Relevant bibliographies by topics / Digital photography

Academic literature on the topic 'Digital photography'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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Journal articles on the topic "Digital photography"

Kanicki, Witold, and Geoffrey Batchen. "Magical Thinking: Conversation with Geoffrey Batchen." Magic, Vol. 5, no. 1 (2020): 4–9. http://dx.doi.org/10.47659/m8.004.int.

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His long-standing interest in the history of early photography makes Geoffrey Batchen the appropriate speaker to discuss the question of photographic magic. Therefore, our conversation oscillates between magic and realism, but also other antonyms within the medium: negative and positive, analogue and digital. Taking in consideration all these oppositional notions, Batchen suggests that theoreticians “need to acknowledge and embrace photography’s abstractions and contradictions”. Different contradictions within photography’s theory and history became pivotal in our conversation. We also discussed the indexicality of digital images. According to Batchen, the negative/positive system of traditional photography can be compared with the binary code of digital images, which “is therefore based on the same oppositional logic, the same interplay of one and its other, that generated the analogue photograph.” Moreover, digitality does not eliminate the magic character of the contemporary photographs; in this context, Batchen mentions the capacity of instant transmission of snapshots from one place of Earth to another. In conclusion, Batchen reveals some details of his upcoming book Negative/Positive: A History of Photography. Keywords: magic, indexicality, negative, digital, Barthes

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Molloy, Caroline. "The Studio Photograph as a Conceptual Framework." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 38–47. http://dx.doi.org/10.47659/m5.038.art.

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In her essay, Caroline’s draws from her PhD thesis that looks the visual habitus of transcultural photography. She concentrates her writing on the genre of studio photography, specifically early English studio photography and argues that the conceptual framework established in early photographic studio practices still has its legacy in contemporary digital photographic studio practices. To illustrate this argument, she draws from a contemporary case-study in her local, digital photographic studio in North London and discusses a selection of photographs in relation to early photographic studio practices. She suggests that rather than a radical break caused by digital technologies, digital photography has opened up imaginative ways in which to make studio portraits that blur boundaries between the real and symbolic. Keywords: anthropology, digital form of photography, photography, studio photography

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AGUIAR, JONAS JOSÉ MENDES, JEAN CARLOS SANTOS, and MARIA VIRGINIA URSO-GUIMARÃES. "On the use of photography in science and taxonomy: how images can provide a basis for their own authentication." Bionomina 12, no. 1 (March 24, 2017): 44–47. http://dx.doi.org/10.11646/bionomina.12.1.4.

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Photography has, since its inception, significantly contributed as a tool to many areas of scientific research and consequently, has been able to achieve a high level of prestige in the scientific field. In recent years, there has been an increasing debate within the scientific community regarding the need for the deposition of type specimens when describing new species. Recently, Marshall & Evenhuis (2015) described a new species of Diptera, based exclusively on a few photographs. Even if one withholds judgement about whether the photographs used present sufficient characteristics for the description and identification of this new species, data missing from the holotype photograph could be of great importance for other analyses and future comparisons. The authors have omitted the digital photographic format used for the photographs in their work, and at no point has a deposition of the RAW type (a digital format sometimes called digital negatives, this file preserves most of the information from the captured picture) for verification of its authenticity been mentioned. The absence of this file for verification of the authenticity of the photograph makes its scientific credibility questionable and untrustworthy. We consider this taxonomical practice based exclusively on the use of photographs to be simplistic and harmful. Although the Code does not mention Rules about the use of photography formats we strongly suggest that, for the elaboration of academic articles, not only in taxonomic ones, using characteristics based on digital photography, the authors should be willing to make the RAW file of the photograph available for comparison in order to avoid doubts regarding the authenticity of the photograph presented.

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Abu Hassan, Nazrul Azha, Adzrool Idzwan Ismail, Siti Salmi Jamali, and Jati Widagdo. "Digital Documentation through Underwater Photography Method." Environment-Behaviour Proceedings Journal 8, SI16 (November 26, 2023): 243–50. http://dx.doi.org/10.21834/e-bpj.v8isi16.5248.

