Relevant bibliographies by topics / Disembodiment

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Disembodiment'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 January 2023

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Journal articles on the topic "Disembodiment"

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Kopteva, N. V., A. Yu Kalugin, and L. Ya Dorfman. "Unembodiment on the Internet. Part 1: Theoretical Basis and Construct." Клиническая и специальная психология 10, no. 3 (2021): 31–48. http://dx.doi.org/10.17759/cpse.2021100303.

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Disembodiment of digital media users, known as the loss of their physical bodies in cyberspace is among the least-studied psychological consequences of the use of information technologies. In the digital era such kind of disembodiment might limit the development of a person’s individuality. That’s why in present study we aim to create its theoretical construct. The construct is based on the clinical conception of unembodiment of schizoids by the British psychiatrist R. Laing. There is an evidence to suggest that constant split between self and body, that digital media users demonstrate, creates conditions for disembodiment similar to the one of schizoids. This existential position is associated with feelings of loss of reality, self-substantiality and elusiveness of being. In the same way that the disembodiment of schizoids and inherent to it sense of self and view of the world are determined by their ‘shutupness’ in the inner world, the disembodiment of media users is determined by the extent to which their life is limited to the artificial computer environment. The theoretical construct was measured according to this hypothesis. Three measurements, which unites factors that stand against the disembodiment are presented in the article: Disembodiment as Virtualization, Preference of the Internet and their alternative Vitality of the Embodied Self.
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Kopteva, N. V. "DISEMBODIMENT ON THE INTERNET AS A NEW FORM OF TECHNOLOGICAL SELF-ALIENATION (BASED ON THE STUDY OF STUDENTS OF HUMANITARIAN INSTITUTES OF HIGHER EDUCATION)." Bulletin of Udmurt University. Series Philosophy. Psychology. Pedagogy 31, no. 2 (July 9, 2021): 160–69. http://dx.doi.org/10.35634/2412-9550-2021-31-2-160-169.

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Phenomenon of disembodiment of users of information technologies in virtual reality, in particular as a special form of self-alienation, was already noted by the first representatives of cyber culture. However, psychologists have not properly analyzed it yet, perhaps, due to the usual peripheral position of the problem of disembodiment of a physical body in psychology. In the present study we continue to develop our theoretical and empirical construct of the Disembodiment on the Internet (N.V. Kopteva, A.Yu. Kalugin, L.Ya. Dorfman) as a psychological impact of the use of contemporary information technologies in areas related to self-alienation and alienation. The construct is based on the conception of unembodiment of the mental self from the body by a British psychiatrist R. Laing, which is considered to be one of the fundamental psychiatric conceptions of disembodiment of the physical self. R. Laing’s description of the ‘detachment’ of schizoids from their own body helps understand the specifics of existential positions of embodiment - disembodiment determined by sociocultural, technological factors and choices made by individuals themselves. Our study was performed on a sample of active Internet users - students of humanitarian institutes of higher education (aged from 17 to 25 years) - with the use of the Disembodiment on the Internet diagnostic procedure. We revealed groups that differentiated in the severity of disembodiment and created their psychological portraits according to patterns of disembodiment, which include experience of unbodiliness of the virtual self, incompleteness and secondariness of the technological way of being limited by the Internet environment and Internet addiction. We also empirically detected the effects of disembodiment on the alienation of students in different aspects of their life (from who they are, from their families, in interpersonal communication, from their studies and the society) ranging from ‘vegetativeness’ to adventurism.
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Karoblis, Gediminas. "Triple Disembodiment of Dance." Nordic Theatre Studies 24, no. 1 (June 18, 2019): 54–65. http://dx.doi.org/10.7146/nts.v24i1.114830.

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Abernethy, Seonaid. "Folly, Mental Health, Disembodiment." Universal Journal of Psychology 5, no. 1 (February 2017): 17–21. http://dx.doi.org/10.13189/ujp.2017.050103.

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Désert, Jean-Ulrick. "From Body to Disembodiment." Nka Journal of Contemporary African Art 2016, no. 38-39 (November 2016): 202–9. http://dx.doi.org/10.1215/10757163-3641876.

