Journal articles on the topic 'Digital filmmaker'
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Decker, Todd. "The Filmmaker as DJ." Journal of Musicology 34, no. 2 (2017): 281–317. http://dx.doi.org/10.1525/jm.2017.34.02.281.
Full textCoover, Roderick, David Jhave Johnston, and Scott Rettberg. "The Poetics of Combinatory Cinema: David Jhave Johnston interviews Roderick Coover and Scott Rettberg." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 4, no. 1 (December 15, 2014): 108–29. http://dx.doi.org/10.7146/se.v4i1.20329.
Full textHanna, Fabiola, and Irene Lusztig. "Translating Interfaces in the Ms. Magazine Archive." Frames Cinema Journal 19 (February 18, 2022): 210–25. http://dx.doi.org/10.15664/fcj.v19i0.2386.
Full textPisters, Patricia. "The Filmmaker as Metallurgist: Political Cinema and World Memory." Film-Philosophy 20, no. 1 (February 2016): 149–67. http://dx.doi.org/10.3366/film.2016.0008.
Full textCallens, Johan. "Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman." TDR/The Drama Review 54, no. 1 (March 2010): 39–58. http://dx.doi.org/10.1162/dram.2010.54.1.39.
Full textMacDonald, Scott. "Gentle Iconoclast: An Interview with David Gatten." Film Quarterly 61, no. 2 (2007): 36–44. http://dx.doi.org/10.1525/fq.2007.61.2.36.
Full textChamarette, Jenny. "Backdating the Crip Technoscience Manifesto." Film Quarterly 76, no. 2 (2022): 16–24. http://dx.doi.org/10.1525/fq.2022.76.2.16.
Full textWoodworth-Hou, Jason. "Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation." Animation 17, no. 3 (November 2022): 271–85. http://dx.doi.org/10.1177/17468477221131874.
Full textOliva, Rodrigo, José Bidarra, and Denize Araújo. "Video and storytelling in a digital world: interactions and narratives in videoclips." Comunicação e Sociedade 32 (December 29, 2017): 459–76. http://dx.doi.org/10.17231/comsoc.32(2017).2772.
Full textHashim, Hasrul. "Techno-Creativity: The Implementation of DVFx as Creative Support Tools Among Filmmakers in Malaysia, India & Australia." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 1 (March 31, 2021): 196–208. http://dx.doi.org/10.17576/jkmjc-2021-3701-11.
Full textBartliff, Zoe, Yunhyong Kim, Frank Hopfgartner, and Guy Baxter. "Leveraging digital forensics and data exploration to understand the creative work of a filmmaker: A case study of Stephen Dwoskin's digital archive." Information Processing & Management 57, no. 6 (November 2020): 102339. http://dx.doi.org/10.1016/j.ipm.2020.102339.
Full textBao, Hongwei. "Sharing food, vulnerability and intimacy in a global pandemic: The digital art of the Chinese diaspora in Europe." Journal of Contemporary Chinese Art 8, no. 2 (November 1, 2021): 129–45. http://dx.doi.org/10.1386/jcca_00041_1.
Full textPedersen, Peter Ole, and Jan Løhmann Stephensen. "V-v-Vertov R-r-Re-Made." Acta Universitatis Sapientiae, Film and Media Studies 9, no. 1 (December 1, 2014): 77–106. http://dx.doi.org/10.1515/ausfm-2015-0004.
Full textTofighian, Omid. "Translation in Digital Times: Omid Tofighian on Translating the Manus Prison Narratives." Humanities 12, no. 1 (January 11, 2023): 8. http://dx.doi.org/10.3390/h12010008.
Full textGolding, Dan. "The memory of perfection: Digital faces and nostalgic franchise cinema." Convergence: The International Journal of Research into New Media Technologies 27, no. 4 (July 28, 2021): 855–67. http://dx.doi.org/10.1177/13548565211029406.
Full textMunro, Kenny. "Explorer and Teller of Celluloid Tales: James Wilson – Veteran International Filmmaker and Producer for BBC Scotland." Scottish Affairs 23, no. 4 (November 2014): 522–39. http://dx.doi.org/10.3366/scot.2014.0049.
Full textSantoso, Vedy. "Kapital dan Strategi Garin Nugroho dalam Proses Produksi Film." Journal of Urban Society's Arts 4, no. 1 (April 30, 2017): 11–18. http://dx.doi.org/10.24821/jousa.v4i1.1492.
