Relevant bibliographies by topics / Doctor of Music

Academic literature on the topic 'Doctor of Music'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Doctor of Music"

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Turbet, Richard. "Quack Doctor." Musical Times 137, no. 1844 (October 1996): 4. http://dx.doi.org/10.2307/1003857.

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Vatanasapt, Patravoot. "Rounds Corner : Doctor Dabbling in Music Medicine." Music and Medicine 11, no. 2 (April 30, 2019): 138. http://dx.doi.org/10.47513/mmd.v11i2.675.

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For the medical doctors, bringing music into medical profession is a blessing. The biography of a head and neck surgeon who grew up with music and found ways to bring his passion on music to his medical profession. His experience on music medicine took him a step further to integrate music into the medical education, where he found a crucial gap for using an analogy of music experience. It is all about improving the professional practice while satisfying all parties.
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Cerf, Steven R., and John F. Fetzer. "Music, Love, Death and Mann's "Doctor Faustus"." South Atlantic Review 56, no. 2 (May 1991): 158. http://dx.doi.org/10.2307/3199979.

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Siefken, Hinrich, and John Francis Fetzer. "Music, Love, Death, and Mann's 'Doctor Faustus'." Modern Language Review 86, no. 4 (October 1991): 1052. http://dx.doi.org/10.2307/3732633.

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Fickert, Kurt, and John Francis Fetzer. "Music, Love, Death and Mann's Doctor Faustus." German Studies Review 14, no. 2 (May 1991): 426. http://dx.doi.org/10.2307/1430613.

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Waltham-Smith, N. "Silence, Music, Silent Music. Ed. by Nicky Losseff and Jenny Doctor." Music and Letters 90, no. 2 (April 29, 2009): 317–20. http://dx.doi.org/10.1093/ml/gcn117.

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Desmond, Karen. "Did Vitry write an Ars vetus et nova?" Journal of Musicology 32, no. 4 (2015): 441–93. http://dx.doi.org/10.1525/jm.2015.32.4.441.

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In book 7 of his Speculum musicae, the fourteenth-century music theorist Jacobus structures a defense of music as it had been practiced in the thirteenth century by such eminent musicians and theorists as Lambertus, Franco, and Petrus de Cruce against the practices of certain unnamed moderni active at the time of Jacobus’s writing. While Jacobus’s quotations from various theoretical works by Jehan des Murs have long been recognized, it previously had been supposed that the remaining quotations were jumbled references from many different theorists. With specific reference to Philippe de Vitry only two quotations from the text edited in vol. 8, Corpus scriptorum de musica, had been identified previously. In fact, there is substantial sustained treatment of a single author, whom I have termed the doctor modernus and who is not Jehan des Murs, that occupies at least five contiguous central chapters of book 7. Following Jacobus’s practice in the previous six books of commentary on a handful of specific works, the writing of Book 7 appears to have been structured around the written works of just four theorists: Lambert, Franco, Jehan des Murs, and the doctor modernus. Furthermore, Jacobus’s vehemence toward the doctor modernus was particularly pronounced and may indicate a personal relationship between the two men. His treatise is quoted with reference to some fundamental ars nova theories, such as extension of long notes beyond the duplex long, remote imperfection, the use of imperfect longs, and imperfect measure in general, and his treatise is described as outlining the precepts of both the old and new arts. The similarities between the treatise of the doctor modernus and many ars nova theory texts (some of which were attributed to Vitry) hints at the possibility that the treatise of the doctor modernus may have been the ancestor text that these other texts had in common, and hence also that Philippe de Vitry may have been the author of the text known to Jacobus, whose subject was the Ars vetus et nova.
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Celestini, Federico. "Musikpolitische Konstellationen in Thomas Manns Doktor Faustus." Archiv für Musikwissenschaft 75, no. 3 (2018): 193–215. http://dx.doi.org/10.25162/afmw-2018-0011.

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Rickels, David A. "A Doctor by Any Other Name." Journal of Music Teacher Education 30, no. 2 (February 2021): 3–5. http://dx.doi.org/10.1177/1057083721993351.

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Beaumont, Antony. "Busoni's 'Doctor Faust': A Reconstruction and Its Problems." Musical Times 127, no. 1718 (April 1986): 196. http://dx.doi.org/10.2307/964702.

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Dissertations / Theses on the topic "Doctor of Music"

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Reese, Luke W. "The Passion of Doctor Voke." Digital Commons @ Butler University, 1992. http://digitalcommons.butler.edu/grtheses/39.