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This study focuses on the educational value of photographs and investigates discursive methods for employing underwater photography in environmental education. This research will examine the effectiveness of the relationship between photography and the environment using a qualitative methodology. The results indicate that data collection and photographic documentation might be very valuable, and understanding the fundamentals and techniques will greatly enhance the use of underwater photography. To sum up, research has shown that underwater photography can generate a distinctive dynamic and concept that can be used in a Public Service Announcement (PSA) to educate the public about the condition of the coral reef.

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Baird, Jean. "Photography without Pictures." Arts 13, no. 1 (January 18, 2024): 17. http://dx.doi.org/10.3390/arts13010017.

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Magic, as an emanation of past presence in a picture, emerges as a theme in postmodern theories of photography. It is linked to various forms of actual and symbolic absence; an absence which creates a space that keeps us looking, ostensibly for something that is lost. Photography may not always have been digital, but it has always been magical. Photography Without Pictures explores the critical dialogue and disciplinary uncertainty around the terminology of an expanded photographic that derived from debates surrounding the proliferation of digital media and the previous, ontological question of the nature of photography as a technology and a pictorial medium. It is prompted by Andrew Dewdney’s conviction that in order to deal with the contemporary condition of the networked screen image, we need to “Forget Photography” (2021). Dewdney considers the paradox that while photography is now ubiquitous, it is also peculiarly and magically undead, a simulation at the behest of mutable electronic data. The article examines three instances of critical response to contemporary photography, including the interpretation and response to several photographic artworks and one simulated photograph, to distinguish characteristics of pictoriality, authorship and temporality in photographic pictures. In asking what it means to be a real photographer, we discover that the singular observer/artist has become a crowd in respect of the image sharing culture of post-internet art. Throughout his polemical argument to Forget Photography, Dewdney prefers to use the term image and imagery to refer to both the photographic and the networked image. The terms picture and image tend to be interchangeable in language and inhabit each other in practice, yet there are historical differences and continuities that make the distinction remarkable in considering questions of ontology and media continuity. Pictorial, temporal and illusory ‘magic’ are the themes through which these photographic uncertainties unfold.

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Rothwell, Ian. "Jpegs: Thomas Ruff and the horror of digital photography." Philosophy of Photography 12, no. 1 (October 1, 2021): 93–109. http://dx.doi.org/10.1386/pop_00049_1.

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This article analyses the aesthetics of digital compression as revealed in Thomas Ruff’s Jpegs series of photographs (2004–07). These images exhibit a poor standard of digital picture resolution fixed as large-scale, high-quality, lustrous C-type photographic prints. With reference to Vilém Flusser’s writing on photography, I argue that Ruff’s work discloses a ‘horror of digital photography’: a system of automated representation, which inverts our relationship to the photographic image.

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Barr, G. D. "Low cost digital endoscopic photography." Journal of Laryngology & Otology 123, no. 4 (October 17, 2008): 453–56. http://dx.doi.org/10.1017/s0022215108003812.

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AbstractIntroduction:Endoscopic digital photography usually involves expensive and often cumbersome equipment.Aim:This study aimed to construct a low cost adaptor with which to connect a budget-priced digital camera to a nasal endoscope, in order to enable inexpensive, good quality otology photography.Method:A method of making an adaptor from a simple plastic bottle top is described, and the photographic technique is outlined.Results:The adaptor fitted well with commonly used endoscopes, and excellent results were obtained.Conclusion:High quality digital endoscopic photographs can be obtained using a low cost compact digital camera fitted with a simple adaptor made from a plastic bottle top. Such a method would make digital photography via a rigid endoscope easily affordable worldwide.

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Gavrilov, Dragan, and Kosovka Obradovic-Djuricic. "Photography in dentistry." Serbian Dental Journal 53, no. 4 (2006): 253–60. http://dx.doi.org/10.2298/sgs0604253g.

