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Journal articles on the topic 'Dissemination of art'

Author: Grafiati

Published: 29 June 2021

Last updated: 11 February 2022

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1

Mosher, Heather. "A question of quality: the art/science of doing collaborative public ethnography." Qualitative Research 13, no. 4 (May 30, 2013): 428–41. http://dx.doi.org/10.1177/1468794113488131.

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Social science researchers have long stressed the importance of a more publically relevant and accessible science. Nevertheless, significant barriers remain within the academy, such as processes for peer review, promotion, and awarding of degrees, which discourage the use of nontraditional dissemination techniques that support a more public ethnography. Concerns over scientific rigor, best practices, and methods for disseminating ethnographic research to public audiences may act as some of the barriers, among others. The purpose of this article is to discuss challenges in doing and disseminating collaborative ethnography to public audiences while still operating within the constraints of the academy. By sharing this experience, my intent is to stimulate debate and scholarship around assessing the quality of public ethnography using less traditional modes of reporting, such as video, and to encourage changes in peer review and institutional practices to more effectively support quality and dialogic dissemination of public ethnography that aims to bring together both academic and public audiences to address issues of great public significance.

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Wong, Andrew L., Judith O. Harker, Victoria P. Lau, Sue Shatzel, and Lori H. Port. "Spanish Arthritis Empowerment Program: A dissemination and effectiveness study." Arthritis Care & Research 51, no. 3 (June 3, 2004): 332–36. http://dx.doi.org/10.1002/art.20395.

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Coad, Jane, and Patric Devitt. "Research dissemination: The art of writing an abstract for conferences." Nurse Education in Practice 6, no. 2 (March 2006): 112–16. http://dx.doi.org/10.1016/j.nepr.2005.08.003.

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Simeoni, Edda, Adrian Bauman, Judith Stenmark, and Jane O'Brien. "Evaluation of a community arthritis program in Australia: Dissemination of a developed program." Arthritis Care & Research 8, no. 2 (June 1995): 102–7. http://dx.doi.org/10.1002/art.1790080208.

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Bukvic, Ivica Ico. "RTMix – towards a standardised interactive electroacoustic art performance interface." Organised Sound 7, no. 3 (December 2002): 275–86. http://dx.doi.org/10.1017/s1355771802003072.

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The following article offers an analytical overview of the currently available software technologies designed to assist in creation, dissemination, and most importantly performance of interactive electroacoustic art. By grouping the software into two basic groups based on their interfaces, my aim is to provide a comprehensive list of two groups' strengths and shortcomings, therefore exposing common issues that arise whenever a composer utilises such software interfaces in performance settings. Finally, as an incentive in solving a number of given problems, the author will present RTMix, his own software creation that has been designed primarily as a standardised interface for the purpose of easier production, performance and dissemination of the interactive electroacoustic artwork.

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Feldman, Marian H. "Rethinking the Canon of Ancient Near Eastern Art in the Internet Age." Journal of Ancient Near Eastern History 3, no. 1 (June 27, 2017): 57–79. http://dx.doi.org/10.1515/janeh-2016-0002.

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AbstractThe formation and perpetuation of intellectual canons – as consensually agreed upon corpora considered most significant and representative of a time, place or person – rely heavily on closed systems of knowledge. The bound-paper book exemplifies such a closed system and has been a primary form of constructing and disseminating canons of ancient works. The Internet, however, challenges the very structuring principles of knowledge production inherent in books, offering potentially boundless networks of unorchestrated knowledge bits. As scholars, teachers, and students turn more to the Internet for publication, research, and learning, sharply defined canons face disruption. This article analyzes some of the structuring principles of knowledge production and dissemination in the specific case of ancient Near Eastern art, first considering traditional book-based textbooks. These textbooks follow a model of linear temporal development that unfolds from the first to the last page. It then explores the academic trend toward edited, multi-authored compendia as a concurrent development with the open-ended, networked structure of the Internet. Both vehicles of knowledge production offer more diverse sets of works and multivocality; the Internet in particular permits a radical break from authored and edited narratives. Last, the article considers some of the possibilities, as well as limitations, inherent in the Internet, presenting several existing Internet-based platforms with a specific focus on pedogogy, in order to consider the implications and consequences for knowledge production and dissemination in the Digital Age.

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Li, Zhiyuan, Junlei Bi, and Carlos Borrego. "Exploiting Temporal and Spatial Regularities for Content Dissemination in Opportunistic Social Network." Wireless Communications and Mobile Computing 2019 (March 6, 2019): 1–16. http://dx.doi.org/10.1155/2019/3173152.

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Recently, content dissemination has become more and more important for opportunistic social networks. The challenges of opportunistic content dissemination result from random movement of nodes and uncertain positions of a destination, which seriously affect the efficiency of content dissemination. In this paper, we firstly construct time-varying interest communities based on the temporal and spatial regularities of users. Next, we design a content dissemination algorithm on the basis of time-varying interest communities. Our proposed content dissemination algorithm can run in O(nlog⁡n) time. Finally, the comparisons between the proposed content dissemination algorithm and state-of-the-art content dissemination algorithms show that our proposed content dissemination algorithm can (a) keep high query success rate, (b) reduce the average query latency, (c) reduce the hop count of a query, and (d) maintain low system overhead.

