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1

Kopteva, N. V., A. Yu Kalugin, and L. Ya Dorfman. "Unembodiment on the Internet. Part 1: Theoretical Basis and Construct." Клиническая и специальная психология 10, no. 3 (2021): 31–48. http://dx.doi.org/10.17759/cpse.2021100303.

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Disembodiment of digital media users, known as the loss of their physical bodies in cyberspace is among the least-studied psychological consequences of the use of information technologies. In the digital era such kind of disembodiment might limit the development of a person’s individuality. That’s why in present study we aim to create its theoretical construct. The construct is based on the clinical conception of unembodiment of schizoids by the British psychiatrist R. Laing. There is an evidence to suggest that constant split between self and body, that digital media users demonstrate, creates conditions for disembodiment similar to the one of schizoids. This existential position is associated with feelings of loss of reality, self-substantiality and elusiveness of being. In the same way that the disembodiment of schizoids and inherent to it sense of self and view of the world are determined by their ‘shutupness’ in the inner world, the disembodiment of media users is determined by the extent to which their life is limited to the artificial computer environment. The theoretical construct was measured according to this hypothesis. Three measurements, which unites factors that stand against the disembodiment are presented in the article: Disembodiment as Virtualization, Preference of the Internet and their alternative Vitality of the Embodied Self.
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Kopteva, N. V. "DISEMBODIMENT ON THE INTERNET AS A NEW FORM OF TECHNOLOGICAL SELF-ALIENATION (BASED ON THE STUDY OF STUDENTS OF HUMANITARIAN INSTITUTES OF HIGHER EDUCATION)." Bulletin of Udmurt University. Series Philosophy. Psychology. Pedagogy 31, no. 2 (July 9, 2021): 160–69. http://dx.doi.org/10.35634/2412-9550-2021-31-2-160-169.

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Phenomenon of disembodiment of users of information technologies in virtual reality, in particular as a special form of self-alienation, was already noted by the first representatives of cyber culture. However, psychologists have not properly analyzed it yet, perhaps, due to the usual peripheral position of the problem of disembodiment of a physical body in psychology. In the present study we continue to develop our theoretical and empirical construct of the Disembodiment on the Internet (N.V. Kopteva, A.Yu. Kalugin, L.Ya. Dorfman) as a psychological impact of the use of contemporary information technologies in areas related to self-alienation and alienation. The construct is based on the conception of unembodiment of the mental self from the body by a British psychiatrist R. Laing, which is considered to be one of the fundamental psychiatric conceptions of disembodiment of the physical self. R. Laing’s description of the ‘detachment’ of schizoids from their own body helps understand the specifics of existential positions of embodiment - disembodiment determined by sociocultural, technological factors and choices made by individuals themselves. Our study was performed on a sample of active Internet users - students of humanitarian institutes of higher education (aged from 17 to 25 years) - with the use of the Disembodiment on the Internet diagnostic procedure. We revealed groups that differentiated in the severity of disembodiment and created their psychological portraits according to patterns of disembodiment, which include experience of unbodiliness of the virtual self, incompleteness and secondariness of the technological way of being limited by the Internet environment and Internet addiction. We also empirically detected the effects of disembodiment on the alienation of students in different aspects of their life (from who they are, from their families, in interpersonal communication, from their studies and the society) ranging from ‘vegetativeness’ to adventurism.
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Karoblis, Gediminas. "Triple Disembodiment of Dance." Nordic Theatre Studies 24, no. 1 (June 18, 2019): 54–65. http://dx.doi.org/10.7146/nts.v24i1.114830.

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4

Abernethy, Seonaid. "Folly, Mental Health, Disembodiment." Universal Journal of Psychology 5, no. 1 (February 2017): 17–21. http://dx.doi.org/10.13189/ujp.2017.050103.

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5

Désert, Jean-Ulrick. "From Body to Disembodiment." Nka Journal of Contemporary African Art 2016, no. 38-39 (November 2016): 202–9. http://dx.doi.org/10.1215/10757163-3641876.