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Photography offers precious support in all areas of medicine and dentistry. Usage of photography in dentistry is an integral part of numerous diagnostic and therapeutic procedures and an important document of progression and outcome of subscribed therapy. Various types of cameras are available for intraoral and extraoral photography. Market offers different kinds of photographic equipment to dental practitioners such as cameras with films (Single Lens Reflex) SLR, digital SLR (DSLR) and compact digital cameras. However, majority of analyses emphasize advantages and relevancy of digital cameras, especially in taking macro photographs in dentistry. Introduction of digital cameras in dental practice is an important step toward the future. The aim of this study was to point out the importance of photography in dentistry, demonstrate basic technology of contemporary cameras and to analyze advantages and disadvantages of available cameras.

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Ruzgienė, Birutė. "REQUIREMENTS FOR AERIAL PHOTOGRAPHY." Geodesy and cartography 30, no. 3 (August 3, 2012): 75–79. http://dx.doi.org/10.3846/13921541.2004.9636646.

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The photogrammetric mapping process at the first stage requires planning of aerial photography. Aerial photographs quality depends on the successfull photographic mission specified by requirements that meet not only Lithuanian needs, but also the requirements of the European Union. For such a purpose the detailed specifications for aerial photographic mission for mapping urban territories at a large scale are investigated. The aerial photography parameters and requirements for flight planning, photographic strips, overlaps, aerial camera and film are outlined. The scale of photography, flying height and method for photogrammetric mapping is foreseen as well as tolerances of photographs tilt and swings round (yaw) are presented. Digital camera based on CCD sensors and on-board GPS is greatly appreciated in present-day technologies undertaking aerial mission.

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Simanjuntak, Mardohar Batu Bornok. "The Concept of Emergence in Non-Temporal Photography: A Non-Dualistic Approach." MELINTAS 39, no. 3 (March 22, 2024): 263–81. http://dx.doi.org/10.26593/mel.v39i3.7823.

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The problem of temporality in photography has invoked a continuous debate concerning the artistic nature of this medium. Previously taken as a different way of seeing, the time signature in a photograph became debatable along with the development of digital photography. Photography’s status as the undisputed evidence of the truth is then no longer relevant. This changes the flow of discourse to a more philosophical one. However, the debate does not provide adequate defence concerning the role of photography in the digital era. The Platonic dualistic approach, especially the Cartesian one, is responsible for this regress. Immanuel Kant introduces transcendental causality to re-examine the Cartesian legacy. This Kantian approach needs to be developed further. Stephen Hawking’s cosmological model of Quantum Field Theory (QFT) working in anti-de Sitter space (ADs) offers a better explanation on this Kantian transcendentalism. The research shows that the non-temporality of photographic images is irrelevant with the development of the medium because Hawking’s approach fits the transcendental interaction proposed by Kant. This article concludes that photography is independent from temporal demands, and that the advancement of photography lies in its potential to pursue non-duality interactions.

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Dissertations / Theses on the topic "Digital photography"

De, Lorenzo Nicholas. "Photography Post-Photography: Materiality of the Photograph." Thesis, The University of Sydney, 2016. http://hdl.handle.net/2123/16303.

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This exegesis examines the theoretical framework and artistic context of my studio practice. The primary focus of the work is on the materiality of the photograph. Through alchemical experimentations and abstractions, the work contemplates the question what is photography? in the complex context of a post-photographic world. While not attempting to answer such an elusive question, this paper seeks to investigate some of the relevant ideas and evaluate how they manifest in contemporary practice. I will use this exegesis as a means of recording an exploration of the mediums recent history, as the context and general area of thought from which my own practice has emerged. As such, Chapter One looks into the discourse around the notion of ‘post-photography’, where it has come from, what it involves and why it could be considered significant. Chapter Two looks at how these ideas are manifested in contemporary photography, with a particular focus on the materiality of photographs, as well as on the roll of abstraction and experimentation in photography. Chapter Three then introduces my own practice in relation to these ideas. While my work and this paper broadly revolve around the position of photography in its current context, the intent of this exegesis is to further inform and ground my studio practice. By establishing and exploring this theoretical context, I hope to identify my work's position in –and possible contribution to–the field.