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8

Witczak, Karolina. "Comperative aspect of terms „image”, „recording” and „dissemination” in view of art. 23 of Civil Code and art. 81 of Act of 4 February 1994 on Copyright and Related Rights and art. 191a of the Criminal Code." Filozofia Publiczna i Edukacja Demokratyczna 6, no. 2 (June 28, 2018): 81–108. http://dx.doi.org/10.14746/fped.2017.6.2.16.

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The terms „image”, „recording” and „dissemination” are presented in art. 191a of the Criminal Code. However, the source of these phrases derives from civil law, especially art. 23 of Civil Code and art. 81 of Act of 4 February 1994 on Copyright and Related Rights. The article author makes a comparison of these terms in view of different legal orders (criminal law order and civil law order). The purpose of such a comparative study is to show differences and similarities in the range of designatums of analyzed terms. Furthermore, this article indicates “the most effective” structure of analyzed expressions on the grounds of law in action.

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Smirnova, Alexandra. "MINISTRIES OF PEACE: HISTORY OF DEVELOPMENT, DISSEMINATION AND IMPLEMENTATION OF THE IDEA." Nordic and Baltic Studies Review, no. 1 (December 2016): 10. http://dx.doi.org/10.15393/j103.art.2016.511.

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Wang, Xia. "Reception and Dissemination of Qiyun Shengdong in the Western Art Criticism." Critical Arts 34, no. 2 (February 13, 2020): 43–54. http://dx.doi.org/10.1080/02560046.2019.1690536.

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McCoy, Kathleen P. "The Science, and Art, of Program Dissemination: Strategies, Successes, and Challenges." New Directions for Child and Adolescent Development 2015, no. 149 (September 2015): 1–10. http://dx.doi.org/10.1002/cad.20109.

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Gartina, Dhani. "DISEMINASI INOVASI TEKNOLOGI PERTANIAN MELALUI PORTAL WEB BADAN PENELITIAN DAN PENGEMBANGAN PERTANIAN." Informatika Pertanian 24, no. 1 (June 1, 2015): 121. http://dx.doi.org/10.21082/ip.v24n1.2015.p121-132.

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The Indonesian Agency for Agricultural Research and Development (IAARD) has the mandates of creating and disseminating agricultural technology innovations. The dissemination process of the agricultural technology innovations has not yet been maximized, and consequently not many people (farmers) can benefit from the R&D results. Technology innovation dissemination through a web portal has become IAARD’s choice. Problems related to dissemination through a web portal is in the method of presenting and managing the information in the web site. This research aimed to determine the benefits of dissemination of agricultural technology innovation through web site and policy strategies for the development of Balitbangtan web portal in the future. This research used a descriptive method to review the use of the web portal by the visitors, as a medium for the dissemination. The analysis included the number of visitors, profile of the visitors, information search and questions submitted by visitors. The study showed that the amount of information presented every year increased, but the number of visitors tended to decrease. The use of information given in the web portal was only dominated by students and private sectors. Java Island tended to dominate the origin of visitors. Packaging of the information of agricultural technology innovation can only be understood by researchers. Information support from researchers/extensions/engineers needs to be improved. A well-developed communication between the source of information and the user has not yet been established. The development of IAARD web portal needs to pay attention on philosophy, science, and art.

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Linte, Cristian. "The art of dissemination: what makes an effective scientific presentation? [Student's Corner]." IEEE Engineering in Medicine and Biology Magazine 27, no. 4 (July 2008): 5–9. http://dx.doi.org/10.1109/memb.2008.925877.

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Roy, Callista. "State of the Art: Dissemination and Utilization of Nursing Literature in Practice." Biological Research For Nursing 1, no. 2 (October 1999): 147–55. http://dx.doi.org/10.1177/109980049900100213.

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Faxon, Alicia Craig. "Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs." Visual Resources 8, no. 3 (January 1992): 219–45. http://dx.doi.org/10.1080/01973762.1992.9659234.

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Boydell, Katherine M., Michael J. Hodgins, Brenda M. Gladstone, and Elaine Stasiulis. "Ineffable knowledge: Tensions (and solutions) in art-based research representation and dissemination." Journal of Applied Arts & Health 8, no. 2 (August 1, 2017): 193–207. http://dx.doi.org/10.1386/jaah.8.2.193_1.

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Lapum, Jennifer L., Linda Liu, Kathryn Church, Sarah Hume, Bailey Harding, Siyuan Wang, Megan Nguyen, Gideon Cohen, and Terrence M. Yau. "Knowledge Translation Capacity of Arts-informed Dissemination: A Narrative Study." Art/Research International: A Transdisciplinary Journal 1, no. 1 (July 16, 2016): 258. http://dx.doi.org/10.18432/r2bc7h.

