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Journal articles on the topic 'Diana in literature'

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Published: 26 July 2024
Last updated: 27 July 2024

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1

Hill, Kathleen. "Reading with Diana." Yale Review 86, no. 3 (July 1998): 1–29. http://dx.doi.org/10.1111/0044-0124.00234.

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2

Orrego, Juan Carlos. "Clímaco Soto Borda y Diana Cazadora: una carcajada en la literatura colombiana." Estudios de Literatura Colombiana, no. 16 (November 1, 2013): 91–113. http://dx.doi.org/10.17533/udea.elc.17352.

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Este artículo busca establecer un contexto para la obra del escritor bogotano Clímaco Soto Borda (1870-1919), y se preocupa especialmente por sugerir diversos elementos intertextuales que, presentes en Diana cazadora (1915), hacen de ella una novela en conexión con significativas obras de su época (incluso europeas) al mismo tiempo que una propuesta, por su irónico humorismo, de avanzada en la literatura colombiana. Palabras clave: Soto Borda, Clímaco; Diana cazadora; Ironía; Humor en la literatura; Intertextualidad. Abstract: The main concern of this article is to identify the literary context for Clímaco Soto Borda´s novel Diana cazadora (1915). The author points out how intertextuality permeates the novel, a fact that relates it to many other important contemporary novels, even European ones. Another aspect addressed here is the ironical humour used by Soto Borda which places his work as an avant-garde proposal for Colombian literature at that period. Key Words: Soto Borda, Clímaco; Diana cazadora; Irony; Humor in literatura; Intertextuality.
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3

Arifah, Siti, Hodairiyah Hodairiyah, and Abd Azis. "Representative Literal and Nonliteral Speech Acts in Novels “Dear Allah” by Diana Febi: A Sociopragmatic Review." Edumaspul: Jurnal Pendidikan 7, no. 1 (March 1, 2023): 1872–78. http://dx.doi.org/10.33487/edumaspul.v7i1.6580.

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This qualitative descriptive study aims to describe the representation of literal and nonliteral speech acts in the novel "Dear Allah" by Diana Febi. From a theoretical perspective, this research uses a sociopragmatic system or view. While the method or technique of data collection in this research is a documentation study or literature study, in this case, the literature review is in the form of texts contained in the novel Dear Allah by Diana Febi. The novel is the primary data source. Documentation or literature studies are carried out through direct appreciation and rational understanding of the meaning implied in the novel. The results of this study show (1) representative literal speech acts in Diana Febi's novel Dear Allah and (2) representative nonliteral speech acts in Diana Febi's novel Dear Allah. This research makes a scientific contribution, especially in linguistics, on the sociopragmatic aspect so that understanding the implied meaning of a novel can be understood as a whole in terms of social meaning.
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4

Dawson, Emma. "The Wonder by Diana Evans." World Literature Today 84, no. 2 (2010): 64. http://dx.doi.org/10.1353/wlt.2010.0262.

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5

Ford, Kim, Jeffrey S. Kaplan, Diana Porter, Barbara Chatton, Jan Kristo, Deborah Thompson, and Lisa Morris-Wilkey. "Children’s Literature Reviews 2011 Orbis Pictus Award Winners." Language Arts 89, no. 2 (November 1, 2011): 141–47. http://dx.doi.org/10.58680/la201118223.

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The 2011 Orbis Pictus Awards celebrate the very best in children's nonfiction literature for this year. Kim Ford, Jeffrey S. Kaplan, Diana Porter, Barbara Chatton, Jan Kristo, Deborah Thompson, and Lisa Morris-Wilkey give us detailed descriptions of the stories worth celebrating.
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6

Montante, Michela, Diana Raznovich, Diana Taylor, and Victoria Martinez. "Defiant Acts: Four Plays by Diana Raznovich / Actos desafiantes: Cuatro obras de Diana Raznovich." World Literature Today 77, no. 2 (2003): 150. http://dx.doi.org/10.2307/40158150.

