Relevant bibliographies by topics / DIVA (Museum)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'DIVA (Museum)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "DIVA (Museum)"

1

Gesse, Filip Jan. "Diva, curated by Kate Bailey and Veronica Castro, Victoria and Albert Museum, London, 24 June 2023–10 April 2024." Studies in Costume & Performance 9, no. 2 (2024): 251–54. https://doi.org/10.1386/scp_00124_4.

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WARE, JESSICA L., JOHN P. SIMAIKA, and MICHAEL J. SAMWAYS. "Biogeography and divergence time estimation of the relict Cape dragonfly genus Syncordulia: global significance and implications for conservation." Zootaxa 2216, no. 1 (2009): 22–36. http://dx.doi.org/10.11646/zootaxa.2216.1.2.

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Syncordulia (Odonata: Anisoptera: Libelluloidea) inhabits mostly cool mountainous streams in the Cape Floristic Region of South Africa. It is found at low densities in geographically restricted areas. Syncordulia is endemic to South Africa and, until recently, only two species were known, S. venator (Barnard, 1933) and S. gracilis (Burmeister 1839), both considered Vulnerable by the World Conservation Union (IUCN). Two new species, S. serendipator Dijsktra, Samways & Simaika 2007 and S. legator Dijsktra, Samways & Simaika 2007, were described from previously unrecognized museum specime
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Moreira, Danielle De Oliveira, Bruno Rocha Coutinho, and Sérgio Lucena Mendes. "O status do conhecimento sobre a fauna de mamíferos do Espírito Santo baseado em registros de museus e literatura científica." Biota Neotropica 8, no. 2 (2008): 163–73. https://doi.org/10.5281/zenodo.13444340.

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(Uploaded by Plazi for the Bat Literature Project) The state of Espírito Santo has been recognized as one of the richest Brazilian states in terms of species diversity, but the knowledge on its mammal fauna is still limited. Due to the lack of a complete list of wild mammals occurring in the state and to the scarcity of information associated to species records, we carried out a study on the state of scientific knowledge on mammal species in the state of Espírito Santo. We compiled a digital database with locality records of mammal species from published data and museum specimens. We used the
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Moreira, Danielle De Oliveira, Bruno Rocha Coutinho, and Sérgio Lucena Mendes. "O status do conhecimento sobre a fauna de mamíferos do Espírito Santo baseado em registros de museus e literatura científica." Biota Neotropica 8, no. 2 (2008): 163–73. https://doi.org/10.5281/zenodo.13444340.

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(Uploaded by Plazi for the Bat Literature Project) The state of Espírito Santo has been recognized as one of the richest Brazilian states in terms of species diversity, but the knowledge on its mammal fauna is still limited. Due to the lack of a complete list of wild mammals occurring in the state and to the scarcity of information associated to species records, we carried out a study on the state of scientific knowledge on mammal species in the state of Espírito Santo. We compiled a digital database with locality records of mammal species from published data and museum specimens. We used the
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Moreira, Danielle De Oliveira, Bruno Rocha Coutinho, and Sérgio Lucena Mendes. "O status do conhecimento sobre a fauna de mamíferos do Espírito Santo baseado em registros de museus e literatura científica." Biota Neotropica 8, no. 2 (2008): 163–73. https://doi.org/10.5281/zenodo.13444340.

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(Uploaded by Plazi for the Bat Literature Project) The state of Espírito Santo has been recognized as one of the richest Brazilian states in terms of species diversity, but the knowledge on its mammal fauna is still limited. Due to the lack of a complete list of wild mammals occurring in the state and to the scarcity of information associated to species records, we carried out a study on the state of scientific knowledge on mammal species in the state of Espírito Santo. We compiled a digital database with locality records of mammal species from published data and museum specimens. We used the
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6

Moreira, Danielle De Oliveira, Bruno Rocha Coutinho, and Sérgio Lucena Mendes. "O status do conhecimento sobre a fauna de mamíferos do Espírito Santo baseado em registros de museus e literatura científica." Biota Neotropica 8, no. 2 (2008): 163–73. https://doi.org/10.5281/zenodo.13444340.

