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Published: 22 October 2022

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1

Smith, Abby. New-model scholarship: How will it survive? Washington: Council on Library and Information Resources, 2003.

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2

Fossati, Giovanna. From Grain to Pixel. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789463725002.

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In From Grain to Pixel, Giovanna Fossati analyzes the transition from analog to digital film and its profound effects on filmmaking and film archiving. Reflecting on the theoretical conceptualization of the medium itself, Fossati poses significant questions about the status of physical film and the practice of its archival preservation, restoration, and presentation. From Grain to Pixel attempts to bridge the fields of film archiving and academic research by addressing the discourse on film's ontology and analyzing how different interpretations of what film is affect the role and practices of film archives. By proposing a novel theorization of film archival practice, Fossati aims to stimulate a renewed dialogue between film scholars and film archivists. Almost a decade after its first publication, this revised edition covers the latest developments in the field. Besides a new general introduction, a new conclusion, and extensive updates to each chapter, a novel theoretical framework and an additional case study have been included.
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3

The Hengwrt Chaucer Research Edition CD: Digital Facsimile (Individual Licence) (Scholarly Digital Editions). Scholarly Digital Editions, 2002.

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4

The Hengwrt Chaucer Research Edition CD: A Digital Facsimile (Institutional Licence) (Scholarly Digital Editions). Scholarly Digital Editions, 2002.

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5

Régnier, Philippe. Ongoing Challenges for Digital Critical Editions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0003.

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This chapter focuses on the issues at stake in digital scholarly edition, commenting on the main challenges and opportunities that the use of digital technology, computers, and dynamic schemas in online publication of critical editions entails. It emphasizes how the new digital environment can modify and perhaps extend textual criticism's scope and reach. Particular attention is given to societal, epistemological, and cultural factors that can influence the evolution of the discipline; to the rapid change and transformation rhythm; to the inherent instability of new digital environments; and finally, to the multiplicity of the varied representational frameworks that can compete within a digital structure.
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6

Hillesund, Terje, and Claire Bélisle. What Digital Remediation Does to Critical Editions and Reading Practices. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0005.

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This chapter analyzes critical edition digitization ambitions, ranging from the conception and aims of editors to the expectations of readers. The first part deals with issues and questions raised by the digital trend in scholarly text editions as they migrate from one media to another. The chapter explains, through the concept of remediation, how the traits and configuration of editions that are present in print technology live on in digital technology, even though text creation and dissemination have profoundly changed. Digital remediation of text is taking place within a digital context impelling new reading habits. The remainder of the chapter explores these new emerging reading practices, coupled with a probing of readers' expectations.
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7

Dante's Monarchia (Scholarly Digital Editions) (Scholarly Digital Editions). Scholarly Digital Editions, 2006.

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8

Shaw, Prue. Dante's Monarchia> (Scholarly Digital Editions) (Scholarly Digital Editions). Scholarly Digital Editions, 2006.

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9

Régnier, Philippe. Toward a New Political Economy of Critical Editions. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0010.

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This chapter analyzes the political economy of digital critical editions and the development of research networks, as well as the ecological environment and the concrete human resources in digital critical edition. The first part builds on the scope of scholarly editing's “political economy in a pre-digital era,” and describes the human resources context that has followed the migration of critical edition to the digital world. Meanwhile, the second part discusses the impacts of collaborative work, human networks, open software ideology, and resource sharing on the new political economy of digital scholarly edition. Particular attention is given to the role of institutions such as publishers, research organizations and universities, and scientific networks in this new production environment.
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10

Pierazzo, Elena. Digital Scholarly Editing. Taylor & Francis Group, 2020.

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11

The Hengwrt Chaucer Standard Edition on CD-ROM (institutional licence): Images and Text of National Library of Wales Peniarth 392D, containing Geoffrey ... Tales (Scholarly Digital Editions). Scholarly Digital Editions, 2003.