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Background: Arts-informed dissemination is an expanding approach to enhancing knowledge translation in the health sciences. Problematic is the minimal evaluation studies and the rare reporting of the influencing factors of knowledge translation. “The 7,024th Patient” is a research-derived art installation created to disseminate findings about patients’ experiences of heart surgery and the importance of humanistic patient-centred care approaches. The current study’s purpose was to explore how arts-informed dissemination (i.e., “The 7,024th Patient”) influenced healthcare practitioners’ delivery of care.Methods: An arts-informed narrative study was guided by the Promoting Action on Research Implementation in Health Services framework. The sample included a multi-disciplinary group of 19 individuals who worked with patients undergoing and recovering from heart surgery. Two interviews were conducted with each participant at the time of viewing the installation and 6 months later. A narrative analysis was conducted using Pictorial Narrative Mapping techniques.Results: Study findings indicated that the arts as a form of evidence provide an experiential and aesthetic encounter, which stimulated reflective practice. Participants’ accounts reflected cognitive and behavioral modifications related to empathy, holistic approaches and relational care. However, the complexities associated with the interpretive process and the influencing knowledge translation elements indicated a need to dialogue about the translation process, including deconstructing the evidence within the context of one’s own practice.Conclusions: Art is not just works of beauty or eccentric paintings. There is an imaginative and aesthetic capacity that can be cultivated with diligence, creativity, and rigour in the world of healthcare research and knowledge translation. Next steps require the examination of the knowledge translation capacity of different art forms with a range of populations and disciplines. Additionally, this study suggests the need to explore arts-informed dissemination that draws upon a more dialogical intervention in which knowledge users are involved in the interpretive processes of knowledge translation.

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Boaden, Sue. "Education for art librarianship in Australia." Art Libraries Journal 19, no. 2 (1994): 5–6. http://dx.doi.org/10.1017/s0307472200008725.

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The growth of art history and art practice courses in Australia has been remarkable over the last 20 years. Unfortunately training for art librarianship has not matched this growth. There are eleven universities in Australia offering graduate degrees and post-graduate diplomas in librarianship but none offer specific courses leading towards a specialisation in art librarianship. ARLIS/ANZ provides opportunities for training and education. Advances in scholarly art research and publishing in Australia, the development of Australian-related electronic art databases, the growth of specialist collections in State and public libraries, and the increased demand by the general community for art-related information, confirm the need for well-developed skills in the management and dissemination of art information.

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Hoguane, José João, Mirian N. Tavares, and Sandra Boto. "The Use of Media Convergence in the Preservation and Dissemination of Cultural Assets." International Journal of Creative Interfaces and Computer Graphics 11, no. 2 (July 2020): 16–26. http://dx.doi.org/10.4018/ijcicg.2020070102.

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This article intends to present the experience and perspectives of the use of media convergence through an artifact/installation in media digital art. The aim of the experience is, as an interface, to contribute to the knowledge dissemination about timbila of Mozambique as cultural asset, especially in the younger strata, and to lead reflection and awareness about the problem due the risc of it disappearance. The article aims to elucidate the role of digital media art in solving humanities' problems.

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Maqueda García-Morales, Raúl, and Manuel Luque Cortina. "Paleocatálogo 3D: Photogrammetry for the realization of a high quality, accessible and free 3D Virtual Catalog." Virtual Archaeology Review 6, no. 13 (November 24, 2015): 35. http://dx.doi.org/10.4995/var.2015.4369.

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To develop quality tools for dissemination and outreach today is no longer a problem. The access to archaeological collections, to have at our disposal a repertoire of portable art, tools, etc. of European Prehistory, neither will be. In these lines we will see the project in which we combine technology, information and accessibility to that information, as a tool for the study and dissemination of prehistory for all educational levels.

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Amani, Arifah Fathia, and Hanifah Ihsaniyati. "Barista Art: Coffee Education Strategy to The Community." Mudra Jurnal Seni Budaya 35, no. 2 (June 16, 2020): 127–32. http://dx.doi.org/10.31091/mudra.v35i2.1043.

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The phenomenon of coffee consumption is currently rife among young people as a lifestyle. Coffee had become one of the ﬁrst global commodities. It has become common to ﬁnd coffee shops, coffee bars, and kiosks. The phenomenon of coffee consumption is related to the role of a barista’s art. Baristas can be said as people who are experts in making coffee. However, while barista is widely known to the public only in the coffee shop even though many places for baristas can introduce coffee, such as in hotels, restaurants, offices or other public places. This paper aims to describe the role of barista art in educating the public about coffee. This paper is a compilation of several journal articles and books related to coffee, coffee culture, baristas, and the art of making coffee. Article references are obtained through Mendeley by selecting references that correspond to each topic of discussion. Discussion topics include Coffee Culture and Coffee Shop, Barista’s Action Art, and Coffee Education through Barista Art. The results showed that the existence of baristas had a very important role in educating coffee to the people of Indonesia, especially introducing archipelago coffee. Barista as the main agent in the dissemination of information about coffee so that it is very necessary to have a characteristic of art that must be possessed by the barista as one of the added values in the dissemination of information about coffee.

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Ebrahim, Osman, and Ahmad Haeri Mazanderani. "Recent developments in HIV treatment and their dissemination in poor countries." Infectious Disease Reports 5, no. 1S (June 6, 2013): 2. http://dx.doi.org/10.4081/idr.2013.s1.e2.