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Kopteva, N. V. "Internet Addiction as a Mode of Disembodied Existence." Bulletin of Kemerovo State University 24, no. 6 (December 29, 2022): 785–92. http://dx.doi.org/10.21603/2078-8975-2022-24-6-785-792.

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According to the prevailing clinical model of Internet addiction disorder, the symptoms of Internet addiction are not substantially different from the ones of other previously known behavioral and chemical addictions. In the present article we argue that this model significantly depsycholizes the phenomenon which stems from the mass use of information technologies providing access to cyberspace. We compare psychological characteristics of the Internet addiction to disembodiment, that is, lack of the physical body of an information technology user, first described by the media theorist M. McLuhan. Alongside anonymity, technological disembodiment is the inevitable consequence of the use of the Internet, and it is just as important in the formation of the addiction and accompanying disorders. But the phenomenon of virtual unsubstantial self which represents the manifestation of the Spirit Archetype in the realities of the digital society obviously exceeds anonymity in terms of importance and scope. Our theoretical model of the disembodiment on the Internet is based on the conceptions of ‘schizoid disembodiment’ and ‘unembodied self ’ by the British existential psychologist R. D. Laing. In particular, there is evidence to suggest likeness between the withdrawal from reality of a schizoid by way of ‘exit’ from their own physical body and the form of escapism specific to the Internet addiction in contrast to other addictions. Respective empirical constructs were measured and compared. We used the adapted version of the Chinese Scale by S.-H. Chen, which implements the clinical model of Internet addiction most consistently, and Disembodiment on the Internet Diagnostic Technique by N. V. Kopteva, A. Yu. Kalugin and L. Ya. Dorfman. The results indicate that with Internet addiction traditional symptoms of addictions correlate to the weakness of the divided self. This causes a range of problems aggravated by the ones caused by disembodiment, namely virtualization, de-realization of the self of a user and experience of illusiveness of existence. The data shows that dependence and disembodiment on the Internet may refer to a specific technological modus of a person’s existence within the information society.
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Davies, Abe. "Vacuum and Disembodiment in Hamlet." Essays in Criticism 70, no. 4 (October 1, 2020): 391–408. http://dx.doi.org/10.1093/escrit/cgaa023.

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Einbond, Aaron. "DISEMBODIMENT: REPRODUCTION, TRANSCRIPTION, AND TRACE." Tempo 73, no. 287 (December 24, 2018): 83–90. http://dx.doi.org/10.1017/s0040298218000694.

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AbstractThis article poses the question, what is so great about the body? Recent scholarship has emphasized the concept of an embodied cognition and reminded us of the significance of embodiment in musical performance. Yet, vital as these observations may be, they offer only a limited view of what ‘touch’ can mean. Following the semiotic notion of the index as a sign with a real connection to its object, writers and artists such as Friedrich Kittler, Ai Weiwei, Kenneth Goldsmith and Nicolas Donin have reflected on how the reproductions of the gramophone needle, the calligrapher's brush, the blogger's keyboard, and the programmer's code can trace meaningful points of contact. Examples from my own practice illustrate some of the many possible ways that digital traces can be touching.
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Axel, Brian Keith. "Disembodiment and the total body." Third Text 12, no. 44 (September 1998): 3–16. http://dx.doi.org/10.1080/09528829808576747.

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Stocker, Kurt. "Toward an embodiment-disembodiment taxonomy." Cognitive Processing 13, S1 (July 17, 2012): 347–50. http://dx.doi.org/10.1007/s10339-012-0495-3.

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Dissertations / Theses on the topic "Disembodiment"

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Ke, Shi. "Embodiment and disembodiment in live art : from Grotowski to hologram." Thesis, University of Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.556755.