Full textStrub, Whitney. "Sanitizing the Seventies." Feminist Media Histories 5, no. 2 (2019): 19–48. http://dx.doi.org/10.1525/fmh.2019.5.2.19.
Full textDimitriadis, Giorgos. "POSTCARD FROM ISTANBUL: DIGITAL RECONSTRUCTION OF THE CITY AS MEMORY IN TASOS BOULMETIS’S POLÍTIKI KOUZÍNA / A TOUCH OF SPICE / BAHARATIN TADI." Digital Age in Semiotics & Communication 1, no. 1 (November 28, 2018): 65–77. http://dx.doi.org/10.33919/dasc.18.1.5.
Full textRiding, James, and Jack Wake-Walker. "Towards a cultural geopolitics: on the making of a documentary-poetry film about a post-conflict place." Fennia - International Journal of Geography 195, no. 1 (June 15, 2017): 61. http://dx.doi.org/10.11143/fennia.60213.
Full textSommerfeld, Beate. "„Auf das Material kommt es an“ – Franz Friedrichs Roman Die Meisen von UUsimaa singen nicht mehr als Reflex auf den Umbruch ins digitale Zeitalter." Germanica Wratislaviensia 141 (February 15, 2017): 135–49. http://dx.doi.org/10.19195/0435-5865.141.9.
Full textBurtt, Jon, Katie Lavers, and Iqbal Barkat. "Introduction and Interview: A multi-arts project." Performing Islam 8, no. 1 (December 1, 2019): 157–71. http://dx.doi.org/10.1386/pi_00009_1.
Full textGlowczewski, Barbara. "Lines and Criss-Crossings: Hyperlinks in Australian Indigenous Narratives." Media International Australia 116, no. 1 (August 2005): 24–35. http://dx.doi.org/10.1177/1329878x0511600105.
Full textYecies, Brian, Ae-Gyung Shim, and Ben Goldsmith. "Digital Intermediary: Korean Transnational Cinema." Media International Australia 141, no. 1 (November 2011): 137–45. http://dx.doi.org/10.1177/1329878x1114100116.
Full textMoseng, Jo Sondre, and Håvard Andreas Vibeto. "Double Allegiance: Digital Natives as Filmmakers." Nordic Journal of Digital Literacy 7, no. 04 (December 14, 2012): 236–52. http://dx.doi.org/10.18261/issn1891-943x-2012-04-02.
Full textBarnes, Heather L. "Digital Curation and Contemporary Documentary Filmmaking." Preservation, Digital Technology & Culture 51, no. 4 (December 1, 2022): 141–54. http://dx.doi.org/10.1515/pdtc-2022-0021.
Full textBégin, Richard. "Digital Traumascape." Space and Culture 17, no. 4 (August 19, 2014): 379–87. http://dx.doi.org/10.1177/1206331214543868.
Full textRozensher, Susan G. "Faculty As Filmmakers: On The Cutting Edge Of Classroom Technologies." College Teaching Methods & Styles Journal (CTMS) 3, no. 1 (July 22, 2011): 19. http://dx.doi.org/10.19030/ctms.v3i1.5271.
Full textStanton, Christine Rogers, Brad Hall, and Lucia Ricciardelli. "Cross-Cultural Digital Storywork: A Framework for Engagement with/in Indigenous Communities." Engaged Scholar Journal: Community-Engaged Research, Teaching, and Learning 2, no. 1 (July 29, 2017): 247–66. http://dx.doi.org/10.15402/esj.v2i1.209.
Full textGeuens, Jean-Pierre. "The Digital World Picture." Film Quarterly 55, no. 4 (2002): 16–27. http://dx.doi.org/10.1525/fq.2002.55.4.16.
Full textStewart, Michelle. "Of Digital Selves and Digital Sovereignty: Of the North." Film Quarterly 70, no. 4 (2017): 23–38. http://dx.doi.org/10.1525/fq.2017.70.4.23.
Full textHerbert, Emilie. "Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood." Open Cultural Studies 2, no. 1 (September 1, 2018): 191–202. http://dx.doi.org/10.1515/culture-2018-0018.
Full textVélez-Serna, María A. "Resisting extractive uses of the archive in Colombian experimental non-fiction." Frames Cinema Journal 19 (February 18, 2022): 13–42. http://dx.doi.org/10.15664/fcj.v19i0.2380.
