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Books on the topic 'Document image collections'

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Author: Grafiati

Published: 6 September 2023

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1

Council on Library and Information Resources. Commission on Preservation and Access. and Council on Library and Information Resources. Digital Libraries., eds. Digitizing historical pictorial collections for the Internet. Washington, D.C: Council on Library and Information Resources, 1998.

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2

Council on Library and Information Resources. and European Commission on Preservation and Access., eds. Digitizing historical pictorial collections for the Internet. Amsterdam: European Commission on Preservation and Access, 1998.

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3

Dibazar, Pedram, and Judith Naeff, eds. Visualizing the Street. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984356.

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From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies — From Hong Kong’s streets to Rio’s favelas, from Sydney’s suburbs to London’s street markets, and from Damascus’ war-torn streets to Istanbul’s sidewalks — and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.

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4

Paris (France). Mairie annexe du IVe Arrondissement, ed. Fières archives: Documents et images autobiographiques d'homosexuels "fin de siècle". Neuilly: Atlande, 2017.

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5

Yves, Desrichard, ed. Cinéma en bibliothèque. Paris: Electre/Cercle de la librairie, 2004.

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6

Yves, Alix, Vernet Marc, and Desrichard Yves, eds. Cinéma en bibliothèque. Paris: Cercle de la librairie, 2004.

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7

Grandin, Karl, Nils Olander, Piero Mazzinghi, and Giuseppe Pelosi, eds. A Wireless World. One Hundred Years since the Nobel Prize to Guglielmo Marconi. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-91-7190-179-8.

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The volume is dedicated to the one hundred years since Guglielmo Marconi was awarded the Nobel Prize (1909). The choice of honoring Marconi in this centennial occasion stems from the huge impact that wireless communications had on society. The book is divided into four parts covering the life of Marconi and his environment up to the Nobel Prize: "Part I – Documents," comprehends four contributions tightly linked to the Nobel Prize awarding to Marconi in 1909. "Part II - Marconi road to the Nobel Prize," proposes some deepening on the work of Marconi before his Nobel Prize, relevant to his scientific education and to particular and not well known events in the years of his first experiments. "Part III - Marconi's contemporary and later related scientists," presents Ferdinand Braun, who shared the Nobel Prize with Marconi, as well as other scientists related to wireless communications. "Part IV - Devices and collections in Sweden and Italy," shows a selection of the cultural heritage, Italian and Swedish, about the history of telecommunications engineering. The book presents several images and illustrations, some of which published here for the first time.

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8

Geneviève, Contamine, Labie-Leurquin A. -F, Peyrafort-Huin M, Institut de recherche et d'histoire des textes (France), and Centre national de la recherche scientifique (France), eds. Recherche et histoire des textes: Filmothèques, photothèques et techniques nouvelles : colloque international organisé à l'occasion du cinquantenaire de l'Institut de recherche et d'histoire des textes, Paris-Orléans, 23-25 novembre 1987 : images des textes, les techniques de reproduction des documents médiévaux au service de la Recherche. Paris: Léopard d'or, 1992.

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9

Digital imaging: A practical handbook. London: Facet Pub., 2002.

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10

Digital imaging: A practical handbook. New York: Neal-Schuman Publishers in association with Library Association Pub., 2001.

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11

Glavat͡skai͡a, E. M. Zabytye obrazy khantyĭskikh shamanov: Katalog fotodokumentov nachala XX veka iz sobranii︠a︡ Tobolʹskogo istoriko-arkhivnogo muzei︠a︡-zapovednika (G. Dmitriev-Sadovnikov. Vakh, 1912) = Forgotten images of Khanty shamans : catalogue of the early 20th century photo documents from the collection of Tobolsk Historical-Architectural Museum Resort (G. Dmitriev-Sadovnikov. Vakh, 1912). Ekaterinburg: Izdatelʹstvo Uralʹskogo universiteta, 2013.

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12

Symbol Spotting In Digital Libraries Focused Retrieval Over Graphicrich Document Collections. Springer, 2010.

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13

MacDonald, Scott. The Sublimity of Document. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190052126.001.0001.

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The Sublimity of Document: Cinema as Diorama (Avant-Doc 2) is an international collection of in-depth, substantive interviews with moving-image artists working “avant-doc,” that is, making films that explore the territory between documentary and experimental cinema. The Sublimity of Document follows on MacDonald’s earlier Avant-Doc: Intersections of Documentary and Avant-Garde Cinema (Oxford, 2015), though the focus here is on filmmakers who are committed to document itself, willing to go anywhere on the planet (or within film archives or on the internet) to document what they believe we need to see—regardless of whatever political implications the film experiences they create may have for us. The book uses the early history of the museum habitat diorama of animal life, specifically the Akeley Hall of African Mammals at the American Museum of Natural History, as a way of rethinking both early and modern cinema of document—and especially those recent filmmakers and films devoted to providing a panorama of places and events that viewers might never have opportunities to experience in person. The twenty-seven interviews in The Sublimity of Document are organized panoramically within the volume.