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(Uploaded by Plazi for the Bat Literature Project) The state of Espírito Santo has been recognized as one of the richest Brazilian states in terms of species diversity, but the knowledge on its mammal fauna is still limited. Due to the lack of a complete list of wild mammals occurring in the state and to the scarcity of information associated to species records, we carried out a study on the state of scientific knowledge on mammal species in the state of Espírito Santo. We compiled a digital database with locality records of mammal species from published data and museum specimens. We used the
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7

Moreira, Danielle De Oliveira, Bruno Rocha Coutinho, and Sérgio Lucena Mendes. "O status do conhecimento sobre a fauna de mamíferos do Espírito Santo baseado em registros de museus e literatura científica." Biota Neotropica 8, no. 2 (2008): 163–73. https://doi.org/10.5281/zenodo.13444340.

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(Uploaded by Plazi for the Bat Literature Project) The state of Espírito Santo has been recognized as one of the richest Brazilian states in terms of species diversity, but the knowledge on its mammal fauna is still limited. Due to the lack of a complete list of wild mammals occurring in the state and to the scarcity of information associated to species records, we carried out a study on the state of scientific knowledge on mammal species in the state of Espírito Santo. We compiled a digital database with locality records of mammal species from published data and museum specimens. We used the
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Meira, Marcel Ronaldo Morelli de. "Os Novos Museus e a Estética na Pós-modernidade." Museologia & Interdisciplinaridade 7, no. 14 (2018): 207–14. http://dx.doi.org/10.26512/museologia.v7i14.18396.

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Esse artigo considera a eclosão dos novos museus como sintomática da cultura pós-moderna iniciada nos anos 1980. Toma como referência o Centro George Pompidou, em Paris (1977), considerado o marco inaugural da dita cultura dos museus, além do Guggenheim Bilbao (1997), tomado aqui como o principal exemplo da arquitetura icônica e midiática dos museus contemporâneos. A arquitetura espetacular dos novos museus, observada de modo mais claro no exemplo do museu Guggenheim de Frank Gehry, é compreendida como emblemática do esgotamento da arquitetura moderna, marcado pela perda de sua função prospect
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Faria, Rafaella Librelon de, Daniela Franco Carvalho Jacobucci, and Renata Carmo Oliveira. "POSSIBILIDADES DE ENSINO DE BOTÂNICA EM UM ESPAÇO NÃO-FORMAL DE EDUCAÇÃO NA PERCEPÇÃO DE PROFESSORAS DE CIÊNCIAS." Ensaio Pesquisa em Educação em Ciências (Belo Horizonte) 13, no. 1 (2011): 87–104. http://dx.doi.org/10.1590/1983-21172013130107.

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O interesse por atividades e locais diferenciados para o ensino tem aumentado a procura por Museus de Ciências. A diversidade de informações encontradas nos espaços não-formais amplia as possibilidades de ensino e fortalece as relações com as escolas. O presente trabalho traz as concepções de professoras de Ciências sobre espaços não-formais de Educação e apresenta uma atividade chamada "Chá de Sentidos" com o tema Botânica, no Museu DICA, em Uberlândia - MG. As professoras apresentaram dificuldades em conceituar e distinguir o espaço formal do não-formal e vincularam o Museu DICA como um loca
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Merino, Antonia, Carlos Márquez, and Ramón González. "APP 3D: el ciclo escultórico del foro de Torreparedones (Baena, Córdoba)." Virtual Archaeology Review 9, no. 19 (2018): 89. http://dx.doi.org/10.4995/var.2018.9424.

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<p><strong>Extended Abstract:</strong></p><p>The archaeological site of Torreparedones (Baena) is one of the most outstanding Roman sites in the Province of Cordoba, due to not only the structural remains excavated in recent decades, but also the relevance through the relevance of other recovered materials. In recent years, among the recordings made during excavations and in the area of the north portico of the forum and the temple, an important sculptural group from the high imperial time was documented. The sculptural cycle consists of two dynastic groups, which
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Dissertations / Theses on the topic "DIVA (Museum)"

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Oliveira, Cláudia Isabel Cabrita de. "A presença do espaço museológico na obra de Manoel de Oliveira : contributos do filme O Dia do Desespero." Master's thesis, 2021. http://hdl.handle.net/10451/50300.