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As the world enters the fourth decade of the HIV/AIDS epidemic a number of new drugs have been developed that address current challenges with antiretroviral therapy (ART), such as pill burden, toxicity and drug-resistance. These new agents have not only been developed from established drug-classes, namely nucleoside reverse transcriptase inhibitors (NRTIs), non-nucleoside reverse transcriptase inhibitors (NNRTIs) and protease inhibitors (PIs), but also include innovative ways of suppressing viral replication. Intergrase inhibitors and chemokine receptor blockers have been developed which, combined with NRTIs, NNRTIs and PIs, comprise highly active antiretroviral therapy regimens able to tackle all aspects of the HIV life cycle with minimal toxicity. Furthermore, the ability of pharmaceutical companies to formulate these powerful drugs into fixed-dose combinations provides exciting new strategies for reducing pill burden, thus ensuring adherence and limiting the emergence of drug-resistance. The enthusiasm with which these new drugs have been received has, however, been tempered by the reality of limited access in the developing world, further highlighting the disparity between rich and poor countries in the fight against HIV/ AIDS. Access to these treatments in low- and middle-income countries will require the necessary political will, regulatory approval, affordability of drugs, as well as efficient procurement and supply management strategies. The priority of developing countries remains increased scale up of ART, but there is also a need to acquire new drugs in order to tackle toxicity and drug-resistance, both of which threaten the sustainability of such programmes. Thankfully, the vast majority of patients receiving ART in the developing world are still on first-line regimens, thus allowing time for newer agents to be made available as part of third-line treatment option. However, there is no room for complacency - the developing world needs access to new HIV treatments, an AIDS-free generation depends upon it.

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Sayers, William. "The Arthur of Medieval Latin Literature: The Development and Dissemination of the Arthurian Legend in Medieval Latin (review)." Arthuriana 22, no. 2 (2012): 102–4. http://dx.doi.org/10.1353/art.2012.0019.

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Riter, Robert B. "Book art and the representation and communication of original sources." Art Libraries Journal 44, no. 4 (October 2019): 167–73. http://dx.doi.org/10.1017/alj.2019.25.

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Works of book art can express archival and documentary values. Book artists whose work is informed by archival and documentary evidence contribute to the wider dissemination of original sources. In supporting this function, their generative practices can be viewed as curatorial and editorial functions. How does archivally informed book art represent and communicate evidence? How can these sources operate as documentary sources? This essay offers a discussion of these questions.

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Andros, G., and L. Lee. "Bypass Grafts: The State of the Art." Scandinavian Journal of Surgery 101, no. 2 (June 2012): 100–106. http://dx.doi.org/10.1177/145749691210100205.

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The treatment options for infra-renal arteriosclerotic occlusive (ASO) vascular disease have never been more varied. The history of open revascularization procedures now exceeds 60 years. This represents three generations of vascular surgeons, the most recent of whom have witnessed more than 30 years of endovascular surgery development and dissemination. Both open and endovascular treatments should be considered mature; moreover, we are improving our understanding of the strategies and tactics that lead to the clinical application of one approach instead of the other. There are other important factors in the choice of a treatment modality to be used for a specific patient. Prime among these is evolving patterns of occlusive disease and the increasing severity of arterial calcification.

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Yang, Xu Guang, and Shu Ping Xu. "Research in Hebei Private Digital Information Technology for the Development of Calligraphy and Art Institutions." Advanced Materials Research 998-999 (July 2014): 1182–85. http://dx.doi.org/10.4028/www.scientific.net/amr.998-999.1182.

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With the innovative development of technology, computer technology in digital art painting has become a reality of modern tools and means of dissemination of artistic creation.The digital painting which regarded computer languages as the main means of calligraphy is rapidly emerging.Therefore, the traditional painting and calligraphy art enter the a new digital realm. Clearly, advances in computer technology has greatly promoted the art of painting the wheels forward, and also painting and calligraphy provides a new creative path for the development of private sector. It has Hebei private painting art institutions opened up new areas of development.

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Smith, Terry. "An Introduction to Nicos Hadjinicolaou's “Art Centers and Peripheral Art” (1982)." ARTMargins 9, no. 2 (June 2020): 112–18. http://dx.doi.org/10.1162/artm_a_00266.

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Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This lecture, delivered by Nicos Hadjinicolaou in 1982, outlines a “political art geography” approach to these challenges, and demonstrates it by exploring four settings: the commissioning of paintings commemorating key battles during the Greek War of Independence; the changes in Diego Rivera's style on his return to Mexico from Paris in the 1920s; the impact on certain Mexican artists in the 1960s of “hard edge” painting from the United States; and the differences between Socialist Realism in Moscow and in the Soviet Republics of Asia during the mid-twentieth century. The lecture is here translated into English for the first time and is introduced by Terry Smith, who relates it to its author's long-term art historical quest, as previously pursued in his book Art History and Class Struggle (1973).

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Balakrishna K. "WSN-Based Information Dissemination for Optimizing Irrigation Through Prescriptive Farming." International Journal of Agricultural and Environmental Information Systems 11, no. 4 (October 2020): 41–54. http://dx.doi.org/10.4018/ijaeis.2020100103.