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12

The Hengwrt Chaucer Standard Edition on CD-ROM (individual licence): Images and Text of National Library of Wales Peniarth 392D, containing Geoffrey Chaucer's ... Tales (Scholarly Digital Editions). Scholarly Digital Editions, 2003.

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13

Bordalejo, Barbara. Caxton's Canterbury Tales: The British Library Copies on CD-Rom: Images and Text of British Library 167.c.26 (IB.55009; the Royal Copy of the first edition) ... second edition) (Scholarly Digital Editions). Scholarly Digital Editions, 2003.

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14

Subačius, Paulius Vaidotas, Jurgita Venckienė, Magdalena Slavinska, Dovilė Gervytė, Tomas Riklius, Aušra Simanavičiūtė, and Tomas Krilavičius. Pavasario balsai / The Voices of Spring. Vilnius University, 2020. http://dx.doi.org/10.15388/voicesofspring2020.

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15

Digital scholarly editing: Theories and practices. Cambridge: Open Book Publishers, 2016.

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16

Caxton's Canterbury Tales: The British Library Copies on CD-Rom (individual licence): Images and Text of British Library 167.c.26 (IB.55009; the Royal ... second edition) (Scholarly Digital Editions). Scholarly Digital Editions, 2003.

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17

Driscoll, Matthew James, and Elena Pierazzo, eds. Digital Scholarly Editing: Theories and Practices. Open Book Publishers, 2016. http://dx.doi.org/10.11647/obp.0095.

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18

Pierazzo, Elena. Digital Scholarly Editing: Theories Models and Methods. Taylor & Francis Group, 2015.

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19

Weitenberg, Jos. Leiden Armenian Lexical Textbase on CD-Rom ... (Scholarly Digital Editions). Scholarly Digital Editions, 2005.

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20

Foundation, The National Science. Digital Research Data Sharing and Management - Scholar's Choice Edition. Scholar's Choice, 2015.

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21

(Editor), Peter Robinson, and Lorna Stevenson (Editor), eds. The Miller's Tale on CD-Rom: Individual Licence (Scholarly Digital Editions). Scholarly Digital Editions, 2002.

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22

Foys, Martin K. The Bayeux Tapestry on CD-Rom: Institutional Licence (Scholarly Digital Editions). Scholarly Digital Editions, 2002.

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23

Chaucer, Geoffrey. The Miller's Tale on CD-Rom: Institutional Licence (Scholarly Digital Editions). Scholarly Digital Editions, 2004.

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24

Foys, Martin K. The Bayeux Tapestry on CD-Rom: Individual Licence (Scholarly Digital Editions). Scholarly Digital Editions, 2002.

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25

Belisle, Claire, Philippe Regnier, and Daniel Apollon. Digital Critical Editions. University of Illinois Press, 2017.

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26

Digital Critical Editions. University of Illinois Press, 2014.

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27

(Editor), Paul Thomas, and Barbara Bordalejo (Editor), eds. The Nun's Priest's Tale on CD-Rom: Institutional Licence (Scholarly Digital Editions). Scholarly Digital Editions, 2006.

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28

Geoffrey, Chaucer. The Nun's Priest's Tale on CD-Rom: Individual Licence (Scholarly Digital Editions). Scholarly Digital Editions, 2006.

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29

Marilyn, Deegan, and Sutherland Kathryn, eds. Text editing, print, and the digital world. Aldershot, Hants, England: Ashgate Pub., 2008.

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30

Deegan, Marilyn, and Kathryn Sutherland. Text Editing, Print and the Digital World. Taylor & Francis Group, 2016.

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31

Haugen, Odd Einar, and Daniel Apollon. The Digital Turn in Textual Scholarship. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0002.

