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Journal articles on the topic 'Digital audio broadcasting Australia'

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Published: 10 December 2022
Last updated: 29 January 2023

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1

Forster, Edward C. "Digital audio broadcasting." IEE Review 38, no. 6 (1992): 216. http://dx.doi.org/10.1049/ir:19920087.

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2

Hakanen, Ernest A. "Digital audio broadcasting." Telecommunications Policy 15, no. 6 (December 1991): 491–96. http://dx.doi.org/10.1016/0308-5961(91)90003-t.

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3

Hopkins, John W. "Digital audio broadcasting system." Journal of the Acoustical Society of America 101, no. 6 (June 1997): 3233. http://dx.doi.org/10.1121/1.419378.

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4

McNally, G. "Digital audio in broadcasting." IEEE ASSP Magazine 2, no. 4 (October 1985): 26–44. http://dx.doi.org/10.1109/massp.1985.1163754.

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5

Jurgen, R. K. "Broadcasting with digital audio." IEEE Spectrum 33, no. 3 (March 1996): 52–59. http://dx.doi.org/10.1109/6.485773.

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6

Taura, K., M. Tsujishita, M. Takeda, H. Kato, M. Ishida, and Y. Ishida. "A digital audio broadcasting (DAB) receiver." IEEE Transactions on Consumer Electronics 42, no. 3 (1996): 322–27. http://dx.doi.org/10.1109/30.536126.

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7

Price, Henry. "CD by radio: digital audio broadcasting." IEE Review 38, no. 4 (1992): 131. http://dx.doi.org/10.1049/ir:19920052.

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8

Jeong-Ki Min and Hyoung-Kyu Song. "Frequency synchronization for digital audio broadcasting." IEEE Transactions on Consumer Electronics 49, no. 2 (May 2003): 290–95. http://dx.doi.org/10.1109/tce.2003.1209516.

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9

Sharma, M. K. "Digital Audio Broadcasting through INSAT Satellite." IETE Technical Review 13, no. 1 (January 1996): 25–27. http://dx.doi.org/10.1080/02564602.1996.11416572.

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10

Hashimoto, Kazuhiko, and Masaru Nomura. "Recent Technologies of Digital Broadcasting System. Broadcasting Service Image. Digital Video & Audio Broadcasting Service." Journal of the Institute of Television Engineers of Japan 47, no. 4 (1993): 499–503. http://dx.doi.org/10.3169/itej1978.47.499.

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11

Faller, C., Biing-Hwang Juang, P. Kroon, Hui-Ling Lou, S. A. Ramprashad, and C. E. W. Sundberg. "Technical advances in digital audio radio broadcasting." Proceedings of the IEEE 90, no. 8 (August 2002): 1303–33. http://dx.doi.org/10.1109/jproc.2002.800718.

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12

Lahdili, H., H. Najaf-Zadeh, and L. Thibault. "Statistical Multiplexing for Digital Audio Broadcasting Applications." IEEE Transactions on Broadcasting 56, no. 1 (March 2010): 19–27. http://dx.doi.org/10.1109/tbc.2009.2039829.

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13

Date, Takao, Makoto Sasaki, Hiroshi Miura, Akira Sasaki, Yoshihiro Aya, Seiji Isobe, and Reiji Fukuhara. "Digital Terrestrial Broadcasting. 3. The Outline of the Digital Terrestrial Audio Broadcasting Prove Experiment." Journal of the Institute of Image Information and Television Engineers 53, no. 11 (1999): 1467–71. http://dx.doi.org/10.3169/itej.53.1467.

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14

Lin, X., L. Hanzo, R. Steele, and W. T. Webb. "Subband-multipulse digital audio broadcasting for mobile receivers." IEEE Transactions on Broadcasting 39, no. 4 (1993): 373–82. http://dx.doi.org/10.1109/11.259597.

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15

Rau, M. C., L. D. Claudy, and S. Salek. "Terrestrial coverage considerations for digital audio broadcasting systems." IEEE Transactions on Broadcasting 36, no. 4 (1990): 275–83. http://dx.doi.org/10.1109/11.64478.

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16

Carrere, G. "Digital audio broadcasting by satellite: A new approach." International Journal of Satellite Communications 13, no. 4 (July 1995): 209. http://dx.doi.org/10.1002/sat.4600130403.

