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1

Melling, P. "Evolution of digitisers at TDS-Numonics since 1987." Cartographic Journal 28, no. 1 (June 1991): 51–54. http://dx.doi.org/10.1179/caj.1991.28.1.51.

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2

Hills, Roger, and Joyce‐Loebl. "What's in a picture? — film digitisers provide the answer." Sensor Review 7, no. 1 (January 1987): 12–14. http://dx.doi.org/10.1108/eb007708.

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3

Szplet, R. "Auto-tuned counter synchronisation in FPGA-based interpolation time digitisers." Electronics Letters 45, no. 13 (2009): 671. http://dx.doi.org/10.1049/el.2009.3362.

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4

Ali, Abdalla Elsadig. "Tablet digitisers as measuring tools in aerial triangulation for cadastral purposes." Australian Surveyor 34, no. 3 (September 1988): 301–6. http://dx.doi.org/10.1080/00050326.1988.10438525.

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5

Cang, Jirong, Tao Xue, Ming Zeng, Zhi Zeng, Hao Ma, Jianping Cheng, and Yinong Liu. "Optimal design of waveform digitisers for both energy resolution and pulse shape discrimination." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 888 (April 2018): 96–102. http://dx.doi.org/10.1016/j.nima.2018.01.064.

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6

Viganò, W., M. Alsdorf, B. Dehning, M. Kwiatkowski, G. G. Venturini, and C. Zamantzas. "10 orders of magnitude current measurement digitisers for the CERN beam loss systems." Journal of Instrumentation 9, no. 02 (February 13, 2014): C02011. http://dx.doi.org/10.1088/1748-0221/9/02/c02011.

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7

Polčák, Radim. "Digitisation, Cultural Institutions and Intellectual Property." Masaryk University Journal of Law and Technology 9, no. 2 (September 30, 2015): 121–41. http://dx.doi.org/10.5817/mujlt2015-2-7.

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Digitisation of cultural content represents one of most challenging problems of contemporary IP law. Cultural artefacts, let it be books, paintings or 3D objects, are often very old, so there are no issues in copyright protection of their content. However, the public availability of such content is in these cases strongly limited namely due to physical conditions of the carriers and subsequent conservation demands.Digitisation might serve here as powerful enabler of re-use of these works that are frequently of enormous cultural value. On the other hand, getting useful (and re-usable) digital images of 2D or 3D cultural objects means to invest into advanced technologies that are able to capture the respective content while protecting its fragile carriers from physical damage or destruction. Consequently, there is a need for business models that can motivate investors by offering them valuable consideration for such efforts.Recently, such business models are based namely on exclusive agreements between digitisers and cultural institutions that, together with specific copyright protection of digitised images in some jurisdictions, create new form of legal barriers to re-use of even very old cultural content. The paper critically discusses these new restrictive legal instruments namely in the light of the revised PSI re-use directive.
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8

Whitlow, Harry J. "System on chip (SoC) microcontrollers ( μ C) as digitisers for ion beam analysis (IBA) instruments." Nuclear Instruments and Methods in Physics Research Section B: Beam Interactions with Materials and Atoms 383 (September 2016): 245–49. http://dx.doi.org/10.1016/j.nimb.2016.05.033.

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9

Piton, Jean-Pierre. "Artists’ Files: a digitisation experiment at the MNAM-CCI." Art Libraries Journal 25, no. 1 (2000): 17–18. http://dx.doi.org/10.1017/s0307472200011391.

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Research in preparation for an exhibition provided the opportunity for the Documentation Centre of the Musée Nationale d’Art Moderne-Centre de Création Industrielle to carry out an experiment to digitise one of its 30,000 artists’ files, on the group Supports-Surfaces. The navigation principle adopted allows easy access to the file’s contents, which have been divided into four documentation types. A database giving references to the digitised documents facilitates user research.
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10

Timms, Martin. "Three-dimensional digitiser." Computing & Control Engineering Journal 1, no. 5 (1990): 219. http://dx.doi.org/10.1049/cce:19900063.

