Journal articles on the topic 'Doctor of Musical Arts'
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Demchenko, Alexander I. "The Musical Legacy of Igor Stravinsky." ICONI, no. 2 (2019): 137–48. http://dx.doi.org/10.33779/2658-4824.2019.2.137-148.
Full textDemchenko, Alexander I. "The Musical Oeuvres of Nikolai Myaskovsky." ICONI, no. 4 (2019): 91–110. http://dx.doi.org/10.33779/2658-4824.2019.4.091-110.
Full textDemchenko, Alexander I. "The Musical Oeuvres of Dmitri Shostakovich." ICONI, no. 1 (2020): 95–107. http://dx.doi.org/10.33779/2658-4824.2020.1.095-107.
Full textDemchenko, Alexander I. "The Musical Legacy of Sergei Rachmaninoff." ICONI, no. 1 (2019): 198–210. http://dx.doi.org/10.33779/2658-4824.2019.1.198-210.
Full textDemchenko, Alexander I. "The Musical Legacy of Sergei Prokofiev." ICONI, no. 3 (2019): 96–111. http://dx.doi.org/10.33779/2658-4824.2019.3.096-111.
Full textDraper, Paul, and Scott Harrison. "Beyond a Doctorate of Musical Arts: Experiences of its impacts on professional life." British Journal of Music Education 35, no. 3 (June 13, 2018): 271–84. http://dx.doi.org/10.1017/s0265051718000128.
Full textJones, Patrick M. "The Doctor of Musical Arts in Music Education: A Distinctive Credential Needed at This Time." Arts Education Policy Review 110, no. 3 (April 2009): 3–8. http://dx.doi.org/10.3200/aepr.110.3.3-8.
Full textDiago Jiménez, José María. "La meloterapia en el pensamiento y la obra de Isidoro de Sevilla." Anuario Musical, no. 74 (December 18, 2019): 19. http://dx.doi.org/10.3989/anuariomusical.2019.74.02.
Full textЗенкин, К. В., and В. Р. Дулат-Алеев. "Konstantin Zenkin: "The Russian mentality is such that authority is a key position for him."." Научный вестник Московской консерватории, no. 1(28) (March 20, 2017): 8–17. http://dx.doi.org/10.26176/mosconsv.2017.28.1.01.
Full textPodguzova, O. A. "SERGEY YAKOVENKO: HE KNEW HOW TO EMBRACE THE IMMENSITY." Arts education and science 1, no. 3 (2020): 173–82. http://dx.doi.org/10.36871/hon.202003021.
Full textDesmond, Karen. "Did Vitry write an Ars vetus et nova?" Journal of Musicology 32, no. 4 (2015): 441–93. http://dx.doi.org/10.1525/jm.2015.32.4.441.
Full textLeşe, Ana-Cristina. "1. Importance of Physical Exercise in Living Arrangements Artist." Review of Artistic Education 11, no. 1 (March 1, 2016): 133–38. http://dx.doi.org/10.1515/rae-2016-0016.
Full textMaksymowicz, Virginia, and Blaise Tobia. "An Alternative Approach to Establishing a Studio Doctorate in Fine Art." Leonardo 50, no. 5 (October 2017): 520–25. http://dx.doi.org/10.1162/leon_a_01189.
Full textMarynowsky, Wade. "The Uncanny Automaton." Leonardo 45, no. 5 (October 2012): 482–83. http://dx.doi.org/10.1162/leon_a_00452.
Full textLevi, Pavle. "Doctor Hypnison and the Case of Written Cinema." October 116 (April 2006): 101–18. http://dx.doi.org/10.1162/octo.2006.116.1.101.
Full textHenke, Robert. "The Italian Mountebank and the Commedia dell'Arte." Theatre Survey 38, no. 2 (November 1997): 1–29. http://dx.doi.org/10.1017/s0040557400002052.
Full textLuko, Alexis. "TINCTORIS ON VARIETAS." Early Music History 27 (October 2008): 99–136. http://dx.doi.org/10.1017/s0261127908000296.
