Contents
Academic literature on the topic 'Documentaires musicaux'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Documentaires musicaux.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Documentaires musicaux"
Costa, Manuela Areias. "A Sociedade Musical União XV de Novembro como Patrimônio Cultural: da prática musical ao arquivo vivo." LaborHistórico 8, no. 1 (September 20, 2022): 87–107. http://dx.doi.org/10.24206/lh.v8i1.46743.
Full textDall’Ara-Majek, Ana. "Le trésor de la langue de René Lussier : documentation d’un voyage, de la quête linguistique au débat politique." Circuit 28, no. 3 (January 3, 2019): 71–86. http://dx.doi.org/10.7202/1055196ar.
Full textPellerin, Agnès. "Représentations cinématographiques du passé colonial portugais : enjeux musicaux dans le film Fantômes d’un Empire (2020)." História: Questões & Debates 70, no. 1 (February 28, 2022): 118. http://dx.doi.org/10.5380/his.v70i1.82752.
Full textMicheau, Béatrice, Marie Després-Lonnet, and Dominique Cotte. "La recommandation musicale entre inscriptions documentaires, pratiques sociales, et dispositifs d’écoute." Études de communication, no. 49 (December 1, 2017): 33–56. http://dx.doi.org/10.4000/edc.7014.
Full textNejmeddine, Mafalda S. "Os órgãos do Mosteiro de Santa Clara de Vila do Conde: construção, manutenção e repertório." Opus 28 (December 29, 2022): 1–20. http://dx.doi.org/10.20504/opus2022.28.24.
Full textMoreira, Fernando Alberto Torres, and Humberto Rodrigues Júnior. "A ESTÉTICA MUSICAL JOANINA: UM ESTUDO DAS INFLUÊNCIAS DAS COMPOSIÇÕES DE MARCOS PORTUGAL, NUNES GARCIA E SIGISMUND NEUKOMM NO PERÍODO JOANINO NO BRASIL." ERAS | European Review of Artistic Studies 11, no. 4 (December 30, 2020): 73–96. http://dx.doi.org/10.37334/eras.v11i4.11.
Full textGabriel, Ana Paula Dos Anjos. "J. S. Bach em português: a escolha textual de Furio Franceschini e Martin Braunwieser para a Johannespassion BWV 245." OPUS 24, no. 3 (December 20, 2018): 293. http://dx.doi.org/10.20504/opus2018c2412.
Full textHenriques, Luís. "Património musical na Catedral de Angra no século XVII: três livros de polifonia vocal sacra e o seu possível contexto." Herança 2, no. 2 (January 30, 2020): 69–82. http://dx.doi.org/10.29073/heranca.v2i2.161.
Full textSousa, Ana Claudia Medeiros de, and Bernardina Maria Juvenal Freire de Oliveira. "A escrita de si como prática de mediação cultural: registros de memória e identidade nas redes sociais do Quinteto da Paraíba." Informação@Profissões 9, no. 2 (December 17, 2020): 20. http://dx.doi.org/10.5433/2317-4390.2020v9n2p20.
Full textPersone, Pedro. "A aurora do (forte)piano." Per Musi, no. 20 (2009): 22–33. http://dx.doi.org/10.1590/s1517-75992009000200004.
Full textDissertations / Theses on the topic "Documentaires musicaux"
Bonnot, Charles. "Le discours des documentaires musicaux : de Robert Johnson à LCD Soudsystem." Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCC316.
Full textThis thesis is a linguistic and discursive study of documentaries on 20th century popular music in English-speaking countries: rock music, folk, blues, punk and electro. We first suggest a description of the corpus based on formal, discursive and narrative criteria. We see how editing allows an articulation of micro and macro-discourses as well as the creation of pseudo-dialogues and of a plurisemiotic anaphoric chain. We also notice certain patterns among micro-stories and macro-stories, which we believe are the expression of specific cultural norms. The second part of this study in based on the research of linguistic expressions of rock's supposedly innate rebellion. Corpus analysis shows the plasticity of linguistic taboo and of the use of swearwords, depending on the environment in which they appear. Besides, the corpus contains an important number of interactional transgressions that show how rock's rebellion is actually built and dealt with in media discourse. The third part of this study deals with the counter-discourses that are produced within and by music documentaries. These discourses aim at correcting a faulty doxa, they reflectively question the limits of speech and discourse, whether in songs or in the media, and tend to valu the unsa yable as well as alternative means of expression what we refer to as logophobia
Assunção, Maria Clara Rabanal da Silva. "Catalogação de documentos musicais escritos: uma abordagem à luz da evolução normativa." Master's thesis, Universidade de Évora, 2005. http://hdl.handle.net/10174/15730.
Full textFiala, David. "Le mécénat musical des ducs de Bourgogne et des princes de la maison de Habsbourgs : 1467-1506 : étude documentaire et prosopographique." Tours, 2002. http://www.theses.fr/2002TOUR2018.