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Wilkinson, Mark Leslie. "The Singing Doctor: Reconsidering the Terminal Degree in Voice Performance." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1587553732265375.

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Spearing, Robert. "A portfolio of compositions submitted for the degree of Doctor of Philosophy in Musical Composition." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/865/.

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Lee, In-suk. "Aspects of the Korean traditional vocal genre, kagok : female kagok and the call for a new integrative kagok notation : a thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Music in the University of Canterbury /." Thesis, University of Canterbury. School of Music, 2007. http://hdl.handle.net/10092/994.

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Kagok is a genre of highly refined, traditional, Korean, vocal music, which is now endangered and marginalized in contemporary Korean culture. Female kagok signers (kisaeng) have also been ignored in Korean music society. The aim of this study is to preserve and revitalize kagok, in order to conserve its true nature in a contemporary context, and for the future. This thesis is twofold. The first part shows how the aesthetics of the Chosŏn dynasty are fundamental to kagok's history, and female kagok singers' education. Furthermore, existing kagok scores, written in traditional chŏngganbo notation or in Western staff notation, are examined in this part, and they reveal the need for the creation of a new kagok notation. The second part of the thesis concerns the creation and testing of the New Integrative Kagok Notation (NIKN), which combines the essentials of chŏngganbo and Western staff notation, and provides a more effective vehicle for the transmission, transcription and recording of this art form, particularly for inexperienced, contemporary students.
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McIver, Sharon. "WaveShapeConversion : the land as reverent in the dance culture and music of Aotearoa : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Cultural Studies in the University of Canterbury /." Thesis, University of Canterbury. Culture, Literature and Society, 2007. http://hdl.handle.net/10092/1635.

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This thesis is the result of more than ten years involvement with outdoor dance events in Aotearoa, with a specific focus on Te Wai Pounamu (South Island) and Otautahi (Christchurch). Two symbiotic themes are explored here – that of the significance of the landscape in inspiring a conversion to tribal-based spirituality at the events, and the role of the music in ‘painting’ a picture of Aotearoa in sound, with an emphasis on those musicians heard in the outdoor dance zones. With no major publications or studies specific to Aotearoa to reference, a framework based on global post-rave culture has been included in each chapter so that similarities and differences to Aotearoa dance culture may be established. Using theoretical frameworks that include Hakim Bey’s TAZ (Temporary Autonomous Zone), the carnivalesque, and tribalism, the overriding theme to emerge is that of utopia, a concept that in Aotearoa is also central to the Pākehā mythology that often stands in for a hidden violent colonial history, of which te Tiriti o Waitangi (the Treaty of Waitangi) has been a source of division since it was signed in 1840. Thus, in the Introduction several well-known local songs have been discussed in relation to both the Pākehā mythology and the history of te Tiriti in order to contextualise the discussion of the importance of Māori and Pākehā integration in the dance zones in the following chapters. The thesis comprises of two main themes: the events and the music. At the events I took a participatory-observer approach that included working as rubbish crew, which provided a wealth of information about the waste created by the organisers and vendors, and the packaging brought in by the dancers. Thus the utopian visions that were felt on the dancefloor are balanced with descriptions of the dystopian reality that when the dancers and volunteers go home, becomes the responsibility of a strong core of ‘afterparty’ crew. Musically, the development of a local electronic sound that is influenced by the environmental soundscape, along with the emergence of a live roots reggae scene that promotes both positivity and political engagement, has aided spiritual conversion in the dance zones. Whereas electronic acts and DJ’s were the norm at the Gathering a decade ago, in 2008 the stages at dance events are a mixture of electronic and live acts, along with DJ’s, and most of the performers are local. Influenced by a strong reggae movement in Aotearoa, along with Jamaican/UK dance styles such as dub and drum and bass, local ‘roots’ musicians are weaving a new philosophy that is based on ancient tribal practices, environmentalism and the aroha (love) principles of outdoor dance culture. The sound of the landscape is in the music, whilst the vocals outline new utopian visions for Aotearoa that acknowledge the many cultures that make up this land. Thus, in Aotearoa dance music lies the kernel of hope that Aotearoa dance culture may yet evolve to fulfil its potential.
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Duignan, Matthew. "Computer mediated music production : a study of abstraction and activity : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy in Computer Science /." ResearchArchive@Victoria e-Thesis, 2008. http://hdl.handle.net/10063/590.

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Sugg, Andrew Norman. "Tracking the trane: comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman : a thesis presented to the Elder Conservatorium, Adelaide University, in fulfillment of the requirements of the degree of Doctor of Philosophy." Title page, abstract and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phs947.pdf.