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17

Franchi, A., E. Colzi, C. Elia, and R. A. Harris. "Performance of cofdm for satellite digital audio broadcasting." International Journal of Satellite Communications 13, no. 4 (July 1995): 229–42. http://dx.doi.org/10.1002/sat.4600130407.

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18

Varlamov, O. V. "DRM DIGITAL BROADCASTING SYSTEM AUDIO PATH QUALITATIVE CHARACTERISTICS." SYNCHROINFO JOURNAL 8, no. 4 (2022): 2–8. http://dx.doi.org/10.36724/2664-066x-2022-8-4-2-8.

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The Digital Radio Mondiale (DRM) digital broadcasting system is the only ITU-approved digital broadcasting system for the LF, MF and HF bands. Numerous theoretical and field studies, as well as operating experience over the past 20 years, have allowed a good study of digital broadcasting networks organization according to this standard. However, some of the issues related to the audio path formal characteristics were not considered. The article discusses the audio coders used in the DRM system and the available data rates in various immunity modes. A set of test signals for instrumental measurements and listening has been developed. The results of experimental measurements for various data rates are presented. It is shown that the range of modulating frequencies in 7 modes of immunity is not narrower than for FM transmitters. In another 5 modes of noise immunity, the range of modulating frequencies is narrower than for FM transmitters, but wider than for AM transmitters. It is confirmed that at data rates of more than 16.5 kbps, the DRM transmitter signal quality becomes no worse than AM signal transmitter quality. Above 24 kbps, the DRM transmitter signal quality becomes comparable to that of an FM transmitter.
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19

Soothill, David B. "Digital Audio Broadcasting (DAB) in the Asia-Pacific Region: A Regional Perspective." Media International Australia 91, no. 1 (May 1999): 33–42. http://dx.doi.org/10.1177/1329878x9909100106.

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The Asia-Pacific is the world's largest region and it has a huge range of potential radio uses that analogue terrestrial broadcasting simply cannot meet. This article explores the impact that digital radio transmission will have on the region, and the importance of satellite broadcasting and multichannel broadcasting for better coverage and quality of services.
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20

Mutunga, Isaac Mutwiri, and Collins Wagumba. "Developing Broadcasting Industry Through Glocalisation and Hybridisation." Jurnal Komunikasi Islam 9, no. 1 (June 1, 2019): 1–20. http://dx.doi.org/10.15642/jki.2019.9.1.1-20.

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This article is a qualitative descriptive study that examines South Korean and East Africa Audio-visual production and distribution policies and regulations. Through analysing the results of in-depth interviews with audio-visual (broadcast) policymakers, content producers, and audiovisual business owners, this study found that South Korea reviewed regulations and policies that were protectionist in nature to more open and collaborative policies that were in tune with the digital broadcast environment. It recommended that to create successful broadcast industries, developing countries should review their broadcast policies and regulations to be in tandem with digital and media convergence environment as well as give audio-visual industry prominence by establishing ministries that deals with broadcast-related issues to promote locally, to produce content internationally, and also to source for collaboration between local and international producers.
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21

Becker, T. C., F. Kuchen, and W. Wiesbeck. "A new network planning approach for digital audio broadcasting." IEEE Transactions on Vehicular Technology 48, no. 2 (March 1999): 619–26. http://dx.doi.org/10.1109/25.752587.

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22

Barboutis, Christos. "Digital audio broadcasting: the tangled webs of technological welfare." Media, Culture & Society 19, no. 4 (October 1997): 687–90. http://dx.doi.org/10.1177/016344397019004011.

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23

Sundberg, C. E. W., and Brian Chen. "Complementary punctured-pair convolutional codes for digital audio broadcasting." IEEE Transactions on Communications 48, no. 11 (2000): 1829–39. http://dx.doi.org/10.1109/26.886473.

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24

Palmer, Duncan, Terry Moore, Chris Hill, Marcus Andreotti, and David Park. "Radio Positioning using the Digital Audio Broadcasting (DAB) Signal." Journal of Navigation 64, no. 1 (November 26, 2010): 45–59. http://dx.doi.org/10.1017/s037346331000041x.

