Dissertations / Theses on the topic 'Documentary Director'
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Largent, Julia E. "Documentary Dialogues: Establishing a Conceptual Framework for Analyzing Documentary Fandom-Filmmaker Social Media Interaction." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1497547704340843.
Full textLang, Ian William, and n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Full textLang, Ian William. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367923.
Full textThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
Queensland College of Art
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Meiser, Cory. "Documentary Film: Love's Story." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5312/.
Full textPetty, Laurel Ann. "Documentary Film: Accidental Shakespeare." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3628/.
Full textPalmer, G. E. "Basil Wright : definitions of documentary." Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/2150.
Full textDinc, Nefin. "Documentary Film: I Named Her Angel." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4736/.
Full textZuber, Sharon Lynne. "Re-shaping documentary expectations: New Journalism and Direct Cinema." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539623442.
Full textHolder, Elizabeth Suzanne. "No Way Out: A Historical Documentary." Thesis, University of North Texas, 2003. https://digital.library.unt.edu/ark:/67531/metadc4320/.
Full textKilaru, Sunilrao Mohanrao M. ""Tales of My Cities"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248487/.
Full textMasetti, Sara. "The Ocean in Between." Thesis, University of North Texas, 2013. https://digital.library.unt.edu/ark:/67531/metadc500079/.
Full textLakpassa, Komlan Daholega. "Gods, Have Merced! A Documentary Film." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9763/.
Full textFerris, Mika. "Mama D's 2 Blocks: A Documentary Film." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3674/.
Full textLi, Tingting. "An Analysis of the 4:2:1 Documentary." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500078/.
Full textBussart, Anna Lynn. "The Making of the Documentary Women at Work." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9791/.
Full textSouza, Leandro Cunha de. "Cinema direto na Paraíba: a consolidação de um estilo na representação do real." Universidade Federal da Paraíba, 2017. http://tede.biblioteca.ufpb.br:8080/handle/tede/9800.
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In this research, we seek to comprehend how occurs the arrival and difusion of an approach mode of the real, the so called direct cinema, with its sound record stylistic synchronous to the image, on the documentary from Paraiba, from the late 70s. This style stood out for giving people voice so they could talk about themselves to the cinema, revealing, this way, a language sensitive to the social matters, to the political problems, to the gender and identity matters, beside the many cultural manifestations. We discussed the role of UFPB's Cinematographic Documentation Core (NUDOC) as a formation agent of new directors, from the exchange with Paris Varan Association (Ateliers Varan), promoting internships in direct cinema in João Pessoa and Paris, thus providing a technical, cultural and theorical baggage consistents to the new directors. On the scope of our research, we conceptualized, initially, the documentary against its stylistic ways and delimitations of a representation field. Right next, we discussed the direct cinema, its approaching strategies of the real and its precursors in Paraiba, the consolidation of a style (the expositive mode on the paraibano documentary), NUDOC's role on the difusion of the direct and finally the stylistic of the direct in Paraiba: from the 80s until nowadays. For this, we based our analysis on the main theories of the documentary study, on the productions study about the Super-8 mm and the direct cinema made in Paraiba, on the interviews and notes produced along the research, discussing the language, the technology, the stylistic resources used in its historical context. These productions contribute with the identity formation of the local cinema, influencing new generations of directors. Lastly, we will demonstrate our considerations about the stylistic procedures used in the direct e, this way, contribute with a new look about the study of the audio-visual narratives apllied to the making of the documentary in Paraiba.
