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Books on the topic 'DFT Framework'

Author: Grafiati

Published: 6 September 2023

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1

Maslo, Andreas. .NET Framework developer's guide: [effektiv programmieren mit den .NET-Sprachen]. Mu nchen/Germany: Markt-und-Technik-Verl., 2002.

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2

A, LaMacchia Brian, ed. .NET framework security. Boston: Addison-Wesley, 2002.

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3

Programming entity framework. Beijing: O'Reilly, 2009.

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4

Bhasin, Hersh. ASP.NET: [Acitve Server Pages ; Projekte von Profis fu r Profis: ASP im NET Framework ; Datenbankzugriffe mit ADO.NET ; Arbeiten mit Formularen und kontrollen ; Web-Service mit VisualStudio.NET erstellen]. Du sseldorf: Sybex, 2002.

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5

Schwichtenberg, Holger. Programmierung mit der .NET-Klassenbibliothek: Zugriff auf das Windows-Betriebssystem mit Visual Basic .NET und C# ; [Durchblick im Dschungel der .NET-Klassen ; basiert auf der Final des .NET Frameworks]. Mu nchen: Addison-Wesley, 2002.

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6

Open Source .Net development. Boston: Addison Wesley, 2004.

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Andy, Longshaw, and Roxburgh Peter, eds. Microsoft Visual J# .Net: Core reference. Redmond, Wash: Microsoft Press, 2002.

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8

J, Deitel Paul, Nieto T. R, and Deitel Harvey M. 1945-, eds. Visual Basic. NET: How to program. 2nd ed. Upper Saddle River, N.J: Prentice Hall, 2002.

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9

Harbours and maritime networks as complex adaptive systems: International workshop "Harbours and maritime Networks as Complex Adaptive Systems" at the Römisch-Germanisches Zentralmuseum in Mainz, 17.-18.10.2013, within the framework of the Special Research Programme (DFG-SPP 1630) "Harbours from the Roman Period to the Middle Ages". Mainz: Verlag des Römisch-Germanischen Zentralmuseums, 2015.

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10

Nakov, Svetlin. Fundamentals of Computer Programming with C#: The Bulgarian C# Book. Sofia, Bulgaria: Svetlin Nakov, 2013.

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11

Applied Microsoft .NET Framework Programming. Microsoft Press, 2002.

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12

Richter, Jeffrey. Applied Microsoft .NET Framework programming. Microsoft P.,U.S., 2003.

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13

Lerman, Julia. Programming Entity Framework. O'Reilly Media, Incorporated, 2009.

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14

Lerman, Julia. Programming Entity Framework. O'Reilly Media, Incorporated, 2009.

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15

Miller, Rowan, and Julia Lerman. Programming Entity Framework: Dbcontext. O'Reilly Media, Incorporated, 2012.

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16

Miller, Rowan, and Julia Lerman. Programming Entity Framework: Dbcontext. O'Reilly Media, Incorporated, 2012.

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17

Miller, Rowan, and Julia Lerman. Programming Entity Framework: Dbcontext. O'Reilly Media, Incorporated, 2012.

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18

Lerman, Julia. Programming Entity Framework: Building Data Centric Apps with the Ado. Net Entity Framework. O'Reilly Media, Incorporated, 2010.

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19

Miller, Rowan, and Julia Lerman. Programming Entity Framework: Code First. O'Reilly Media, Incorporated, 2011.

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20

Miller, Rowan, and Julia Lerman. Programming Entity Framework: Code First. O'Reilly Media, Incorporated, 2011.

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21

.NET Compact Framework Programming with C# (Microsoft .NET Development Series). Addison-Wesley Professional, 2004.

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22

Edwards, Jane, and Jason Noone. Developmental Music Therapy. Edited by Jane Edwards. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199639755.013.40.