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Meyer, Eric T. "Socio-technical perspectives on digital photography scientific digital photography use by marine mammal researchers /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3278467.

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Thesis (Ph.D.)--Indiana University, School of Information Science, 2007.
Source: Dissertation Abstracts International, Volume: 68-10, Section: A, page: 4119. Adviser: Howard Rosenbaum. Title from dissertation home page (viewed May 19, 2008).

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Wolin, Martin Michael. "Digital high school photography curriculum." CSUSB ScholarWorks, 2003. https://scholarworks.lib.csusb.edu/etd-project/2414.

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The purpose of this thesis is to create a high school digital photography curriculum that is relevant to real world application and would enable high school students to enter the work force with marketable skills or go on to post secondary education with advanced knowledge in the field of digital imaging.

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Hicks, Susan J. "Digital archiving and reproduction of black and white photography /." Online version of thesis, 1996. http://hdl.handle.net/1850/11919.

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Ferradans, Ramonde Sira. "Color image processing problems in digital photography." Doctoral thesis, Universitat Pompeu Fabra, 2011. http://hdl.handle.net/10803/51297.

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In this thesis, we discuss three image processing topics: High Dynamic Range (HDR) image creation in scenes with motion, Tone Mapping (TM), and Demosaicking. The first part of this thesis focuses on the creation of HDR images using gradient fusion techniques, and proposes a method that deals with motion and avoids bleeding and ghost artifacts. In the second part, we tackle the TM problem, whose goal is to produce a low dynamic range picture from an HDR image that reproduces the sensation of an observer in the scene. We review the perceptual principles that we find important for TM purposes and present a new method that compares well to the state of the art. Finally, we propose a new method to reconstruct the three color channels of a picture taken with a Bayer filter. This problem is called Demosaicking and will be presented in the third part of this thesis.
En esta tesis tratamos tres temas de procesamiento de imagen: creación de imágenes de alto rango dinámico o HDR, Tone Mapping (TM) y Demosaicking. En la primera parte proponemos un método para la creación de imágenes HDR con movimiento que permite generar resultados sin artefactos de tipo bleeding y ghosting. En la segunda parte de la tesis tratamos el problema de TM cuyo objetivo es comprimir el rango dinámico de una imagen HDR para ser mostrada en una pantalla o impresa, simulando lo mejor posible la percepción de un sujeto en la escena. Presentaremos los principios sicofísicos que consideramos relevantes para TM y propondremos un método nuevo que mejora los resultados del estado del arte. Finalmente, en la tercera parte presentamos un método de Demosaicking o reconstrucción de los tres canales de color de una imagen tomada con un filtro de Bayer.

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Yang, Tian. "Large Format Photography in the Digital Era." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391670.

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Large format photography refers to the photographic practice that utilizes a large light sensitive surface to capture photographs. As of 2018, large format photography is still a subset of analog photography. The digital revolution brings us into the digital era. Manufacturers and businesses in the photography industry is forced to adapt the transition from analog to digital in order to survive and succeed in the new market. Meanwhile, photography theorists find themselves facing a new set of issues because the photographs have become immediate and immaterial. While camera manufacturers have in effect accelerated the analog-to-digital transition with their proactive business strategies and relentless marketing campaigns, higher education has become the last bastion for the analog where large format camera classes teach students the tradition of photography and how to see the world contemplatively.

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Sun, Yi. "Depth Estimation Methodology for Modern Digital Photography." University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1563527854489549.

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Meintjes, Anthony Arthur. ""From digital to darkroom"." Thesis, Rhodes University, 2001. http://hdl.handle.net/10962/d1007418.

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Suen, Tsz-yin Simon. "Curvature domain stitching of digital photographs." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38800901.

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Polignano, Sergio. "Do sensivel a significação : uma poetica da fotografia." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284754.

