Books on the topic 'Digital media – Canada'

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1

Digital mosaic: Media, power, and identity in Canada. Toronto: University of Toronto Press, 2015.

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2

SG 2004 (2004 Banff, Alta.). Smart graphics: 4th international symposium, SG 2004, Banff, Canada, May 23-25, 2004 : proceedings. Berlin: Springer, 2004.

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3

Joan, Ramsay, Mietkiewicz Mark, and Canadian Broadcasting Corporation, eds. Online news fundamentals: An introduction to journalism on CBCNews.ca. [Toronto]: Canadian Broadcasting Corporation, 2009.

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4

Black, Joanna, Juan Carlos Castro, and Ching-Chiu Lin. Youth Practices in Digital Arts and New Media. Palgrave Macmillan, 2015.

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5

Armstrong, Stephen, and Richard Stursberg. Tangled Garden: A Canadian Cultural Manifesto for the Digital Age. James Lorimer & Company Ltd., Publishers, 2019.

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6

Tangled Garden: A Canadian Cultural Manifesto for the Digital Age. James Lorimer & Company Ltd., Publishers, 2019.

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7

Start-Up: Setting Up a New Media Business in Canada. Ottawa, Canada: Cultural Human Resources Council, 2008.

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8

Black, Joanna, Juan Carlos Castro, and Ching-Chiu Lin. Youth Practices in Digital Arts and New Media: Learning in Formal and Informal Settings. Palgrave Macmillan Limited, 2015.

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9

Cultural Industries.ca: Making Sense of Canadian Media in the Digital Age. Lorimer, 2012.

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10

Born, Georgina, ed. Music and Digital Media: A planetary anthology. UCL Press, 2022. http://dx.doi.org/10.14324/111.9781800082434.

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Anthropology has neglected the study of music. Music and Digital Media shows how and why this should be redressed. It does so by enabling music to expand the horizons of digital anthropology, demonstrating how the field can build interdisciplinary links to music and sound studies, digital/media studies, and science and technology studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the digital assume clamouring audibility. The book contains ten chapters, eight of which present comprehensive original ethnographies; they are bookended by an authoritative introduction and a comparative postlude. Five chapters address popular, folk, art and crossover musics in the global South and North, including Kenya, Argentina, India, Canada and the UK. Three chapters bring the digital experimentally to the fore, presenting pioneering ethnographies of an extra-legal peer-to-peer site and the streaming platform Spotify, a series of prominent internet-mediated music genres, and the first ethnography of a global software package, the interactive music platform Max. The book is unique in bringing ethnographic research on popular, folk, art and crossover musics from the global North and South into a comparative framework on a large scale, and creates an innovative new paradigm for comparative anthropology. It shows how music enlarges anthropology while demanding to be understood with reference to classic themes of anthropological theory.
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11

Kellett, Kathleen, Susan Brown, Ruth Panofsky, Mary-Jo Romaniuk, and Jeffery Antoniuk. Cultural Mapping and the Digital Sphere: Place and Space. University of Alberta Press, 2015.

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12

Cultural Mapping and the Digital Sphere: Place and Space. University of Alberta Press, 2015.

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13

Kellett, Kathleen, Susan Brown, Ruth Panofsky, Mary-Jo Romaniuk, and Jeffery Antoniuk. Cultural Mapping and the Digital Sphere: Place and Space. University of Alberta Press, 2015.

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14

Cultural Mapping and the Digital Sphere: Place and Space. University of Alberta Press, 2015.

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15

Marland, Alex, Andrea Lawlor, and Thierry Giasson. Political Elites in Canada: Power and Influence in Instantaneous Times. University of British Columbia Press, 2018.

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16

Marland, Alex, Andrea Lawlor, and Thierry Giasson. Political Elites in Canada: Power and Influence in Instantaneous Times. University of British Columbia Press, 2019.

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17

Dubois, Elizabeth, and Fenwick McKelvey. Canada. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190931407.003.0004.

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Are bots active in Canada? Yes. Are they influential? Maybe. Using a combination of quantitative social media analysis, content analysis of news articles, and qualitative interviews, we study the use of political bots in Canada. We identify four kinds of bots. Amplifiers game digital systems to promote a message or channel. Dampeners suppress and remove information online. Alongside these problematic bots, we also find a number of benign bots that help journalists, civil society, and governments. These bots include transparency bots that disclose information to the public and servant bots that help maintain services and infrastructures. Even though bots might not yet be influential in Canada, improved media literacy and increased public discussion of the pitfalls of social media are required.
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18

Shut Off: The Canadian Digital Television Transition. McGill-Queen's University Press, 2013.

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19

Taylor, Gregory. Shut Off: The Canadian Digital Television Transition. McGill-Queen's University Press, 2013.

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20

The Official Picture: The National Film Board of Canada's Still Photography Division and the Image of Canada, 1941-1971 (McGill-Queen's/Beaverbrook Canadian Foundation Studies in Art History). McGill-Queen's University Press, 2013.