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11

Timms, Martin. "Three-dimensional digitiser." Electronics Education 1990, no. 1 (1990): 19–23. http://dx.doi.org/10.1049/ee.1990.0009.

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12

Vogel, Ivo, and Elisabeth Schrecklinger. "Retrospective Digitisation of Legal Sources in Germany." Legal Information Management 14, no. 2 (June 2014): 105–9. http://dx.doi.org/10.1017/s1472669614000279.

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AbstractThis article, written by Ivo Vogel and Elisabeth Schrecklinger, deals with the efforts of German libraries to digitise historical legal sources and make them publicly available. Although the main focus is on two selected libraries, a general overview is included. Commercial products are not considered since their contents are likely to become increasingly less relevant due to German law libraries' own initiatives. More attention is paid to problems that have been identified during the implementation of digitisation projects such as the recording of full texts is highlighted. The retrieval of digitised legal materials and, eventually, the digitisation of historical legal gazettes or parliamentary literature is also discussed. This contribution focuses exclusively on the retrospective digitisation of historical legal materials.
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13

Hunter, Karen. "Elsevier digitises scientific heritage." Serials: The Journal for the Serials Community 15, no. 3 (November 1, 2002): 225–27. http://dx.doi.org/10.1629/15225.

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14

Gao, Jin, James T. Thorson, Cody Szuwalski, and Hui-Yu Wang. "Historical dynamics of the demersal fish community in the East and South China Seas." Marine and Freshwater Research 71, no. 9 (2020): 1073. http://dx.doi.org/10.1071/mf18472.

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Taiwan has a long history of fishery operations and contributes significantly to the global fishery harvest. The East and South China seas are important fishing grounds for which publicly available data are very limited. More efforts are needed to digitise and analyse historical catch rate data to illuminate species and community changes in this region. In this study we digitised historical records of catch and effort from government fishery reports for nine commercial species caught by otter trawl, and reported quarterly from 1970 to 2001, from the East and South China seas. We analysed the four seasons and present abundance indices, distributions and among-species correlations for nine commercially important species from 1970 to 1988 (a period with high fishing effort) using a multispecies spatiotemporal model that estimates both covariation in multispecies catch rates, attributed to spatial habitat preferences and environmental responses, and indices representing trends in abundance and distribution. We found substantial spatial, temporal and spatiotemporal variation in the distribution of fishes and season-specific patterns. We recommend collaborative work from various adjacent countries to digitise historical records of fishing catch rates, because more records would potentially address scientific disagreements regarding trends in the abundance and distribution of commercial fishes in this region through comparative studies.
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15

Swindells, M. "Digitised Healthcare." ITNOW 53, no. 6 (November 22, 2011): 43. http://dx.doi.org/10.1093/itnow/bwr066.

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16

Phillips, Carina. "Digitised Diseases." Bulletin of the Royal College of Surgeons of England 95, no. 5 (May 1, 2013): 164–65. http://dx.doi.org/10.1308/003588413x13643054409342.

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Over the past year RCS museum staff have been working on a project called Digitised Diseases. This Joint Information Systems Committee (JISC)-funded project is a collaboration with the university of Bradford and Museum of London Archaeology (MOLA). Digitised Diseases aims to bridge the gap between modern clinical medicine, historic medical collections and archaeological assemblages in the study of osteological pathology. The project will produce an archive of 3D case studies of exemplar specimens that can be studied virtually.
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17

Copeland, Peter. "Project Digitise." Information Services & Use 16, no. 3-4 (July 1, 1996): 199–208. http://dx.doi.org/10.3233/isu-1996-163-408.

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18

Takano, Atsuko, Yasuhiko Horiuchi, Yu Fujimoto, Kouta Aoki, Hiromune Mitsuhashi, and Akira Takahashi. "Simple but long-lasting: A specimen imaging method applicable for small- and medium-sized herbaria." PhytoKeys 118 (February 18, 2019): 1–14. http://dx.doi.org/10.3897/phytokeys.118.29434.

