Academic literature on the topic 'Digital Orchestra'
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Journal articles on the topic "Digital Orchestra"
Fisandra, Halida Bunga, and Aryo Danusiri. "Orkestra sebagai Peristiwa Mediasi: Jakarta City Philharmonic, Tubuh dan Materialitas." Resital: Jurnal Seni Pertunjukan 23, no. 1 (April 30, 2022): 1–14. http://dx.doi.org/10.24821/resital.v23i1.6162.
Full textFisandra, Halida Bunga, and Aryo Danusiri. "Orkestra sebagai Peristiwa Mediasi: Jakarta City Philharmonic, Tubuh dan Materialitas." Resital: Jurnal Seni Pertunjukan 23, no. 1 (April 30, 2022): 1–14. http://dx.doi.org/10.24821/resital.v1i1.6162.
Full textGIBBS, LIAM E. "Synthesizers, Virtual Orchestras, and Ableton Live: Digitally Rendered Music on Broadway and Musicians’ Union Resistance." Journal of the Society for American Music 13, no. 03 (August 2019): 273–304. http://dx.doi.org/10.1017/s1752196319000208.
Full textOlmos, Adriana, Nicolas Bouillot, Trevor Knight, Nordhal Mabire, Josh Redel, and Jeremy R. Cooperstock. "A High-Fidelity Orchestra Simulator for Individual Musicians’ Practice." Computer Music Journal 36, no. 2 (June 2012): 55–73. http://dx.doi.org/10.1162/comj_a_00119.
Full textRafika, Ageng Setiani, Deviana Ika Putri, and Siskawati Sanusi. "SISTEM PEMBAYARAN RINCIAN BIAYA KULIAH PADA PERGURUAN TINGGI RAHARJA MENGGUNAKAN GO+." Journal CERITA 3, no. 1 (February 1, 2017): 64–74. http://dx.doi.org/10.33050/cerita.v3i1.621.
Full textMilašinović, Jelena. "Digital presentation of the Belgrade Philharmonic in the period of concert bans." Kultura, no. 174-175 (2022): 151–62. http://dx.doi.org/10.5937/kultura2275151m.
Full textFreitas, Joana. "Kill the Orchestra." Journal of Sound and Music in Games 2, no. 2 (2021): 22–41. http://dx.doi.org/10.1525/jsmg.2021.2.2.22.
Full textAndriyanto, R. M. Aditya. "PROSES PRODUKSI AUDIO PADA KONSER VIRTUAL "COLORCHESTRA" BATAVIA CHAMBER ORCHESTRA MENGGUNAKAN SOFTWARE DIGITAL AUDIO WORKSTATION LOGIC PRO." Imaji 19, no. 2 (December 26, 2021): 143–61. http://dx.doi.org/10.21831/imaji.v19i2.44854.
Full textRaditya, Michael H. B. "Technology Negotiation in Dangdut Koplo’s Ecosystem and Practices." Jurnal Kawistara 12, no. 2 (October 5, 2022): 265. http://dx.doi.org/10.22146/kawistara.73176.
Full textJohnson, Christopher M., Clifford K. Madsen, and John M. Geringer. "A Study of Music Students’ Tempo Changes of a Soloist’s Performance of Mozart’s 1st Horn Concerto." Journal of Research in Music Education 60, no. 2 (May 11, 2012): 217–31. http://dx.doi.org/10.1177/0022429412445486.
Full textDissertations / Theses on the topic "Digital Orchestra"
Ledroit, Christien. "Streamlined : for chamber orchestra with electric guitar and digital audio." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79289.
Full textFrantz, Elizabeth Lorraine. "Is Technology the Way Forward for Classical Music? Exploring Audience Engagement in the Digital Era." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429625667.
Full textHägglund, Anders. "Musikaliskt framförande i midibaserad musik : En undersökning om hur två olika metoder för att komponera mididata påverkar upplevelsen av digital orkestral musik." Thesis, Högskolan i Skövde, Institutionen för informationsteknologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-15439.
Full textStanhope, David. "Bringing Unheard Orchestral Works to Life: testing the digital orchestra." Thesis, 2020. http://hdl.handle.net/2440/130438.
Full textThis submission for the degree of Doctor of Philosophy at the Elder Conservatorium of Music, University of Adelaide, comprises a portfolio of compositions supported by commercially-released sound recordings and an explanatory exegesis. The submission comes from a composer who is also an experienced conductor and pianist, with a background as an orchestral musician (french hornist and bass trombonist). These multiple musical identities have had a significant bearing on the approach to the submitted works. The focus of the portfolio is on the use of digital orchestras for providing convincing realizations of compositions by the author and compositions by other Australian or Australiabased composers that highlight particular aspects of orchestration and digital realization. The most important element of research is the testing of orchestral sound libraries in bringing to life forgotten or neglected orchestral music that deserves recognition. This is especially relevant at a time when concert and operatic repertoire is shrinking due to the increased costs of maintaining orchestras and opera companies. Where opera is concerned, the inclusion of the author’s most significant work, Dracula, shows how live soloists can combine with a digital orchestra to make a successful recording. The increasingly sophisticated digital sound samples that are now widely available, but often used without expertise, have the potential to offer a viable alternative to orchestral or operatic performance when none is forthcoming or practical.
Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2020
WU, PEI-HUA, and 吳珮華. "A Study of Exploring Application of Digital Music in a Symphony Orchestra Management-A Case Study of National Taiwan Symphony Orchestra." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/p6fjzh.