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Includes bibliographical references (leaves 350-359). Investigates the influence of Coltrane's music on the improvising of post-Coltrane saxophonists by inspecting selected improvisations of Jerry Bergonzi and David Liebman and comparing them to improvisations by Coltrane on the same repertoire piece. The comparision also demonstrates how two current jazz saxophonists have drawn on the past - the legacy of Coltrane - to create innovative music in the present.
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Ramos, Diego Rogério. "Os lamentos da razão: mito e história em Doutor Fausto de Thomas Mann." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-19112015-154808/.

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Trata-se de realizar uma articulação entre as imagens construídas pelo romance Doutor Fausto, de Thomas Mann, e o quadro teórico elaborado pela Escola de Frankfurt, a fim de compor uma interpretação filosoficamente investida do romance e alcançar uma melhor compreensão das ideias da Teoria Crítica. A vida do compositor Adrian Leverkühn, o Fausto de Mann, é narrada pelo amigo e biógrafo Serenus Zeitblom, e essa narrativa revela a identidade fundamental entre o músico e a Alemanha, aproximando suas características e histórias. Nossa abordagem tematiza especialmente a questão da salvação ou condenação da alma do pactário, tratando de matizar essas possibilidades na obra. Elaboramos uma noção de mito comum ao romance e àquele quadro teórico frankfurtiano, apontando sua força de estruturação totalizante, bem como sua inserção em uma dinâmica dialética. A seguir, propomos considerar que todos os elementos do romance que repõe a mitificação apontariam para a condenação do Fausto, enquanto, inversamente, os aspectos da obra que revelam os limites ou se contrapõem à força do mito anunciariam a possibilidade de salvação do pactário. A noção de sofrimento é especialmente importante, pois comparece em ambas as perspectivas. Isso quer dizer que o sofrimento pode ser interpretado tanto como a evidenciação de um destino como se as dores e a infelicidade de Adrian Leverkühn antecipassem a condenação , quanto pode ser compreendido como um sintoma que denuncia o mito como se revelasse a inverdade do destino aparente e as possibilidades do devir. Finalmente, análise da música, um tema central no romance, também revela sua ambivalência, pois ela pode tanto ser a reposição do mito quanto uma crítica ao mundo mitificado.
This work articulates the images constructed by Thomas Manns novel Doctor Faustus with the theoretical framework developed by the Frankfurt School, in order to compose a philosophically invested interpretation of the novel, as well as achieve a better understanding of Critical Theorys ideas. The life of the composer Adrian Leverkühn, Manns Faustus, is narrated by his friend and biographer Serenus Zeitblom, and this narrative reveals the fundamental identity between the musician and Germany, relating their characteristics and histories. Our approach on the novel specially studies the questions of the salvation or the damnation of Fausts soul, trying to precise these possibilities within the work. We develop a notion of myth common to the novel and to that frankfurtian theoretical framework, pointing its totalizing strength, as well as its insertion in a dialectical dynamic. Next, we propose to consider that all the novels elements that instigate the mythification would point to the condemnation of Faust, while, conversely, the novels aspects that reveal the limits of the myth or contradict it would announce the possibility of the mans salvation. The notion of suffering is especially important, as it appears in both perspectives. This means that suffering can be interpreted both as the disclosure of fate as if Adrians pain and sadness would anticipate the condemnation as can be understood as a symptom that denounces the myth as if it would reveal the lie of the apparent destination and the possibilities of future. Finally, the inquire on músic, a central theme of the novel, also reveals its ambivalente, for it can either strengthen the myth, as it can exercise a critic of the mythologized world.
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Collins, Zelda Terrilla Frew. "The technique of elision tonal procedures in the Préludes of Claude Debussy : a thesis submitted for the degree of Doctor of Philosophy (Music) at the University of Otago, Dunedin, New Zealand /." Online version, 1996. http://dds.crl.edu/CRLdelivery.asp?tid=11968.

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Laur, Lauren A. "Deconstruction of American Exceptionalism in the Collaborative Works of John Adams and Peter Sellars." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363444775.

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Books on the topic "Doctor of Music"

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Berger, Eileen M. The doubtful doctor. Carmel, N.Y: Guideposts, 2002.

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Music, love, death, and Mann's Doctor Faustus. Columbia, SC: Camden House, 1990.

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Mark, Stammers, and Walker Stephen James, eds. Doctor Who. London: Doctor Who, 1996.