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6

Kopteva, N. V. "Internet Addiction as a Mode of Disembodied Existence." Bulletin of Kemerovo State University 24, no. 6 (December 29, 2022): 785–92. http://dx.doi.org/10.21603/2078-8975-2022-24-6-785-792.

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According to the prevailing clinical model of Internet addiction disorder, the symptoms of Internet addiction are not substantially different from the ones of other previously known behavioral and chemical addictions. In the present article we argue that this model significantly depsycholizes the phenomenon which stems from the mass use of information technologies providing access to cyberspace. We compare psychological characteristics of the Internet addiction to disembodiment, that is, lack of the physical body of an information technology user, first described by the media theorist M. McLuhan. Alongside anonymity, technological disembodiment is the inevitable consequence of the use of the Internet, and it is just as important in the formation of the addiction and accompanying disorders. But the phenomenon of virtual unsubstantial self which represents the manifestation of the Spirit Archetype in the realities of the digital society obviously exceeds anonymity in terms of importance and scope. Our theoretical model of the disembodiment on the Internet is based on the conceptions of ‘schizoid disembodiment’ and ‘unembodied self ’ by the British existential psychologist R. D. Laing. In particular, there is evidence to suggest likeness between the withdrawal from reality of a schizoid by way of ‘exit’ from their own physical body and the form of escapism specific to the Internet addiction in contrast to other addictions. Respective empirical constructs were measured and compared. We used the adapted version of the Chinese Scale by S.-H. Chen, which implements the clinical model of Internet addiction most consistently, and Disembodiment on the Internet Diagnostic Technique by N. V. Kopteva, A. Yu. Kalugin and L. Ya. Dorfman. The results indicate that with Internet addiction traditional symptoms of addictions correlate to the weakness of the divided self. This causes a range of problems aggravated by the ones caused by disembodiment, namely virtualization, de-realization of the self of a user and experience of illusiveness of existence. The data shows that dependence and disembodiment on the Internet may refer to a specific technological modus of a person’s existence within the information society.
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7

Davies, Abe. "Vacuum and Disembodiment in Hamlet." Essays in Criticism 70, no. 4 (October 1, 2020): 391–408. http://dx.doi.org/10.1093/escrit/cgaa023.

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8

Einbond, Aaron. "DISEMBODIMENT: REPRODUCTION, TRANSCRIPTION, AND TRACE." Tempo 73, no. 287 (December 24, 2018): 83–90. http://dx.doi.org/10.1017/s0040298218000694.

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AbstractThis article poses the question, what is so great about the body? Recent scholarship has emphasized the concept of an embodied cognition and reminded us of the significance of embodiment in musical performance. Yet, vital as these observations may be, they offer only a limited view of what ‘touch’ can mean. Following the semiotic notion of the index as a sign with a real connection to its object, writers and artists such as Friedrich Kittler, Ai Weiwei, Kenneth Goldsmith and Nicolas Donin have reflected on how the reproductions of the gramophone needle, the calligrapher's brush, the blogger's keyboard, and the programmer's code can trace meaningful points of contact. Examples from my own practice illustrate some of the many possible ways that digital traces can be touching.
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9

Axel, Brian Keith. "Disembodiment and the total body." Third Text 12, no. 44 (September 1998): 3–16. http://dx.doi.org/10.1080/09528829808576747.

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10

Stocker, Kurt. "Toward an embodiment-disembodiment taxonomy." Cognitive Processing 13, S1 (July 17, 2012): 347–50. http://dx.doi.org/10.1007/s10339-012-0495-3.

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11

Kopteva, N. V., A. Yu Kalugin, and L. Ya Dorfman. "Disembodiment of Internet Users as a Consequence of Modern Information Technologies and Self-Efficacy Beliefs in Students." Bulletin of Kemerovo State University 24, no. 4 (October 9, 2022): 504–16. http://dx.doi.org/10.21603/2078-8975-2022-24-4-504-516.