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Prescriptive agriculture is the art of science utilizing modern technology to enhance productivity with optimizing inputs/cost. In this paper, the advent of wireless sensor network, APSim, and statistical software spurred a new direction in the farming domain at optimizing irrigation. Sensors are designed to collect the datasets of climatic parameters such as relative humidity and temperature, where the datasets were forwarded to the server through a GSM module. Datasets collected were analyzed through statistical software for grown crops by considering field soil conditions and evapotranspiration. Finally, information on irrigation is determined through an algorithm designed by way2SMS and WebHost server.

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Yao, Yu. "Research on the Theoretical Innovation of Chinese Land Art from the perspective of Internet+." E3S Web of Conferences 236 (2021): 04046. http://dx.doi.org/10.1051/e3sconf/202123604046.

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At the Echigo-Tsumari Art Triennial, artists used the countryside as a stage for their artworks. The Echigo-Tsumari region has also taken this opportunity to revive its economy and rural culture. And the inspiration from this case is something that cannot be ignored in China today. This article analyzes the Echigo-Tsumari Art Triennial and some Chinese local arts festivals, go a step further and taking advantage of the advantages of China's Internet in logistics and information dissemination to extend the cultural strategy of combining rural culture with art.

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Vainalavičiūtė, Gintarė. "Communication Solutions by Improving Interactive Art Projects." Coactivity: Philosophy, Communication 24, no. 1 (March 31, 2016): 36–47. http://dx.doi.org/10.3846/cpc.2016.191.

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The article examines the emergence of new forms of expression in modern society such as technology, which makes the traditional art active and the users are drawn into the processes of creation and dissemination. Interactive art technology gradually integrates more and more people to be interested on it because of its innovative and interesting concept and idea. Interactive art removes traditional boundaries between the artist and “public”. Appearance of the new modern technologies in the art provoked the development of the interactive art which later evolved into some other forms of art as cinema, interactive dance, music and etc. The article is based on Lithuanian and foreign academic works, interactive art definition is provided the theoretical aspect of an interactive art projects is highlighted. The modern theories of marketing communications are defined. To solve examined issues marketing communication model with highlighted key elements is proposed.

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Boyd, Candice P., and Kaya Barry. "Challenges of creative collaboration in geographical research." cultural geographies 27, no. 2 (November 7, 2019): 307–10. http://dx.doi.org/10.1177/1474474019886838.

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There is a long history of collaboration between artists and geographers, with creative forms of research and dissemination of findings taking shape as artworks. In addition, there has been significant push from academia for researchers to maximise their research in ways that cater to, and engage with, broader public audiences. Art and creative practices tap into this through formats such as exhibitions, performances and participatory workshops which draw upon arts-based research methodologies with which geographers are becoming increasingly engaged. However, with this enthusiasm to adopt art practices for research dissemination purposes, tensions can arise in determining the levels of collaboration and authorship between artists and geographers, especially when the artist is employed as a research assistant on the project. In this ‘In Practice’ article, we explore the tensions and challenges that creative collaborations produce with respect to copyright and authorship, specialist skills and the delicate balance of doing creative research as part of a research team. We argue that geographers and artists need to address these issues from the outset and revisit them throughout the research process, and we offer some suggestions for how art–geography research collaborations might best be negotiated.

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Delmas-Glass, Emmanuelle. "THE YCBA HISTORIC FRAME COLLECTION: USING SEMANTIC WEB TECHNOLOGY TO CONTRIBUTE TO THE SCHOLARSHIP OF BRITISH ART." ARTis ON, no. 2 (February 12, 2016): 9–23. http://dx.doi.org/10.37935/aion.v0i2.37.

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Following a technical survey of its of historic frame collection, the Yale Center for British Art has catalogued its frames as extensively as its art collection, and now shares it with the world via web pages for human users as well as through machine readable formats (LIDO XML, CIDOC-CRM RDF) for data aggregators. This paper proposes a data management and dissemination strategy model that relies on data exchange protocols and Linked Open Data to ensure that our rich cultural knowledge can be reused by scholars and contributes to the study of frames and the British art in general.

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Nedlina, Valeriya E. "Reinterpretation of Cultural Heritage in Music Art in Kazakhstan between 1980 and 2010." Observatory of Culture, no. 2 (April 28, 2015): 47–52. http://dx.doi.org/10.25281/2072-3156-2015-0-2-47-52.

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Addresses the new approaches to the study of folk music, revival of ethnic traditions, intensification of exchange with foreign countries, updating academic music, and dissemination of mass culture with specific ethnic components that characterise the process. That type of reinterpretation produces a more complicated structure of musical culture in Kazakhstan and a new evaluation of the place of Kazakh music in world culture.

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Whatley, Edward. "Book Review: Freedom of Speech: Reflections in Art and Popular Culture." Reference & User Services Quarterly 57, no. 3 (March 16, 2018): 226. http://dx.doi.org/10.5860/rusq.57.3.6625.

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For a country that prides itself on the freedoms it bestows on its citizens, the United States has a surprisingly extensive history of censorship. As Patricia L. Dooley’s Freedom of Speech: Reflections in Art and Popular Culture demonstrates, the arts and pop culture have long been favored targets of censors. Sometimes the censors are private citizens or organizations acting as self-appointed guardians of morality. More ominously, they sometimes are government entities intent on controlling the dissemination and consumption of creative products.