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Based on the distinction between Korper (physical body) and Leib (lived body) in its phenomenological sense, this thesis proposes a conceptual mapping between embodiment and disembodiment in Live Art. The thesis starts form the historical review on Growtowski and Artaud, and then engages with performance examples from Franko B, Mad-for-Real, Goat Island, La Pocha Nostra and Forced Entertainment, among others from the perspective of the audience and participant researcher. The thesis also includes two practice pieces from the perspective of the performer. The thesis asserts that as both the manifestation and application of phenomenological notions in live art, embodiment and disembodiment are inextricable to each other in the circulation between pre-expressivity and (para)-linguistic order. Based on this understanding, the thesis proposes a performative definition of Live Art and a method to create such art. The first half of the thesis explores embodiment as one sense of "Liveness" in Live Art. It explores the performative constitution of embodied self in its engendered actualization from indeterminate to certainty, and the performative strategy of such selves with other embodied subjects both in its aesthetic and social realm. Further discussion includes a general ecological aesthetic engagement, which has great affinity with the phenomenological notion lebenswelt (Lifeworld) constituted by embodied subjects and things. The second half explores the theoretical distinctions between materialized disembodiment and textualized disembodiment. The former pertains to the disembodiment of theperforrners and the latter pertains more to the audience. Thus. the thesis furthers the inquiry on the absence and presence of the body in live art, which also has a homology with the embodiment/disembodiment distinction. As extension of the materialized disembodiment and textualised disembodiment, the disappearing body is manifested in the practices under contemporary technological conditions such as cyborgs and hologram.
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Battle, ShaDawn D. "''Moments of Clarity'' and Sounds of Resistance: Veiled Literary Subversions and De-Colonial Dialectics in the Art of Jay Z and Kanye West." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1479820190751642.

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Puhakka, Heli. "From analogue to digital: Drawing the human form by examining creative practices, techniques and experiences of practitioners within immersive technology." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/134466/1/Heli_Puhakka_Thesis.pdf.

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Advancements in virtual reality (VR) have facilitated a new drawing experience for digital artists. These have provided the experience for artists to have an embodied human-computer interaction (HCI) while drawing. This project focuses on exploring and understanding how analogue life drawing practices can be redefined in the digital realm of virtual reality. In this practice-led project, the analogue life drawing creative practice is the foundation for making immersive drawing artworks in the virtual environment. This is alongside theoretical research into aesthetic experience, embodiment, disembodiment and presence in conjunction with conducting semi-structured interviews to understand other drawing practitioner experiences with immersive drawing.
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Harclerode, Devin Kylie. "Sweaty Mother Slow Groove." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4241.

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Sweaty Mother Slow Groove is an engagement in magical thinking that proposes a displacement of swamp methodologies into the virtual realm, existing during the fourth wave. In doing so the cyborg and goddess are united in a re-routing of essentialism and the neo-liberal domination of technology. The metaphorical swamp is the possibility of a mushy danger zone that harnesses the absorption of an unwanted space: a disintegration of the binary and the soft-coded awareness of the body as a process, not a site.
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Johansson, Eva. "Att synas : En studie av internetanvändares syn på möjligheten till anonymitet och avsaknaden av fysiska möten vid sociala kontakter på nätet." Thesis, Linköping University, Department of Behavioural Sciences, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-6867.

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Med internet som verktyg kan vi kommunicera med människor trots stora avstånd och trots att vi inte möts ansikte mot ansikte. Många nätanvändare väljer att vara anonyma gentemot varandra på nätet, på grund av försiktighet. Andra väljer att efter hand avslöja sin identitet för nätvännerna och så småningom ta med sig nätrelationen in i vardagslivet utanför internet. Syftet med denna studie är att undersöka och förklara hur nätanvändare upplever anonymitet och att inte synas för varandra.

För nätanvändare kan anonymiteten innebära en möjlighet att befria sig från det sociala livets krav och visa mer av sitt rätta jag inför nätvännerna, eftersom det på nätet är möjligt att hitta likasinnade och andra som accepterar mig som jag är, oavsett vem jag är. Anonymiteten kan också innebära att nätanvändaren av försiktighet avstår från djupare relationer på nätet. Om detta vittnar ett flertal av respondenterna i denna studie, som bygger på en enkät på internet hösten 2005. 208 svarade på enkäten och drygt en fjärdedel av dessa har på något sätt reflekterat över fenomenet anonymitet och att inte synas för varandra i sociala relationer på nätet. Metoden är kvalitativ då resultatet utgår från enkätens öppna frågor, med möjlighet till berättande svar.