Full textMiller, Barbara L. "Transdimensional Space: From Moholy-Nagy to Doctor Who." Leonardo 52, no. 2 (April 2019): 128–34. http://dx.doi.org/10.1162/leon_a_01403.
Full textSánchez Prieto, Isabella. "Caso No.O." Cuadernos de Música, Artes Visuales y Artes Escénicas 15, no. 2 (June 30, 2020): 190–205. http://dx.doi.org/10.11144/javeriana.mavae15-2.cano.
Full textEbright, Ryan. "Doctor Atomic or: How John Adams Learned to Stop Worrying and Love Sound Design." Cambridge Opera Journal 31, no. 1 (March 2019): 85–117. http://dx.doi.org/10.1017/s0954586719000119.
Full textGoehring, Edmund J. "Despina, Cupid and the pastoral mode of Così fan tutte." Cambridge Opera Journal 7, no. 2 (July 1995): 107–33. http://dx.doi.org/10.1017/s0954586700004481.
Full textBobryk, Urszula, Renata Gozdecka, and Tomasz Jasiński. "Niedokończony koncert dla Lublina. Wspomnienie o Beacie Dąbrowskiej (1960-2016)." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 14, no. 2 (January 12, 2017): 11. http://dx.doi.org/10.17951/l.2016.14.2.11.
Full textPluzhnikov, Victor. "«Forgotten name... Yakov A. Rosenstein»." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 90–105. http://dx.doi.org/10.34064/khnum2-16.05.
Full textBurganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 18, no. 1 (March 10, 2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-1-6-9.
Full textSaroni. "ANALISIS STRUKTURALISME NASKAH DRAMA TARLING “DOKTER PALSU” KARYA HJ. DARIYAH." Bahtera Indonesia; Jurnal Penelitian Bahasa dan Sastra Indonesia 4, no. 2 (September 1, 2019): 95–114. http://dx.doi.org/10.31943/bi.v4i2.51.
Full textLAQUEUR, THOMAS W. "Response: Men with a past." Cambridge Opera Journal 19, no. 1 (March 2007): 85–89. http://dx.doi.org/10.1017/s0954586707002273.
Full textBing, Richard J. "Composing Music and the Science of the Heart: How to Serve Two Masters." Leonardo 41, no. 4 (August 2008): 365–66. http://dx.doi.org/10.1162/leon.2008.41.4.365.
Full textLast, Suzan. "Marlowe’s Literary Double Agency: Doctor Faustus as a Subversive Comedy of Error." Renaissance and Reformation 36, no. 1 (January 1, 2000): 23–44. http://dx.doi.org/10.33137/rr.v36i1.8587.
Full textKolchanova, Liudmyla. "HIS VOCATION – SCIENCE, ART, EDUCATION (CREATIVE WORK BY O. I. CHEPALOV, HONORED ART WORKER OF UKRAINE)." Aspects of Historical Musicology 25, no. 25 (December 31, 2021): 250–67. http://dx.doi.org/10.34064/khnum2-25.11.
Full textBahn, Curtis. "Ereia performed by Doctor Nerve and the Sirius String Quartet, composed by Nick Didkovsky. Cuneiform Records, Silver Spring, MD, U.S.A., 2000." Leonardo 34, no. 3 (June 2001): 280–81. http://dx.doi.org/10.1162/leon.2001.34.3.280d.
Full textBurganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 17, no. 5 (December 10, 2021): 8–9. http://dx.doi.org/10.36340/2071-6818-2021-17-5-8-9.
Full textStephens, Tracy A. "‘Dear God, I am not a son of a bitch’: Justifications for patriarchal violence and the mischaracterization of Stephen King’s Jack Torrance." Horror Studies 12, no. 2 (October 1, 2021): 159–74. http://dx.doi.org/10.1386/host_00035_1.
Full textHarle, Rob. "Mademoiselle and the Doctor by Janine Hosking. First Run/Icarus Films, Brooklyn, NY, U.S.A., 2003. Video, 90 min, color. Distributor's web site:." Leonardo 40, no. 2 (April 2007): 210–11. http://dx.doi.org/10.1162/leon.2007.40.2.210.