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Puguh, Dhanang Respati, Rabith Jihan Amaruli, and Mahendra Pudji Utama. "Environmental Themes in Gendhing-Gendhing Ki Nartosabdho and Its Dissemination." E3S Web of Conferences 202 (2020): 07005. http://dx.doi.org/10.1051/e3sconf/202020207005.

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Ki Nartosabdho (hereinafter Nartosabdho, 1925-1985), besides being known as a prominent dhalang, was also known as a very productive Javanese musical-masters. Hundreds of Javanese gendhing have been produced from the creative process. His works are very influential in the world of Javanese musical art until the present. Thematically his works are very numerous and diverse, some of which are about the environment. This article discusses Nartosabdho’s environmental themes by using the literature study and document research methods. He works under the theme of the environment ranging from the beauty of nature, the beauty of nature as a tourist attraction, the destruction of nature, to preservation of the natural environment. The works were distributed to the public through performances, tapes, and books.

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Coughlan, David. "The Art of Everyday Haunting." Derrida Today 5, no. 2 (November 2012): 199–213. http://dx.doi.org/10.3366/drt.2012.0040.

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The question of where ghosts live can hardly be addressed without speaking of a haunted house. This essay reads Don DeLillo's novel The Body Artist, in which there is a ghost called Mr. Tuttle who haunts the house of Lauren Hartke, the body artist, as a text grafted onto Jacques Derrida's Dissemination. The essay takes as its starting point the first words spoken in DeLillo's text, ‘I want to say something but what’, a quasi-question directed to Lauren by her husband Rey, in order to ask if it can ever be said what lies on the other side of ‘what’, or if it remains forever unknowable, or unheard, at an ‘infinite remove’, even if it is one's self. It is Rey's suicide, and Lauren's subsequent work of mourning, which locates DeLillo's phrase within the context of Derrida's efforts, again and again, to give words to those whose voices are absent: the lost friend, the other self, the dead. To Lauren's question, ‘What am I supposed to say?’ Derrida replies, ‘Speaking is impossible, but so too would be silence or absence’. Through the ghostly form of Mr. Tuttle, DeLillo's work tells of the various mimetisms by which the silent speaker is heard and remembered.

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Bergaust, Kristin. "What Can Art Do? A Review of Bridging Communities through Socially Engaged Art Edited by Alice Wexler and Vida Sabbaghi." Art/Research International: A Transdisciplinary Journal 5, no. 1 (February 28, 2020): 233–40. http://dx.doi.org/10.18432/ari29527.

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My review of Bridging Communities Through Socially Engaged Art (2019), looks at this collection of case-studies and practical examples, mainly from the United States, read by a Northern-European reviewer. The book presents twenty-seven inspiring project examples from artistic practice, art education, art dissemination and art therapy. This review looks at some chapters, representing different sections of the book: Museums and Cultural Institutions in Diverse Communities, Art Pedagogy in Diverse Communities, Critical Race and Gender Perspectives, and DIS/ability Justice and Outsiders. The included chapters of the volume are mainly authored by practicing professionals and offer both concrete descriptions and reflections. The dire situation of charged political and contextual conditions was a sub-text in my reading. As a conclusion, I found this book a rewarding and inspirational experience to be recommended for students and decision-makers.

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Zhang, Yao, Xiaoming Li, Shan Qiao, Yuejiao Zhou, and Zhiyong Shen. "THE ROLE OF ICT IN ANTIRETROVIRAL THERAPY-RELATED KNOWLEDGE SEEKING AMONG OLDER CHINESE LIVING WITH HIV." Innovation in Aging 3, Supplement_1 (November 2019): S413. http://dx.doi.org/10.1093/geroni/igz038.1539.

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Abstract Antiretroviral therapy (ART) enables HIV patients to reduce disease progression. ART adherence is closely related to patients’ knowledge about the medical treatment. This study investigated the role of information and communication technologies (ICTs) in supporting ART-related knowledge seeking among older Chinese with HIV, using cross-sectional data collected from 2012 to 2013 in Guangxi, China. Of the 2987 HIV patients, 688 were 45 years or older and going through ART. We used an 11-item scale (α=0.69), which was developed based on existing literature, to assess ART-related knowledge to obtain a composite score (0-11). Less than 5% of the participants sought HIV-related information via computers. Patients with lower ART-related knowledge were more likely to consult medical professionals about the disease via cell phones than those with higher scores (8.28 vs. 9.45, p < 0.001). The results suggest that future interventions should integrate cell phones to promote ART-related knowledge dissemination among older patients.

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Mehl, Margaret. "Between the Global, the National and the Local in Japan: Two Musical Pioneers from Sendai." Itinerario 41, no. 2 (July 31, 2017): 305–25. http://dx.doi.org/10.1017/s0165115317000389.

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Western visitors to Japan are often surprised at how widely European art music can be heard. The roots of what is arguably one of Japan’s greatest success stories lie in the systematic introduction and dissemination of Western music by the government after the Meiji Restoration of 1868. Much research has focused on the government’s role; but how was Western music disseminated and received in different parts of Japan? This article discusses the roles of two brothers, Shikama Totsuji (1853–1928) and Shikama Jinji (1863–1941), who in different ways contributed significantly to the dissemination of Western music beyond Tokyo and in particular to the northern provincial town of Sendai.