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Over the recent decades, there have been a number of trends that have driven the desire to improve the ability to position and navigate in all environments. While GPS has been the driving factor behind most of these trends, there are limitations to GPS that have become more evident over time as the World has increasingly come to rely on location. These limitations are mostly due to the low transmission power of GPS satellites, where navigation signals broadcast from space are comparatively weak, especially by the time they have travelled to receivers on the ground. This makes the signals particularly vulnerable to fading in difficult environments such as built-up urban areas. The low signal-to-noise ratio (SNR) also means that the signals are susceptible to jamming, both hostile and accidental.This motivates the need for non-GPS (or, more generally, non-GNSS) navigation technologies, for example, terrestrial based alternatives to GNSS such as eLoran. But, there is also significant interest in the exploitation of other non-navigation signals for positioning and navigation purposes. These so-called ‘Signals of Opportunity’ (SoOP) do not generally require any alterations to existing communications transmission infrastructure and often use alternative multi-carrier modulation techniques to those methods used by most GNSS services. The major challenge of using a SoOP for location purposes is that the transmitter network infrastructure has not generally been designed with positioning as a requirement.An ongoing project, at the Institute of Engineering Surveying and Space Geodesy (IESSG) of the University of Nottingham, is directed towards an investigation of the potential of the Digital Audio Broadcast (DAB) signal for positioning purposes. A prototype Software Defined Radio (SDR) DAB positioning receiver has been developed and has now been tested. This paper presents a detailed review of the structure of the DAB signals and explains how these signals can be used as the basis of a positioning system. In addition the development of the prototype SDR receiver and the initial results are presented and discussed.
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25

Gurunathan, S., and K. Feher. "Pilot tone aided QPRS systems for digital audio broadcasting." IEEE Transactions on Broadcasting 38, no. 1 (March 1992): 1–6. http://dx.doi.org/10.1109/11.127419.

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26

Jaehee Cho, Namshin Cho, Keukjoon Bang, Myunghee Park, Heeyoung Jun, Hyuncheol Park, and Daesik Hong. "PC-based receiver for Eureka-147 digital audio broadcasting." IEEE Transactions on Broadcasting 47, no. 2 (June 2001): 95–102. http://dx.doi.org/10.1109/11.948262.

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27

Prosch, Theodor A. "Digital audio broadcasting (DAB) over non-stationary satellite systems." International Journal of Satellite Communications 18, no. 6 (November 2000): 433–56. http://dx.doi.org/10.1002/1099-1247(200011/12)18:6<433::aid-sat669>3.0.co;2-8.

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28

Ulovec, K., and M. Smutny. "Perceived Audio Quality Analysis in Digital Audio Broadcasting Plus System Based on PEAQ." Radioengineering 27, no. 1 (April 13, 2018): 342–52. http://dx.doi.org/10.13164/re.2018.0342.

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29

Watanabe, Kaoru, and Yoshiaki Oikawa. "Accelerated Development of Digital Broadcasting. 2 Signal Coding Systems for Digital Broadcasting. 2-2 Audio Coding System." Journal of the Institute of Image Information and Television Engineers 52, no. 11 (1998): 1549–50. http://dx.doi.org/10.3169/itej.52.1549.

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30

Melville, Barry. "Digital Challenges for Community Broadcasting." Media International Australia 120, no. 1 (August 2006): 10–13. http://dx.doi.org/10.1177/1329878x0612000104.

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This article considers the current developments in convergence from the perspective of community broadcasting in Australia. It examines government media reforms and plans relating to digital technology and content, and notes the potential of community broadcasting to contribute to goals of diversity, innovation and new services. The paper concludes with various policy proposals which aim to ensure that the ‘third tier’ of free-to-air broadcasting is included in the transition to digital services.
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31

Jasim Mohammed, Samir, and Zaid Saadi Hussein. "Design and implementation DVB-S & DVB-S2 systems." Indonesian Journal of Electrical Engineering and Computer Science 20, no. 3 (December 1, 2020): 1444. http://dx.doi.org/10.11591/ijeecs.v20.i3.pp1444-1452.

