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Books on the topic 'Digital manuscript'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Pérez Saldanya, Manuel, and Rafael Roca Ricart, eds. Del manuscrit a la paraula digital / From Manuscript to Digital Word. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/ivitra.16.

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2

George, Bornstein, and Tinkle Theresa Lynn 1954-, eds. The iconic page in manuscript, print, and digital culture. Ann Arbor: University of Michigan Press, 1998.

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3

Lynn, Ransom, ed. Cantus scriptus: Technologies of medieval song : the Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age, 2010. Piscataway, NJ: Gorgias Press, 2012.

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4

Council on Library and Information Resources. Commission on Preservation and Access. and Council on Library and Information Resources. Digital Libraries., eds. Digitization for scholarly use: The Boswell Papers Project at the Beinecke Rare Book and Manuscript Library. Washington, D.C: Council on Library and Information Resources, 1999.

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5

Bouché, Nicole. Digitization for scholarly use: The Boswell Papers Project at the Beinecke Rare Book and Manuscript Library. Washington, D.C: Council on Library and Information Resources, 1999.

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6

Andrews, Tara L., and Caroline Macé, eds. Analysis of Ancient and Medieval Texts and Manuscripts: Digital Approaches. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.lectio-eb.5.112189.

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7

Ciula, Arianna. Digital philology and medieval texts. Ospedaletto (Pisa): Pacini, 2007.

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8

Lire demain: Des manuscrits antiques a l'ère digitale. Lausanne: Presses polytechniques et universitaires romandes, 2012.

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9

editor, Philippi Sabine 1982, and Vanscheidt Philipp editor, eds. Digitale Rekonstruktionen mittelalterlicher Bibliotheken. Wiesbaden: Reichert, 2014.

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10

Broia, Daniele. Manoscritti palinsesti criptensi: Lettura digitale sulla banda dell' invisible. Ravenna: Universita' di Bologna, Facolta' di Conservazione dei beni culturali, 1998.

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11

Spain. Dirección General del Libro, Archivos y Bibliotecas, Biblioteca Nacional (Spain), and Micronet S. A, eds. Admyte: Archivo digital de manuscritos y textos españoles. Madrid: Micronet, 1992.

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12

Gambarara, Daniele, and Maria Pia Marchese. Guida per un'edizione digitale dei manoscritti di Ferdinand de Saussure: Progetto di ricerca PRIN 2008. Alessandria: Edizioni dell'Orso, 2013.

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13

Kitābkhānah-i ʻUmūmī-i Ḥaz̤rat Āyat Allāh al-ʻUẓmá Marʻashī Najafī. Khizānah al-ʻĀlamīyah lil-Makhṭūṭāt al-Islāmīyah, ed. Darʹāmadī bar fihristʹnigārī-i nuskhahʹhā-yi khaṭṭī barā-yi pāygāhʹhā-yi īntirnitī-i kitāb. Qum: Kitābkhānah-i Buzurg-i Ḥaz̤rat-i Āyat Allāh Marʻashī Najafī, Ganjīnah-i Jahānī-i Makhṭūṭāt-i Islāmī, 2011.

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14

Ding, Choo Ming. Pengajian di alam Melayu: Dari tradisi manuskrip ke maklumat digital. Bangi: Institut Alam dan Tamadun Melayu, Universiti Kebangsaan Malaysia, 2009.

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15

Commission on Preservation and Access., ed. Digital imaging of papyri: A report to the Commission on Preservation and Access. Washington, DC: Commission on Preservation and Access, 1995.

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16

Wege zum Text: Überlegungen zur Verfügbarkeit mediävistischer Editionen im 21. Jahrhundert ; Grazer Kolloquium 17.-19. September 2008. Tübingen: Niemeyer, 2009.

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17

J, Finneran Richard, ed. The literary text in the digital age. Ann Arbor: University of Michigan Press, 1996.

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18

Al-Furqān Islamic Heritage Foundation. Conference. The conservation and preservation of Islamic manuscripts: Proceedings of the third conference of Al-Furqān Islamic Heritage Foundation 18th-19th November, 1995. Edited by Ibish Yusuf, Atiyeh George N. 1923-, and Al-Furqān Islamic Heritage Foundation. London: Al-Furqān IslamicHeritage Foundation, 1996.

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19

Text comparison and digital creativity: The production of presence and meaning in digital text scholarship. Leiden: Brill, 2010.

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20

Baca, Damián. Mestiz@ scripts, digital migrations and the territories of writing. New York, N.Y: Palgrave Macmillan, 2008.