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Di Paola, F., L. Inzerillo, and Y. Alognaa. "A GAMING APPROACH FOR CULTURAL HERITAGE KNOWLEDGE AND DISSEMINATION." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 22, 2019): 421–28. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-421-2019.

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<p><strong>Abstract.</strong> In these last years, video games have become one of the most popular entertainment for children/teenagers/adults thanks to their appealing and seductive features and, in this context, the Serious Games (SG) have become an important research field. The most popular SGs in Cultural Heritage (CH) used the historical building like scenario where the game is playing. In this paper we show the procedure to achieve a CH video game where the Cultural Heritage is the main actor and not the scenario of the game. Furthermore, the game is not a SG but an Action-Adventure Game (AAG) or Survival Game (SuG), in a largest heading it can be classified as Entertainment Games (EGs). The novelty of this study is not only in the original application of the CH within the AAG sector but also consists of the experimentation of the Virtual Reality (VR) algorithm and of the application of Augmented Reality (AR) within the VR scenario used in the form of an avatar. Furthermore, in this paper we overcome the technical problems due to the different size of the environment and the work art.</p>

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Hughes, Sarah Anne. "The role of printed books in the dissemination of contemporary South African art and artists." Critical Arts 28, no. 5 (September 3, 2014): 783–90. http://dx.doi.org/10.1080/02560046.2014.970811.

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Tan, Haowen, Dongmin Choi, Pankoo Kim, Sungbum Pan, and Ilyong Chung. "Secure Certificateless Authentication and Road Message Dissemination Protocol in VANETs." Wireless Communications and Mobile Computing 2018 (2018): 1–13. http://dx.doi.org/10.1155/2018/7978027.

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As a crucial component of Internet-of-Thing (IoT), vehicular ad hoc networks (VANETs) have attracted increasing attentions from both academia and industry fields in recent years. With the extensive VANETs deployment in transportation systems of more and more countries, drivers’ driving experience can be drastically improved. In this case, the real-time road information needs to be disseminated to the correlated vehicles. However, due to inherent wireless communicating characteristics of VANETs, authentication and group key management strategies are indispensable for security assurance. Furthermore, effective road message dissemination mechanism is of significance. In this paper, we address the above problems by developing a certificateless authentication and road message dissemination protocol. In our design, certificateless signature and the relevant feedback mechanism are adopted for authentication and group key distribution. Subsequently, message evaluating and ranking strategy is introduced. Security analysis shows that our protocol achieves desirable security properties. Additionally, performance analysis demonstrates that the proposed protocol is efficient compared with the state of the art.

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Hadjinicolaou, Nicos. "Art Centers and Peripheral Art [A Lecture at the University of Hamburg, October 15, 1982]." ARTMargins 9, no. 2 (June 2020): 119–40. http://dx.doi.org/10.1162/artm_a_00267.

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Change in the history of art has many causes, but one often overlooked by art historical institutions is the complex, unequal set of relationships that subsist between art centers and peripheries. These take many forms, from powerful penetration of peripheral art by the subjects, styles and modes of the relevant center, through accommodation to this penetration to various degrees and kinds of resistance to it. Mapping these relationships should be a major task for art historians, especially those committed to tracing the reception of works of art and the dissemination of ideas about art. This lecture, delivered by Nicos Hadjinicolaou in 1982, outlines a “political art geography” approach to these challenges, and demonstrates it by exploring four settings: the commissioning of paintings commemorating key battles during the Greek War of Independence; the changes in Diego Rivera's style on his return to Mexico from Paris in the 1920s; the impact on certain Mexican artists in the 1960s of “hard edge” painting from the United States; and the differences between Socialist Realism in Moscow and in the Soviet Republics of Asia during the mid-twentieth century. The lecture is here translated into English for the first time and is introduced by Terry Smith, who relates it to its author's long-term art historical quest, as previously pursued in his book Art History and Class Struggle (1973).

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Picard, Alyssa. "“To Popularize the Nude in Art”: Comstockery Reconsidered." Journal of the Gilded Age and Progressive Era 1, no. 3 (July 2002): 195–224. http://dx.doi.org/10.1017/s1537781400000232.

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Of all the figures in the struggle over turn-of-the-century vice reform, Anthony Comstock is perhaps the last one might expect to encounter immortalized in the nude. He acquired his fame as a censor of nudity, among other offenses: from 1873 to his death in 1915, Assistant United States Postmaster Comstock lent his name and his enthusiasm for law enforcement to the prosecution of the “Comstock Laws,” the eponymous statutes which restricted the dissemination of vicious images and information through the United States mail. In his government post and as the head of New York City's private Society for the Suppression of Vice, Comstock prosecuted quack physicians, abortionists, lottery runners, purveyors of lewd literature and art, free love advocates and physical culture devotees. By the end of his career, he had arrested more than 3,700 people and burned over fifty tons of obscene books, 3,984,063 obscene pictures, and 16,900 photographic plates.

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MacDonald, Corina. "Scoring the Work: Documenting Practice and Performance in Variable Media Art." Leonardo 42, no. 1 (February 2009): 59–63. http://dx.doi.org/10.1162/leon.2009.42.1.59.