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<p>Digital video broadcasting plays an important role in most digital communication systems. Digital broadcasting systems are designed with great accuracy and delicate design which has a major role in our lives today especially digital video broadcasting. It is these systems that are considered to be the most advanced in transmission, reception and reliability. From these systems they develop through the digital video broadcasting project group.The most important are digital video broadcasting of terrestrial, digital video broadcasting of cable and digital video broadcasting of satellite because of that many user's desires to use communications and entertainment in their lives there are new and demanding situations that the standards of these systems can only meet for their own applications .In this paper, it will design and implement the digital video broadcasting of satellite first generation and digital video broadcasting of satellite second generation of binary data,image and audio using Matlab-Simulink environment.In addition, will calculate the bit error rate of the signal. This system is designed with precision to improve performance errors and increase transmission capacity as well as provide a safe environment for information.</p>
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32

Noll, Peter, and Davis Pan. "ISO/MPEG Audio Coding." International Journal of High Speed Electronics and Systems 08, no. 01 (March 1997): 69–118. http://dx.doi.org/10.1142/s0129156497000044.

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The Moving Pictures Expert Group within the International Organization of Standardization (ISO/MPEG) has developed, and is presently developing, a series of audiovisual standards. Its audio coding standard MPEG Phase 1 is the first international standard in the field of high quality digital audio compression and has been applied in many areas, both for consumer and professional audio. Typical application areas for digital audio are in the fields of audio production, program distribution and exchange, digital sound broadcasting, digital storage, and various multimedia applications. This paper will describe in some detail the main features of MPEG Phase 1 coders. As a logical further step in digital audio a multichannel audio standard MPEG Phase 2 is being standardized to provide an improved stereophonic image for audio-only applications including teleconferencing and for improved television systems. The status of this standardization process will be covered briefly.
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33

Md Alui, Siti Eryza Aziera, Mazlina Pati Khan, Nurul Asyiqin Shafei @ Safri, and Nordiana Mohd Nordin. "Audio Visual Digital Preservation Strategies: A case study in National Broadcasting Agency." Environment-Behaviour Proceedings Journal 7, SI10 (November 30, 2022): 47–51. http://dx.doi.org/10.21834/ebpj.v7isi10.4100.

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This study discusses the digital preservation practice and challenges of the media repository in the broadcasting industry. This study covers the digital preservation practices in Wisma TV, Radio Television Malaysia (RTM) where it functioning as information hubs for media resources and assisting in the preservation of cultural heritage. However, these broadcasting archives have mostly gone unnoticed and neglected by those working in the archive sector. Qualitative research methodology is used by implementing the case study design in order to explored the challenges while performing the digital preservation work. This broadcasting organization media collective was envisioned as a distributed network of organizations that supported media production, exhibition, and study, functioning as resource centers for media and supporting regional preservation efforts. Keywords: Audiovisual Archiving, Digital Preservation, Broadcasting Industry eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under the responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
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34

Gilski, Przemysław, Sławomir Gajewski, and Jacek Stefański. "Quality Aspects in Digital Broadcasting and Webcasting Systems: Bitrate versus Loudness." Journal of Telecommunications and Information Technology, no. 2 (June 30, 2017): 26–31. http://dx.doi.org/10.26636/jtit.2017.114217.

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In this paper the quality aspects of bitrate and loudness in digital broadcasting and webcasting systems are examined. The authors discuss a survey concerning user preferences related with processing and managing audio content. The coding efficiency of a popular audio format is analyzed in the context of storing media. An objective study on a representative group of signal samples, as well as a subjective study of the perceived quality of real-time broadcasted and webcasted radio programs are performed.
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35

Park, Nam-In, Choong-Sang Cho, and Hong-Kook Kim. "Optimized DSP Implementation of Audio Decoders for Digital Multimedia Broadcasting." Journal of Broadcast Engineering 13, no. 4 (July 30, 2008): 452–62. http://dx.doi.org/10.5909/jbe.2008.13.4.452.

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36

So-Young Yeo, M. Beak, Mi-Jeong Kim, Young-Hwan You, and Hyoung-Kyu Song. "High capacity and reliability techniques for digital audio broadcasting system." IEEE Transactions on Consumer Electronics 50, no. 2 (May 2004): 450–56. http://dx.doi.org/10.1109/tce.2004.1309407.

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37

Shelswell, P. "The COFDM modulation system: the heart of digital audio broadcasting." Electronics & Communication Engineering Journal 7, no. 3 (June 1, 1995): 127–36. http://dx.doi.org/10.1049/ecej:19950309.

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38

Vanness, Philip H. "Method and apparatus for receiving a digital audio broadcasting signal." Journal of the Acoustical Society of America 122, no. 5 (2007): 2507. http://dx.doi.org/10.1121/1.2801807.