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This article focuses on the concept of disembodied Internet personality. The Internet gives its users a special disembodied status because mental self of the Internet user has no physical manifestation. Although this concept appears in many studies, it remains practically unexplored in psychological terms. However, British existential psychologist R. Laing already described its varieties and consequences on clinical material. His The Divided Self: An Existential Study In Sanity And Madness became a theoretical foundation of virtual disembodiment and a questionnaire of the same name. In this article, R. Laing’s ideas were compared with the socio-cognitive concept of self-efficacy, which was developed by A.Bandura and then modified by R. Schwarzer and M. Jerusalem, who also designed the scale of general self-efficiency. This research used both the scale of general selfefficiency and the questionnaire of Internet disembodiment to establish the relationship between various aspects of the Self. The research featured the self-perception of technological disembodiment and the subjective sense of social vitality and capacity in university students during the development of their first integral form of identity. The artificial separation of the mental Self from the physical body in the virtual environment weakened their beliefs in personal efficacy outside the virtual space. Students with different severity of online disembodiment and general self-efficacy appeared to have different self-identification features.
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12

Catt, Isaac E. "Signs of Disembodiment in Racial Profiling." American Journal of Semiotics 17, no. 4 (2001): 291–318. http://dx.doi.org/10.5840/ajs200117482.

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13

Jackson, Tony E. "Writing and the Disembodiment of Language." Philosophy and Literature 27, no. 1 (2003): 116–33. http://dx.doi.org/10.1353/phl.2003.0025.

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14

Akrich, Madeleine, and Bernike Pasveer. "Embodiment and Disembodiment in Childbirth Narratives." Body & Society 10, no. 2-3 (June 2004): 63–84. http://dx.doi.org/10.1177/1357034x04042935.

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15

Sun-Hee Park. "Embodiment Theory as Criticism of Disembodiment Discourse." Journal of Communication Research 47, no. 1 (February 2010): 204–34. http://dx.doi.org/10.22174/jcr.2010.47.1.204.

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16

Orona, Brittani R., and Vanessa D. Esquivido. "Continued Disembodiment: NAGPRA, CAL NAGPRA, and Recognition." Humboldt Journal of Social Relations 1, no. 42 (October 7, 2020): 50–68. http://dx.doi.org/10.55671/0160-4341.1132.

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17

Beckenham, Annabel. "Dear Anonymous: Disembodiment as a Pedagogical Tool." International Journal of Technology, Knowledge, and Society 2, no. 6 (2007): 1–8. http://dx.doi.org/10.18848/1832-3669/cgp/v02i06/55639.

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18

Dahl, Adam. "Black Disembodiment in the Age of Ferguson." New Political Science 39, no. 3 (July 3, 2017): 319–32. http://dx.doi.org/10.1080/07393148.2017.1339410.

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19

Le Vay, Lulu. "New reproductive technologies and disembodiment, Carla Lam." Feminist Theory 19, no. 1 (December 7, 2017): 113–14. http://dx.doi.org/10.1177/1464700117744131.

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20

Alessi, Norman. "Disembodiment in Cyberspace Is Not a Myth." CyberPsychology & Behavior 4, no. 4 (August 2001): 537–38. http://dx.doi.org/10.1089/109493101750527097.

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21

Коптева, Наталия Васильевна. "DISEMBODIMENT AND CHANGES OF PSYCHOLOGICAL BORDERS AS THE EFFECTS OF NORMATIVE USE OF INFORMATION TECHNOLOGIES. MESSAGE 1." Pedagogical Review, no. 4(38) (August 9, 2021): 221–28. http://dx.doi.org/10.23951/2307-6127-2021-4-221-228.