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7

Hamalian, Leo, and Diana Chang. "A MELUS Interview: Diana Chang." MELUS 20, no. 4 (1995): 29. http://dx.doi.org/10.2307/467888.

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8

McMurray, George R., Carlos Fuentes, and Alfred Mac Adam. "Diana, the Goddess Who Hunts Alone." World Literature Today 70, no. 3 (1996): 671. http://dx.doi.org/10.2307/40042163.

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9

Keller, Johanna, and Carlos Fuentes. "Diana, The Goddess Who Hunts Alone." Antioch Review 54, no. 3 (1996): 367. http://dx.doi.org/10.2307/4613369.

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10

Alfaro-Alexander, Ana María, and Alonso Cueto. "El otro amor de Diana Abril." World Literature Today 77, no. 2 (2003): 143. http://dx.doi.org/10.2307/40158137.

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11

Svich, Caridad. "Defiant Acts: Four Plays by Diana Raznovich/Actos desafiantes: cuatro obras de Diana Raznovich by Diana Taylor , Nora Glickman (review)." Modern Language Review 99, no. 2 (April 2004): 524–25. http://dx.doi.org/10.1353/mlr.2004.a827303.

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12

Nur'aeni, Ita, Dila Charisma, and Eline Rozaliya Winarto. "An Analysis of the Main Character of Patty Jenkin's WONDER WOMAN (2017) Movie : A Psychoanalytic Approach." National Conference on Language, Education, and Technology Proceeding 1, no. 1 (February 9, 2022): 115–25. http://dx.doi.org/10.32534/nacolet.v1i1.2681.

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In general, literature is a phenomenon that is expressed through words, which in particular can be presented in the form of works in the form of movie. This study aims to determine, analyze, and describe the character and personality of the main character in the movie entitled “wonder woman” by focusing on the structure of the personality of the id, ego and super ego. This research analyzes the personality of Diana Prince as a main character of the Wonder Woman movie using Sigmund Freud's theory. This research uses a qualitative descriptive research method because the data taken come from movie scripts and movie video. The results of this study are the main character named Diana Prince has an id personality which is based on innate instincts from birth, the ego structure of Diana Prince's personality in carrying out actions according to the norms applied in society. Furthermore, the super ego shown in Diana Prince with her concern for the people around her. The personality that often appears in Diana Prince is the superego that makes her a woman by making many good contributions to be a hero in saving the world.
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13

Fadlillah, M., and Syifa Fauziah. "Analysis of Diana Baumrind's Parenting Style on Early Childhood Development." AL-ISHLAH: Jurnal Pendidikan 14, no. 2 (June 16, 2022): 2127–34. http://dx.doi.org/10.35445/alishlah.v14i2.487.

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One of the most influential parenting figures in the world is Diana Baumrind. His studies on parenting are widely used as references by some scientists in various countries. On the other hand, the parenting theory he found was often associated with children's academic achievement. The purpose of this study was to describe and analyze Diana Baumrind's parenting style and its relationship to early childhood cognitive development. The research method used is descriptive qualitative with a literature study approach. The main data of this research is a scientific article from Diana Baumrind which contains parenting styles. The results showed that there are four parenting styles of Diana Baumrind that have an influence on children's cognitive development, namely authoritative, authoritarian, permissive, and neglecting. Each style has a different effect, both positive and negative. Parents can choose and determine the parenting style according to the needs and characteristics of the child's development. In short, every parent's support and motivation in parenting will determine the child's life in the future.
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14

Cadden, Michael. "Diana Wynne Jones: Children's Literature and the Fantastic Tradition (review)." Children's Literature Association Quarterly 31, no. 1 (2006): 97–99. http://dx.doi.org/10.1353/chq.2006.0024.