Full text朝陽科技大學
資訊管理系
104
As information technology rapid development, digital music for business management has become the most important issue within arts association around the world. The management team must consider how to combine the arts and information technology for the marketing business management and the necessary methods. In this study, it explores the overview and experience of digital music application in the symphony orchestra’s website promoting and overall business management as a case of National Taiwan Symphony Orchestra. It tries to find out the solution with a case study, a secondary qualitative study and an interview with experts. It observes and compares the overview situation of the digital music application and online platform for Taipei National Symphony, National symphony orchestra and Berlin Philharmonie Digital Concert Hall. The result of this study proposes three implementation guidelines of digital music application in the symphony orchestra, being completed the procedure of copyright authorization, more using the online streaming platforms, and establishing exclusive digital music database. The three implementation guidelines also are as the necessary methods of digital music application in the symphony orchestra’s website promoting and overall business management. It offers a reference for the future operations management and development to the symphony orchestra.
Books on the topic "Digital Orchestra"
Pejrolo, Andrea, and Richard DeRosa. Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra. Taylor & Francis Group, 2016.
Find full textPejrolo, Andrea, and Richard DeRosa. Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra. Taylor & Francis Group, 2016.
Find full textauthor, DeRosa Rich, ed. Acoustic and MIDI orchestration for the contemporary composer: A practical guide to writing and sequencing for the studio orchestra. 2017.
Find full textPejrolo, Andrea, and Richard DeRosa. Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra. Taylor & Francis Group, 2016.
Find full textPejrolo, Andrea, and Richard DeRosa. Acoustic and MIDI Orchestration for the Contemporary Composer: A Practical Guide to Writing and Sequencing for the Studio Orchestra. Taylor & Francis Group, 2016.
Find full textDwinal, Catherine. Interactive Visual Ideas for Musical Classroom Activities. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190929855.001.0001.
Full textThéberge, Paul. The Sound of Nowhere. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199985227.003.0015.
Full textBook chapters on the topic "Digital Orchestra"
Soto-Setzke, D., P. Hoberg, A. Murgoci, S. Franzbonenkamp, J. Gaß, T. Wolff, and H. Krcmar. "Digitale Transformation bei den Berliner Philharmonikern." In Digitale Transformation, 407–32. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-37571-3_14.
Full textBerthaut, Florent, and Luke Dahl. "BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras." In Music, Mind, and Embodiment, 153–66. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46282-0_10.
Full textDahl, Luke, Florent Berthaut, Antoine Nau, and Patricia Plenacoste. "bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras." In Music Technology with Swing, 454–67. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01692-0_30.
Full textNg Kea Chye, Gerald. "Re-inventing and Re-shaping the Symphony Orchestra for Sustainability." In Wie wir leben wollen. Kompendium zu Technikfolgen von Digitalisierung, Vernetzung und Künstlicher Intelligenz, 113–24. Logos Verlag Berlin, 2021. http://dx.doi.org/10.30819/5319.08.
Full textNewton, Travis. "Marketing and Public Relations." In Orchestra Management Handbook, 139–59. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197550670.003.0009.
Full text"Digital Hub 《数码之源》." In The TENG Guide to the Chinese Orchestra, 425–36. WORLD SCIENTIFIC, 2019. http://dx.doi.org/10.1142/9789813233652_0021.
Full textKirschenbaum, Matthew. "ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock." In Post-Digital. Bloomsbury Academic, 2020. http://dx.doi.org/10.5040/9781474286787-061.
Full textFuru, Patrick, and Jörg Reckhenrich. "Digital Transformation at the Berlin Philharmonic Orchestra: Creating the Digital Concert Hall." In Strategic Management in the Age of Digital Transformation. Proud Pen, 2021. http://dx.doi.org/10.51432/978-1-8381524-3-7_3.
Full text"Transitioning From Traditional to Digital: A Knowledge and Skills Needs Assessment for a Community Orchestra Context." In Case Studies in Needs Assessment, 29–47. 2455 Teller Road, Thousand Oaks California 91320: SAGE Publications, Inc., 2020. http://dx.doi.org/10.4135/9781544342351.n7.
Full textNaughtin, Matthew. "Digital Music Preparation in the Modern Orchestral Library." In The End of Wisdom?, 87–103. Elsevier, 2017. http://dx.doi.org/10.1016/b978-0-08-100142-4.00009-9.
Full textConference papers on the topic "Digital Orchestra"
Le, Dinh-Viet-Toan, Mathieu Giraud, Florence Levé, and Francesco Maccarini. "A Corpus Describing Orchestral Texture in First Movements of Classical and Early-Romantic Symphonies." In DLfM '22: 9th International Conference on Digital Libraries for Musicology. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3543882.3543884.
Full textWeigl, David M., Chanda VanderHart, Matthäus Pescoller, Delilah Rammler, Markus Grassl, Fritz Trümpi, and Werner Goebl. "The Vienna Philharmonic Orchestra’s New Year’s Concerts: Building a FAIR Data Corpus for Musicology." In DLfM '22: 9th International Conference on Digital Libraries for Musicology. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3543882.3543892.
Full textÖman, Anne. "Design and Redesign of a Multimodal Classroom Task – Implications for Teaching and Learning." In InSITE 2015: Informing Science + IT Education Conferences: USA. Informing Science Institute, 2015. http://dx.doi.org/10.28945/2242.
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