Academic literature on the topic 'Digital filmmaker'
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Journal articles on the topic "Digital filmmaker"
Decker, Todd. "The Filmmaker as DJ." Journal of Musicology 34, no. 2 (2017): 281–317. http://dx.doi.org/10.1525/jm.2017.34.02.281.
Full textCoover, Roderick, David Jhave Johnston, and Scott Rettberg. "The Poetics of Combinatory Cinema: David Jhave Johnston interviews Roderick Coover and Scott Rettberg." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 4, no. 1 (December 15, 2014): 108–29. http://dx.doi.org/10.7146/se.v4i1.20329.
Full textHanna, Fabiola, and Irene Lusztig. "Translating Interfaces in the Ms. Magazine Archive." Frames Cinema Journal 19 (February 18, 2022): 210–25. http://dx.doi.org/10.15664/fcj.v19i0.2386.
Full textPisters, Patricia. "The Filmmaker as Metallurgist: Political Cinema and World Memory." Film-Philosophy 20, no. 1 (February 2016): 149–67. http://dx.doi.org/10.3366/film.2016.0008.
Full textCallens, Johan. "Anne-Marie Boisvert, Manon Oligny, and Thomas Israël: Three Artists in Search of Cindy Sherman." TDR/The Drama Review 54, no. 1 (March 2010): 39–58. http://dx.doi.org/10.1162/dram.2010.54.1.39.
Full textMacDonald, Scott. "Gentle Iconoclast: An Interview with David Gatten." Film Quarterly 61, no. 2 (2007): 36–44. http://dx.doi.org/10.1525/fq.2007.61.2.36.
Full textChamarette, Jenny. "Backdating the Crip Technoscience Manifesto." Film Quarterly 76, no. 2 (2022): 16–24. http://dx.doi.org/10.1525/fq.2022.76.2.16.
Full textWoodworth-Hou, Jason. "Reanimating the Master Narrative: How They Shall Not Grow Old Curates the Perception of Common Truth through CGI Animation." Animation 17, no. 3 (November 2022): 271–85. http://dx.doi.org/10.1177/17468477221131874.
Full textOliva, Rodrigo, José Bidarra, and Denize Araújo. "Video and storytelling in a digital world: interactions and narratives in videoclips." Comunicação e Sociedade 32 (December 29, 2017): 459–76. http://dx.doi.org/10.17231/comsoc.32(2017).2772.
Full textHashim, Hasrul. "Techno-Creativity: The Implementation of DVFx as Creative Support Tools Among Filmmakers in Malaysia, India & Australia." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 1 (March 31, 2021): 196–208. http://dx.doi.org/10.17576/jkmjc-2021-3701-11.
Full textDissertations / Theses on the topic "Digital filmmaker"
Sealey, John Alexander. "Notions of identity : representation of the black subject and the filmmaker in digital cinema." Thesis, University of Exeter, 2009. http://hdl.handle.net/10036/106661.
Full textHardie, Harold Robert (Bob). "The documentary mind: In the subject of a practitioner’s perspective on changes in documentary concept and production." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1924.
Full textBengtsson, Simon, and Carl Nyholm. "Kortfilm - födkrok eller språngbräda? : En undersökning om de digitala plattformarnas påverkan på distributionen av svensk kortfilm." Thesis, Högskolan Väst, Avd för medier och design, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-12967.
Full textVi undersöker förutsättningarna för filmskapare i Sverige med kortfilmsformatet som slutmål. I form av en kvalitativ studie tar vi reda på vilka vägar det finns för att distribuera sina kortfilmer med hjälp av dagens digitala plattformar och hur dessa nyttjas. Detta görs genom att intervjua några av Sveriges mest erfarna och framgångsrika kortfilmsskapare och en av Sveriges största finansiärer av filmskapande för att skapa en så korrekt bild av branschen som möjligt. Det kompletteras med en kvantitativ enkätundersökning ämnad att skapa en generell bild av svenskars konsumtion av statligt och regionalt finansierad kortfilm. Kortfilmer med statligt och regionalt stöd har sällan något fokus på ekonomisk vinning. De är snarare ämnade att forma filmskapare och ge dem en möjlighet att grunda inför fortsatt filmskapande. Den huvudsakliga digitala plattformen är SVT Play, på grund av att SVT är med och sponsrar en stor del av de statligt och regionalt finansierade kortfilmerna. Det största problemet vi funnit är tillgängligheten för kortfilmer på digitala plattformar, då SVT Play oftast har exklusiva rättigheter och bara har visningsrättigheter periodvis. Då man vill sprida sin kortfilm handlar det främst om kontexten, att filmen inte bara ska tilltala publiken den når utan också tilltala publiken i den situation publiken är i då den når den.
Mak, Monica. "Digital cinematic technology and the democratization of independent cinema." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=103271.