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This chapter presents a historical overview of critical editions since the nineteenth century from three angles: a historic perspective, a contextualizing perspective, and an intrinsic perspective. The historical perspective is based on the development of Karl Lachmann and Gaston Paris, who have introduced a rigorous form coupled with a logical approach that is still present in “philological science,” and includes the first tryouts in using computers to improve, extend, and diffuse scholarly editions. Additionally, an overview of the evolution and the diffusion of the different paradigms and practices is developed by the authors. The chapter also addresses questions of content and authority.
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32

Given-Wilson, Chris. The Parliament Rolls of Medieval England, 1275-1504, on CD-rom: Rotuli Parliamentorum (Scholarly Digital Editions). Scholarly Digital Editions, 2005.

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33

The Parliament Rolls of Medieval England, 1275-1504, on CD-Rom: Rotuli Parliamentorum (Scholarly Digital Editions). Scholarly Digital Editions, 2005.

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34

Binns, Daniel. Material Media-Making in the Digital Age. Intellect, 2021. http://dx.doi.org/10.1386/9781789383492.

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A journey through a variety of tools and technologies from vlogging to drone cinematography to considerations of time, editing, and sound design, Material Media-Making in the Digital Age offers professionals, scholars, and students alike the chance to re-think how they engage with new media technology, about media and its place in the world.
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35

Baylis, John, James J. Wirtz, and Jeannie L. Johnson, eds. Strategy in the Contemporary World. 7th ed. Oxford University Press, 2022. http://dx.doi.org/10.1093/hepl/9780192845719.001.0001.

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Strategy in the Contemporary World provides a critical overview of both enduring and contemporary issues that dominate strategy. This text explores key debates and alternative perspectives, considers ongoing controversies and presents opposing arguments, helping readers to build critical thinking skills by assessing the evidence and logic behind various positions. The new edition has been updated to incorporate the latest developments in the field of strategic studies. A new chapter on ‘Chinese Grand Strategy’ examines the evolution of Chinese grand strategy from Mao Zedong to Xi Jinping, its drivers, and its implications. A fully revised chapter on ‘Strategic Culture’ explores the concept of strategic culture as a framework of analysis used by scholars and policymakers to explain the international behaviour of states. Other fully revised chapters on ‘Technology and Warfare’ and ‘Cyber Conflict in the Age of Great Power Competition’ focus on how digital and technological developments affect strategic decisions. Online resources now include a selection of materials from earlier editions.
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36

Bruun, Christer, and Jonathan Edmondson. The Epigrapher at Work. Edited by Christer Bruun and Jonathan Edmondson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195336467.013.001.

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This chapter introduces the reader to how an epigrapher works with inscriptions. It uses Hans-Georg Pflaum’s publication of an inscription from North Africa honouring Suetonius as a model for how students and scholars should proceed in editing, dating, and interpreting an inscription. Information is also given on how to use twenty-first century aids, such as digital photography .
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37

McNeill, William H., ed. Berkshire Encyclopedia of World History. Berkshire Publishing Group, 2016. http://dx.doi.org/10.1093/acref/9780190622718.001.0001.

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580 entriesFrom the big bang to the 21st century, this renowned encyclopedia provides an integrated view of human and universal history. Eminent scholars examine environmental and social issues by exploring connections and interactions made over time (and across cultures and locales) through trade, warfare, migrations, religion, and diplomacy.Over 100 new articles, and 1,200 illustrations, photos, and maps from the collections of the Library of Congress, the World Digital Library, the New York Public Library, and many more sources, make this second edition a vital addition for world history-focused classrooms and libraries.
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38

Schorey, Shannon Trosper. Media, Technology, and New Religious Movements. Edited by James R. Lewis and Inga Tøllefsen. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780190466176.013.19.

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Since the first edition of theOxford Handbook of New Religious Movements(2004), the growing field of media, religion, and culture has moved at a rapid clip. The previous emphases on theoretical approaches that imagined a significant distinction between online and offline practices has been largely replaced by approaches that attend to the entanglement of digital and physical worlds. Research within this new analytical turn speaks about the Internet and religion in terms of third spaces, distributed materialities or subjectivies, and co-constitutive histories and locations. Highlighted within these works are the negotiations and intersections of consumer practices, popular culture, information control and religious pluralism online. As the field continues to develop, theoretical approaches that emphasize entanglement will help disclose the various relationships of power by which the material practices of religion, media, and technology are produced - allowing scholars to trace robust histories of multiplicity by which the contemporary imaginaries of religion, media, and technology are inherited.
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39

Jones, Alison, Brenda Sufrin, and Niamh Dunne. Jones & Sufrin's EU Competition Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/he/9780198824657.001.0001.