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39

Sugiyama, Akihiko. "Fundamental Technologies for Digital Television Broadcasting. (4). Hifi Audio Coding." Journal of the Institute of Television Engineers of Japan 48, no. 4 (1994): 447–54. http://dx.doi.org/10.3169/itej1978.48.447.

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40

Weerackody, V., Hui-Ling Lou, and Z. Sayeed. "A code division multiplexing scheme for satellite digital audio broadcasting." IEEE Journal on Selected Areas in Communications 17, no. 11 (1999): 1985–98. http://dx.doi.org/10.1109/49.806827.

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41

Prati, C., F. Rocca, D. Giancola, and A. M. Guarnieri. "Passive geosynchronous SAR system reusing backscattered digital audio broadcasting signals." IEEE Transactions on Geoscience and Remote Sensing 36, no. 6 (1998): 1973–76. http://dx.doi.org/10.1109/36.729370.

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42

Falkowski-Gilski, Przemysław. "Digital Transformation of Terrestrial Radio: An Analysis of Simulcasted Broadcasts in FM and DAB+ for a Smart and Successful Switchover." Applied Sciences 11, no. 23 (November 23, 2021): 11114. http://dx.doi.org/10.3390/app112311114.

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The process of digitizing radio is far from over. It is an important interdisciplinary aspect, involving Big Data and AI (Artificial Intelligence) when it comes to classifying and handling content, and an organizational challenge in the Industry 4.0 concept. There exist several methods for delivering audio signals, including terrestrial broadcasting and internet streaming. Among them, the DAB+ (Digital Audio Broadcasting plus) system is one of the leading standards of terrestrial digital radio transmission. Compared with analog FM (frequency modulation) radio, it is more bandwidth efficient and offers greater possibilities when it comes to delivering content and forming an ensemble and multiplex. Currently, many countries worldwide, particularly European States, are still making adjustments in order to perform an efficient switchover from analog FM to digital DAB+ radio. This paper presents the current situation of the digital radio market as well as the results of a subjective quality evaluation study and questionnaire concerning broadcasting in both digital and analog techniques. It involves radio programs, transmitting both speech and music signals, simulcasted in DAB+ and FM standards. It also presents the development of the national multiplex. The results of this study may help both researchers and scientists as well as policy makers and professionals active in the field of broadcasting and electronic media and not to mention the consumption of multimedia content.
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43

Ellis, Katie. "Digital Television Flexibility: A Survey of Australians with Disability." Media International Australia 150, no. 1 (February 2014): 96–105. http://dx.doi.org/10.1177/1329878x1415000120.

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Flexibility for many viewers comes from digital technologies and their interaction with television broadcasting. Significantly, as television is switched to digital transmissions, viewers with disability have the potential to experience flexibility in the form of accessibility features such as audio descriptions, captions, lip-reading avatars, signing avatars, spoken subtitles and clean audio. This flexibility may in fact provide some people with access to television for the first time. This exploratory study reports results from an online survey of Australians with disabilities conducted during the final months of the simulcast period before analogue signals were switched off in 2013. While captioning emerged as the most desired accessibility feature, differences surfaced when the data were broken into specific impairment types. This article highlights the importance of digital flexibility specific to impairment type, and locates people with disability as a significant group to consider as more changes take place around digital television broadcasting via the NBN.
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44

Jiao, Wei, Gang Yang, and Wei Wei Fang. "A Dynamic Spectrum Access Method for IBOC Broadcasting Based on the Ear Perception." Advanced Materials Research 816-817 (September 2013): 839–42. http://dx.doi.org/10.4028/www.scientific.net/amr.816-817.839.

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In-Band On-Channel (IBOC) as an AM&FM digital broadcasting technology is used in HD Radio standard. In Hybrid of HD Radio, the spectra of analog FM signal and digital signal are combined in a fixed way, without taking full advantage of spectra. To solve this problem, this paper presents a Dynamic Spectrum Access (DSA) method, using the idle spectrum on time dimension. And the improved method brings in a Perceptual Evaluation of Audio Quality (PEAQ) module based on the ear perception as the evaluation criterion to measure audio quality. The simulation results show that on the basis of insuring audio quality, this method can save a lot of spectral bandwidth to improve the available spectrum resources.
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45

Moon, Han-gil. "Backward-compatible terrestrial digital multimedia broadcasting system for multichannel audio service." IEEE Transactions on Consumer Electronics 56, no. 3 (August 2010): 1556–61. http://dx.doi.org/10.1109/tce.2010.5606297.