Full textAlbright, Laura Beth. "2D spatial design principles applied to 3D animation a proposed toolset for filmmakers /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1230703092.
Full textSonboli, Hassan. "Digital Docu-fiction: A Way to Produce Kurdish Cinema." Thesis, Griffith University, 2017. http://hdl.handle.net/10072/366037.
Full textThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of art
Arts, Education and Law
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Albright, Laura Beth. "2D Spatial Design Principles Applied to 3D Animation: A Proposed Toolset for Filmmakers." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1230703092.
Full textCraddolph, Hayden V. "Developing a community of independent fim/video producers to foster creation, marketing, and distribution of digital media." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only. Hayden Film Festival website, 2006. http://www.haydenfilms.com/.
Full textSource: Masters Abstracts International, Volume: 45-06, page: 2805. Typescript. Abstract precedes thesis as 2 leaves (iii-iv). Includes bibliographical references (leaves 58-59).
Lang, Ian William, and n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Full textLang, Ian William. "Conditional Truths: Remapping Paths To Documentary 'Independence'." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367923.
Full textThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
Queensland College of Art
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Books on the topic "Digital filmmaker"
The visual effects arsenal: VFX solutions for the independent filmmaker. Burlington, MA: Focal Press, 2009.
Find full textFerncase, Richard K. QuickTime for filmmakers. Amsterdam: Focal Press, 2003.
Find full textQuickTime for filmmakers. Burlington, MA: Focal, 2004.
Find full textThe IFILM digital video filmmaker's handbook. Hollywood, Calif: Lone Eagle Pub., 2001.
Find full textAscher, Steven. The Filmmaker's Handbook. New York: Penguin Group USA, Inc., 2008.
Find full textDigital video production cookbook: [100 professional techniques for independent & amateur filmmakers]. Sebastopol, CA: O'Reilly Media, 2006.
Find full textDigital Babylon: Hollywood, Indiewood & Dogme 95. Los Angeles: IFILM, 2001.
Find full textEdward, Pincus, ed. The filmmaker's handbook: A comprehensive guide for the digital age. 2nd ed. New York, N.Y: Plume, 2007.
Find full textAscher, Steven. The filmmaker's handbook: A comprehensive guide for the digital age. New York, N.Y: Plume, 1999.
Find full textCommando tactics for digital filmmakers: Creative production tips & strategies to make your next film or video shoot successful. United States]: Windsock Press, 2011.
Find full textBook chapters on the topic "Digital filmmaker"
Biswas, Moinak. "Learning with Images in the Digital Age." In The Education of the Filmmaker in Europe, Australia, and Asia, 189–206. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137070388_10.
Full textGoldsmith, Ben, and Tom O’Regan. "Beyond the Modular Film School: Australian Film and Television Schools and their Digital Transitions." In The Education of the Filmmaker in Europe, Australia, and Asia, 149–69. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137070388_8.
Full textOlson, Jenni, and Jiz Lee. "Curating Our Own Space: A Conversation on Online Queer Film Exhibition and Adult Queer Cinema." In Rethinking Film Festivals in the Pandemic Era and After, 177–92. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-14171-3_9.
Full textDeAngelo, Darcie. "A New Reflexive Turn: Glitches, Carbon Footprints, and Streaming Videos in Visual Anthropology." In Digitisation and Low-Carbon Energy Transitions, 99–113. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-16708-9_6.
Full textCaillé, Patricia. "Mapping the Circulation of Films by Women Filmmakers with Maghrebi Funding in the Digital Age." In The State of Post-Cinema, 71–86. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-52939-8_4.
Full text"Rise of the Independent Filmmaker." In Independent Filmmaking and Digital Convergence, 30–46. Routledge, 2016. http://dx.doi.org/10.4324/9781315675862-7.
Full textVanstone, Gail. "‘Scriptrix Narrans’: Digital Documentary Storytelling’s Radical Potential." In Female Agency and Documentary Strategies. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474419475.003.0005.
Full textCorner, John. "Afterword: Getting Inside." In ReFocus: The Films of Barbara Kopple, 240–45. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439947.003.0015.
Full textBalsom, Erika. "Bootlegging Experimental Film." In After Uniqueness, 81–105. Columbia University Press, 2017. http://dx.doi.org/10.7312/columbia/9780231176934.003.0004.
Full textTurquety, Benoît. "Photography and the Composite Image, or A Portrait of Méliès as Bergsonian Filmmaker." In Special Effects on the Screen. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462980730_ch08.
Full textConference papers on the topic "Digital filmmaker"
Temkin, Aron. "SEEING ARCHITECTURE WITH A FILMMAKER’S EYES." In ACADIA 2003: Connecting: Crossroads of Digital Discourse. ACADIA, 2003. http://dx.doi.org/10.52842/conf.acadia.2003.227.
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