Full textRospitasari, Marina. "Youtube as alternative media for digital activism in documentary film creative industry." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 5, no. 3 (November 20, 2021): 665–92. http://dx.doi.org/10.25139/jsk.v5i3.3779.
Full textPetkovic, Dusan. "Notes from Notes on Blindness: The challenges of the in-house1 film production model in independent cinema." Scene 6, no. 2 (December 1, 2018): 121–31. http://dx.doi.org/10.1386/scene_00013_1.
Full textErlianto, Reviansyah, and Hana Faridah. "Perlindungan Hukum Pembajakan Film Digital." Ajudikasi : Jurnal Ilmu Hukum 6, no. 2 (December 27, 2022): 211–32. http://dx.doi.org/10.30656/ajudikasi.v6i2.5469.
Full textBolter, Jay David. "Transference and Transparency: Digital Technology and the Remediation of Cinema." Intermédialités, no. 6 (August 10, 2011): 13–26. http://dx.doi.org/10.7202/1005503ar.
Full textCoppola, Antoine. "Epistolary Enunciation in Contemporary Fiction Films in Asia: A Typological Essay." Área Abierta 19, no. 3 (November 4, 2019): 401–17. http://dx.doi.org/10.5209/arab.63968.
Full textOlsson, Maria, and Anne-Li Lindgren. "The Role of Digital Cameras in Child and Researcher Encounters in Preschool." Video Journal of Education and Pedagogy 4, no. 1 (December 5, 2019): 99–115. http://dx.doi.org/10.1163/23644583-00401004.
Full textSavelieva, Elena N., Valeriya E. Budenkova, and Alexandra V. Presnyakova. "TOMSK AMATEUR FILMMAKERS' FILM PRODUCTION AS A PROSUMER PRACTICE." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 103–16. http://dx.doi.org/10.17223/22220836/39/10.
Full textBrown, William. "Non-Cinema: Digital, Ethics, Multitude." Film-Philosophy 20, no. 1 (February 2016): 104–30. http://dx.doi.org/10.3366/film.2016.0006.
Full textAlamouti, David. "The digital ethical space: towards a transnational documentary ethics, a filmmaker’s point of view." Transnational Screens 11, no. 2 (February 28, 2020): 103–20. http://dx.doi.org/10.1080/25785273.2020.1734305.
Full textWessels, Josepha Ivanka. "Video Activists from Aleppo and Raqqa as ‘Modern-Day Kinoks’?" Middle East Journal of Culture and Communication 10, no. 2-3 (2017): 159–74. http://dx.doi.org/10.1163/18739865-01002005.
Full textMohamad Rasit, Rosmawati. "Creative Content of Shariah-Compliant Short Film in The Digital Media Evolution." Malaysian Journal of Social Sciences and Humanities (MJSSH) 7, no. 3 (March 10, 2022): e001369. http://dx.doi.org/10.47405/mjssh.v7i3.1369.
Full textAn, Dong. "Technology-driven Virtual Production." Revista FAMECOS 29, no. 1 (August 5, 2022): e43370. http://dx.doi.org/10.15448/1980-3729.2022.1.43370.
Full textThoma, Andrea. "In-Between Images: Where is the Ground?" Acta Universitatis Sapientiae, Film and Media Studies 17, no. 1 (October 1, 2019): 45–61. http://dx.doi.org/10.2478/ausfm-2019-0014.
Full textAbet, Madzlan, Nur Khalida Binti Khalid, and Noorfathehah Binti Abdullah Sani. "Enhancing Undergraduate Student’s Understanding of Cultural Heritage Studies Through Digital Storytelling Software." Malaysian Journal of Social Sciences and Humanities (MJSSH) 7, no. 3 (March 10, 2022): e001362. http://dx.doi.org/10.47405/mjssh.v7i3.1362.
Full textMukherjee, Madhuja. "Little cinema culture: Networks of digital files and festival on the fringes." Studies in South Asian Film & Media 10, no. 1 (October 1, 2019): 23–40. http://dx.doi.org/10.1386/safm_00003_1.
Full textMbura, Issa. "Effects of Digitalization on the Three-tier Structure of Tanzania’s Film Industry." Umma: The Journal of Contemporary Literature and Creative Art 9, no. 1 (2022): 140–63. http://dx.doi.org/10.56279/ummaj.v9i1.7.
Full textMoura, Hudson. "Editorial." Interactive Film and Media Journal 1, no. 2 (November 22, 2021): 2–4. http://dx.doi.org/10.32920/ifmj.v1i2.1517.
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