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From the 19th century to the present, museums and cinema have consolidated their presence in Western societies, proposing ways of seeing and thinking the world. The intersections between these two domains are increasingly as a matter of study and reflection. In this work, we intend to establish relationships between the museological area and the cinematographic art through the analysis of the representation of the museum space and its resources in moving images. We delimited the field of our study to Manoel de Oliveira's filmography, in which there is a tendency to give prominence to different
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Books on the topic "DIVA (Museum)"

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(Museum), DIVA. Room of wonder I: Axel Vervoordt. Lannoo, 2018.

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Vette, Anke, and Anke Vetter. Mein Kamerad - die Diva: Theater an der Front und in Gefangenenlagern des Ersten Weltkriegs. Et+k, Edition Text + Kritik, 2014.

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Mori, Hiroshi. Konya wa parashūto hakubutsukan e =: The last dive to parachute museum. Kōdansha, 2004.

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Mutava, Xhasim Muhammed. Muhammedi (alejhis-selam) në familje dhe realiteti ynë bashkëkohor: Meditime rreth disa fragmenteve të jetës bashkëshortore të Profetit (sal-lall-llahu alejhi ve sel-lem) parë më këndvështrimon tonë bashkëkohor. SHB "Furkan ISM", 2006.

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Beuys, Joseph. Joseph Beuys: [Ausstellung], Kleve, Städtisches Museum Haus Koekkoek, 21. April bis 9. Juni 1991. Boss, 1991.

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Beuys, Joseph. Joseph Beuys: Wasserfarben 1942-1963, aus dem Bestand der Stiftung Museum Schloss Moyland, Sammlung van der Grinten, Joseph Beuys Archiv des Landes Nordrhein-Westfalen. Hatje, 1998.

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Beuys, Joseph. Joseph Beuys: With fat and felt : June 29 - September 30, 1993, Fuji Television Gallery. TheGallery, 1993.

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Beuys, Joseph. Joseph Beuys: Eine Werkübersicht : Zeichnungen und Aquarelle, Drucksachen und Multiples, Skulpturen und Objekte, Räume und Aktionen 1945-1985. Schirmer/Mosel, 1996.

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Beuys, Joseph. Joseph Beuys: A private collection : 22. Februar bis 29. April 1990, A11 Artforum, München. Das Artforum, 1990.

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Beuys, Joseph. Joseph Beuys: Actions, vitrines, environments. Distributed by Yale University Press, 2005.

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Book chapters on the topic "DIVA (Museum)"

1

Gerbich, Christine. "Exploring the Futurabilities of Museums. Making differences with the Museum Divan at the Museum for Islamic Art in Berlin." In Cultural Heritage Studies. transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839464090-013.

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Dia, Mamadiou. "Islam and Humanism." In Liberal Islam. Oxford University Press, 1998. http://dx.doi.org/10.1093/oso/9780195116212.003.0031.

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Abstract Mamadiou Dia (Senegal, born 191 I) was a schoolteacher, a headmaster, and a journalist before turning to politics in the mid-I 940s. He served as a senator of the French Republic, representing Senegal; then after independence, he was prime minister of Senegal for four years. Dia’s long collaboration with President Leopold Sedar Senghor, a non-Muslim, symbolized the relative absence of religious strife in Senegal, where the population is more than four-fifths Muslim. Nonetheless, Dia broke with Senghor in 1962 and was jailed for a dozen years. During his incarceration, Dia turned from
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Salković, Avdija, Fuad Baćićanin, and Mersiha Kardović. "Divan Ahmeda Valija Jenipazarlija: kulturno i književno blago Novog Pazara." In MELISSA - Museums, Ethics, Library and Information Science, Studies, Archives. Филолошки факултет, Универзитет у Београду, 2017. http://dx.doi.org/10.18485/melissa.2017.16.1.ch5.

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Damodaran, A. "Animating the Inanimate." In Managing Arts in Times of Pandemics and Beyond. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856449.003.0005.