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EU Competition Law: Text, Cases, and Materials provides a complete guide to European competition law in a single authoritative volume. Carefully selected extracts from key cases, academic articles, and statutory materials are accompanied by in-depth author commentary from three experienced academics in the field. Thorough footnoting and referencing give a tour of the available literature, making this an ideal text and stand-alone resource for undergraduate and postgraduate students, as well as for competition law scholars engaged in specialized study. This seventh edition has been fully updated with detailed coverage and commentary on recent developments. These include the EU Courts’ judgments on Articles 101, 102 and 106 including Intel; cases on the Commission’s enforcement powers and judicial review; new legislation and guidelines on technology transfer; the revised de minimis notice; Commission actions in the digital economy, including the Google case; the directive on damages; and thorough discussion of ongoing developments in competition law such as the Commission's enforcement policy against cartels, the appraisal of mergers, the use of commitments decisions and the compatibility of EU competition procedures with human rights provisions.
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40

Massumi, Brian. Parables for the Virtual. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021971.

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Since its publication twenty years ago, Brian Massumi's pioneering Parables for the Virtual has become an essential text for interdisciplinary scholars across the humanities. Massumi views the body and media such as television, film, and the internet as cultural formations that operate on multiple registers of sensation. Renewing and assessing William James's radical empiricism and Henri Bergson's philosophy of perception through the filter of the postwar French philosophy of Deleuze, Guattari, and Foucault, Massumi links a cultural logic of variation to questions of movement, affect, and sensation. Replacing the traditional opposition of literal and figural with distinctions between stasis and motion and between actual and virtual, Massumi tackles related theoretical issues by applying them to cultural mediums as diverse as architecture, body art, the digital art of Stelarc, and Ronald Reagan's acting career. The result is an intriguing combination of cultural theory, science, and philosophy that asserts itself in a crystalline and multifaceted argument. This twentieth anniversary edition includes a new preface in which Massumi situates the book in relation to developments since its publication and outlines the evolution of its main concepts. It also includes two short texts, “Keywords for Affect” and “Missed Conceptions about Affect,” in which Massumi explicates his approach to affect in ways that emphasize the book's political and philosophical stakes.
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41

Shamoo, Adil E., and David B. Resnik. Responsible Conduct of Research. 4th ed. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197547090.001.0001.

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Responsible Conduct of Research provides an overview of ethical, legal, and social issues in scientific research for science students, trainees, and professional scientists. Written by two leading scholars in the field of research ethics, one with a background in natural science and the other with a background in philosophy and law, the book incorporates insights from these diverse disciplines throughout the text. The book provides in-depth analyses of a wide array of topics, including ethical theory and decision-making, misconduct, questionable research practices, research record-keeping, data sharing, data auditing, reproducibility, authorship, publication, peer review, intellectual property, conflict of interest, mentoring, safe research environment, animal experimentation, research with human subjects, and social responsibility. The book also includes interesting case studies and provocative questions at the end of each chapter that can serve as a basis for further analysis and discussion. The concluding chapter of the book describes some steps that researchers, institutional officials, government agencies, and scientific organizations can take to promote ethical conduct in scientific research. The 4th edition of Responsible Conduct of Research includes updated references and discussions of new and evolving topics, such as digital image manipulation, text recycling (sometimes called self-plagiarism), retractions, publication on pre-print servers, sexual and other forms of harassment, research with human biological samples, revisions to the Common Rule for research with human subjects, dual use research, the COVID-19 pandemic, providing science advice, and interactions with the media.
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42

Graham, Mark, and William H. Dutton, eds. Society and the Internet. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843498.001.0001.