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21

Transference, tradition, technology: Native new media exploring visual & digital culture. Banff, Alta: Walter Phillips Gallery Editions, 2004.

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22

Transference, tradition, technology: Native new media exploring visual & digital culture. Banff, AB: Walter Phillips Gallery Editions, 2004.

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23

(Editor), Dana Claxton, and Steven Loft (Editor), eds. Transference, Tradition, Technology: Native New Media Exploring Visual and Digital Culture. Banff Centre Press, 2006.

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24

(Editor), Kim Echlin, Barbara Moon (Editor), and Don Obe (Editor), eds. To Arrive Where You Are: Literary Journalism from The Banff Centre for the Arts. Banff Centre Press, 2000.

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25

Cohen, Ronald I., and André H. Caron. Regulating Screens: Issues in Broadcasting and Internet Governance for Children. McGill-Queen's University Press, 2013.

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26

Regulating Screens: Issues in Broadcasting and Internet Governance for Children. McGill-Queen's University Press, 2013.

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27

Regulating Screens: Issues in Broadcasting and Internet Governance for Children. McGill-Queen's University Press, 2013.

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28

Lund, Cornelia. Sculpting Image and Sound. Edited by Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.40.

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Digital technology increasingly has offered new possibilities of combining audio and visual elements, be it in live performances, installations, or videos. The Canadian artist and musician Herman Kolgen plays the different genres like a virtuoso, exploring overarching themes in audiovisual performances as well as audiovisual installations. This chapter offers a case study that takes Kolgen’s work as an example of artistic production that pushes its investigation of audiovisual combinations in different directions by its flexible use of analog and digital media formats. The chapter first discusses the status of Kolgen’s work in terms of categories of audiovisual production such asvisual music, live cinema, andsound art. It then focuses on an analysis of his work under three aspects: exploration of media formats, use of technology, and relation to performance and performativity. At the same time, the chapter situates Kolgen’s work in the wider context of audiovisual art.
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29

Teixeira, Sandrina, and José Freitas Santos, eds. Tópicos de Marketing Digital. CEOS Edições, 2022. http://dx.doi.org/10.56002/ceos.0013b.

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O avanço nas tecnologias de informação e comunicação veio provocar mudanças significativas no modo de fazer negócios e têm exigido das empresas e dos seus profissionais de marketing novas competências para se adaptarem e/ou mudarem a forma de comunicarem com públicos cada vez mais exigentes. A pandemia COVID 19 veio acelerar o processo de digitalização da economia, com impacto relevante no comércio eletrónico (acréscimo das compras online) e no marketing digital permitindo uma comunicação rápida, eficaz e a baixo custo (novas plataformas de comunicação digital e redes sociais). Perante esta mudança, as estratégias de marketing digital tornaram-se mais complexas, obrigando as empresas a criar ligações mais próximas aos seus clientes, através de experiências memoráveis, conteúdos inesquecíveis e contactos frequentes (email, mensagens, etc.). Consciente destes desafios, o ISCAP (Instituto Superior de Contabilidade e Administração do Porto) do IPP (Instituto Politécnico do Porto), que foi a primeira escola pública do país a lançar uma licenciatura em marketing, oferece desde há alguns anos um mestrado em marketing digital, que é único no panorama nacional. Com as sucessivas reestruturações no plano de estudos, decorrentes da evolução tecnológica, o mestrado procurou sempre conjugar a vertente teórica com a vertente profissional. Esta obra coletiva resulta do esforço de docentes com perfis académicos e profissionais muito diferentes, mas que se completam para oferecer um corpo de conhecimentos sintético sobre as principais unidades curriculares que são lecionadas ao longo do ciclo de formação, a saber: 1.º ano - Marketing e Estratégia Digital, Desenvolvimento de Produtos Digitais, Marketing de Conteúdos, Logística em Negócio Eletrónico, Marketing Intelligence e Research , Search Engine Marketing, Social Media Marketing , Mobile Marketing e Projetos de E-Business. 2.º ano - Métodos de Investigação em Marketing, Seminários Temáticos em Marketing Digital e Dissertação ou Projeto ou Estágio. Com esta obra pretende-se fornecer aos alunos, que ingressam no mestrado em marketing digital, um manual de referência sobre os tópicos lecionados no mestrado. Ao mesmo tempo, este corpo de conhecimentos pode também ser útil a estudantes e docentes do ensino graduado e pós-graduado da área da gestão e do marketing, bem como a diretores de marketing digital, gestores e técnicos de marketing e a todos as pessoas com espírito empreendedor, que procuram novas oportunidades de negócio online ou que pretendem reforçar os seus canais de comunicação através das novas ferramentas do marketing digital. Os organizadores desta obra e os autores dos diversos capítulos agradecem o apoio da linha de investigação em Estratégias Digitais para o Marketing e Comunicação, do CEOS.PP (Centro de Estudos Organizacionais e Sociais do Politécnico do Porto).
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30

Edward S Curtis Above The Medicine Line Portraits Of Aboriginal Life In The Canadian West. Heritage House Publishing, 2010.

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