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1

Meltev, Mikhail. Kino i elektronni medii: Mikhail Meltev. Sofii︠a︡: Nov Bŭlgarski Universitet, 2012.

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2

Dvivedī, Rāma Prakāśa. Ilekṭrônika mīḍiyā aura sinemā. Naī Dillī: Prāsaṅgika Pabliśarsa eṇḍa Ḍisṭrībyūṭarsa, 2013.

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3

McNeill, Isabelle F. Memory and the moving image: French film in the digital era. Edinburgh: Edinburgh University Press, 2010.

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4

Brunella, Elisabetta. The European digital cinema report: Understanding digital cinema roll-out. Strasbourg: European Audiovisual Observatory, 2011.

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5

Sorg, Jürgen. Spielformen im Spielfilm: Zur Medienmorphologie des Kinos nach der Postmoderne. Bielefeld: Transcript, 2007.

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6

Liang, Guowei. Kua yue shi kong de ying xiang jiao liu: Shu zi dian ying de mei jie xing tai. Beijing: Shang wu yin shu guan, 2007.

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7

Isaacs, Bruce. Orientation of future cinema: Technology, aesthetics, spectacle. New York: Bloomsbury, 2014.

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8

Dixon, Wheeler W. 21st century Hollywood: Movies in the era of transformation. New Brunswick, N.J: Rutgers University Press, 2011.

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9

Audrey, Foster Gwendolyn, ed. 21st century Hollywood: Movies in the era of transformation. New Brunswick, N.J: Rutgers University Press, 2011.

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10

Kindem, Gorham Anders. Introduction to media production: From analog to digital. Boston: Focal Press, 1997.

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11

Mitsuoka, Toshirō. Sukurīn sutadīzu: Dejitaru jidai no eizō/media keiken. Tōkyō: Tōkyō Daigaku Shuppankai, 2019.

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12

José Ma Santa Cruz G. Imagen-simulacro: Estudios de cine contemporáneo. Santiago de Chile: Ediciones Metales Pesados, 2010.

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13

José M. Santa Cruz G. Imagen-sintética: Estudios de cine contemporáneo (2). Santiago de Chile: Ediciones Metales Pesados, 2012.

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14

Borges, Gabriela. Nas margens: Ensaios sobre teatro, cinema e meios digitais. Lisboa: Gradiva Publicações, 2010.

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15

Telve, Sandra. Cinema e nuove visioni: Tra schermi e società multimediale. Dueville]: Ronzani numeri, 2021.

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16

Staten, Greg. Media composer: Effects essentials. Burlington, Massachusetts}]: [Avid Technology], 2014.

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17

1972-, Lyons James, and Plunkett John 1974-, eds. Multimedia histories: From the magic lantern to the internet. Exeter: University of Exeter Press, 2007.

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18

1972-, Lyons James, and Plunkett John 1974-, eds. Multimedia histories: From the magic lantern to the internet. Exeter, Devon, UK: University of Exeter Press, 2007.

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19

Anders, Kindem Gorham, ed. Introduction to media production: The path to digital media production by Robert B. Musburger and Gorham Kindem. Burlington, MA: Focal Press, 2009.

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20

Elsaesser, Thomas. Film History As Media Archaeology: Tracking Digital Cinema. Amsterdam University Press, 2016.

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21

Film History as Media Archaeology: Tracking Digital Cinema. Amsterdam University Press, 2016.

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22

Lowenstein, Adam. Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media. Columbia University Press, 2014.

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23

Lowenstein, Adam. Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media. Columbia University Press, 2014.

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24

Mehta, Smith. New Screen Ecology in India: Digital Transformation of Media. Bloomsbury Publishing Plc, 2023.

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25

Mehta, Smith. New Screen Ecology in India: Digital Transformation of Media. Bloomsbury Publishing Plc, 2023.

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26

Chung, Hye Jean. Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Duke University Press, 2018.

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27

Chung, Hye Jean. Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Duke University Press, 2018.

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28

Media Heterotopias: Digital Effects and Material Labor in Global Film Production. Duke University Press Books, 2018.

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29

Nikolic, Vladan. Independent Filmmaking and Digital Convergence: Transmedia and Beyond. Taylor & Francis Group, 2016.

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30

Nikolic, Vladan. Independent Filmmaking and Digital Convergence: Transmedia and Beyond. Taylor & Francis Group, 2016.

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31

Musburger, Robert B., and Gorham Anders Kindem. Introduction to Media Production: The Path to Digital Media Production. Taylor & Francis Group, 2015.

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32

India on the Western screen: Imaging a country in film, TV, and digital media. 2016.

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33

Penz, François, and Maureen Thomas. Architectures of Illusion: From Motion Pictures to Navigable Interactive Environments. Intellect, Limited, 2008.

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34

Frey, Mattias, Greg Taylor, and Cecilia Sayad. Film Criticism in the Digital Age. Rutgers University Press, 2015.

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35

Frey, Mattias, Thomas Elsaesser, and Cecilia Sayad. Film Criticism in the Digital Age. Rutgers University Press, 2015.

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36

Frey, Mattias, Greg Taylor, and Cecilia Sayad. Film Criticism in the Digital Age. Rutgers University Press, 2015.

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37

Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press, 2013.

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38

Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press, 2013.

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39

Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press, 2013.

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40

Tryon, Chuck. On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press, 2013.

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41

Fowler, Jaime. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Taylor & Francis Group, 2012.

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42

Fowler, Jaime. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Taylor & Francis Group, 2012.

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43

Fowler, Jaime. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Focal Press, 2001.

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44

Fowler, Jaime. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Taylor & Francis Group, 2016.

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45

Fowler, Jaime. Editing Digital Film: Integrating Final Cut Pro, Avid, and Media 100. Taylor & Francis Group, 2012.

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46

Musburger, Robert B., and Gorham Kindem. Introduction to Media Production: The Path to Digital Media Production. Taylor & Francis Group, 2012.

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47

Musburger, Robert B. Introduction to Media Production: The Path to Digital Media Production. Taylor & Francis Group, 2012.

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48

Casetti, Francesco. The Lumière Galaxy: Seven Key Words for the Cinema to Come. Columbia University Press, 2015.

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49

Casetti, Francesco. Lumière Galaxy: Seven Key Words for the Cinema to Come. Columbia University Press, 2015.

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50

Memory and the moving image: French film in the digital era. Edinburgh: Edinburgh University Press, 2010.

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