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14

News, World Spaceflight. International Space Station (ISS) Reference Collection : Astronaut Training Manuals, NASA and Russian Space Agency Documents, Photo Gallery and Image Files ... Construction Activities. Progressive Management, 2001.

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15

Zacharasiewicz, Waldemar, and Siegfried Beer, eds. Cultural Politics, Transfer, and Propaganda. Mediated Narratives and Images in Austrian-American Relations. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/978oeaw88742.

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The interdisciplinary collection contains 16 essays by scholars from literary and cultural studies, by sociologists, historians, musicologists, art historians and media experts. Following the introduction to the key issues in cultural politics and propaganda and a synopsis of the essays, an article surveys the reciprocal perception of Austria and the USA from the 18th century onwards. The following essays analyze various historical phases in the complex relationship between Austria (and Central Europe) and the USA. Several essays survey the strategies used to promote Austrian tourism and contrast them with advertisements for American sights, and document the implementation of aid programs for the impoverished societies in Austria in the aftermath of World War One. There follow articles that discuss the role of exiled Austrians in the dissemination of a positive image of Austria and a favorable view of the USA, while two contributions are devoted to the misrepresentation of significant individuals active in Austria in the interwar years. Special attention is then paid to the role of the Marshall Plan in economic reconstruction in Austria and Western Europe, and to the promotion of liberal democracy in the media during the Cold War. The impact of transatlantic exchange programs for scholars and scientists in the countries of Europe under Soviet influence is also considered. The wide range of essays concludes with critical perspectives on political phenomena, such as the apparently exaggerated role of Austrian resistance fighters in the liberation of the country from the Nazi tyranny in 1945, and on the controversy over Dr. Kurt Waldheim as reflected in popular music in the 1980s. The transfer of new concepts of contemporary art in museums and of contrasted cinematic genres resulting in a merger is illustrated in the final two essays.

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16

Wróbel-Best, Jolanta, ed. Wheels of Change: Feminist Transgressions in Polish Culture and Society. University of Warsaw Press, 2021. http://dx.doi.org/10.31338/uw.9788323549482.

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Using rich and varied narrative images and resources, literary artworks, excerpts from philosophical and sociological writings, musicological theories and film studies, historical documents, and other materials, this collection of essays strongly sides with the feminist theory. All chapters tirelessly construct feminist discourse by depicting a new reality, language, and values to assess as well as understand the life, goals, and social achievements of women over a span of centuries in Polish culture and society. Feminist transgression is envisioned as a thematic category bridging diverse, seemingly loose, distant, and even apparently contradictory women’s accounts. This theme develops a cohesiveness among chapters and provides an underlying unity, built on the coincidence of opposites, known in Latin as the principle of “coincidentia oppositorum.” Even if the dialogue among chapters may be perceived on the surface as difficult, the volume’s parts communicate deeply with each other by narrating, detailing, elaborating, and enlarging in space and time the presented dynamics of women’s transgressions. Transgression thus creates a special form of debate.

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17

Kumao, Heidi. Heidi Kumao: Real and Imagined. Maize Books, 2022. http://dx.doi.org/10.3998/mpub.12465060.

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Heidi Kumao: Real and Imagined documents and contextualizes narrative fabric works and animations from Kumao’s 2020 solo exhibition at the University of Michigan’s Stamps Gallery. Using fabric cutouts and stitching of everyday objects, Kumao invents a tactile visual vocabulary that distills unspoken aspects of ordinary exchanges into accessible narrative images. Weaving in her experiences as an Asian American woman, artist, and educator, Kumao creates poetic and playful open-ended visual haikus, generating a range of associations to current events, gender roles, and institutional power structures. Captured midstream, interactions from intimate relationships, medical procedures, the workplace, and the political sphere are suspended in time within felt film stills. Real and Imagined presents the reader with an opportunity to experience this remarkable oeuvre of over thirty fabric works and video animations. For over thirty years, Kumao has developed an expanded art practice that includes animations, video installations, photographs, machine art, and fabric works that give physical form to the intangible parts of our lives: our emotions, psychological states, memories, thinking patterns. Her hybrid artworks have included electromechanical girl’s legs that “misbehave,” video installations about surviving confinement, surreal, experimental stop motion puppet animations, performative staged photographs, and hand crafted cinema machines. She has exhibited her award-winning artwork in solo and group exhibitions nationally and internationally including the Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, the Museum of Image and Sound (São Paulo) and the Museum of Modern Art in Buenos Aires. Her work is in permanent and private collections including the Houston Museum of Fine Arts, Arizona State University Art Museum, the Philadelphia Museum of Art and the Exploratorium in San Francisco. She has received fellowships and grants from the Guggenheim Foundation, the Creative Capital Foundation, and the National Endowment for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan, Ann Arbor. This exhibition catalogue marks the first significant publication on Kumao’s work and includes a selection of works from across her career. It includes written contributions by: Srimoyee Mitra, curator and Director of the Stamps Gallery and NYC-based art critic; Wendy Vogel; an interview between the artist and writer Lynn Love; and poems by the Ruth Lilly Poetry Prize Award winner Marilyn Chin.

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