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15

Torres Corominas, Eduardo. "“Una historia de Vandalia”: El Abencerraje pastoril en La Diana de Montemayor." JANUS. Estudios sobre el Siglo de Oro, no. 12 (December 11, 2023): 403–42. http://dx.doi.org/10.51472/jeso20231217.

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RESUMEN: El artículo indaga acerca de las circunstancias históricas, editoriales y literarias que propiciaron la elaboración de una versión ‘pastoril’ de El Abencerraje para su interpolación al final del libro IV de La Diana de Jorge de Montemayor. Tras analizar la incorporación del relato morisco a la secuencia editorial del texto pastoril, su génesis literaria, los mecanismos de composición y su función en la estructura de La Diana, el trabajo ofrece una hipótesis razonada acerca de lo sucedido que justificaría la preparación de una nueva edición crítica conjunta de ambas obras. ABSTRACT: This article explores the historical, editorial and literary circumstances that propitiated the elaboration of a ‘pastoral’ version of El Abencerraje for its interpolation at the end of Book IV of La Diana by Jorge de Montemayor. After analysing the incorporation of the Moorish tale into the editorial sequence of the pastoral text, its literary genesis, the mechanisms of composition and its function in the structure of La Diana, the work offers a reasoned hypothesis about what happened that would justify the preparation of a new critical edition of both works.
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16

CALLANDER, M. M. "Review. Colette. Holmes, Diana." French Studies 46, no. 4 (October 1, 1992): 480. http://dx.doi.org/10.1093/fs/46.4.480.

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17

Gutiérrez, Karina. "Diana Taylor, ¡Presente!: The Politics of Presence." Modern Drama 64, no. 2 (June 2021): 255–58. http://dx.doi.org/10.3138/md.64.2.br08.

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Diana Taylor’s newest book, ¡Presente! The Politics of Presence, provides a critically reflective exploration of how scholars, artists, and activists may engage ethically with performance as both an object of study and a participatory event.
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18

Hodgins, Peter. "The Haunted Dollhouses of Diana Thorneycroft." Jeunesse: Young People, Texts, Cultures 3, no. 1 (June 2011): 99–136. http://dx.doi.org/10.3138/jeunesse.3.1.99.

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This article examines Diana Thorneycroft’s alternately playful, ambivalent and critical engagement with contemporary English-Canadian cultural nationalism through a close reading of her 2010 series titled A People’s History. More specifically, it explores how this series represents the latest result of a series of formal experimentations with dolls, the diorama, visual humour and quotations of commodity culture. In bringing together all of these disparate elements, Thorneycroft lures us into the dark side of Canadian national memory, forcing us to accept that sexual predation and colonial violence are also “part of our heritage”.
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19

Bowden, Betsy. "Chaucer's England. Diana Childress." Speculum 77, no. 3 (July 2002): 895–96. http://dx.doi.org/10.2307/3301135.

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20

Ospina Pineda, Diana Patricia. "Erotismo y mito en Estragos de la lujuria (y sus remedios) de Philip Potdevin." Estudios de Literatura Colombiana, no. 14 (October 30, 2013): 91–110. http://dx.doi.org/10.17533/udea.elc.17310.

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La autora analiza el erotismo verbal y la dimensión literaria del mito en los quince cuentos que componen la obra del escritor colombiano Philip Potdevin, Estragos de la lujuria (y sus remedios). La autora formula una propuesta narratológica, desde la cual considera los cuentos como una unidad literaria. Descriptores: Literatura colombiana; Cuento colombiano; Potdevin, Philip; Estragos de la lujuria (y sus remedios); Narratología; Mito; Erotismo; Ospina Pineda, Diana. Abstract: The author analyses the verbal eroticism and the literary dimension of myth in fifteen stories by Colombian writer Philip Potdevin, Estragos de la lujuria (y sus remedios). This article is formulated from a narratological point of view and proposes to see the stories as a literary unit. Key Words: Colombian literature; Colombian short story; Potdevin Philip; Estragos de la lujuria (y sus remedios); Narratology; Myth; Erotic; Ospina Pineda, Diana.
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21

Haldane, Michael. "‘Doubling’ in Bartholomew Yong's Diana." Translation and Literature 14, no. 1 (March 2005): 1–20. http://dx.doi.org/10.3366/tal.2005.14.1.1.