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How is society being reshaped by the continued diffusion and increasing centrality of the Internet in everyday life and work? Society and the Internet provides key readings for students, scholars, and those interested in understanding the interactions of the Internet and society. This multidisciplinary collection of theoretically and empirically anchored chapters addresses the big questions about one of the most significant technological transformations of this century, through a diversity of data, methods, theories, and approaches. Drawing from a range of disciplinary perspectives, Internet research can address core questions about equality, voice, knowledge, participation, and power. By learning from the past and continuing to look toward the future, it can provide a better understanding of what the ever-changing configurations of technology and society mean, both for the everyday life of individuals and for the continued development of society at large. This second edition presents new and original contributions examining the escalating concerns around social media, disinformation, big data, and privacy. Following a foreword by Manuel Castells, the editors introduce some of the key issues in Internet Studies. The chapters then offer the latest research, in five focused sections: The Internet in Everyday Life; Digital Rights and Human Rights; Networked Ideas, Politics, and Governance; then Networked Businesses, Industries, and Economics; and finally, Technological and Regulatory Histories and Futures. This book is a valuable resource not only for students and researchers, but for anyone seeking a critical examination of the economic, social, and political factors shaping the Internet and its impact on society.
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43

Allen, Garrick V. Manuscripts of the Book of Revelation. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849056.001.0001.

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The book of Revelation is a disorienting work, full of beasts, heavenly journeys, holy war, the End of the Age, and the New Jerusalem. It is difficult to follow the thread that ties the visions together and to makes sense of the work’s message. This book argues that one way to understand the strange history of Revelation and its challenging texts is to go back to its manuscripts. The texts of the Greek manuscripts of Revelation are the foundation for the words that we encounter when we read Revelation in a modern Bible. But the manuscripts also tell us what other ancient, medieval, and early modern people thought about the work they copied and read. The paratexts of Revelation—the many features of the manuscripts that help readers to navigate and interpret the text—are one important point of evidence. Incorporating such diverse features like the traditional apparatus that accompanies ancient commentaries to the random marginal notes that identify the identity of the beast, paratexts are founts of information on how other mostly anonymous people interpreted Revelation’s problem texts. This book argues that manuscripts are not just important for textual critics or antiquarians, but that they are important for scholars and serious students because they are the essential substance of what the New Testament is. This book illustrates ways that the manuscripts illuminate surprising answers to important critical questions, like the future of the critical edition in the digital age, the bibliography of the canon, and the methods of reception history.
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44

Gerritsen, Anne, and Giorgio Riello, eds. Writing Material Culture History. 2nd ed. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350105256.

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Writing Material Culture History examines the methodologies currently used in the historical study of material culture. Touching on archaeology, anthropology, art history and literary studies, the book provides history students with a fundamental understanding of the relationship between artefacts and historical narratives. The role of museums, the impact of the digital age and the representations of objects in public history are just some of the issues addressed in a book that brings together distinguished scholars from around the world. This new edition includes: * A new wide-ranging introduction highlighting the role of material culture in the modern period and presenting recent contributions to the field. * A more balanced and easy-to-use structure, including 9 methodological chapters and 20 'object in focus' chapters consisting of case studies for classroom discussion. * 5 fresh 'object in focus' chapters showing greater engagement with 20th century material culture, non-European artefacts (particularly in relation to issues of power, indigenity and repatriation of objects), architecture (with pieces on industrial heritage in Europe and on heritage destruction in China) and the definitions and limits of material culture as a discipline. * Expanded online resources to help students navigate the museums/institutions holding key artefacts. * Historiographical updates and revisions throughout the text. Focusing on the global dimension of material culture and bridging the gap between the early modern and modern periods, Writing Material Culture History is an essential tool for helping students understand the potential of objects to re-cast established historical narratives in new and exciting ways.
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