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The onset of COVID-19 has altered the functioning of museums and biennials across the world. Consistent with the ‘deep dive approach’ employed in this book, the chapter takes a close look at three museums and a biennial. The museums chosen for detailed examination are ‘The Guggenheim’ (USA), the Victoria Memorial Hall (India), and the Montreal Museum of Fine Arts (Canada). The biennial chosen for detailed exploration is the ‘Kochi-Muziries Biennale’ (India). The objectives of the exercise are to understand the nature of operations carried out by these organizations and identifying the economic
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Viera, Alicia, and Pat Villeneuve. "Engaging Communities With Supported Interpretation." In Advances in Media, Entertainment, and the Arts. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-7426-3.ch002.

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During recent years, a growing number of art museums and galleries have experimented with innovative approaches to exhibition development to create more meaningful visitor experiences. However, although commendable, their efforts to make exhibitions visitor-centered have still not been consistent, partially due to the lack of existing models for practice for these kinds of projects. This chapter focuses on supported interpretation (SI), a model for developing visitor-centered exhibitions that can help museum professionals better advocate for their audiences, engage community members in the pro
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Gerbich, Christine. "Exploring the Futurabilities of Museums. Making differences with the Museum Divan at the Museum for Islamic Art in Berlin." In Doing Diversity in Museums and Heritage. transcript Verlag, 2022. http://dx.doi.org/10.1515/9783839464090-013.

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James, Henry. "I." In The American. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199555208.003.0003.

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On a brilliant day in May, of the year 1868,* a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carré,* in the Museum of the Louvre. This...
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Cubbon, Alexandra. "Tehran Museum of Contemporary Art (TMoCA)." In Routledge Encyclopedia of Modernism. Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2095-1.

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The Tehran Museum of Contemporary Art (TMoCA) is an art museum located next to Laleh Park, in Tehran, Iran. The museum houses a large collection of modern and contemporary Iranian art, as well as one of the most valued collections of modern Western art outside Europe and North America, mostly dating from the late nineteenth to the mid-twentieth century. In 1977, having purchased large quantities of art during Iran’s 1970s oil boom, the European-educated Iranian Empress Farah Pahlavi inaugurated TMoCA. The Iranian architect Kamran Diba designed the museum, incorporating elements of traditional
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"Chapter 1 Pagodas, Dive Bars, and Storefront Museums." In Building Little Saigon. University of Texas Press, 2024. https://doi.org/10.7560/322994-002.

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Nachmani, Amikam. "East meets the West: Fiqh al-Aqalliyat (Muslim jurisprudence on minorities); Dina de-Malchuta Dina (the law of the kingdom is the law); Dar al-Islam (abode of Islam); Dar al-Harb (abode of war)." In Haunted Presents. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781784993078.003.0005.

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For 2000 years Jews have lived in exile as viable Jewish minority communities by recognizing the “law of the kingdom” (Dina de Malchuta) as their law alongside a system of rabbinic rulings (Responsa) whenever the demands of Jewish law (Halachah) and state laws contradict one another. Historically Muslims, however, have rarely experienced life among non-Muslims until relatively recently. Only since the post-World War II period have Muslims voluntarily chosen to leave the Dar al-Islam (the Abode of Islam) and live in the West or Dar al-Harb (the Abode of War) for economic, political and educatio
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Conference papers on the topic "DIVA (Museum)"

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Chaves Machado, Gustavo, and Luiz Carlos Pinheiro Ferreira. ""Um dia no museu de arte": narrativas docentes a partir de uma pesquisa de campo." In 30º Encontro Nacional da ANPAP - (RE)EXISTÊNCIAS. Even3, 2022. http://dx.doi.org/10.29327/30enanpap2021.383966.

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Costa, Anna Luisa Veliago. "Laboratório da liberdade: estética e política nos "domingos da criação" do MAM/RJ." In Encontro de História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4339.