Nesta pesquisa, buscamos compreender como se dá a chegada e difusão de um modo de abordagem do real no documentário paraibano, a partir do final dos anos 1970, o chamado Cinema Direto, com sua estilística de registro de som sincrônico à imagem. Esse estilo se destacou por dar voz às pessoas para falarem de si próprias para o cinema; revelando, desta forma, uma linguagem sensível às questões sociais, aos problemas políticos, às questões de gênero e de identidade, além das diversas manifestações culturais. Discutimos o papel do Núcleo de Documentação Cinematográfica da UFPB (NUDOC) como agente de formação de novos realizadores, a partir do intercâmbio com a Associação Varan, em Paris (Ateliers Varan), com a promoção de estágios em Cinema Direto em João Pessoa e Paris, fornecendo, assim, uma bagagem técnica, cultural e teórica consistentes aos novos realizadores. No escopo da nossa pesquisa, conceituamos, inicialmente, o documentário diante das suas maneiras estilísticas e delimitações de um campo de representação. Em seguida, discutimos o Cinema Direto, suas estratégias de abordagem do real e seus precursores na Paraíba, a consolidação de um estilo (o modo expositivo no documentário paraibano), o papel do NUDOC na difusão do Direto e, por fim, a estilística do Direto na Paraíba – dos anos 1980 aos dias atuais. Para isso, embasamos nossa análise nas principais teorias do estudo do documentário, nos estudos das produções sobre o Super-8 mm e o Cinema Direto realizado na Paraíba, nas entrevistas e anotações produzidas no decorrer da pesquisa, no debate sobre a linguagem, a tecnologia, os recursos estilísticos usados e seu contexto histórico. Estas produções colaboraram com a formação da identidade do cinema local, influenciando novas gerações de realizadores. Por fim, demonstramos nossas considerações acerca dos procedimentos estilísticos utilizados no Direto, na tentativa de contribuir com um novo olhar sobre o estudo das narrativas audiovisuais aplicadas à realização do documentário na Paraíba.
Horst, Jennifer Lynne. "The making of the documentary film Women in Red." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9088/.
Full textGibson, Sarah Edith. "Behind the Scenes of The Steve Taylor Story: A Documentary." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc10992/.
Full textChiu, Wen-Chi. "Mr. Hassell: The TV Engineer." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935652/.
Full textCurrier, Daniel W. "Direct Address." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/44.
Full textFidler, Tristan. "Music video auteurs : the directors label DVDs and the music videos of Chris Cunningham, Michel Gondry and Spike Jonze." University of Western Australia. School of Social and Cultural Studies, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0251.
Full textSposto, Caroline Zarlengo. "A woman's place a video documentary on mass media messages directed towards women between 1940 - 1950 /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2005. http://www.kutztown.edu/library/services/remote_access.asp.
Full textSource: Masters Abstracts International, Volume: 45-06, page: 2721. Typescript. Accompanying DVD entitled: A Woman's Place: a documentary to supplement masters thesis. Abstract precedes thesis as 2 leaves (i-ii). Includes bibliographical references (leaves 59-61).
Daggett, Liz. "Theoretical and Practical Record of the Making of the Documentary Film, A Native American Dream." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9110/.
Full textBevins, Thomas. "Street Chords and the Truth: A Street Level View of Country Music." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6134/.
Full textSchoenbaechler, Jessica. "Beach Drive: Public Rights and Private Property: A Documentary Film." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5345/.
Full textThornburg, Barry B. ""FLAT!"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157565/.
Full textHelfield, Gillian. "Il etait une fois au cinema Quebecois : the persistence of myth and folklore in early Cinema direct documentaries: 1958-1964." Thesis, University of Warwick, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327558.
Full textGuevara, Flores Ernesto. "Aproximaciones a la historia y los esquemas teóricos del cine documental." Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2009. https://hdl.handle.net/20.500.12672/1293.
Full textTesis
Niney, François. "L'epreuve du reel a l'ecran essai sur le principe de realite documentaire." Paris 3, 1999. http://www.theses.fr/1999PA030122.
Full textCyrulnik, Natacha. "Représenter le monde et agir avec lui : La méthode du documentaire de création." Toulon, 2008. http://www.theses.fr/2008TOUL0008.
Full textABuilding a representation consists in watching and acting on the word at the same time. Creative documentary film is a way of expression wich is develops both comprehension and knowledge. The case of youth living in a southern France "cité" is a meaningful example of mediology by the way of the object camera in our mediacultural world. Youth change their status by consuming pictures, imitating them, and finally building their own pictures. Interactions between who's filming (the director), who's in front of the camera (the actor), and who's receiving these pictures (the spectators), are the engine to constructe a representation. The challenge consists in giving the world a meaning and appropriating it. Making a movie and building their own identity are linked together
Cater, Lauren. "Mineola." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822789/.