Full textBurganova, Maria A. "LETTER FROM THE EDITOR." Scientific and analytical journal Burganov House. The space of culture 18, no. 2 (May 10, 2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-2-6-9.
Full textBasnayake, V. "James de S Wijeyeratne: a musical doctor." Ceylon Medical Journal 45, no. 4 (February 7, 2014): 155. http://dx.doi.org/10.4038/cmj.v45i4.6558.
Full textArmstrong, Tim. "The Nuclear Family from Wellington to Hiroshima: Eithne Wilkins's ‘Oranges and Lemons’." Modernist Cultures 17, no. 1 (February 2022): 127–46. http://dx.doi.org/10.3366/mod.2022.0362.
Full textAlvarez Perez, Purificacion, Maria Jose Garcia-Antelo, and Eduardo Rubio-Nazabal. "“Doctor, I Hear Music”: A Brief Review About Musical Hallucinations." Open Neurology Journal 11, no. 1 (February 28, 2017): 11–14. http://dx.doi.org/10.2174/1874205x01711010011.
Full textĀbiķe-Kondrāte, Agija. "PSRS Literatūras fonda Latvijas republikāniskās nodaļas poliklīnika: ieskats atmiņu mantojumā un funkcijās." Letonica, no. 35 (2017): 53–67. http://dx.doi.org/10.35539/ltnc.2017.0035.a.a.k.53.67.
Full textBogue, Ronald. "Deleuze, Mann and Modernism: Musical Becoming in Doctor Faustus." Deleuze Studies 4, no. 3 (November 2010): 412–31. http://dx.doi.org/10.3366/dls.2010.0106.
Full textROHOLT, TIGER C. "Musical Musical Nuance." Journal of Aesthetics and Art Criticism 68, no. 1 (February 2010): 1–10. http://dx.doi.org/10.1111/j.1540-6245.2009.01387.x.
Full textBurganova, Maria A. "Letter from the editor." Scientific and analytical journal Burganov House. The space of culture 18, no. 4 (September 10, 2022): 6–9. http://dx.doi.org/10.36340/2071-6818-2022-18-4-6-9.
Full textDavies, Stephen. "Musical Understanding and Musical Kinds." Journal of Aesthetics and Art Criticism 52, no. 1 (1994): 69. http://dx.doi.org/10.2307/431586.
Full textDAVIES, STEPHEN. "Musical Understanding and Musical Kinds." Journal of Aesthetics and Art Criticism 52, no. 1 (December 1, 1994): 69–82. http://dx.doi.org/10.1111/1540_6245.jaac52.1.0069.
Full textJung, Friedrich, Sandro Forconi, and Michel R. Boisseau. "Hemorheology and musical arts." Clinical Hemorheology and Microcirculation 41, no. 4 (2009): 219. http://dx.doi.org/10.3233/ch-2009-1170.
Full textKasianova, Olena. "The Concept of Training a Doctor of Art from Music Directing." Ukrainian musicology 47 (October 21, 2021): 17–27. http://dx.doi.org/10.31318/0130-5298.2021.47.256713.
Full textD'Ottavio Cattani, Alberto Enrique. "Doctor Finlay." Revista de Medicina y Cine 17, no. 4 (November 26, 2021): 309–13. http://dx.doi.org/10.14201/rmc2021174309313.
Full textHeyde, Herbert. "Musical Instruments." Metropolitan Museum of Art Bulletin 59, no. 1 (2001): 52. http://dx.doi.org/10.2307/3269172.
Full textLibin, Laurence. "Musical Instruments." Metropolitan Museum of Art Bulletin 49, no. 2 (1991): 52. http://dx.doi.org/10.2307/3258935.
Full textLibin, Laurence. "Musical Instruments." Metropolitan Museum of Art Bulletin 48, no. 2 (1990): 54. http://dx.doi.org/10.2307/3258955.
Full textMoore, J. Kenneth. "Musical Instruments." Metropolitan Museum of Art Bulletin 47, no. 2 (1989): 48. http://dx.doi.org/10.2307/3259899.
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