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Formulados enquanto extensões das atividades do setor de cursos do Museu de Arte Moderna do Rio de Janeiro e de sua Unidade experimental, os "Domingos da criação" consistiram em propostas artísticas, encontros abertos, no espaço público nos entornos do MAM/RJ, que partiam da experimentação com materiais como: o papel, o tecido, o fio, a terra, o som e o corpo. O crítico de arte, e então coordenador do setor de cursos do museu, Frederico Morais, esteve à frente da concepção e articulação destas ações, que se desdobraram em seis edições, sempre aos domingos, entre os meses de janeiro e julho de
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Neto, José Valdevino De Andrade, and Helde Leuthier Pimentel Pereira. "DIA DO FÍSICO: A IMPORTÂNCIA DE UM NOVO OLHAR A DISCIPLINA." In II Congresso Brasileiro de Educação a Distância On-line. Revista Multidisciplinar de Educação e Meio Ambiente, 2022. http://dx.doi.org/10.51189/conbraed/90.

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Introdução: A disciplina de física nas Instituições de ensino básico ainda permeia uma perspectiva de desinteresse do aluno, seja pela dificuldade de relação com o cotidiano, seja pelo compartilhamento de ideias que transmitem a física como complexa e até mesmo por não compreensão de múltiplas ferramentas para o ensino. Diante disso, o Espaço Ciência comemora todos os anos o dia do físico, com atividades diferenciadas que possibilitam um novo olhar para a física. Objetivos: Destacar a física como uma disciplina que se relaciona com os fenômenos do seu cotidiano. Aplicar metodologias ativas, em
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Comas Camacho, Carme. "Talleres inclusivos #elsMELacasa ¿Cómo deben ser los materiales digitales accesibles?" In Congreso CIMED - I Congreso Internacional de Museos y Estrategias Digitales. Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/cimed21.2021.12308.

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Contexto: la vorágine digital El Dia Internacional de los Museos 2020 giró en torno al lema ‘Museos por la igualdad y la inclusión’. En ese momento, los museos estaban cerrados y en un proceso de adaptación a la nueva realidad: sin público presencial, nos lanzamos al usuario digital, con pocas herramientas desde casa y faltos, en la mayoría de los casos, de planes de estrategia digital que guiaran las iniciativas. Desde el programa de accesibilidad de los Museos de Esplugues de Llobregat, se detectó que en este proceso digital se estaba dejando de lado a un sector de nuestro público. Y los ava
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Galeazzi, Annelise Estrella. "O verbovisual nas obras de Hélio Oiticia." In Encontro de História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.13.2018.4340.

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As queimaduras ainda estão cicatrizando, e seria difícil, para não falar da irresponsabilidade, iniciar este texto sem, ao menos, lembrar do incêndio no Museu Nacional, na Quinta da Boa Vista, Rio de Janeiro, ocorrido no dia dois de setembro de 2018. Acidental ou não, o incêndio foi crime. Havia pedido de socorro desde o começo desse ano, picos de energia ocorrendo há semanas, “vaquinha” para manter o espaço aberto. Havia muito problema e nenhum socorro. Sequer na pior hora daquela noite, quando o fim já estava anunciado, houve o devido socorro. Os hidrantes sem água. É preciso lembrar que nos
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Santana, José Almir, Zênia Maria Santos Silva, João Lucas Tavares de Lima, Marco Aurélio Oliveira Goes, Katia Marília Ribeiro Silva Lima, and Mayara Karoline Freire Gomes. "Ações no primeiro de dezembro no momento da pandemia da COVID-19." In XIII Congresso da Sociedade Brasileira de DST - IX Congresso Brasileiro de AIDS - IV Congresso Latino Americano de IST/HIV/AIDS. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/dst-2177-8264-202133p234.

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Introdução: Em virtude da pandemia da COVID-19, tivemos que procurar alternativas no dia 1º de dezembro para informar à população sobre o vírus da imunodeficiência humana, com apoio da mídia local. Boa parte da população atual não tem conhecimento do que ocorreu no início da epidemia do vírus da imunodeficiência humana. Dados mostraram baixa procura pelos testes rápidos nas Unidades Básicas de Saúde e muitas pessoas soropositivas atrasaram o início do tratamento. Objetivo: Mostrar a história da aids, alertando as pessoas que não vivenciaram o início da epidemia, para uma maior atenção com rela
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