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Orientador: Ernesto Giovanni Boccara
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-07T06:14:51Z (GMT). No. of bitstreams: 1 Polignano_Sergio_M.pdf: 19138121 bytes, checksum: a2a1fa7467459819c2d2f07679e2acbd (MD5) Previous issue date: 2006
Resumo: Este trabalho propõe uma abordagem conceitual, dos diversos conteúdos da imagem fotográfica, a sua leitura e decodificação, que vai da sensibilidade aos significados. Apresenta uma proposta de análise que busca justificar e demonstrar a condição da poética (Arte) da fotografia. Nesse sentido, mostra o que de incomum pode deter o olhar que eterniza e o olhar que ressuscita, dando um real valor às imagens fotográficas, sejam elas quais forem e mostrem o que de mais importante possam mostrar, mantendo as informações ao longo do tempo. Desse modo, busca contribuir para uma melhor compreensão da época em que as fotografias foram feitas, dos cenários que as mesmas registram, de seus contextos, assim como das implicações e relações que tenham com as formas de expressão diferenciadas, que chamamos: Arte
Abstract: This work proposes an conceptual approach to the various contents of photographic image, its interpretation, and decoding, which goes from sensibility to signification; it brings a proposal for an analysis that can effectively justify and demonstrate the condition of poetry (art) of photography, showing which of its uncommon aspects can capture the point of view that makes it eternal and the point of view that resuscitates it, bringing the real value to photographic images, being them whatever they are, showing whatever most important subject they can hold, maintaining their image content throughout time, and serving for a better understanding of the time in which photographs were taken, their scenarios, contexts, implications, and relationships that they have with the different forms of expression that we cal!: Art
Mestrado
Mestre em Artes

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Books on the topic "Digital photography"

Digital photography. Wigston, Leicester: Silverdale Books, 2005.

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Atherton, Nigel. Digital photography. London: Flame Tree, 2011.

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Digital Photography. New York: McGraw-Hill, 2007.

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Sadun, Erica. Digital photography! San Francisco: SYBEX, 2000.

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Ang, Tom. Digital photography. London: Mitchell Beazley, 1999.

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Digital photography. London: Dorling Kindersley, 2005.

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Phil, Green, and British Printing Industries Federation, eds. Digital photography. Leatherhead: Pira International, 1999.

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Michael, Wright. Digital photography. New York: Metro Books, 2008.

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Digital photography. Irvington, NY: Hylas Pub., 2004.

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Digital photography. New York: MIS:Press, 1995.

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Book chapters on the topic "Digital photography"

James, Daniel. "Photography." In Crafting Digital Media, 51–89. Berkeley, CA: Apress, 2009. http://dx.doi.org/10.1007/978-1-4302-1888-3_3.

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Wolf, Marilyn. "Digital Photography." In Smart Camera Design, 1–6. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-69523-5_1.

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O’Regan, Gerard. "Digital Photography." In The Innovation in Computing Companion, 107–11. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-02619-6_22.

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Mancini, Keith, and John Sidoriak. "Digital Photography." In Fundamentals of Forensic Photography, 39–56. New York : Routledge, 2017. | Series: Applications in scientific photography: Routledge, 2017. http://dx.doi.org/10.4324/9781315693125-3.

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Pugh, Philip. "Simple Digital Photography." In Patrick Moore's Practical Astronomy Series, 199–221. New York, NY: Springer New York, 2009. http://dx.doi.org/10.1007/978-0-387-76470-2_8.

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Haeussler-Sinangin, Yesim, and Thomas Kohnen. "Infrared Digital Photography." In Encyclopedia of Ophthalmology, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-642-35951-4_436-3.

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Gómez Cruz, Edgar. "Digital Photography Studies." In Handbuch Soziale Praktiken und Digitale Alltagswelten, 1–7. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-08460-8_12-1.

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Gómez Cruz, Edgar. "Digital Photography Studies." In Handbuch Soziale Praktiken und Digitale Alltagswelten, 97–103. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-08357-1_12.

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Haeussler-Sinangin, Yesim, and Thomas Kohnen. "Infrared Digital Photography." In Encyclopedia of Ophthalmology, 932. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-540-69000-9_436.

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Drusian, Michela. "Digital Photography Practices." In Young People and the Smartphone, 47–66. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06311-4_4.