Full textBhatia, Parul. "India Vaale in the United States." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc935597/.
Full textMerilainen, Laura. "From Namibia with Love - the dissertation paper a reflective essay supporting the documentary film 'From Namibia with Love'. With special references from the director's and editor's perspective on making a politically sensitive documentary film." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12001.
Full textIncludes bibliographical references.
This dissertation paper is a reflective essay supporting the documentary film From Namibia with Love (FNWL). The aim of this essay is to examine and analyse the production challenges, ethical considerations and the reconstruction of reality in the making of the film FNWL. The essay explores these issues from the director's and editor's point of view with special references to academics literature and different documentary films.
Manganello, Vincent M. "DVD featuring visual commentary, which melds the director's commentary with the production documentary using the multi-angle capabilty of the DVD." Virtual Press, 2005. http://liblink.bsu.edu/uhtbin/catkey/1313638.
Full textDepartment of Telecommunications
Alvarez-Salas, Sofía-Noelia. "Gardemia: documental sobre la psoriasis en el Perú." Bachelor's thesis, Universidad de Lima, 2017. http://repositorio.ulima.edu.pe/handle/ulima/4649.
Full textTrabajo de suficiencia profesional
Almendariz, Sergio E. ""Her Name Was"." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248439/.
Full textMcKinney, Kelli. "The Luxury of Tears: A Secondary Survivor's Story." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2273/.
Full textYang, Hongyi. "Herb and Life: A Chinese Medical Family." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3296/.
Full textPereira, Irislane Mendes. "O realizador e a personagem: relações intersubjetivas no processo criativo do documentário." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/4296.
Full textConselho Nacional de Desenvolvimento Científico e Tecnológico
This thesis aims at the study of the relations between the documentarian and his character. More specifically, it analyses the dialogue that is established between both parts. Underpinned by theories and concepts by Brazilian and foreign documentary genre scholars Fernão Pessoa Ramos, Jean-Claude Bernardet and Bill Nichols , this work also examines the matter of the production of the documentary s truth, as such a meeting intermediated by the camera and proposed to a spectatorial reading could guarantee it. Inseparable from this first interrogation, there is a second one that refers to the witnessing subject s freedom and to the ethics of these exchanges. The selection of the corpus privileged those films which characters seem to have their singularities preserved in the situation of interaction in which they are engaged. Parallel to that and opportunely, a brief history of the documentary in Brazil, under the influx of Italian neorealism, direct cinema and cinema vérité, which molded in it its most remarkable features, is presented. Methodologically, it is a documental and bibliographical research. As a result, it is possible to assure that the corpus analysis especially of these two important examples of this genre, Viramundo (1965), by Geraldo Sarno, and Jogo de Cena (2007), by Eduardo Coutinho has evinced different models that present actors have to convey with words
A presente dissertação tem por objetivo o estudo das relações entre o documentarista e sua personagem. Trata-se, mais especificamente, de analisar o diálogo estabelecido entre ambas as partes. Apoiando-se nas teorias e conceitos de estudiosos brasileiros e estrangeiros do gênero documentário Fernão Pessoa Ramos, Jean-Claude Bernardet e Bill Nichols , examina também a questão da produção da verdade do documentário, tal como este encontro intermediado pela câmera e proposto a uma leitura espectatorial a poderia garantir. Inseparável desta primeira interrogação, uma segunda refere-se à liberdade do sujeito depoente e à ética destas trocas. A seleção do corpus privilegiou aqueles filmes cujas personagens parecem ter suas singularidades preservadas na situação de interação em que estão engajadas. Em paralelo e por oportuno, apresenta-se também uma pequena historia do documentário no Brasil, sob os influxos do neo-realismo italiano, do cinema direto e do cinema verdade ou cinéma verité, que lhe imprimiram seus traços mais marcantes. Metodologicamente, trata-se de uma pesquisa documental e bibliográfica. Como resultado, pode-se afiançar que a análise do corpus notadamente destes importantes exemplares do gênero que são Viramundo (1965) de Geraldo Sarno e de Jogo de Cena (2007) de Eduardo Coutinho evidenciou diferentes modelos de condução da palavra pelos atores em presença
Mak, Monica. "Racial diversity's journey to constancy : initiatives for redressing the colour imbalance in documentary filmaking at the National Film Board of Canada." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32928.