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В условиях глобального антропологического кризиса, связанного с распространением технологий, которые не соответствуют телесному опыту человека (В. А. Подорога), явно недостаточно психологических исследований, ограничивающихся констатацией феномена, называемого развоплощением (disembodiement), бестелесным статусом, дематериализацией, анонимностью пользователя в киберпространстве. Предлагается основанный на концепции британского экзистенциального психолога Р. Лэйнга авторский конструкт невоплощенности в интернете, представляющий собой последствие его нормативного применения. Формула «я» ↔ (тело–другой), «я» ↔ (тело–мир), которой Р. Лэйнг определяет клинический способ невоплощенного бытия в самом общем виде, соответствует как факту технологического развоплощения, так и технологическому способу невоплощенного бытия (при интернет-зависимости) со свойственным ему структурированием и ненормативной границей в ядре. Невоплощенность в интернете, создающая предпосылки путаницы на границе между Я и не-Я, сопоставляется с системообразующим измерением последствий нормативного применения информационных технологий в модели Е. И. Рассказовой, В. А. Емелина, А. Ш. Тхостова – изменением психологических границ. Делается вывод о том, что в информационную эпоху они устанавливаются в опыте двух Я, реального, подлинно основанного на своем теле, и виртуального, применительно к которому самовыражение «границы тела» теряет смысл. Расширение и размывание психологических границ соотносятся с виртуализацией Я-пользователя. Его субъективные убеждения в доступности и контролируемости других людей, объектов, информации, являющиеся критериями изменения границ, рассматриваются как вполне применимые к невоплощенности. В качестве ее собственных критериев, помимо рефлексии отстраненности от тела, названы чувство безопасности (в связи с анонимностью) и ощущения утраты реальности Я, неполноты, иллюзорности онлайн-бытия. While we live in times of anthropological crisis caused by spread of technologies which do not match to people’s body experience (V. A. Podoroga), only the insufficient number of psychological studies acknowledge the phenomenon of disembodiment. Some researchers refer to it as the bodiless state, dematerialization or anonymity of a user in cyberspace. In this study we suggest a theoretical construct of disembodiment on the Internet as the effect of normative use of information technologies. It is based on the conception by the British existential psychologist R. Laing. His formula of the self: self ↔ (body-other), self ↔ (body-world), which describes a clinical way of unembodied being, broadly corresponds to both the fact of technological disembodiment and a technological way of disembodied being in Internet addiction with its inherent structuring and a non-normative border in the core of the self. We compare the disembodiment on the Internet, which leads to confusion on the boundary between the self and nonself, to the framework consequence of the normative use of information technologies in a model by E. I. Rasskazova, V. A. Emelin and A. Sh. Tkhostov – changes of psychological borders. We come to a conclusion that In the digital age the borders are set in the experience of two selves. The real self is genuinely based on the body and the virtual self isn’t, to the extent when the very expression «boundaries of a body» becomes meaningless. Indefinitely expanded blurry borders correspond to the virtualization of a user’s self. The user’s beliefs that other people and information objects are available and controllable are symptoms of changes of borders and can also describe the disembodiment. The disembodiment is also characterized by feeling of disengagement from the body, sense of security on account of anonymity, deficit of reality of the self and incompleteness and illusiveness of the online existence.
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22

Giummarra, Melita J., Stephen J. Gibson, Nellie Georgiou-Karistianis, and John L. Bradshaw. "Mechanisms underlying embodiment, disembodiment and loss of embodiment." Neuroscience & Biobehavioral Reviews 32, no. 1 (January 2008): 143–60. http://dx.doi.org/10.1016/j.neubiorev.2007.07.001.

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23

Manderson, Lenore. "Edward Shorter And The Disembodiment Of Women's History." Canberra Anthropology 9, no. 1 (January 1986): 90–101. http://dx.doi.org/10.1080/03149098609508546.

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24

Welch, Benedict. "David Lynch, Embodiment and Mediality: Dealing With a Human Form." Film-Philosophy 26, no. 3 (October 2022): 375–93. http://dx.doi.org/10.3366/film.2022.0206.

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This article considers the role of disembodiment in the visual art and films of David Lynch. This line of inquiry, I argue, allows us to consider the ways scholars do and do not conceptualise the relationship between Lynch’s works of different mediums. Specifically, I pursue the conviction that Lynch’s preoccupation with an injured or fragmented body corresponds to his intermedial creative practice. I turn my attention to Lynch’s early short film The Alphabet (1968) which exemplifies how the violence inflicted on the body represents the violence wreaked by the separation of art into different media. Using Jacques Rancière’s definition of mediality and his idea of the sensorium, I offer a new perspective on the questions of disembodiment that manifest in tricky and unpredictable bodies in Lynch’s work and thus on how we should read Lynch’s output as joined up across mediums. 1
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25

Koos, Marianne. "Verkörperung – Entkörperung bei Rembrandt." Zeitschrift für Kunstgeschichte 80, no. 3 (December 30, 2017): 349–91. http://dx.doi.org/10.1515/zkg-2017-0018.