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21

Santo, Lucà, ed. Libri palinsesti greci: Conservazione, restauro digitale, studio : atti del Convegno internazionale, Villa Mondragone-Monte Porzio Catone-Università di Roma "Tor Vergata"-Biblioteca del Monumento nazionale di Grottaferrata, 21-24 aprile 2004. Roma: Comitato nazionale per le celebrazioni del millenario della Fondazione dell'Abbazia di S. Nilo a Grottaferrata, 2008.

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22

Graaf, Maurits van der. The European repository landscape: Inventory study into the present type and level of OAI-compliant digital respository activities in the EU. Amsterdam: Amsterdam University Press, 2008.

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23

M, Thomas Lynne, ed. Special collections 2.0: Using new technologies to collect, describe, promote, and preserve rare books, manuscripts, and archival collections. Santa Barbara, Calif: Libraries Unlimited, 2009.

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24

Preserving our heritage: Perspectives from antiquity to the digitial age. London: Facet Publishing, 2015.

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25

1962-, Stella Francesco, and D'Angelo Edoardo, eds. Poetry of the early medieval Europe: Manuscripts, language and music of the rhythmical latin texts : III Euroconference for the Digital Edition of the "Corpus of Latin Rhythmical Texts 4th-9th Century". Tavarnuzze (Firenze): SISMEL edizioni del Galluzzo, 2003.

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26

Digitizing medieval and early modern material culture. Toronto, Ontario, Canada: Iter, Inc., 2012.

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27

Chartier, Roger. Os desafios da escrita. Sa o Paulo: UNESP, 2002.

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28

Alcinda Pinheiro de, Sousa, Correia Alda, Varandas Angélica, and Relvas Maria de Jesus C., eds. English Literature in the World : From Manuscript to Digital. Edições Húmus and Faculdade de Letras da Universidade de Lisboa, 2020. http://dx.doi.org/10.51427/10451/48700.

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29

Treharne, Elaine, and Orietta Da Rold. Encyclopedia of Book History: Manuscript, Print, and Digital Technologies. Wiley & Sons, Limited, John, 2012.

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30

Stone, Michael E., and Valentina Calzolari. Armenian Philology in the Modern Era: From Manuscript to Digital Text. BRILL, 2014.

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31

Stone, Michael E., and Valentina Calzolari. Armenian Philology in the Modern Era: From Manuscript to Digital Text. BRILL, 2014.

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32

Pérez-Saldanya, Manuel, and Rafael Roca Ricart. Del Manuscrit a la Paraula Digital / from Manuscript to Digital Word: Estudis de Llengua I Literatura Catalanes / Studies of Catalan Language and Literature. Benjamins Publishing Company, John, 2018.

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33

Ricart, Rafael Roca, and Manuel Pérez Saldanya. Del Manuscrit a la Paraula Digital / from Manuscript to Digital Word: Estudis de Llengua I Literatura Catalanes / Studies of Catalan Language and Literature. Benjamins Publishing Company, John, 2018.

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34

From manuscript to digital text: Proceedings of the colloquium (Bologna, June 12th 2003). Roma: Herder, 2007.

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35

Levy, Michelle. Literary Manuscript Culture in Romantic Britain. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474457064.001.0001.

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Although we have more literary manuscripts from the Romantic period than for any previous period, these manuscripts have been consulted chiefly for the textual evidence they provide. This book begins the work of unearthing the alternative histories manuscripts tell us about British Romantic literary culture: describing the practices by which they were written, shared, altered and preserved; exploring the functions they served as instruments of expression and sociability; and explicating the migration of texts between the copying technologies of script and print. Deploying a range of methodologies, including quantitative approaches, it considers both literary manuscripts of texts that went unprinted during the lifetimes of their creators as well as those that were printed, presenting a capacious account of how handwritten literary documents were shared, copied, read, and valued. It describes the material processes that brought these manuscripts to audiences small and large, and preserved them for future generations. This book situates manuscript practices within an expanding print marketplace, arguing that the realms of script and print interacted to nurture and transform the period’s literary culture. Providing a comprehensive analysis of the values ascribed to literary manuscripts and the practices involved in their creation and use, this study illuminates the complex entanglements between various media. It concludes with an examination of the ongoing transformations of Romantic literary manuscripts, by textual scholars and digital humanists.

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36

Alcorn, Rhona, Joanna Kopaczyk, Bettelou Los, and Benjamin Molineaux, eds. Historical Dialectology in the Digital Age. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474430531.001.0001.