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Major international herbaria, natural history museums and universities have recently begun to digitise their collections to facilitate studies and improve access to collections. In Japan, more than 10 million herbarium specimens are housed in various universities/museums; however, only 1% of these have been digitised. In this paper, we describe a new method for imaging herbarium specimens that is applicable to local/small herbaria. It is safe, fast, simple and inexpensive, but also satisfies usage guidelines for minimum image quality and can produce digital files suitable for long-term storage and future post production. During an eight-month trial at the Museum of Nature and Human Activities, Hyogo, with three part-time workers using a custom-made copy stand and a mirrorless interchangeable lens camera with a large LED light bank system, we were able to image 73,180 herbarium specimens (571 per day on average), obtaining two RAW and two JPEG files for each specimen.
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19

Johnson, Valerie, Sonia Ranade, and David Thomas. "Size matters." Records Management Journal 24, no. 3 (November 11, 2014): 224–37. http://dx.doi.org/10.1108/rmj-01-2014-0004.

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Purpose – This paper aims to focus on a highly significant yet under-recognised concern: the huge growth in the volume of digital archival information and the implications of this shift for information professionals. Design/methodology/approach – Though data loss and format obsolescence are often considered to be the major threats to digital records, the problem of scale remains under-acknowledged. This paper discusses this issue, and the challenges it brings using a case study of a set of Second World War service records. Findings – TNA’s research has shown that it is possible to digitise large volumes of records to replace paper originals using rigorous procedures. Consequent benefits included being able to link across large data sets so that further records could be released. Practical implications – The authors will discuss whether the technical capability, plus space and cost savings will result in increased pressure to retain, and what this means in creating a feedback-loop of volume. Social implications – The work also has implications in terms of new definitions of the “original” archival record. There has been much debate on challenges to the definition of the archival record in the shift from paper to born-digital. The authors will discuss where this leaves the digitised “original” record. Originality/value – Large volumes of digitised and born-digital records are starting to arrive in records and archive stores, and the implications for retention are far wider than simply digital preservation. By sharing novel research into the practical implications of large-scale data retention, this paper showcases potential issues and some approaches to their management.
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20

Green, Andrew. "Big digitisation: Origins, progress and prospects." International Journal of Humanities and Arts Computing 4, no. 1-2 (October 2010): 55–66. http://dx.doi.org/10.3366/ijhac.2011.0007.

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The digitisation of print publications began on a small scale. In 2005 it entered a new phase, mass digitisation, with the beginning of Google's Books programme. This aimed to convert whole collections and libraries into electronic form. A US challenge to Google's digitisation plans in 2005 led to a complex legal dispute, between the company and authors, publishers and others, which remains unresolved. The advantages of the revised ‘Google Books Settlement’ (November 2009) are described, as well as the serious objections to it: these include uncertainties about ownership and use of the digitised texts and their long-term preservation, the quality of digitisation, monopoly of mass digitisation activity, and the fact that Google is not a permanent trusted institution. Alternatives to Google are analysed from the point of view of libraries and others wishing to digitise collections: these include public sponsorship and private partnerships. Future uses of the product of mass digitisation are hard to predict. Among them may be novel ways of analysing large corpora of unstructured text, and substantial interaction with contributor-users.
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21

Steinhubl, Steven R., Patrick McGovern, Jesse Dylan, and Eric J. Topol. "The digitised clinical trial." Lancet 390, no. 10108 (November 2017): 2135. http://dx.doi.org/10.1016/s0140-6736(17)32741-1.

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22

Blackham, Jeremy. "Handling the digitised battlespace." RUSI Journal 145, no. 1 (February 2000): 33–37. http://dx.doi.org/10.1080/03071840008446485.

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23

Johnstone, A., M. F. Lewis, J. D. Hares, and P. A. Kellet. "High-speed opto-electronic transient waveform digitiser." Computer Standards & Interfaces 23, no. 2 (May 2001): 73–84. http://dx.doi.org/10.1016/s0920-5489(01)00061-7.

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24

Ellis, John. "Why Digitise Historical Television?" Making Sense of Digital Sources 1, no. 1 (February 21, 2012): 27. http://dx.doi.org/10.18146/2213-0969.2012.jethc005.

