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1

Miller, Christopher L. Blank darkness: Africanist discourse in French. Chicago: University of Chicago Press, 1985.

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2

Moyo, Otrude Nontobeko. Africanity and Ubuntu as Decolonizing Discourse. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-59785-6.

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3

Jean-Dominique, Pénel, ed. Ecrits et discours. Paris: Harmattan, 1995.

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4

De la plantation coloniale aux banlieues: La négritude dans le discours postcolonial francophone. Paris: L'Harmattan, 2012.

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5

Miller, Christopher L. Blank Darkness: Africanist Discourse in French. University Of Chicago Press, 1986.

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6

Miller, Christopher L. Blank Darkness: Africanist Discourse in French. University Of Chicago Press, 1986.

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7

Moyo, Otrude Nontobeko. Africanity and Ubuntu As Decolonizing Discourse. Springer International Publishing AG, 2022.

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8

Moyo, Otrude Nontobeko. Africanity and Ubuntu As Decolonizing Discourse. Springer International Publishing AG, 2021.

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9

Silences in NGO discourse: The role and future of NGOs in Africa. Fahamu, 2007.

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10

Nartey, Mark. Political Myth-Making, Nationalist Resistance and Populist Performance: Examining Kwame Nkrumah's Construction and Promotion of the African Dream. Routledge, Chapman & Hall, Incorporated, 2022.

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11

Nartey, Mark. Political Myth-Making, Nationalist Resistance and Populist Performance: Examining Kwame Nkrumah's Construction and Promotion of the African Dream. Taylor & Francis Group, 2022.

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12

Political Myth-Making, Nationalist Resistance and Populist Performance: Examining Kwame Nkrumah's Construction and Promotion of the African Dream. Taylor & Francis Group, 2022.

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13

Milazzo, Kathy M. Black Erased. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.004.

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One of flamenco’s many palos, or forms, is the tango, which was transported as the tango de negros or tangos de Americas from Cuba to Spain in the mid-nineteenth century. There, it was transformed into the tango de gitanos and the tango flamenco, an action which disassociated it from its Africanist roots. In order to illustrate the consequences of omitting negro references to the tango in flamenco narratives, this chapter addresses the mechanisms of myth-making in the construction of identity as the Cuban tango was appropriated and subsumed into the flamenco repertoire. This chapter argues that despite the open acknowledgement of negro influences in southern Spanish dance in the early nineteenth century, negotiations during the development of Spain’s national identity affected the eventual denial of the tango as “negro” because concepts of negro were less valued as imperial commodities in Romantic discourses.
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Shankar, Shobana. An Uneasy Embrace. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197619407.001.0001.

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The entwined histories of Blacks and Indians defy easy explanation. From Ghanaian protests over Gandhi statues to American Vice President Kamala Harris's story, this relationship--notwithstanding moments of common struggle--seethes with conflicts that reveal how race reverberates throughout the modern world. Shobana Shankar's groundbreaking intellectual history tackles the controversial question of how Africans and Indians make and unmake their differences. Drawing on archival and oral sources from seven countries, she traces how economic tensions surrounding the Indian diaspora in East and Southern Africa collided with widening Indian networks in West Africa and the Black Atlantic, forcing a racial reckoning over the course of the twentieth century. While decolonization brought Africans and Indians together to challenge Euro-American white supremacy, discord over caste, religion, sex and skin color simmered beneath the rhetoric of Afro-Asian solidarity. This book examines the cultural movements, including Pan-Africanism and popular devotionalism, through which Africans and Indians made race consciousness, alongside economic cooperation, a moral priority. Yet rising wealth and nationalist amnesia now threaten this postcolonial ethos. Calls to dismantle statues, from Dakar to Delhi, are not mere symbolism. They express new solidarities which seek to salvage dissenting histories and to preserve the possibility of alternative futures.
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15

Marshall, Clem. Du mot injuste au mot juste: Count(er)ing costs of black holocausts, a panAfrikan approach to education. 2005.

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