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Conference papers on the topic "Digital photography"

Kim, Jee Hong. "A method to modify images to compensate for non-uniform flash illumination in group portrait photography." In Digital Photography II. SPIE, 2006. http://dx.doi.org/10.1117/12.650460.

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Zhang, Baoying, Guoguang Mu, Zhiliang Fang, Zhengqun Li, Hui Fang, and Yong Yang. "TOCM digital color photography." In International Conference on Optical Instrumentation and Technology, edited by Toru Yoshizawa, Ping Wei, and Jesse Zheng. SPIE, 2009. http://dx.doi.org/10.1117/12.837656.

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Lenhardt, Karl. "Optics for digital photography." In Photonics Asia 2007, edited by Yongtian Wang, Theo T. Tschudi, Jannick P. Rolland, and Kimio Tatsuno. SPIE, 2007. http://dx.doi.org/10.1117/12.785073.

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Sobolewski, John. "Digital photography of minerals." In 23rd Annual New Mexico Mineral Symposium. Socorro, NM: New Mexico Bureau of Geology and Mineral Resources, 2002. http://dx.doi.org/10.58799/nmms-2002.261.

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Corley, Hugh. "TAGGED : DIGITAL PHOTOGRAPHY AND ARCHAEOLOGISTS." In Electronic Visualisation and the Arts (EVA 2009). BCS Learning & Development, 2009. http://dx.doi.org/10.14236/ewic/eva2009.4.

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Bosiers, Jan, Bart Dillen, Cees Draijer, Erik-Jan Manoury, Louis Meessen, and Inge Peters. "Imagers for digital still photography." In Photonics Europe, edited by Ari Tervonen, Malgorzata Kujawinska, Wilbert IJzerman, and Herbert De Smet. SPIE, 2006. http://dx.doi.org/10.1117/12.667603.

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Kumar, Pancham, and Lindsay MacDonald. "Measuring gloss by digital photography." In Electronic Imaging 2006, edited by Reiner Eschbach and Gabriel G. Marcu. SPIE, 2006. http://dx.doi.org/10.1117/12.642312.

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Kwok, S. H. M., and E. Y. Lam. "Watermark implementation in digital photography." In 2005 International Symposium on Intelligent Signal Processing and Communication Systems. IEEE, 2005. http://dx.doi.org/10.1109/ispacs.2005.1595413.

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kim, Daewoo, and Joungwoo Joo. "Study on the changes of photography through the post photography era." In Art, Culture, Game, Graphics, Broadcasting and Digital Contents 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.101.01.

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Zia, Rehan. "Visualisation for Digital Multi-Shot Photography." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.62.

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Reports on the topic "Digital photography"

Onikzeh, Parinaz, Afshin Heidari, Aida Kazemi, Parisa Najjariasl, Kamran Dalvandi, Hamidreza Sadeghsalehi, and Hadi Zamanian. 3D photography versus digital planimetry in wound measurement : a systematic review protocol. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, October 2021. http://dx.doi.org/10.37766/inplasy2021.10.0069.

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Review question / Objective: The aim of this study is to find whether there is concordance between two methods of wound area measurement: 3D photography and digital planimetry. Condition being studied: One of the most important factors in all types of wound management is wound measurement and two new digital techniques are : digital planimetry and 3D-photography. Eligibility criteria: the articles will be included only if the study cases would be measured by both methods of wound measurement including 3D photography and digital planimetry. patients with wound in any area of their body like diabetic ulcers, venous ulcers or burning. not models or animals.not bite or scar or bruising. without any restriction in age or gender.

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Eeckman, Axel. Studying woodworking technology on ancient shipwrecks through digital photography and photogrammetry. Honor Frost Foundation, 2020. http://dx.doi.org/10.33583/mags2019.02.

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Singh, Ravinder, Altafuddin Syd, and Sunil Vaddamanu. Comparative Analysis of Digital Versus Traditional Dental Photography Techniques for Documentation and Analysis: A Systematic Review and Meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, May 2024. http://dx.doi.org/10.37766/inplasy2024.5.0065.

