION PERSPECTIVE (BASED ON THE TRANSLATION OF THE DOCUMENTARY “A LIFE IN JAPAN”)." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 126–34. http://dx.doi.org/10.35634/2500-0748-2020-12-126-134.
Full textZlobina, O. N., and G. Yu Vorozhtsov. "DOCUMENTARY FROM TRANSLATION PERSPECTIVE (BASED ON THE TRANSLATION OF THE DOCUMENTARY “A LIFE IN JAPAN”)." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 126–34. http://dx.doi.org/10.35634/2500-0748-2020-12-126-134.
Full textSartori, Caterina. "Film review of ‘PUSH’: A documentary by Fredrik Gertten." Radical Housing Journal 2, no. 1 (May 4, 2020): 207–9. http://dx.doi.org/10.54825/cdln8892.
Full textIacobuţe, Petronela-Ramona. "The “Here and Now” Theatre." Theatrical Colloquia 8, no. 2 (December 1, 2018): 355–58. http://dx.doi.org/10.2478/tco-2018-0026.
Full textButrón Gardida, Ivette. "Diagnóstico en torno al proceso de evaluación en la gestión del director escolar desde la socioformación." FORHUM International Journal of Social Sciences and Humanities, no. 2 (January 31, 2020): 32–52. http://dx.doi.org/10.35766/jf20224.
Full textSapija, Andrzej. "“The Intensity of Looking” at Karabasz, 2018." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 24, no. 33 (March 25, 2019): 166–78. http://dx.doi.org/10.14746/i.2018.33.14.
Full textMerewether, Janet. "Filming Non-Normative Embodiment: Power, Sexuality and Genetic Difference inJabe Babe – A Heightened Life, a Documentary about a Dominatrix with Marfan Syndrome." Somatechnics 1, no. 2 (September 2011): 334–56. http://dx.doi.org/10.3366/soma.2011.0023.
Full textBoonpromkul, Phacharawan. "Of Grizzlies and Man: Watching Werner Herzog’s Grizzly Man Through an Ecocritical Lens." MANUSYA 18, no. 2 (2015): 28–43. http://dx.doi.org/10.1163/26659077-01802002.
Full textGott, Michael. "“Everything Happens Fast”." Transfers 5, no. 1 (March 1, 2015): 131–34. http://dx.doi.org/10.3167/trans.2015.050113.
Full textVICARI, JUSTIN. "Dog Days (Hundstage)." Film Quarterly 60, no. 1 (2006): 40–45. http://dx.doi.org/10.1525/fq.2006.60.1.40.
Full textKirillova, Natalia B. "“Provincial” Cinema on Global Orbits." Journal of Flm Arts and Film Studies 8, no. 4 (December 15, 2016): 84–96. http://dx.doi.org/10.17816/vgik8484-96.
Full textBezerra, Cláudio, and Arline Lins. "The documentary as a democratic practice: an interview with the canadian director Katerina Cizek." DOC online - Revista Digital de Cinema Documentário, no. 23 (March 30, 2018): 256–61. http://dx.doi.org/10.20287/doc.d23.en01.
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