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1

Glouftsios, Georgios. Engineering Digitised Borders. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-3402-4.

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2

MacGillivray, H. T., and E. B. Thomson, eds. Digitised Optical Sky Surveys. Dordrecht: Springer Netherlands, 1992. http://dx.doi.org/10.1007/978-94-011-2472-0.

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3

Rajiv Gandhi Institute for Contemporary Studies., ed. The governance of digitised trade taxation. New Delhi: Rajiv Gandhi Institute for Contemporary Studies, 2002.

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4

Garnham, J. P. Automated motion analysis of digitised ultrasound images. Manchester: UMIST, 1995.

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5

Frater, Michael R. Communications electronic warfare and the digitised battlefield. Duntroon, ACT: Land Warfare Studies Centre, 2001.

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6

Inc, ebrary, ed. Mesotext: Digitised emblems, modelled annotations and humanities scholarship. Amsterdam: Pallas Publications, 2009.

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7

Schinke, Wolfgang Josef. A concept for surface reconstruction from digitised data. Leicester: De Montfort University, 2001.

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8

T, MacGillivray H., and Thomson E. B, eds. Digitised optical sky surveys: Proceedings of the Conference on "Digitised Optical Sky Surveys" held in Edinburgh, Scotland, 18-21 June 1991. Dordrecht: Kluwer Academic Publishers, 1992.

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9

The revolution will be digitised: Dispatches from the information war. London: William Heinemann, 2011.

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10

Burnhill, P. M. Catalogue of digitised boundary files for England and Wales held by Edinburgh University Data Library. Edinburgh: Regional Research Laboratory for Scotland, 1992.

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11

Sinton, Joyce M. The influence of the addition of restorations on the diagnosis of caries from digitised bitewing images. [Toronto: Faculty of Dentistry, University of Toronto], 1995.

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12

Monotype quality digitised typography. Salfords, Surrey: Monotype Corporation Ltd., 1985.

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13

Monotype quality digitised typography. 1988.

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14

Lupton, Deborah. Digitised Health, Medicine and Risk. Taylor & Francis Group, 2016.

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15

Victimisation in a Digitised Society. Eleven International Publishing, 2013.

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16

Lupton, Deborah. Digitised Health, Medicine and Risk. Routledge, 2018. http://dx.doi.org/10.4324/9781315447926.

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17

Centre, Manchester Computing. Accessing the 1991 Census digitised boundary data. Manchester Computing Centre, 1996.

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18

Revolution Will Be Digitised: Dispatches from the Information War. Penguin Random House, 2012.

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19

MacGillivray, H. T. Digitised Optical Sky Surveys: Proceedings of the Conference on 'Digitised Optical Sky Surveys' Held in Edinburgh, Scotland, 18-21 June 1991. Ingramcontent, 2012.

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20

Handsworth Technical College. Computerised Communications Network Project., Mast Learning Systems, and Training Agency, eds. Provision of distance tutoring using digitised voice and data transmission. Sheffield: Training Agency, 1989.

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21

Trusted: The human approach to building outstanding client relationships in a digitised world. Practical Inspiration Publishing, 2017.

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22

Ethical Implications of the Global Use of Digitised Biomedical and Biometric Data Workshop Proceedings. IOS Press, 2011.

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23

Chitonge, Horman, and Ntom'fikile Mazibuko. Social Welfare Policy in South Africa: From the Poor White Problem to a "Digitised Social Contract". Lang Publishing, Incorporated, Peter, 2019.

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24

Louchene, Ahmed. Videodigitiser and frame buffer controlled by the 68000: A design and implementation of a system which captures, digitises and stores a single frame ---. Bradford, 1987.

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25

Mendis, Sunimal. A Copyright Gambit: On the Need for Exclusive Rights in Digitised Versions of Public Domain Textual Materials in Europe. Springer, 2019.

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26

Egger de Campo, Marianne, and Olaf Resch, eds. Digitalität@HWR. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748905318.

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Recently, cultural and media theorists have intensively studied the effects of the digital revolution on various spheres of contemporary life. Yet, what is the result of scholars applying this perspective to the inner lives of universities themselves? This anthology, edited by Marianne Egger de Campo und Olaf Resch, explores the experiences of teachers at the Berlin School of Economics and Law with digitised teaching and learning. The views of the eleven authors on university teaching and organisation highlight the particular practices of digital culture at universities. With contributions by Prof. Dr. Gert Faustmann, Prof. Dr. Rainer Rumpel, Prof. Dr. Hartmut Aden, Prof. Dr. Andreas Schmietendorf, Prof. Dr. Claudia Lemke, Dipl.-Medieninf. Aglika Yankova, Julia Gunnoltz, M.A., Prof. Dr. Marcus Birkenkrahe, Prof. Dr. Beatrix Dietz, Prof. Dr. Martina Eberl, Prof. Dr. Andreas Polk, Dr. Jessica Ordemann, Prof. Dr. Susanne Meyer
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27

Mason, Nicholas, and Tom Mole, eds. Romantic Periodicals in the Twenty-First Century. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448123.001.0001.