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Abstract This article analyzes the painterly formation of pictorial subjects of embodiment and disembodiment since the early modern period. Starting with Gerhard Richter, Quattrocento painters, and Titian, it focuses on Rembrandt and his late group portrait The Anatomy Lesson of Dr. Deijman (1656). The subject of this picture is a dissection of a man’s brain – and hence the surgeons’ search for the seat of the human soul and the motion of life. In the motif of the corpse, Rembrandt performs a radical operation with paint layers that historical sources described with the terms “doodverwe” and “lyffverwe” (“dead color” and “body color”). Rembrandt’s pictorial formation is a distinctly complex answer to the soulless, lifeless corpse’s state of being, which has been reduced to no more than an image. At the same time, the dead body is the place in which Rembrandt reflects the act of painting as a way of working with the tension of embodiment and disembodiment, of giving and taking life, with color.
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26

Boom and Smelik. "Paradoxical (Post)Humanism: Disembodiment and Becoming-Earth in Her." Journal of Posthuman Studies 3, no. 2 (2019): 202. http://dx.doi.org/10.5325/jpoststud.3.2.0202.

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27

Jonggab Kim. "Disembodiment and Re-Embodiment: Space, Arts, and the Body." New Korean Journal of English Lnaguage & Literature 50, no. 1 (February 2008): 43–61. http://dx.doi.org/10.25151/nkje.2008.50.1.003.

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28

Barnett, Richard-Laurent. "Fleshing out Meaning: Of Poetic Disembodiment in Zola's "Nana"." SubStance 18, no. 3 (1989): 95. http://dx.doi.org/10.2307/3685253.

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29

Kenway, Ian M. "Controversy and Charity: The Disembodiment of Religion in Cyberspace." International Review of Information Ethics 9 (August 1, 2008): 41–46. http://dx.doi.org/10.29173/irie329.

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30

Winther-Tamaki, Bert. "Embodiment/Disembodiment: Japanese Painting During the Fifteen-Year War." Monumenta Nipponica 52, no. 2 (1997): 145. http://dx.doi.org/10.2307/2385570.

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31

Aldridge, Judith. "The Textual Disembodiment of Knowledge in Research Account Writing." Sociology 27, no. 1 (February 1993): 53–66. http://dx.doi.org/10.1177/003803859302700106.

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32

Disney, Dan. "Sublime Disembodiment? Self-as-Other in Anne Carson’s Decreation." Orbis Litterarum 67, no. 1 (January 9, 2012): 25–38. http://dx.doi.org/10.1111/j.1600-0730.2011.01041.x.

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33

Kessler, Klaus, and Jason J. Braithwaite. "Deliberate and spontaneous sensations of disembodiment: capacity or flaw?" Cognitive Neuropsychiatry 21, no. 5 (August 10, 2016): 412–28. http://dx.doi.org/10.1080/13546805.2016.1203769.

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Vaccarella, Maria. "Disembodiment and Identity in Literary Depictions of Epilepsy Surgery." Literature and Medicine 33, no. 1 (2015): 1–22. http://dx.doi.org/10.1353/lm.2015.0004.

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Watkins, Holly, and Melina Esse. "Down with Disembodiment; or, Musicology and the Material Turn." Women and Music: A Journal of Gender and Culture 19, no. 1 (2015): 160–68. http://dx.doi.org/10.1353/wam.2015.0006.

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36

Garbarini, F., C. Fossataro, L. Pia, and A. Berti. "What pathological embodiment/disembodiment tell us about body representations." Neuropsychologia 149 (December 2020): 107666. http://dx.doi.org/10.1016/j.neuropsychologia.2020.107666.

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37

Morse, Janice M., and Carl Mitcham. "The experience of agonizing pain and signals of disembodiment." Journal of Psychosomatic Research 44, no. 6 (June 1998): 667–80. http://dx.doi.org/10.1016/s0022-3999(97)00301-2.

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38

Slote, Ben. "Revising Freely: Frederick Douglass and the Politics of Disembodiment." a/b: Auto/Biography Studies 11, no. 1 (January 1996): 19–37. http://dx.doi.org/10.1080/08989575.1996.10815080.

