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Books on the topic 'Disrupted biography'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Otis, Carre. Beauty, disrupted: A memoir. New York, NY: !t Books, 2011.

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2

Congdon, Gayla Cooper. Disrupted: Cultivating a mission-focused life. Cincinnati, Ohio: Standard Publishing, 2013.

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3

Disrupted: On fighting death & keeping faith. Eugene, Or: Cascade Books, 2011.

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4

Lyons, Dan. Disrupted: My Misadventure in the Start-Up Bubble. Hachette Books, 2016.

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5

Disrupted: My Misadventure in the Start-Up Bubble. Hachette, 2017.

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Disrupted: My Misadventure in the Start-Up Bubble. New York, USA: Hachette Books, 2016.

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7

Love, Julie Anderson. Disrupted: On Fighting Death and Keeping Faith. Wipf & Stock Publishers, 2011.

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8

Love, Julie Anderson. Disrupted: On Fighting Death and Keeping Faith. Wipf & Stock Publishers, 2011.

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9

Disrupted: Ludicrous Misadventures in the Tech Start-Up Bubble. Atlantic Books, Limited, 2016.

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10

Disrupted: Ludicrous Misadventures in the Tech Start-Up Bubble. Atlantic Books, Limited, 2017.

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11

Lyons, Dan. Disrupted: Ludicrous Misadventures in the Tech Start-Up Bubble. Atlantic Books, Limited, 2016.

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12

Disrupted: My misadventure in the start-up bubble. New York: Hachette Books, 2016.

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13

Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal. Atria Books, 2016.

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14

Nakazawa, Donna Jackson, and Callie Beaulieu. Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal. Tantor Audio, 2015.

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15

Childhood disrupted: How your biography becomes your biology, and how you can heal. Atria Books, 2015.

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16

Nakazawa, Donna Jackson. Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal. Simon & Schuster, Limited, 2015.

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17

Acesprint. Summary and Analysis of Childhood Disrupted: How Your Biography Becomes Your Biology and How You Can Heal by Donna Jackson Nakazawa. Independently Published, 2021.

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18

Tigers Under the Turf: A life disrupted by the horrors of World War Two: The struggle to survive and lead a normal life. iUniverse, Inc., 2007.

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19

Mondejar, Marily, and Maria Beebe. DISRUPT 4.0. Filipina Women : BEING: The Fourth Book on Leadership by the Foundation for Filipina Women's Network. Foundation for Filipina Women's Network, 2022.

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20

Parry-Giles, Shawn J. Hillary Clinton as Campaign Surrogate. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038211.003.0002.

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This chapter represents the first installment of Hillary Clinton's news biography and examines the news coverage of Clinton during the 1992 presidential campaign and her entrance onto the national stage of politics. It recounts the baseline news frames that laid the foundation for judgments of Clinton's authenticity against which future frames would converge and diverge. The chapter also describes her most formative media moments during this period, which linguistically and visually acted as stock frames that authenticated Clinton as a feminist and inauthenticated her as a woman of tradition. Her political image was thus framed as a political intruder violating the protocol of presidential campaigning; an anomalous candidate's wife rejecting the trappings of home and domesticity in favor of feminist principles; and a political lightning rod who exuded personality problems that promised to disrupt her husband's presidential bid and undermine the traditions of first lady.

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21

Meglin, Joellen A. Ruth Page. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190205164.001.0001.

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In Ruth Page: The Woman in the Work, the Chicago ballerina emerges as a highly original choreographer who sought the iconoclastic as she transgressed boundaries of genre, gender, race, class, and sexuality in her art. Her works were often controversial—and sometimes censored—even as she succeeded in roles usually reserved for men in the ballet world: choreographer, artistic director, and impresario. From extensive dramaturgical analysis of her most famous ballets—La Guiablesse, Frankie and Johnny, Billy Sunday, Revenge, The Merry Widow, Camille, Carmina Burana, and Alice—to embodied reconstruction of an avant-garde solo performed in a “sack” designed by Isamu Noguchi, this book follows the global reach of Ruth Page’s career spanning the greater part of the twentieth century. A biography that disrupts notions that New York was the only cradle of the American ballet and George Balanchine its exponent to eclipse all others, Ruth Page explores the woman’s unique sensibility, corporeal praxis, and collaborative ethos to reveal her Chicago-centered network of creativity. In the process of discovering the woman in the work, we encounter an international cast of dancers (Anna Pavlova, Harald Kreutzberg, Frederic Franklin, Alicia Markova), composers (William Grant Still, Aaron Copland, Jerome Moross, Darius Milhaud), visual artists (Noguchi, Pavel Tchelitchew, Antoni Clavé), and companies (Ballet Russe de Monte Carlo, Ballets des Champs-Elysées, London Festival Ballet). But Page’s Chicago nucleus of dancers and artistic collaborators as well as Chicago institutions (Chicago Allied Arts, Federal Theatre Project, Lyric Opera of Chicago, Chicago Opera Ballet) crucially shaped her intermedial aesthetics.

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