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Digitisation of historic TV material is driven by the widespread perception that archival material should be made available to diverse users. Yet digitisation alters the material, taking away any lingering sense of presence. Digitisation and online access, however, offer startling new possibilities. The article offers three: use of material in language teaching and learning; use in dementia therapy; and applications as data in medical research. All depend on ordinary TV for their effectivity.
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25

Guthrie, J. A., J. D. Clark, L. Jiang, and A. J. Cunningham. "A microcomputer-based transient digitiser with 1μs resolution." Journal of Physics E: Scientific Instruments 20, no. 10 (October 1987): 1284–85. http://dx.doi.org/10.1088/0022-3735/20/10/030.

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26

Verdun, F. R., C. Hoeschen, M. Pachoud, R. Moeckli, P. Schnyder, and J. F. Valley. "Quality Assurance Programme for a Radiological Film Digitiser." Radiation Protection Dosimetry 90, no. 1 (August 1, 2000): 253–58. http://dx.doi.org/10.1093/oxfordjournals.rpd.a033132.

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27

Maidment, Brian, Julia Thomas, Jonathan Smith, John van Wyhe, and Juliet John. "REVIEWS OF DIGITISED SCHOLARLY RESOURCES." Journal of Victorian Culture 13, no. 1 (January 2008): 108–24. http://dx.doi.org/10.3366/e1355550208000131.

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28

Gede, Mátyás, and Anna Farbinger. "Displaying Annotations for Digitised Globes." Proceedings of the ICA 1 (May 16, 2018): 1–3. http://dx.doi.org/10.5194/ica-proc-1-46-2018.

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Thanks to the efforts of the various globe digitising projects, nowadays there are plenty of old globes that can be examined as 3D models on the computer screen. These globes usually contain a lot of interesting details that an average observer would not entirely discover for the first time. The authors developed a website that can display annotations for such digitised globes. These annotations help observers of the globe to discover all the important, interesting details. Annotations consist of a plain text title, a HTML formatted descriptive text and a corresponding polygon and are stored in KML format. The website is powered by the Cesium virtual globe engine.
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29

Bide, Mark, Charles Oppenheim, and Anne Ramsden. "Charging mechanisms for digitised texts." Learned Publishing 11, no. 2 (April 1998): 109–18. http://dx.doi.org/10.1087/09531519850146490.

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30

Mukherji, Rahul. "Digitised Trade Rules and India." South Asian Survey 11, no. 1 (March 2004): 21–33. http://dx.doi.org/10.1177/097152310401100103.

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31

Lupton, Deborah. "Digitised health, medicine and risk." Health, Risk & Society 17, no. 7-8 (February 2016): 473–76. http://dx.doi.org/10.1080/13698575.2015.1143247.

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32

Xia, Yin, Yongxiang Wei, Demin Han, Xiping Li, Xiaobin Zhang, and Erzhong Fan. "Study on digitised otorhinolaryngology anatomy." International Congress Series 1268 (June 2004): 1303. http://dx.doi.org/10.1016/j.ics.2004.03.369.

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33

McGibbon, Scott, Mohamed Abdel-Wahab, and Ming Sun. "Towards a digitised process-wheel for historic building repair and maintenance projects in Scotland." Journal of Cultural Heritage Management and Sustainable Development 8, no. 4 (November 19, 2018): 465–80. http://dx.doi.org/10.1108/jchmsd-08-2017-0053.