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22

Damiani, Bruno M., Francisco Lopez Estrada, and Gaspar Gil Polo. "Gaspar Gil Polo, Diana enamorada." Hispanic Review 57, no. 4 (1989): 513. http://dx.doi.org/10.2307/473765.

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23

Finello, Dominick, Juan Montero, and Jorge de Montemayor. "Jorge de Montemayor, La Diana." Hispanic Review 67, no. 1 (1999): 84. http://dx.doi.org/10.2307/474334.

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24

Svich, Caridad, Diana Taylor, Victoria Martinez, Lydia Ramirez, and Nora Glickman. "Defiant Acts: Four Plays by Diana Raznovich/Actos desafiantes: cuatro obras de Diana Raznovich." Modern Language Review 99, no. 2 (April 2004): 524. http://dx.doi.org/10.2307/3738823.

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25

Levett, Ann. "Regimes of Truth: A Response to Diana Russell." Agenda, no. 12 (1992): 67. http://dx.doi.org/10.2307/4065480.

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26

Davis, Robert Murray, Evelyn Waugh, Diana Cooper, and Artemis Cooper. "The Letters of Evelyn Waugh and Diana Cooper." World Literature Today 66, no. 3 (1992): 525. http://dx.doi.org/10.2307/40148477.

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27

Hart, F. Elizabeth (Faith Elizabeth). ""Great is Diana" of Shakespeare's Ephesus." SEL Studies in English Literature 1500-1900 43, no. 2 (2003): 347–74. http://dx.doi.org/10.1353/sel.2003.0019.

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28

Hartman, Alan G. "Diana Glenn and Graham Tulloch (eds). Italian Identities." Quaderni d'italianistica 43, no. 1 (January 26, 2023): 221–22. http://dx.doi.org/10.33137/q.i..v43i1.40192.

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29

Mausen, Sonja. "Athens to Aotearoa: Greece and Rome in New Zealand Literature and Society, Diana Burton, Simon Perris and Jeff Tatum (eds) (2017)." Journal of New Zealand & Pacific Studies 9, no. 2 (December 1, 2021): 287–89. http://dx.doi.org/10.1386/nzps_00081_5.

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Review of: Athens to Aotearoa: Greece and Rome in New Zealand Literature and Society, Diana Burton, Simon Perris and Jeff Tatum (eds) (2017)Wellington: Victoria University Press, 361 pp.,ISBN 978 1 77656 176 6 (pbk), NZ$40
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30

Silva Sánchez, Tomás. "Sobre la pervivencia del anecdotario zoológico griego en La Diana o Arte de la caza de Nicolás Fernández de Moratín." Revista de literatura 84, no. 167 (July 11, 2022): 155–81. http://dx.doi.org/10.3989/revliteratura.2022.01.006.

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La mención de Opiano en el Canto primero ha sugerido una posible conexión entre La Diana o Arte de la caza de Nicolás Fernández de Moratín y los Cynegetica de Opiano de Apamea, poema griego sobre caza del s. III d. C. Reforzaría esta hipótesis la presencia en ambas obras de anécdotas idénticas o muy similares sobre los animales objeto de caza. Algunas anécdotas remiten a la paradoxografía, género para el que el contenido zoológico era materia primordial y cuyo estilo compositivo influyó en los Cynegetica. El objetivo de nuestro trabajo es tratar de clarificar la relación entre Opiano y Moratín y, además, comprobar en qué medida el anecdotario zoológico griego pervive en La Diana o Arte de la caza, y si en esa pervivencia laten aún los rasgos de estilo propios de la antigua paradoxografía.
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31

Matveeva, Yu V. "Menegaldo, H. (2017). Diana Nikiforoff. De La Russie en révolution à la Cité interdite. Paris: Vendémiaire. (In French)." Voprosy literatury, no. 2 (July 29, 2020): 284–89. http://dx.doi.org/10.31425/0042-8795-2020-2-284-289.