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Mark, Stammers, ed. Doctor Who. London: Doctor Who Books, 1996.

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Wilson-Giarratano, Gail. Drink Small: The life & music of South Carolina's blues doctor. Charleston, SC: The History Press, 2014.

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Doctor Who: Seventies. London: Doctor Who Books, 1995.

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Mark, Stammers, and Walker Stephen James, eds. Doctor Who: The seventies. London: Virgin, 1994.

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Reif, Jo-Ann. Thomas Mann's Doctor Faustus: The novelist and his composer meet the real one. New York: P. Lang, 2004.

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1600-1668, Giovenardi Bartolomeo approximately, and Giovenardi Bartolomeo approximately 1600-1668, eds. El doctor Bartolomeo Giovenardi (ca. 1600-1668): Teórico musical entre Italia y España. Barcelona: Consejo Superior de Investigaciones Científicas, Institución Milà i Fontanals, Departamento de Musicología, 2009.

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Howe, David J. Doctor Who: A book of monsters. Parkwest, N.Y: BBC Books, 2000.

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Book chapters on the topic "Doctor of Music"

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Franklin, Peter. "The Problem of Doctor Faustus." In The Idea of Music, 35–53. London: Palgrave Macmillan UK, 1985. http://dx.doi.org/10.1007/978-1-349-17996-1_3.

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Pattison, George. "Music, Madness and Mephistopheles: Art and Nihilism in Thomas Mann’s Doctor Faustus." In European Literature and Theology in the Twentieth Century, 1–14. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230379503_1.

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Emmerson, Stephen. "“No Two are the Same”: A Narrative Account of Supervising Two Students Through a Doctor of Musical Arts Program." In Research and Research Education in Music Performance and Pedagogy, 181–96. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_13.

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Dybo, Tor. "Doctoral scholarship in popular music performance." In Perspectives on Research Assessment in Architecture, Music and the Arts, 101–13. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315526652-7.

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Huybrechts, Liesbeth, and Marijn van de Weijer. "Constructing publics as a key to doctoral research." In Perspectives on Research Assessment in Architecture, Music and the Arts, 129–44. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315526652-9.

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Degott, Pierre. "‘For Music Is Wholesome the Doctors All Think’: The Curative and Restorative Function of Music in Eighteenth-Century English Spas." In Early Modern Literature in History, 159–71. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-66568-5_9.

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Westerlund, Heidi. "Learning on the Job: Designing Teaching-Led Research and Research-Led Teaching in a Music Education Doctoral Program." In Research and Research Education in Music Performance and Pedagogy, 91–103. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-7435-3_7.

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"Music Matters." In Dear Doctor, 141–49. 1517 Media, 2020. http://dx.doi.org/10.2307/j.ctvzcz2sn.16.

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"14. From Music Therapy to the Music of Madness." In Doctor Franklin's Medicine, 235–50. University of Pennsylvania Press, 2006. http://dx.doi.org/10.9783/9780812201918.235.

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"Chapter fifteen. Herr von words and doctor music." In The Ultimate Art, 245–54. University of California Press, 1992. http://dx.doi.org/10.1525/9780520325579-016.

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Conference papers on the topic "Doctor of Music"

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Bauriedel, Stephan. "The Digital Disruption of Ubiquitous Economic Theories." In EDAMBA 2021 : 24th International Scientific Conference for Doctoral Students and Post-Doctoral Scholars. University of Economics in Bratislava, 2022. http://dx.doi.org/10.53465/edamba.2021.9788022549301.16-28.

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Digitalisation demands new economic theories because the old laws are losing their validity. They were established to describe the business interrelationships in an analogue world. Now digital business models are breaking the boundaries and taking learned knowledge ad absurdum. New economic theories are emerging from the literature to explain how digitalisation works. The author finds that the new assumptions conflict with some ubiquitous economic theories. The inconsistencies were collected, reviewed, and evaluated. It turns out that at least five doctrines are no longer applicable in the digital world, as their parameters shift elementarily. Using a contrasting example from the music industry, the results were examined and confirmed by way of example. The result is that certain economic theories - from Porter to Pareto - no longer apply in the digital world. The rules must be rewritten so that order can emerge again from the growing chaos.
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Ivaniukovich, U. A., and A. S. Tsikhonchyk. "ORGANIZATION OF MUSIC THERAPY SESSIONS ON THE BASIS OF STREAMING DATA TRANSMISSION TECHNOLOGIES." In SAKHAROV READINGS 2022: ENVIRONMENTAL PROBLEMS OF THE XXI CENTURY. International Sakharov Environmental Institute of Belarusian State University, 2022. http://dx.doi.org/10.46646/sakh-2022-2-413-416.