I reflektionerna ingår tankar kring den kroppslöshet, eller befrielse från tid och rum, som internet medger. Här kan kommunikation ske på distans oberoende av både tid och plats, liksom också i realtid men utan att ses. Då spelar det ingen roll hur jag ser ut, vilka kläder jag har eller andra yttre faktorer som kan påverka motpartens syn på mig. Ålder, kön, socioekonomiska eller sociokulturella faktorer spelar heller ingen roll.

Mina slutsatser i denna studie är att den bokstavliga och bildliga anonymiteten på nätet kan vara antingen befriande eller begränsande för nätanvändaren; befriande för den som använder nätet för självförverkligande och reflexivt identitetsbyggande; begränsande för den som av försiktighet inte tillåter sig att utveckla nära och djupa sociala relationer på nätet på grund av anonymiteten.


Using the net for relational purposes is becoming a growing trend; net surfers make friends online. This study, by Eva Johansson, shows that the net users who use the net for relational purpose can form meaningful and sustainable social relations with other net users whom they have never met in real life (IRL), and may never meet face to face.

The purpose of this study is to find out how the possible anonymity and the lack of meeting face to face effect relations on the net. 208 net users have answered a survey about social relations on the net. The answers in this mainly qualitative study gives a hint that anonymity can be both limiting and liberating for the user. Limiting for those who are cautious and therefore do not form deep emotional relationships on the net; and liberating for those who, through anonymity, can express their true selves to strangers on the net. The disembodiment of the net is also a liberating factor.

A majority of the respondents are women and many of them are middle aged. They have a considerable skill and experience as net users, and do use the net for their own purposes.

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Janz, Kari. "Exotic Dance: An Exploratory Study of Disordered Eating, Substance Abuse, and Disembodiment." Thesis, 2013. http://hdl.handle.net/1807/42609.

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The current investigation measured rates of disordered eating and substance abuse among exotic dancers, evaluated the relationship between these rates and measures of embodiment, as well as the influence of club-type on these patterns. Of the seventy-five (75) female exotic dancer participants, ages 18-39 from across Ontario, 35% (n=26) were found to endorse disordered eating behaviour, 57% (n=43) were high risk for alcohol abuse, 63% (n=47) were high risk for drug abuse, and 20% (n=15) were found to be high risk for all three. Cluster analysis revealed two separate club-types: 1). Positive Club Environment; 2). Negative Club Environment. Significant relationships were found between all measures of embodiment and disordered eating. Level of body connectedness was negatively correlated with risk for alcohol abuse. While no relationship was found between club type and substance abuse or disordered eating, significant relationships were found between club type and all measures of embodiment.
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Lee, Gavin. "Affect Theory and the Politics of Ambiguity: Liminality, Disembodiment, and Relationality in Music." Diss., 2014. http://hdl.handle.net/10161/8664.

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This dissertation develops a "politics of ambiguity" through case studies of affect in contemporary works by European, American and Singaporean composers. While studies of intercultural music have focused on narratives of power relations (e.g. orientalism, postcolonial ambivalence), a new method of interpretation can be based on the affective ambiguity that arises from intercultural encounters, indicating a less than totalitarian power and thus forming a basis for political struggle. The focus is on three pieces of music by American-born John Sharpley, Belgium-born Robert Casteels, and Singaporean Joyce Koh, who hail from across the globe and incorporate Asian musics, arts, and philosophies into a variety of modernist, neo-romantic, and postmodern musical idioms. Modalities of ambiguity include: perceptual focus on musicalized Chinese calligraphy strokes, versus perceptual liminality arising from modernist technique; the musical embodiment of Buddhist disembodiment; and, ambiguous relationality of intercultural sounds. Liminality, disembodiment, and relationality mark the cessation of identity politics in favor of a form of cultural hermeneutics that pays heed to the complex interaction between society, sonic media and the neurophysiology of listening.