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The review is devoted to Diana Nikiforoff. De La Russie en révolution à la Cité interdite, a documentarybiographical work by Hélène Menegaldo, a renowned French scholar of Russian émigré literature and professor at the University of Poitiers, dedicated to her mother, a fi st-wave Russian emigrant Diana Nikiforova (Nikiforoff ). Both in terms of the plot and the form (fi st person narration), this book is the author’s experiment combining research and creative writing, and analytical approach and documentary quality, on the one hand, and philosophical lyricism, on the other.The fact that the book and its likes spring into existence is evidence of the intense, profound and enduring emotions and experiences that characterize the fi st-wave Russian emigration.
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32

Sanjaya, Muhamad Doni, Muhamad Rama Sanjaya, and Alan Budi Kusuma. "Sociological Study of Literature in Ta’aruf dalam Sunyi Novel by Diana Fitria." KREDO : Jurnal Ilmiah Bahasa dan Sastra 7, no. 1 (December 9, 2023): 54–67. http://dx.doi.org/10.24176/kredo.v7i1.9072.

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33

Liu, Timothy. "Toby Stephens and Diana Rigg Do the Oedipal Gig." Chicago Review 47, no. 2 (2001): 70. http://dx.doi.org/10.2307/25304750.

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34

Bradburn, Elizabeth. "The Metaphorical Space of Meredith's Diana of the Crossways." SEL Studies in English Literature 1500-1900 43, no. 4 (2003): 877–95. http://dx.doi.org/10.1353/sel.2003.0038.

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35

Marcus, Jane, and Betty T. Bennett. "Mary Diana Dods: A Gentleman and a Scholar." Tulsa Studies in Women's Literature 10, no. 2 (1991): 298. http://dx.doi.org/10.2307/464021.

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36

Lincoln, Evelyn. "Making a Good Impression: Diana Mantuana's Printmaking Career." Renaissance Quarterly 50, no. 4 (1997): 1101–47. http://dx.doi.org/10.2307/3039405.

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In 1576, the year after she married the aspiring architect Francesco da Volterra and moved to Rome, a Mantuan engraver named Diana (known in the twentieth century as Diana Scultori) produced a large, single-sheet engraving of an Ionic volute, richly decorated with a chain of stylized acanthus leaves and flowers, and a slightly abbreviated version of the egg-and-dart and bead-and-reel moldings that adorned the capital (fig. 1). In its size, its attention to decorative detail, and its pictorial character, Diana's print differed quite a bit from the model-bookish profiles of the classical orders previously in circulation (fig. 2). Most unusual, though, was the signature of a woman under several lines of Latin text engraved beneath the image, explicitly dedicating it to students of architecture: “This volute from an ancient capital of a Numidian stone column of the composite order, in St. Peter's in the Vatican, was drawn by Francesco da Volterra and Baptista di Petra Santa for the common use of students of this art. Diana Mantuana, wife of the same Francesco, engraved [it] in Rome. 1576.”
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37

Wenley, James. "Diana Looser. Moving Islands: Contemporary Performance and the Global Pacific." Modern Drama 66, no. 2 (June 1, 2023): 307–10. http://dx.doi.org/10.3138/md-66-2-rev5.

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Moving Islands: Contemporary Performance and the Global Pacific, by Diana Looser, affirms the region’s cultural importance and global relevance. Moving Islands issues a specific challenge to theatre and performance studies scholars to pay attention to the Pacific and comprehensively engage with its dynamic contribution to global performance.
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38

ffrench, Patrick. "Interdisciplinary Barthes. Edited by Diana Knight." French Studies 75, no. 2 (February 11, 2021): 286–87. http://dx.doi.org/10.1093/fs/knab034.