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Purpose With the increasing demand for high-quality economical and sustainable historic building repair and maintenance (R&M) allied with the perennial problem of skills shortages (project management (PM) and on-site practice) investment in new technologies becomes paramount for modernising training and practice. Yet, the historic R&M industry, in particular small- and medium-sized enterprises have yet to benefit from digital technologies (such as laser scanning, virtual reality and cloud computing) which have the potential to enhance performance and productivity. The paper aims to discuss these issues. Design/methodology/approach A qualitative participatory action research approach was adopted. One demonstration project (Project A) exhibiting critical disrepair, showcasing the piloting of a five phased digitised “process-wheel” intended to provide a common framework for facilitating collaboration of project stakeholders thereby aiding successful project delivery is reported. Five semi-structured interviews were conducted with industry employers to facilitate the process-wheel concept development. Findings Implementing only Phase 1 of the digitised “process-wheel” (e-Condition surveying incorporating laser scanning) resulted in an estimated 25-30 per cent cost and time savings, when compared to conventional methods. The accrued benefits are twofold: provide a structured standardised data capturing approach that is shared in a common project repository amongst relevant stakeholders; inform the application of digital technologies to attain efficiencies across various phases of the process-wheel. Originality/value This paper has provided original and valuable information on the benefits of modernising R&M practice, highlighting the importance of continued investment in innovative processes and new technologies for historic building R&M to enhance existing practice and in form current training provision. Future work will focus on further piloting and validation of the process-wheel in its entirety on selected demonstration projects with a view of supporting the industry to digitise its workflows and going fully digital to realise optimum process efficiencies.
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34

Akira, OKADA. "Inexpensive computer-digitiser system for image and statistical analysis." Annals of physiological anthropology 5, no. 1 (1986): 59–66. http://dx.doi.org/10.2114/ahs1983.5.59.

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35

Moreno, Margarita, and Anne Xu. "Innovation during evolution: Document Supply Service digitises library collections." Interlending & Document Supply 42, no. 1 (February 11, 2014): 1–6. http://dx.doi.org/10.1108/ilds-01-2014-0008.

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Purpose – The purpose of this paper is to discuss the development of digitisation practices at the National Library of Australia Document Supply Service, its convergence with similar efforts in the Library's Digitisation and Photography Branch, and how the Library used Relais to manage and report on its digitisation activities. Design/methodology/approach – The authors use a case study approach and their own personal experiences with implementing these services. Findings – Digitisation based on ILL/DD user demand contributes to building a library's digital collections and helps to preserve valuable collections. Libraries are encouraged to seize opportunities that help to achieve its strategic goals, experiment with new and different approaches and technologies, persevere in the face of obstacles or slow uptake of ideas and solutions, and never stop looking for opportunities to improve user services. Originality/value – This paper was originally presented at the IFLA World Library and Information Congress, 79th IFLA General Conference and Assembly, 17-23 August 2013, Singapore, Session 200, “Strengthening Access to Information: The Future of Resource Sharing”.
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36

Lee, Kim Kheng, Ee Chon Teo, Tian Xia Qiu, Hong Wan Ng, and Kai Yang. "Finite element modelling of lumbar motion segment using digitiser." International Journal of Computer Applications in Technology 21, no. 1/2 (2004): 23. http://dx.doi.org/10.1504/ijcat.2004.005335.

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37

Katvars, S. G., B. T. McCluskey, and J. M. Pentney. "A fastbus digitiser for the UA2 scintillating fibre detector." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 276, no. 3 (April 1989): 482–91. http://dx.doi.org/10.1016/0168-9002(89)90573-1.

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38

Schwartz, Werner. "The DIEPER Project, DIgitised European PERiodicals." LIBER Quarterly 9, no. 3 (May 19, 1999): 298. http://dx.doi.org/10.18352/lq.7547.

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39

Zhu, Y., and L. D. Seneviratne. "Optimal polygonal approximation of digitised curves." IEE Proceedings - Vision, Image, and Signal Processing 144, no. 1 (1997): 8. http://dx.doi.org/10.1049/ip-vis:19970985.

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40

Hartmut Walravens. "A Note on Digitised Manchu Texts." Central Asiatic Journal 60, no. 1-2 (2017): 341. http://dx.doi.org/10.13173/centasiaj.60.1-2.0341.

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41

Alfred, J., and J. Smith. "Pointing a digit at digitised JEEM." Development 135, no. 14 (July 15, 2008): 2339. http://dx.doi.org/10.1242/dev.025148.

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42

Kontogianni, G., R. Chliverou, A. Koutsoudis, G. Pavlidis, and A. Georgopoulos. "ENHANCING CLOSE-UP IMAGE BASED 3D DIGITISATION WITH FOCUS STACKING." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 18, 2017): 421–25. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-421-2017.