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Bednarski, J. M., and G. C. Rogers. LiDAR and digital aerial photography of Saanich Peninsula, selected Gulf Islands, and coastal regions from Mill Bay to Ladysmith, southern Vancouver Island, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2012. http://dx.doi.org/10.4095/291819.

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Sequeira, Dora María, Ileana Alvarado V., and Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.

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Nine artists, all living in Costa Rica, were selected out of thirty-four who responded to an open call to present portfolios. The selection criteria is to be forty years of age or younger, have had at least one individual show, and have participated in a minimum of three group exhibitions. The exhibition has been organized by the IDB Cultural Center in collaboration with the Foundation of the Central Bank Museums of Costa Rica. Works include installations and interactive digital art, digital graphics, conventional photography, ceramics, painting, wire drawing and design objects manufactured with recycled materials. Artists include Víctor Agüero Gutiérrez, Jorge Albán Dobles, Tamara Ávalos León, Paco Cervilla Cartín, Carolina Guillermet Dejuk, José Alberto Hernández Campos, Sebastián Mello Salaberry, Francisco Munguía Villalta, and Guillermo Vargas Jiménez (a.k.a. Habacuc). The exhibit was part of the IDB Cultural Center¿s 15th anniversary celebration (1992-2007).

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Greaves, C., and J. B. R. Eamer. Focus stacking for cataloguing, presentation, and identification of microfossils in marine sediments. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331355.

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Microfossils represent an important part of studying past depositional environments and determining ages for the strata they are found within. The key to ascribing paleoenvironmental interpretations to the sediments in which a microfossil is found is accurate identification of the microfossil. A number of techniques can be used to identify microfossils, including ones that use key features, morphologies, and characteristics from imagery acquired using a scanning electron microscope. A low-cost, efficient alternative method is digital photography of optical microscope images. This technical note presents a method for acquiring photos of microfossils and two methods for compiling them into high-resolution images using focus stacking. The process is described in four main steps: image acquisition, exportation, focus stacking, and annotation.

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Marcot, Bruce, M. Jorgenson, Thomas Douglas, and Patricia Nelsen. Photographic aerial transects of Fort Wainwright, Alaska. Engineer Research and Development Center (U.S.), August 2022. http://dx.doi.org/10.21079/11681/45283.

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This report presents the results of low-altitude photographic transects conducted over the training areas of US Army Garrison Fort Wainwright, in the boreal biome of central Alaska, to document baseline land-cover conditions. Flights were conducted via a Cessna™ 180 on two flight paths over portions of the Tanana Flats, Yukon, and Donnelly Training Areas and covered 486 mi (782 km) while documenting GPS waypoints. Nadir photographs were made with two GoPro™ cameras operating at 5 sec time-lapse intervals and with a handheld digital camera for oblique imagery. This yielded 6,063 GoPro photos and 706 oblique photos. Each image was intersected with a land-cover-classification map, collectively representing 38 of the 44 cover categories.

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Crumpton, Joe, Jared A. Elmore, Landon R. Jones, Morgan B. Pfeiffer, Joshua L. Hoblet, C. Daniel McCraine, Sathishkumar Samiappan, et al. Dataset Demonstrating Relief Displacement of Airborne Objects. Scholars Junction, January 2022. http://dx.doi.org/10.54718/wxeg9194.

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Dataset used to demonstrate the effects of relief displacement on airborne objects depicted in vertical aerial photographs. The dataset includes photographs taken by an Unoccupied Aircraft Systems (UAS), ground control points used to georeference the photographs, and digital elevation models of the study area.

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Winn, Matthew, Jeff Palmer, S. M. Lee, and Philip Araman. ForestCrowns: a transparency estimation tool for digital photographs of forest canopies. Asheville, NC: U.S. Department of Agriculture, Forest Service, Southern Research Station, 2016. http://dx.doi.org/10.2737/srs-gtr-215.

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Bock, Geoffrey. CPXE as a Web Services Business Framework for Printing Digital Photographs. Boston, MA: Patricia Seybold Group, June 2002. http://dx.doi.org/10.1571/psgp6-27-02cc.

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