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39

WILLIAMS, J. S. "Review. Roland Barthes. Knight, Diana (ed.)." French Studies 53, no. 2 (April 1, 1999): 235. http://dx.doi.org/10.1093/fs/53.2.235.

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40

Taylor, Diana. "Dancing with Diana: A Study in Hauntology." TDR/The Drama Review 43, no. 1 (March 1999): 59–78. http://dx.doi.org/10.1162/105420499320582169.

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41

Jabbour, Georgette. "ArabianJazz..·1993, (376 pages) and Crescent, 2003, (pages 349) • by Diana Abu Jaber .. (W.W: Norton and Company, New York) ." International Journal of Arabic-English Studies 5, no. 1 (January 1, 2004): 221–24. http://dx.doi.org/10.33806/ijaes2000.5.1.14.

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42

Gilbert-Santamaría, Donald. "Love and Friendship in Montemayor's La Diana." Bulletin of Hispanic Studies 84, no. 6 (November 2007): 745–60. http://dx.doi.org/10.3828/bhs.84.6.4.

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43

Hedrick, D. "DIANA E. HENDERSON (ed.). Alternative Shakespeares 3." Review of English Studies 60, no. 246 (April 29, 2009): 644–47. http://dx.doi.org/10.1093/res/hgn148.

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44

Benedetti (book author), Laura, and Antonio Franceschetti (review author). "La sconfitta di Diana. Un percorso per la "Gerusalemme liberata"." Quaderni d'italianistica 18, no. 1 (April 1, 1997): 156. http://dx.doi.org/10.33137/q.i..v18i1.10052.

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45

Benedetti (book author), Laura, and Mario D'Alessandro (review author). "La sconfitta di Diana. Un percorso per la "Gerusalemme liberata"." Quaderni d'italianistica 18, no. 2 (October 1, 1997): 290–92. http://dx.doi.org/10.33137/q.i..v18i2.10007.

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46

Massanet Rodríguez, Rafael. "Diana en palacio: el nombre como forjador de un destino." Edad de Oro 39 (November 4, 2020): 253–74. http://dx.doi.org/10.15366/edadoro2020.39.014.

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El presente estudio se propone analizar si el nombre influye en la construcción del personaje en las producciones dramáticas del Siglo de Oro, así como si su destino en la trama está predestinado por él. Debido a la gran cantidad de personajes y la amplia variedad en cuanto a tipología de textos teatrales, centraremos nuestra atención en el uso que dan del nombre de Diana en las obras de un grupo reducido de autores (Lope de Vega, Tirso de Molina y Agustín Moreto) dentro de la conocida como comedia palatina, y cómo remite a la diosa grecolatina homónima.
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47

Woodside, Martin. "The Hunchbacks' Bus by Adam J. Sorkin & Diana Manole." World Literature Today 91, no. 3 (2017): 110–11. http://dx.doi.org/10.1353/wlt.2017.0068.

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48

Urbancic, Anne. "Diana Garvin. Feeding Fascism: The Politics of Women’s Food Work." Quaderni d'italianistica 43, no. 3 (July 6, 2023): 157–59. http://dx.doi.org/10.33137/q.i..v43i3.41362.

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49

Rodas, Julia Miele, and Diana R. Paulin. "Black Autism: A Conversation with Diana Paulin." CLA Journal 64, no. 1 (2021): 121–26. http://dx.doi.org/10.1353/caj.2021.0008.

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50

Hernández, Paola S. "¡Presente! the Politics of Presence by Diana Taylor." Theatre Journal 74, no. 1 (March 2022): 111–12. http://dx.doi.org/10.1353/tj.2022.0019.

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