Full textSchwarz, Jakob. "Legacy of Love: A Queer Dallas." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011805/.
Full textMendes, Marcos de Souza. "Heinz Forthmann e Darcy Ribeiro : cinema documentario no Serviço de Proteção aos Indios, SPI, 1949-1959." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285097.
Full textTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
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Résumé: Cette recherche étudie le travail conjoint réalisé entre le photographe et cinéaste Heinz Forthmann (1915-1978), Brésilien par option, et l¿anthropologue Darcy Ribeiro (1922-1997) à la Seção de Estudos, SE, du SPI. Fondée en 1942 par l¿indigéniste Cândido Mariano da Silva Rondon, la SE avait pour but, entre autres, de rechercher et de documenter ¿ au moyen de photographies, du cinéma et d¿enregistrements sonores ¿ la vie, les rites et les manifestations culturelles des peuples indigènes du Brésil. Les directives de documentation ethnographique, créés tout d¿abord par Harald Schultz, furent développées dès 1949 par Darcy Ribeiro, lequel rechercha l¿intégration entre les investigations ethnologiques et linguistiques et la réalisation cinématographique. Ce cycle de travail s¿est prolongé jusqu¿en 1959 et généra d¿importants films documentaires qui se sont aujourd¿hui dispersés, fragmentés ou perdus, dont: Os Índios Urubus, 1950; Funeral Bororo, 1953; Txukahamãe, 1955, et Jawari, 1957. C¿est la mémoire de ces films, la connaissance de leur art et de leur méthode de réalisation ethnographique que ce travail tâche de récupérer
Resumo: Esta pesquisa estuda o trabalho conjunto realizado pelo fotógrafo e cineasta Heinz Forthmann (1915-1978), brasileiro por opção, e pelo antropólogo Darcy Ribeiro (1922-1997) na Seção de Estudos, SE, do SPI. Criada em 1942 pelo indigenista Cândido Mariano da Silva Rondon, a SE tinha entre seus objetivos pesquisar e documentar em fotografia, cinema e gravação sonora, a vida, os ritos e as manifestações culturais dos povos indígenas do Brasil. As diretrizes de documentação etnográfica, criadas inicialmente por Harald Schultz, foram desenvolvidas, a partir de 1949, por Darcy Ribeiro, que buscou a integração entre pesquisas etnológicas, lingüísticas e a realização cinematográfica. Este ciclo de trabalho se estendeu até 1959, e gerou importantes filmes documentários que hoje se encontram dispersos, fragmentados ou perdidos, entre os quais: Os Índios Urubus, 1950; Funeral Bororo, 1953; Txukahamãe, 1955, e Jawari, 1957. É a memória desses filmes, o conhecimento de sua arte e método de realização etnográfica que este trabalho procura recuperar
Doutorado
Multimeios
Doutor em Multimeios
Goodman, David. "Texas Paranormalists." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822843/.
Full textShutt, Jason. "A New Circle." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3031/.
Full textChoi, Ho-Kyung. "Two for One, One for Two." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278117/.
Full textCrawford, Jim D. "“Inside Story”." Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500092/.
Full textDobson, Mark D. "What's on Tap, Texas? Homebrew to Craft Brew." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955017/.
Full textLazcano, Aguirre Libia. "Out of Date." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12148/.
Full textDoeren, Catherine Wallace. "Harbor: The Act of Autobiography." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2225/.
Full textMullins, Michael Bryan. "Hildegard On Rubble Mountain." Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3328/.
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