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Developmental music therapy (DMT) is a model that underpins music therapy practice with multiple client groups. The resonances of DMT can be found whenever music therapists use any or all of their understanding of developmental stages, family context, and social and cultural frameworks to consider needs and interactions within individual or group music therapy. Music therapy training courses teach developmental theories, and therefore most practising music therapists use these theoretical perspectives in their interactions with clients. Thus chapter will show how developmental music therapy refers to three major theoretical orientations: (1) Theories of stress, coping, and adaption; (2) Human life span development, including stage models of development, and musical milestones of development; and (3) Ecological perspectives such as Bronfenbrenner’s bioecological model of development (Bronfenbrenner 1979). Boxill consistently termed her approach developmental music therapy (Boxill 1989). Therefore, this chapter provides an overview of Boxill’s writings and theoretical positioning within DMT.

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23

Microsoft .NET XML Web Services. Sams, 2002.

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24

Nantz, Brian. Open Source .NET Development: Programming with NAnt, NUnit, NDoc, and More. Addison-Wesley Professional, 2004.

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25

Khilnani, Sunil. India’s Rise. Edited by David M. Malone, C. Raja Mohan, and Srinath Raghavan. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780198743538.013.49.

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How should India’s rise be understood in the framework of international relations and a changing global order? This chapter assesses India’s jostle for an advantageous position on the world stage through three sets of lenses: the attempt to voice the civilizational values of a nascent nation; the expressions of the economic and developmental needs of a poor citizenry; and the self-professed aims and pursuits of the interests of a sovereign state. It then outlines some of the challenges in defining India’s international position, and explores possible means through which these can be navigated. In order to optimize the rewards of India’s interactions with the global order, deft management of all three approaches is necessary, enabled by a recognition of the fact that its greatest strength lies in the ability to articulate a democratically validated foreign policy.

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26

Deitel, Harvey M. Visual Basic .Net: How to Program. 2nd ed. Prentice Hall, 2002.

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27

Deitel, Harvey M. Visual Basic.net: How to Program. 2nd ed. Prentice Hall, 2003.

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28

Wallach, Daniel L. Daily Fantasy Sports and PASPA. Edited by Michael A. McCann. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190465957.013.35.

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Recent state legislation regulating fantasy sports contests may present a different type of threat to the nascent fantasy sports industry—the possibility that the U.S. Attorney General (or others) could invoke PASPA to enjoin the state law. This is the same law that prohibits states from legalizing traditional, single-game sports betting. Although PASPA has not yet surfaced as an obstacle to state legalization of DFS, it may emerge as an important issue as additional state legislative measures are introduced, particularly with a new U.S. Attorney General potentially taking a harder look at Internet gambling generally. Further, as more and more states begin passing laws legalizing daily fantasy sports contests, many have begun to question why some forms of sports gambling are allowed but not others. This chapter examines how PASPA could apply to state-sanctioned fantasy sports and provides an analytical framework for assessing the viability of such legislation under PASPA.

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29

Pro WPF in C# 2008: Windows Presentation Foundation with .NET 3.5, Second Edition (Pro). 2nd ed. Apress, 2008.

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30

Stephens, Vincent L. Rocking the Closet. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042805.001.0001.

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Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathias Queered Pop Music examines the way four popular male musicians who emerged in the 1950s, Johnnie Ray, Little Richard, Johnny Mathis, and Liberace challenged post-World War II masculine conventions. Rocking is a critical close reading that fuses queer literary theory, musicology, and popular music studies frameworks to develop its argument. Recent scholarship in queer theory and literary history constitutes a key strand of the book’s discussion of queer ambivalence regarding identity. Notably, the book explores how the four artists challenged male gender and sexual conventions without overtly identifying their respective sexual orientations or necessarily affiliating with gay activism, identity politics, or community tropes. The book outlines the emergence of postwar social expectations of male figures and employs these expectations to define a unique a set of five “queering” tools the four musicians employed in various combinations, to develop their public personae and build audiences. These tools include self-neutering, self-domesticating, spectacularizing, playing the “freak,” and playing the race card. Despite the prevalence of postwar gender norms, their deft use of these tools enabled each artist to develop sexually ambiguous personae and capitalize on the postwar audiences’ attraction to novelty and difference. These “queering” tools endure among contemporary musicians who challenge masculine conventions in popular music.

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