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Kalionis, Jennifer Parr Mike. "The resurgent body : a reaction to politics or digital disembodiment?: an investigation of Mike Parr's work since 2001 /." 2005. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmk144.pdf.

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Thesis (M.A.(St.Art.Hist.)) -- University of Adelaide, Master of Arts (Studies in Art History), School of History and Politics, Discipline of History, 2005.
Coursework. 2 December 2005. Bibliography: leaves 74-91.
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Hinton, Peta Social Sciences &amp International Studies Faculty of Arts &amp Social Sciences UNSW. "'To see a world in a grain of sand...': thinking universality and specificity for a feminist politics of difference." 2007. http://handle.unsw.edu.au/1959.4/40773.

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Sexual difference has emerged in the last three decades as an enduring question for feminism. Drawing attention to the embodied nature of subjectivity, it enables feminists to counter the more insidious presumptions of universality and the phallocentric economy of knowledge production, and makes possible feminine expressions of subjectivity. At the same time, engaging the nature of difference has opened the way to a more detailed interrogation of identity, specifically the identity of ' woman' and 'the feminine' as categories of feminist analysis. However, tensions have emerged within this field over the concept of community, and how to motivate for political change on the basis of a common identity when the identity of woman is itself contested. In tracing these arguments, this thesis raises a number of considerations about the way difference is understood. It finds that a conceptual commitment to the specificity of the body as properly constitutive of the political can run the risk of sidelining, denigrating and presuming to excise what appears as universal, masculine, or phallocentric. In doing so, it potentially leaves aside a full political engagement with the generative and implicated nature of these terms in the formation of all identity. Consequently, questions around thought, universality, virtuality, and disembodiment may not be given full consideration, with the outcome that feminism may be foreclosing its political domain from important formative concerns. The primary aim of this thesis is to open these categories of analysis to question, to understand how they have been constructed in debates around difference, and to bring to light some of the assumptions which remain axiological to what properly constitutes feminist politics. Engaging Luce Irigaray's reading of divinity for community and identity, this thesis argues that if the implicated nature of identity is taken seriously then the organising categories fundamental to notions of political action and community become a general field of difference which exceeds the reach of feminist politics as it currently stands.
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Books on the topic "Disembodiment"

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José Salinas, KNOBSDesign: Disembodiment. Berlin: Jovis, 2009.

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Lam, Carla. New Reproductive Technologies and Disembodiment. Taylor & Francis Group, 2020.

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Randolph, Paschal Beverly. After Death: The Disembodiment Of Man. Kessinger Publishing, 2004.

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Shi, Ke. Embodiment and Disembodiment in Live Art. Taylor & Francis Group, 2019.

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Stanghellini, Giovanni. Schizophrenia and the disembodiment of desire. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198792062.003.0030.

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The schizophrenic person’s existential trajectory reflects the intolerable mixture of his desperate need for the Other and his hopeless attempts to orientate in human, and especially erotic, relationships. The schizophrenic person may turn away from actual reality into a mystical-romantic, ‘higher’ ideal, which like a dim mist protects him from the encounter with the real Other. Two features seem to best characterize this type of existence. One is his philosophy of life that indulges in cramping reflections concerned with spirituality, that is, rectitude, fidelity, nobility, and purity. The second is disembodiment. Sexual excitement is experienced as a storming, oppressing experience of something going through and travelling across one’s own body. The ‘higher’ ideal image of love seems to downplay this intolerable feeling and transform sexual excitement into a disembodied type of desire. The essential feature of this type of existence is its being disembodied.
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Randolph, Paschal B. After Death: The Disembodiment of Man. Health Research, 1996.

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New Reproductive Technologies and Disembodiment: Feminist and Material Resolutions. Taylor & Francis Group, 2016.

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Lam, Carla. New Reproductive Technologies and Disembodiment: Feminist and Material Resolutions. Taylor & Francis Group, 2016.