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While the twenty-first century has brought a wealth of new digital resources for researching late eighteenth- and early nineteenth-century serials, the subfield of Romantic periodical studies has remained largely inchoate. This collection sets out to begin tackling this problem, offering a basic groundwork for a branch of periodical studies that is distinctive to the concerns, contexts and media of Britain’s Romantic age. Featuring eleven chapters by leading experts on the subject, it showcases the range of methodological, conceptual and literary-historical insights to be drawn from just one of the era’s landmark literary periodicals, Blackwood’s Edinburgh Magazine. Drawing in particular on the trove of newly digitised content, specific essays model how careful analyses of the incisive and often inflammatory commentary, criticism and original literature from Blackwood’s first two decades (1817–37) might inform and expand many of the most vibrant contemporary discussions surrounding British Romanticism.
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28

Kassell, Lauren. Paper Technologies, Digital Technologies: Working with Early Modern Medical Records. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474400046.003.0006.

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As the digital revolution takes hold, historians have begun to reflect on the ways in which paper technologies – the codex, notebook, printed book and their indexes, annotations and tools of ordering – have come into being and contributed to the production of knowledge. Objects that were once considered evidence for historical inquiry have become their subjects.1 The same reflexivity applies to notions of evidence, observation and objectivity, often labelled as facts and data, which have themselves been historically studied. This chapter is about what happens when historians use digital technologies to understand paper technologies. It draws on my work to digitise one of the largest surviving sets of medical records in history, a series of 80,000 seventeenth-century astrological cases bound in sixty-four thick volumes. I call this the Casebooks Project. This work, as this chapter explains, is an experiment in the history of medicine and digital humanities.3 It uses new digital technologies to understand what were, in the seventeenth century, new paper technologies. Questions of evidence and its representation and analysis are central to this endeavour.
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29

Mayes, Sean, and Sarah K. Whitfield. An Inconvenient Black History of British Musical Theatre. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350119666.

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A radically urgent intervention, An Inconvenient Black History of British Musical Theatre: 1900 - 1950 uncovers the hidden Black history of this most influential of artforms. Drawing on lost archive material and digitised newspapers from the turn of the century onwards, this exciting story has been re-traced and restored to its rightful place. A vital and significant part of British cultural history between 1900 and 1950, Black performance practice was fundamental to resisting and challenging racism in the UK. Join Mayes (a Broadway- and Toronto-based Music Director) and Whitfield (a musical theatre historian and researcher) as they take readers on a journey through a historically-inconvenient and brilliant reality that has long been overlooked. Get to know the Black theatre community in London’s Roaring 20s, and hear about the secret Florence Mills memorial concert they held in 1928. Acquaint yourself with Buddy Bradley, Black tap and ballet choreographer, who reshaped dance in British musicals - often to be found at Noël Coward’s apartment for late-night rehearsals, such was Bradley’s importance. Meet Jack Johnson, the first African American Heavyweight Boxing Champion, who toured Britain’s theatres during World War 1 and brought the sounds of Chicago to places like war-weary Dundee. Discover the most prolific Black theatre practitioner you’ve never heard of, William Garland, who worked for 40 years across multiple continents and championed Black British performers. Marvel at performers like cabaret star Mabel Mercer, born in Stafford in 1900, who sang and conducted theatre orchestras across the UK, as well as Black Birmingham comedian Eddie Emerson, who was Garland’s partner for decades. Many of their names and works have never been included in histories of the British musical - until now.
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30

Cross, Máire Fedelma. In the Footsteps of Flora Tristan. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622454.001.0001.

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Through the use of the tropes of intersectionality and transnationalism, this first-ever study of Jules Puech (1879–1957), is a double biography as it makes an intergenerational journey through his life’s work on Flora Tristan (1803–1844), feminist and socialist. Materials from the mid-nineteenth century press found from digitised searches extends knowledge of the advance of Flora Tristan’s political reputation. Its transmission beyond her notoriety as a radical during her lifetime was conveyed by both political activists and scholars. A key feature of the success of Puech is that he considered knowledge of her legacy as a significant ingredient of the nascent labour history of France of which he was part. My work claims that his biography was a major contribution to scholarship. It began when, as a postgraduate student in Paris in the 1900s, he completed his first doctoral thesis on Proudhonian influence on the first internationalist labour movements in France. My book explains the circumstances of how he embarked on the first in-depth biography of Flora Tristan and published it sixteen years later in 1925. By then Puech was unmatched in his knowledge of networks of activists who sustained the memory of early socialists, among them Flora Tristan. An independent scholar with a full-time job he was equally committed elsewhere. He and his suffragist feminist wife Marie-Louise, née Milhau, (1876–1966), also from a Protestant family of the Tarn, worked tirelessly for the pacifist movement, La Paix par le Droit. How his Flora Tristan study was thwarted by the wars of 1914–1918 and 1939–1945 is equally significant. In 1939, he handed both the original Flora Tristan journal and the typed manuscript of his edited Flora Tristan journal Tour de France to the newly established International Institute of Social History in Paris on the understanding that it would publish his work but was powerless to prevent their war-time disappearance. Their eventual recovery in Amsterdam came after his death, too late for him to see the fruition of his cherished project but available for trade-unionist Michel Collinet to publish his annotated edition in 1973, 130 years after Flora Tristan had begun to record her political campaign for a workers’ universal union. The double biography reveals both the multifaceted nature of feminism, socialism and pacifism in activism and the shaping of labour history as an academic subject in France of the first half of the twentieth century.
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