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Drawing on the resources created by the Institute of Historical Dialectology at the University of Edinburgh (now the Angus McIntosh Centre for Historical Linguistics), such as eLALME (the electronic version A Linguistic Atlas of Late Medieval English), LAEME (A Linguistic Atlas of Early Middle English) and LAOS (A Linguistic Atlas of Older Scots), this volume illustrates how traditional methods of historical dialectology can benefit from new methods of corpus data-collection to test out theoretical and empirical claims. In showcasing the results that these digital text resources can yield, the book highlights novel methods for presenting, mapping and analysing the quantitative data of historical dialects, and sets the research agenda for future work in this field. Bringing together a range of distinguished researchers, the book sets out the key corpus-building strategies for working with regional manuscript data at different levels of linguistic analysis including syntax, morphology, phonetics and phonology. The chapters also show the ways in which the geographical spread of phonological, morphological and lexical features of a language can be used to improve our assessment of the geographical provenance of historical texts.

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37

Building the Book from the Ancient World to the Present Day: How Manuscript, Printed, and Digital Texts Are Made. Rare Book School - UVA, 2022.

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38

Davis-Secord, Jonathan. Approaching the History of English Through Material Culture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190611040.003.0026.

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Working with manuscript facsimiles is one way of making Old and Middle English viscerally real to students studying the History of the English Language (HEL). Manuscripts ground the language in physical objects that were created, handled, and read by actual people. Edited texts remain vital but nonetheless insufficient for this purpose because they are abstracted from their original context and overlaid with editorial aids. Digital facsimiles in particular allow students to engage with old, alien forms of the English language through the familiarity of a screen. This chapter explores the uses of digital facsimiles in the HEL classroom and assignments.

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39

Rankin, Susan, Emma Dillon, Anne Stone, and Lynn Ransom. Cantus Scriptus : Technologies of Medieval Song: The Lawrence J. Schoenberg Symposium on Manuscript Studies in the Digital Age; 2010 Symposium. Gorgias Press, LLC, 2012.

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40

Treharne, Elaine. Perceptions of Medieval Manuscripts. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192843814.001.0001.

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Perceptions of Medieval Manuscripts takes as its starting point an understanding that a medieval book is a whole object at every point of its long history. As such, medieval books can be studied most profitably in a holistic manner as objects-in-the-world. This means readers might profitably account for all aspects of the manuscript in their observations, from the main texts that dominate the codex to the marginal notes, glosses, names, and interventions made through time. This holistic approach allows us to tell the story of the book’s life from the moment of its production to its use, collection, breaking-up, and digitization—all aspects of what can be termed ‘dynamic architextuality’. The ten chapters of this study include detailed readings of texts that explain the processes of manuscript manufacture and writing, taking in invisible components of the book that show the joy and delight clearly felt by producers and consumers. Chapters investigate the filling of manuscripts’ blank spaces, presenting some texts never examined before, and assessing how books were conceived and understood to function. Manuscripts’ heft and solidness can be seen, too, in the depictions of miniature books in medieval illustrations. Early manuscripts thus become archives and witnesses to individual and collective memories, best read as ‘relics of existence’, as Maurice Merleau-Ponty describes things. As such, it is urgent that practices fragmenting the manuscript through book-breaking or digital display are understood in the context of the book’s wholeness. Readers of this study will find chapters on multiple aspects of medieval bookness in the distant past, the present, and in the assurance of the future continuity of this most fascinating of cultural artefacts.

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41

Hell, H., D. Pankow, and R. Wunderer. Digiscript: Edits Digital Manuscripts. Springer, 1996.

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42

DigiScript: Edits digital manuscripts. Berlin: Springer, 1997.

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43

Hamann, Sabine, Hauke Hell, Detlef Pankow, and Robert Wunderer. DigiScript: Edits Digital Manuscripts. Springer London, Limited, 2013.

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44

Hamidović, David, Claire Clivaz, and Sarah Bowen Savant, eds. Ancient Manuscripts in Digital Culture. BRILL, 2019. http://dx.doi.org/10.1163/9789004399297.

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45

Hamann, Sabine, Hauke Hell, Detlef Pankow, and Robert Wunderer. DigiScript™: Edits Digital Manuscripts. Springer, 2014.

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46

Treharne, Elaine, Benjamin Albritton, and Georgia Henley. Medieval Manuscripts in the Digital Age. Taylor & Francis Group, 2020.

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47

Treharne, Elaine, Benjamin Albritton, and Georgia Henley. Medieval Manuscripts in the Digital Age. Taylor & Francis Group, 2020.

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48

Treharne, Elaine, Benjamin Albritton, and Georgia Henley. Medieval Manuscripts in the Digital Age. Taylor & Francis Group, 2020.

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49

Treharne, Elaine M., Benjamin Albritton, and Georgia Henley. Medieval Manuscripts in the Digital Age. Routledge, 2020.

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50

Treharne, Elaine, Benjamin Albritton, and Georgia Henley. Medieval Manuscripts in the Digital Age. Taylor & Francis Group, 2020.

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