Full textReis, Ernesto Silva e. "Acervo de partituras da fundação Gregório de Mattos: uma busca por fontes documentais de atividades de grupos orquestrais na Bahia na primeira metade do século xx." UNIVERSIDADE FEDERAL DA BAHIA, 2015. http://repositorio.ufba.br/ri/handle/ri/21599.
Full textApproved for entry into archive by Nilson Nascimento Souza (nilson@ufba.br) on 2017-03-02T17:02:41Z (GMT) No. of bitstreams: 1 Acervo de Partituras da FGM_Ernesto Reis_Dissertação de Mestrado.pdf: 15929458 bytes, checksum: b5edc869679329312a61f5c094c9dd0f (MD5)
Made available in DSpace on 2017-03-02T17:02:42Z (GMT). No. of bitstreams: 1 Acervo de Partituras da FGM_Ernesto Reis_Dissertação de Mestrado.pdf: 15929458 bytes, checksum: b5edc869679329312a61f5c094c9dd0f (MD5)
CNPq
O presente trabalho traz um levantamento do repertório produzido para orquestra, datado da primeira metade do século XX, encontrado no acervo de partituras da Fundação Gregório de Mattos, em Salvador, Bahia, e apresenta algumas das obras para orquestra que dele fazem parte. Essas obras são submetidas à análise crítica, contextualizando-as e buscando validar a sua importância e representatividade no cenário musical baiano, bem como demonstrar a existência e atividade de grupos orquestrais neste período.
This paper presents the 20th century first half orchestral scores gathered in the Fundação Gregório de Mattos’ archives in Salvador, Bahia. Furthermore, critical analysis of some orchestral scores in its historical context helps us to demonstrate about the importance of the orchestral business activity in the city of Salvador at that time.
Lachambre, Hélène. "Caractérisation de l'environnement musical dans les documents audiovisuels." Phd thesis, Université Paul Sabatier - Toulouse III, 2009. http://tel.archives-ouvertes.fr/tel-00457522.
Full textGareau, Nicolas. "Mas Conga : documentaire performatif de médiation culturelle interactive." Mémoire, 2010. http://www.archipel.uqam.ca/3044/1/M11421.pdf.
Full textDevert, Juliette. "L'Islande et sa musique représentées dans le documentaire : entre lieu, scène et insularité." Thèse, 2013. http://hdl.handle.net/1866/10413.
Full textThis Masters thesis examines the icelandic music scene as portrayed through documentaries. The notion of scene usually refers to a spatial entity in which different actors (musicians, producers, promoters, fans, etc) share their common interests in music. In this thesis, its conceptualization combines elements drawn from an approach developed by Straw (1991) wich focuses on ideas of interaction and network, and insists on how this space of sociability is formed through adaptation and change ; and from Bennett and Peterson’s (2004) approach which emphasize the difference in scales through which the networks of interactions characteristic of local, trans-local and virtual scenes are deployed. The author also addresses geographical questions as a means to further problematize the insular character of Island construed as one of the elements through which the music scene is produced. She does so by mobilizing Massey’s (2005) theory of space as a coming together of heterogeneous trajectories and "stories-so-far", and argues that it is the copresence and simultaneity of these trajectories that give the icelandic music scene its specificity. This line of investigation is pursued through the empirical exploration of a series of documentaries which address through different modes (Nichols, 2001 ; 2010) various facets of what they construe as local music in Iceland. The visual and aural representations that these documentaries put forth form the discourse that is the object of the analysis. Inspired by Hall (1994 ; 1997) discourse is considered as a meaningful and sociohistorically contingent unit composed of statements. The methodological process that guides the analysis consists in the critical examination of a corpus of documentaries with a view to identifying the statements that they articulate, and, on this basis, to reconstituting the different trajectories that constitute the icelandic music scene discursively produced therein. The analysis brings forth five trajectories (World ; Affinities ; Filiation ; Stereotyping et authenticity ; Territoriality) and discusses their various co-occurrences at different scales. It is these (non-) meeting points which are conceptualized as constituting the place of the icelandic music scene.
Books on the topic "Documentaires musicaux"
Agnès, Bautz, and Grand Cécile, eds. Catalogue des fonds musicaux anciens conservés en Poitou-Charentes. Aix-en-Provence (France): ARDIAMC/EDISUD, 1999.
Find full textpréf, Steinmetz Pierre, Bautz Agnès préf, and Raffarin Jean-Pierre préf, eds. Catalogue des fonds musicaux anciens conservés en Poitou-Charentes. Aix-en-Provence Poitiers: Edisud ARDIAMC, 1999.
Find full textFrançois-Pierre, Goy, and Desmet Marc, eds. Catalogue des fonds musicaux anciens conservés en Champagne-Ardenne. Paris: Minkoff France, 2000.
Find full textColey, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.
Find full textColey, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.
Find full textColey, Sam. Music Documentaries for Radio. Taylor & Francis Group, 2021.
Find full text