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39

Virsida, Antonio R. "Cognition and its disembodiment: Some comments on Freud scholarship." Psychoanalytic Psychology 15, no. 1 (1998): 164–67. http://dx.doi.org/10.1037/0736-9735.15.1.164.

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Grear, A. "Challenging Corporate 'Humanity': Legal Disembodiment, Embodiment and Human Rights." Human Rights Law Review 7, no. 3 (July 3, 2007): 511–43. http://dx.doi.org/10.1093/hrlr/ngm013.

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41

Andreescu, Florentina C. "Disembodiment and Delusion in the Time of COVID-19." Societies 12, no. 6 (November 17, 2022): 163. http://dx.doi.org/10.3390/soc12060163.

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This article proposes an analytical framework that highlights embodiment’s ontological complexities and the ways in which the securitization of the body, during the COVID-19 pandemic, brought our embodied existence under the scrutiny of the invasive gaze of multiple social authorities, framing public and private modes of being as existential security risks. It engages with the research developed by psychiatrist Iain McGilchrist and clinical psychologist Louis A. Sass on schizophrenia, tracing the extent to which COVID-19 reshaped reality displays a dynamic akin to this mental disorder, through its abnegation of embodied presence, retreat into virtual register, and abnormal interpretations of reality. To spotlight this dynamic’s consequences, the article explores three interconnected features of schizophrenia, namely hyper-reflexivity, diminished self-presence, and disturbed grip on the world. These help to contextualize the ways in which a large segment of the population in the United States responded to the COVID-19 pandemic. To that end, the article highlights the development of a virtual universe of conspiracy theories, shaping a citizenry which, akin to schizophrenics are simultaneously cynical and gullible, manifesting a vehement distrust of aspects of life that need to be implicit, while readily embracing conspiratorial worldviews.
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42

Коптева, Наталия Васильевна. "THE INTERRELATIONSHIP BETWEEN DISEMBODIMENT AND CHANGES OF PSYCHOLOGICAL BORDERS AS THE NORMATIVE IMPLICATIONS OF THE USE OF INFORMATION TECHNOLOGIES." Pedagogical Review, no. 5(39) (October 8, 2021): 186–94. http://dx.doi.org/10.23951/2307-6127-2021-5-186-194.

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Основанный на концепции британского экзистенциального психолога Р. Лэйнга конструкт невоплощенности в интернете (Н. В. Коптева, А. Ю. Калугин, Л. Я. Дорфман) посредством одноименной методики сопоставляется с системообразующим последствием нормативного применения интернета – изменением психологических границ в методике их оценки (МИГ-ТС-2) Е. И. Рассказовой, В. А. Емелина, А. Ш. Тхостова. Выявлены взаимосвязи измерений невоплощенности в интернете с параметрами изменения психологических границ, которые могут свидетельствовать о том, что искусственное технологическое разделение между ментальным Я и физическим телом пользователя создает предпосылки путаницы на границе между Я и не Я. Расширение и размывание границ интернет-пользователя усиливают его виртуализацию и соответствующие ей переживания деперсонализации, утраты реальности независимо от того, оправдывает или не оправдывает технология его ожидания достижимости и контролируемости окружающих людей, объектов и информации. Мотивация предпочтения интернета, связанная с возможностями, которые открывают независимость от физического тела и измененные границы, в значительной мере совпадает. Простота и легкость развоплощенного технологического способа бытия в расширенных, размытых границах придают привлекательность сети и объясняют связь невоплощенности с интернет-зависимостью, которую можно представить как искажение нормативного технологического развоплощения в случае проблемной пользовательской активности. In the present study we compare the construct of disembodiment on the Internet (N. V. Kopteva, A.Ju. Kalugin, L.Ya. Dorfman) based on the clinical conception by the British existential psychologist R. Laing and measured by the same-name technique to the framework consequence of the normative use of the Internet - changes of the psychological borders (E. I. Rasskazova, V. A. Emelin and A. Sh. Tkhostov) assessed by MIG-TS-2 technique. We identified the relationship between measurements of disembodiment and parameters of changes of psychological borders which may indicate that artificial technological split between the mental self and the physical body of a user creates conditions for confusion on the boundary between self and non-self. Expansion and blurring of the borders of an Internet user reinforces virtualizationinduced experiences of depersonalization and loss of reality regardless of whether the technology meets their expectations of availability and controllability of other people, objects and information or doesn’t. Motivation of Internet preference due to the opportunities that independence of the physical body and changes of boundaries present mostly follows the same pattern. Simplicity and easiness of the disembodied technological way of being within the expanded blurry borders makes the Web attractive and explains the relationship between the disembodiment and Internet addiction which can be viewed as distortion of normative technological disembodiment in cases of problematic user’s activity.
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43