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The 3D digitisation of small artefacts is a very complicated procedure because of their complex morphological feature structures, concavities, rich decorations, high frequency of colour changes in texture, increased accuracy requirements etc. Image-based methods present a low cost, fast and effective alternative because laser scanning does not meet the accuracy requirements in general. A shallow Depth of Field (DoF) affects the image-based 3D reconstruction and especially the point matching procedure. This is visible not only in the total number of corresponding points but also in the resolution of the produced 3D model. The extension of the DoF is a very important task that should be incorporated in the data collection to attain a better quality of the image set and a better 3D model. An extension of the DoF can be achieved with many methods and especially with the use of the focus stacking technique. In this paper, the focus stacking technique was tested in a real-world experiment to digitise a museum artefact in 3D. The experiment conditions include the use of a full frame camera equipped with a normal lens (50mm), with the camera being placed close to the object. The artefact has already been digitised with a structured light system and that model served as the reference model in which 3D models were compared and the results were presented.
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43

Isıtman, Odul. "All that is solid is being digitised." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 4 (September 24, 2019): 1–7. http://dx.doi.org/10.18844/prosoc.v6i4.4350.

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This article entitled ‘All that is solid is being digitised’ will discuss on the basis of the field of art in the uncertainty, insecurity and unsafety context of the post-truth period and the dynamics which make it exist. Today all that is solid is being digitised. We are living in the post-digital period in which the experiences in the digital world complement the experiences in real life and the borders in-between are blurred and create a new meaning. In Baudrillard’s (2011) words, we are somewhere beyond the hyper-reality where fiction is more real than the reality. In some place where everyone distorts everything according to herself/himself and determine her/his own reality, in a place which is uncertain, insecure and unsafe. In such a world, Art needs to make a choice, now. It will either redefine its sphere of freedom, or it will adapt to the system by being drawn into the wheels, the whirlpool of the post-truth world. Keywords: Post-truth, post-modern, post-humanism, post-digital, truth, virtual, millennials (Generation Y), freedom.
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44

Yeadon, M. R., and M. A. King. "A method for synchronising digitised video data." Journal of Biomechanics 32, no. 9 (September 1999): 983–86. http://dx.doi.org/10.1016/s0021-9290(99)00083-4.

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45

Stock, J. "The Analysis of Digitised Objective Prism Spectra." International Astronomical Union Colloquium 148 (1995): 186–91. http://dx.doi.org/10.1017/s0252921100021898.

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AbstractA method for a fully automatic reduction of digitised objective prism spectra is developed. It leads to positions and radial velocities, magnitudes and intensities of spectral lines. The latter then can be used for classification purposes. The system is tested with plates taken with a specific telescope-prism-filter combination.
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46

Abousetta, M. M., and D. C. Cooper. "Noise analysis of digitised FMCW radar waveforms." IEE Proceedings - Radar, Sonar and Navigation 145, no. 4 (1998): 209. http://dx.doi.org/10.1049/ip-rsn:19981310.

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47

MAIA, M., A. XAVIER, H. LOPES, S. PESCO, and G. TAVARES. "EXTRACTION OF TERRAIN DATA FROM DIGITISED CONTOURS." International Journal of Shape Modeling 07, no. 01 (June 2001): 59–74. http://dx.doi.org/10.1142/s0218654301000059.

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48

Batori, Anna. "Eastern European cinemas in the digitised era." Studies in Eastern European Cinema 9, no. 2 (March 14, 2018): 179–81. http://dx.doi.org/10.1080/2040350x.2018.1446114.

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49

Yolmo, Nima Lamu. "Digitised money transactions and cultures of malling." Contributions to Indian Sociology 48, no. 3 (October 2014): 307–31. http://dx.doi.org/10.1177/0069966714540239.

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50

Colleran, Andrew. "Information in bits: approaches to digitised content." VINE 30, no. 1 (January 2000): 14–21. http://dx.doi.org/10.1108/eb040735.

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