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Roberts, Anthony Lee. Beyond modernist identity: Questions of disembodiment and identity politics. 1996.

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Lam, Carla. New Reproductive Technologies and Disembodiment: Feminist and Material Resolutions. Taylor & Francis Group, 2016.

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Book chapters on the topic "Disembodiment"

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Bettez, Silvia Cristina. "Resisting Theoretical Disembodiment." In But Don’t Call Me White, 23–43. Rotterdam: SensePublishers, 2012. http://dx.doi.org/10.1007/978-94-6091-693-9_2.

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Grear, Anna. "Law, Persons and Disembodiment." In Redirecting Human Rights, 40–67. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230274631_4.

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Tran, Jonathan. "Incarnation, Climate Change, and Disembodiment." In The Routledge Companion to Christian Ethics, 217–30. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429345081-20.

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Manley, Julian. "Disembodiment, Embodiment and the Image-Affect." In Social Dreaming, Associative Thinking and Intensities of Affect, 191–201. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92555-4_12.

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Putcha, Rumya S. "Disembodiment and South Asian Performance Cultures." In Music and Democracy, 175–200. Vienna, Austria / Bielefeld, Germany: mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-008.

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This chapter exposes the role of expressive culture in the rise and spread of late twentieth-century Hindu identity politics. Rumya S. Putcha examines how Hindu nationalism is fueled by affective logics that have crystallized around the female classical dancer and have situated her gendered and athletic body as a transnational emblem of an authentic Hindu and Indian national identity. This embodied identity is represented by the historical South Indian temple dancer and has, in the postcolonial era, been rebranded as the nationalist classical dancer. The author connects the dancer to transnational forms of identity politics, heteropatriarchal marriage economies, as well as pathologies of gender violence. In so doing, the author examines how the affective politics of 'Hinduism' have functionally disembodied the Indian dancer from her voice and her agency in a democratic nation-state. Putcha argues that the nationalist and now transnationalist production of the classical dancer exposes misogyny and casteism and thus requires a critical feminist dismantling.
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Magnani, Lorenzo. "Chance Discovery and the Disembodiment of Mind." In Lecture Notes in Computer Science, 547–53. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/11552413_79.

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Hajdu, Georg. "Embodiment and disembodiment in networked music performance." In Body, Sound and Space in Music and Beyond: Multimodal Explorations, 257–78. Abingdon, Oxon; New York, NY: Routledge, 2017. | Series: SEMPRE studies in the psychology of music: Routledge, 2017. http://dx.doi.org/10.4324/9781315569628-14.

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Hooper, Charlotte. "Disembodiment, Embodiment and the Construction of Hegemonic Masculinity." In Political Economy, Power and the Body, 31–51. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780333983904_3.

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Lebacqz, Karen. "The “Fridge”: Health Care and the Disembodiment of Women." In Theology and Medicine, 155–67. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-015-8424-1_10.

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Copeland, Lesley. "Mediated War: Imaginative Disembodiment and the Militarization of Childhood." In The Militarization of Childhood, 133–52. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137002143_8.

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Conference papers on the topic "Disembodiment"

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Yang, Shuwen. "Dislocation and Disembodiment of Interactive Body Image in Neo-Pop Art." In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.007.

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Chan, Carmen, Angel Hwang, Daphne Sun, Brandon Birckhead, and Andrea Stevenson Won. "Minimal Embodiment: Effects of a Portable Version of a Virtual Disembodiment Experience on Fear of Death." In 2020 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2020. http://dx.doi.org/10.1109/vrw50115.2020.00224.

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Le Lay, Maïko. "EMBODIED HIP HOP PEDAGOGIES: USING HIP HOP AND CRITICAL MOVING IN THE CLASSROOM TO CHALLENGE THE DISEMBODIMENT OF WESTERN EDUCATION SYSTEMS." In 13th International Conference on Education and New Learning Technologies. IATED, 2021. http://dx.doi.org/10.21125/edulearn.2021.0140.

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You might also be interested in the extended bibliographies on the topic 'Disembodiment' for particular source types:
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