Bennett, Naomi P. "Embodiment and disembodiment in live art: from Grotowski to hologram." Text and Performance Quarterly 40, no. 4 (October 1, 2020): 424–26. http://dx.doi.org/10.1080/10462937.2021.1877807.

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44

Lam, Carla. "Thinking Through Post-constructionism: Reflections on (Reproductive) Disembodiment and Misfits." Studies in Social Justice 10, no. 2 (December 19, 2016): 289–307. http://dx.doi.org/10.26522/ssj.v10i2.1352.

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In this article, I draw together feminist research on the distinct areas of assisted human reproduction (or new reproductive technology) and post-constructionist theory to examine some common methodological and epistemological issues fundamental for reproductive justice. I revisit the notion of technologically-assisted (reproductive) disembodiment (e.g., in vitro fertilization, surrogacy and egg donation) in light of theoretical developments in feminism, in particular post-constructionism. Specifically, I ask what light is shed on the paradox of reproduction (in particular disembodied reproduction) by feminist post-constructionism?
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Easter, Brandee. "Fully Human, Fully Machine: Rhetorics of Digital Disembodiment in Programming." Rhetoric Review 39, no. 2 (April 2, 2020): 202–15. http://dx.doi.org/10.1080/07350198.2020.1727096.

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Newport, Roger, and Catherine Preston. "Disownership and disembodiment of the real limb without visuoproprioceptive mismatch." Cognitive Neuroscience 2, no. 3-4 (September 2011): 179–85. http://dx.doi.org/10.1080/17588928.2011.565120.

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Muzicant, Amit, and Einat Peled. "Home Visits in Social Work: From Disembodiment to Embodied Presence." British Journal of Social Work 48, no. 3 (June 30, 2017): 826–42. http://dx.doi.org/10.1093/bjsw/bcx033.

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48

Barrow, Barbara. "Gender, Language, and the Politics of Disembodiment in Aurora Leigh." Victorian Poetry 53, no. 3 (2015): 243–62. http://dx.doi.org/10.1353/vp.2015.0019.

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Sharpe, Mani. "Visibility, speech and disembodiment in Jacques Panijel’s Octobre à Paris." French Cultural Studies 28, no. 4 (October 6, 2017): 360–70. http://dx.doi.org/10.1177/0957155817724958.

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Octobre à Paris (1961) was a clandestine documentary executed after one of the most notorious yet occulted state massacres in French history, conducted after approximately 20–30,000 Algerians had flooded the streets of Paris in order to protest against police persecution. In existing scholarship on the film, critics have generally tended to historicise Octobre à Paris in largely politically progressive terms, as a rare example of anti-colonial cinema produced during a particularly stringent period in the history of French film. As the first part of this article will argue, this interpretation is not without justification, especially in relation to Panijel’s arguably pioneering use of the ‘masked interview’ (an interview technique predicated on a conception of the auteur-as-absence). Yet, as we will see in the second part of this article, such a politically progressive reading of Octobre à Paris is also undermined by the non-diegetic authorial commentary that appears in the final act of the film. Controversially, it is Panijel rather than his Algerian subjects who has the last word on the massacre.
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Poirier, Marianne. "Carla Lam.New Reproductive Technologies and Disembodiment: Feminist and Material Resolutions." International Feminist Journal of Politics 17, no. 4 (October 2, 2015): 682–84. http://dx.doi.org/10.1080/14616742.2015.1082861.

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