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This paper examines the issues inherent to documenting integral characteristics of variable media artworks. The author begins by revisiting Suzanne Briet's vision of documentation as a socially constructed practice central to the creation and dissemination of knowledge. This perspective lends insight into the nature of the document in the digital age and suggests a new cultural technique for working with variable media art as both document and documented. Janet Cardiff's 40 Part Motet (2001) provides case material for this discussion, and Richard Rinehart's proposal of the score as a documentary medium is suggested as a means of capturing the elements of practice and performance associated with variable media.

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Qureshi, Kashif Naseer, Farooq Ul Islam, Omprakash Kaiwartya, Arvind Kumar, and Jaime Lloret. "Improved Road Segment-Based Geographical Routing Protocol for Vehicular Ad-hoc Networks." Electronics 9, no. 8 (August 4, 2020): 1248. http://dx.doi.org/10.3390/electronics9081248.

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The real-time traffic information dissemination among on-road vehicles has been envisioned via realizing vehicular ad hoc networks (VANETs) as smart service-oriented roadside wireless sensor networks. The network enables various types of real-time traffic applications related to safety and infotainment for drivers and passengers. The information dissemination-centric routing protocols for vehicular networks have to dynamically adopt under the constrained network environment while considering the higher mobility of vehicular nodes and unpredictable physical topologies in the network. The issue needs to be addressed through smart and network-aware routing protocols. Geographical routing protocols have witnessed significant attention for information dissemination under these types of dynamic vehicular network environment. To this end, this paper presents an improved road segment-based geographical routing (ISR) protocol focusing on better head node selection for information dissemination. It divides the forwarding area into a number of road segments and selects a head node on each segment by focusing on traffic-aware information including the location, direction, and link quality-centric score for every vehicle on each road segment. Algorithms were developed for the complete process of head node selection and information dissemination among vehicles on the road segments. The simulation results attested the performance benefits of the proposed routing framework as compared to the state-of-the-art protocols considering dynamic vehicular traffic environment-related metrics.

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Van Remoortel, Marianne, Kristin Ewins, Maaike Koffeman, and Matthew Philpotts. "Joining Forces: European Periodical Studies as a New Research Field." Journal of European Periodical Studies 1, no. 1 (July 5, 2016): 1. http://dx.doi.org/10.21825/jeps.v1i1.2573.

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In recent decades, periodical studies have burgeoned into a vibrant field of research. Increasing numbers of scholars working in disciplines across the humanities — literary studies, history, art history, gender studies, media studies, legal history, to name a few — are exploring the press as a key site for cultural production, public debate and the dissemination of knowledge. [...]

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Fawcett, Trevor. "The nineteenth-century art book: Content, Style and Context." Art Libraries Journal 17, no. 3 (1992): 12–17. http://dx.doi.org/10.1017/s0307472200007902.

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Although ‘art books’ of various kinds existed before 1800, art publishing grew significantly and with increasing speed through the 19th century. Two key factors, each encouraging the other, were the growth of interest in art among a heterogeneous public, and developments in printing technology, especially in methods of reproducing illustrations. Increasing numbers of illustrated art books contributed to the dissemination of awareness of an ever-broader spectrum of works of art, and of the decorative arts, throughout society, and nourished the historicism and eclecticism practised by contemporary artists and designers. The Romantic Movement’s cult of the individual artist prepared the way for the emergence of the artist’s monograph as a significant category of art book, made possible by the capacity to reproduce an artist’s works. The growth of art historical scholarship, informed by a new rigour, brought about the publishing of scholarly works incorporating documentary research, and of previously unpublished or newly-edited source material; art reference works, of several kinds, also multiplied. By 1900 art publishing had set all the precedents it would need until well into the second half of the 20th century.

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Ilyin, Nikolay N. "A JUDICIAL AND ART EXAMINATION IN THE INVESTIGATION OF MANUFACTURE AND CIRCULATION OF FILES OR ITEMS WITH PORNOGRAPHIC IMAGES OF UNDERAGE PERSONS." Russian investigator 10 (October 8, 2020): 3–7. http://dx.doi.org/10.18572/1812-3783-2020-10-3-7.

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The article considers theoretical and practical issues of using the results of forensic and art analysis in the investigation of the production and circulation of materials or objects with pornographic images of minors, as well as their dissemination using the media, including on the Internet. On the basis of expert, investigative and judicial practice, the possibilities of art-based expertise in the examination of images of minors in which there are signs of pornographic information are presented. It is noted that such expertise can be comprehensive when specialized knowledge from other areas is required to address some issues.

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Giral, Angela. "Digital image libraries and the teaching of art and architectural history." Art Libraries Journal 23, no. 4 (1998): 18–25. http://dx.doi.org/10.1017/s0307472200011251.

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Can museums and libraries profit from sharing their information, visual or textual? Is direct access to digital archives a more logical or economic way to develop access to images for teaching and research than assembling local collections? Recent digital image library projects in the United States, and their impact on the teaching practices of art and architectural historians, show the advantages of focusing on issues such as licensing and intellectual property, metadata and evolving cataloging practice, image quality, and the different costs of creation and delivery. But there are other potential benefits such as document delivery and the dissemination of archival information, as well as the preservation of fragile illustrated texts through digital imaging.

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