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46

Coleman, C., and H. Yardley. "Passive bistatic radar based on target illuminations by digital audio broadcasting." IET Radar, Sonar & Navigation 2, no. 5 (October 1, 2008): 366–75. http://dx.doi.org/10.1049/iet-rsn:20080019.

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47

Thibault, L., and Minh Thien Le. "Performance evaluation of COFDM for digital audio broadcasting. I. Parametric study." IEEE Transactions on Broadcasting 43, no. 1 (March 1997): 64–75. http://dx.doi.org/10.1109/11.566826.

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48

Chen, B., and C. E. W. Sundberg. "An integrated error correction and detection system for digital audio broadcasting." IEEE Transactions on Broadcasting 46, no. 1 (March 2000): 68–78. http://dx.doi.org/10.1109/11.845867.

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49

Agarwal, Arun, and S. K. Patra. "Performance Analysis of OFDM Based DAB Systems Using Concatenated Coding Technique." Advanced Materials Research 403-408 (November 2011): 105–13. http://dx.doi.org/10.4028/www.scientific.net/amr.403-408.105.

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Radio broadcasting technology in this era of compact disc is expected to deliver high quality audio programmes in mobile environment. The Eureka-147 Digital Audio Broadcasting (DAB) system with coded OFDM technology accomplish this demand by making receivers highly robust against effects of multipath fading environment. In this paper, we have analyzed the performance of DAB system conforming to the parameters established by the ETSI (EN 300 401) using time and frequency interleaving, concatenated Bose-Chaudhuri-Hocquenghem coding and convolutional coding method in different transmission channels. The results show that concatenated channel coding improves the system performance compared to convolutional coding.
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50

Muhtar, Mohamad Hidayat, Zainal Abdul Aziz Hadju, Zamroni Abdussamad, and Rahmat Teguh Santoso Gobel. "Perluasan Kewenangan Komisi Penyiaran Indonesia Terhadap Pengawasan Media Digital." Jurnal Konstitusi 19, no. 1 (March 28, 2022): 126. http://dx.doi.org/10.31078/jk1916.

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Permasalahan penyiaraan sangatlah kompleks yakni definisi dan pengawasan penyiaraan yang masih belum jelas, serta kewenangan KPI lemah untuk mengawasi media digital. Tujuan penelitian ini, yaitu: Pertama, pengawasan Komisi Penyiaran Indonesia atas Media Digital. Kedua, konsep dan praktek lembaga penyiaran terhadap pengawasan media digital di negara lain. Ketiga, desain pengawasan Komisi Penyiaran Indonesia terhadap pengawasan media digital. Hasil penelitian menunjukan bahwa pertama, problematika hukum terhadap kedudukan KPI dalam pengawasan media digital yakni penafsiran frasa “media lainnya di Pasal 1 angka 2 UU Penyiaran”. Kedua, pengawasan media digital di Jerman dan Australia cukup maju untuk mengatur secara ketat penyiaraan digital dengan sistem terintegrasi misalnya Jerman mewajibkan youtube untuk mengintegrasikan UU penyiaran dalam sistem dan Australia melakukan take down apabila konten negatif dari domain lokal. Ketiga, desain penguatan lembaga KPI melalui perluasan kewenangan media digital, integrasi kelembagaan Polri dan Kominfo dan pendekatan “konvergensi media” bidang telekomunikasi, media dan internet dalam kerangka peraturan tunggal.The problem of broadcasting is very complex, consisting of the definition and supervision of broadcasting which is still unclear and the authority of KPI is still weak to supervise digital media. The research objectives are: First, to look at the legal problems of the Indonesian Broadcasting Commission in supervising Digital Media. Second, the concept and practice of broadcasters on digital media surveillance in other countries. Third, the design of the Indonesian Broadcasting Commission's supervision of digital media supervision. The results of the study show that first, there are still legal problems with the position of KPI on digital media supervision. Second, digital media surveillance in Germany and Australia has been quite advanced which has strictly regulated broadcasting in digital with an integrated system. Third, the design is carried out by strengthening KPI institutions, institutional integration, and the "legislative convergence" approach.
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