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A streaming web service is proposed for organizing music therapy sessions based on cloud storage technologies to improve the mental and physical condition of patients. The service allows selecting musical compositions selected by experts for various situations, or creating individual playlists based on the needs and preferences of the user. The created software application includes a web version, as well as applications for Android and iOS mobile operating systems. For the iOS platform, the Swift language and the Docker and Kitura frameworks are used. For the Android platform, the Java language and the Spark and JBehave frameworks. Adobe Photoshop and Figma were used to implement the design of the application. In addition to programmers, a psychologist and music specialists are involved in the creation of the service.
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Andreonib, G., A. Carpentieroa, F. Costaa, S. Muschiatoa, and L. Spreaficoc. "Music Therapy as an Interactive Rehabilitation Tool for People with Alzheimer’s: Ergonomical Issues." In Applied Human Factors and Ergonomics Conference. AHFE International, 2021. http://dx.doi.org/10.54941/ahfe100497.

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The aim of this paper is to report the process to develop a new interactive tool for Alzheimer disease that utilizes music therapy. It is a design approach based on users’ needs, which involves the collaboration between patients, doctors, music therapists and designers, in order to develop a tool that can effectively works with patient’s memories. The work process was based on a multidisciplinary approach, and demonstrates how it is possible influence in a positive way different kind of patients, stimulating their lost memories with a new music therapy tool. The analysis work about the patients’ mental health, and their musical memories, was a fundamental part of the design process; the integration of new technologies – and the acceptance of those -, was one of the first goals that we wanted to achieve during the interaction between the product and the patient. With the assistance of an expert in music therapy, we have been able to integrate traditional tools for medical evaluation of memory and cognitive deterioration with new stimuli from the past life memories. When we finished designing the product, we conducted an evaluative test; this is the methodological process that we used to conduct it:a. Preparation:Setting: a room with no distractions, in order to create a relaxing environment that would not distract the patient’s attention.Staff: Music therapist / psychologistInclusion criteria: patients suffering from dementia (Alzheimer's) MMSE score = 15-20 (intermediate phase).We have chosen the interaction with patients undergoing intermediate because, since they still have good verbal expressive capabilities, they could directly, and more easily, provide important insights and analysis reflections.b. Tracks selection:6 tracks were needed in order for the test to take place; those tracks needed to be known and significant to the test subject. Tracks were selected following the directions of the medical director of the facility. We selected 30 tracks: in this way it would have been possible to select the 6 that would suit the patient best. The songs were divided into three categories: classical, traditional, light jazz.c. TestTo establish a communication channel linked to the archaic manipulation and sounds, from which arise the emotions of the person, speaking on the same conducting sound variations .After explaining in simple words what the object is, it is asked to press one of the buttons placed on the faces of the cube.After the button is pressed, a song previously selected is played; the therapist asks to the patients if he knows the song and if he likes it. After the patient has familiarized with the object, he is asked to press a button he has already pushed; then the therapist asks if he recognizes the song associated to the same button.
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Reports on the topic "Doctor of Music"

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Raychev, Nikolay. Can human thoughts be encoded, decoded and manipulated to achieve symbiosis of the brain and the machine. Web of Open Science, October 2020. http://dx.doi.org/10.37686/nsrl.v1i2.76.

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This article discusses the current state of neurointerface technologies, not limited to deep electrode approaches. There are new heuristic ideas for creating a fast and broadband channel from the brain to artificial intelligence. One of the ideas is not to decipher the natural codes of nerve cells, but to create conditions for the development of a new language for communication between the human brain and artificial intelligence tools. Theoretically, this is possible if the brain "feels" that by changing the activity of nerve cells that communicate with the computer, it is possible to "achieve" the necessary actions for the body in the external environment, for example, to take a cup of coffee or turn on your favorite music. At the same time, an artificial neural network that analyzes the flow of nerve impulses must also be directed at the brain, trying to guess the body's needs at the moment with a minimum number of movements. The most important obstacle to further progress is the problem of biocompatibility, which has not yet been resolved. This is even more important than the number of electrodes and the power of the processors on the chip. When you insert a foreign object into your brain, it tries to isolate itself from it. This is a multidisciplinary topic not only for doctors and psychophysiologists, but also for engineers, programmers, mathematicians. Of course, the problem is complex and it will be possible to overcome it only with joint efforts.
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