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Relevant bibliographies by topics / Detournement

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Academic literature on the topic 'Detournement'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 July 2024

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Journal articles on the topic "Detournement"

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Baihaki, Muhammad Reza. "Assessment of Elements of Abuse of Authority (Detournement De Pouvoir) Based on the Decision of the Constitutional Court." Jurnal Konstitusi 20, no. 1 (March 25, 2023): 100–122. http://dx.doi.org/10.31078/jk2016.

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Detournement de pouvoir was regulated in administrative and criminal law. However, the assessment of it was often confused. Therefore, the Constitutional Court through Decision 25/PUU-XIV/2016 provides a line of demarcation in assessing the element of Detournement de pouvoir that must be handled under administrative and criminal law. This article tries to explain the ratio decidendie of the constitutional court through a series of identifications of Detournement de pouvoir. This article uses a statutory approach and presents two main findings; First, the assessment of detournement de pouvoir must be understood based on tort of two field of law. Second, abuse of authority is included as tort in administrative law as long as it relates dwaling of authority, procedures/conditions and substance of the exercise of authority, while abuse of authority can be included as tort in criminal law as long as it contains of dwal badrog, namely bribery, coercion and deception.

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Trier, James. "The Spectacle and Detournement." Journal of Adolescent & Adult Literacy 51, no. 3 (November 2007): 274–78. http://dx.doi.org/10.1598/jaal.51.3.7.

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Trier, James. "ChallengingWaiting For Supermanthrough Detournement." Journal of Popular Film and Television 41, no. 2 (April 2013): 68–77. http://dx.doi.org/10.1080/01956051.2013.787351.

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Greaney, P. "Insinuation: Detournement as Gendered Repetition." South Atlantic Quarterly 110, no. 1 (December 22, 2010): 75–88. http://dx.doi.org/10.1215/00382876-2010-023.

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Susanto, Sri Nurhari. "Larangan Ultra Vires (Exces De Pouvoir) dalam Tindakan Pemerintahan (Studi Komparasi Konsep antara Sistem Hukum Anglo Saxon dan Sistem Hukum Kontinental)." Administrative Law and Governance Journal 3, no. 2 (June 1, 2020): 260–71. http://dx.doi.org/10.14710/alj.v3i2.260-271.

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This research aims to determine the use of authority by government agencies is legality. Specifically, to find out more about the prohibition of Ultra Vires (Exces De Pouvoir) in Government Actions (Comparative Study of Concepts between the Anglo Saxon Law System and the Continental Legal System). The results of the study indicate that First, the form of government agency action prohibition in the form of excès de pouvoir (ultra vires), both in the Anglo Saxon legal system (Britain, USA, Australia, etc.) and Continental especially France includes also the prohibition of abuse of authority (abuse of power, detournement de pouvoir). Second, the Prohibition of abuse of authority (detournement de pouvoir) in France has been developed into 3 (three) variants, namely the Administrative Agency has the purpose / aims to achieve goals that are entirely other than the public interest, and as a personal goal. Keywords: Prohibition of Ultra Vires, Government Actions, Legal System. Abstrak Penelitian inimbertujuan untuk mengetahui Larangan Ultra Vires (Exces De Pouvoir) dalam Tindakan Pemerintahan (Studi Komparasi Konsep Antara Sistem Hukum Anglo Saxon Dan Sistem Hukum Kontinental). Hasil penelitian menjukan bahwa Pertama, Bentuk larangan tindakan badan pemerintah yang berupa excès de pouvoir (ultra vires), baik dalam sistem hukum Anglo Saxon (Inggris, USA, Australia, dll) maupun Kontinental khususnya Prancis meliputi juga larangan penyalahgunaan wewenang (abuse of power, detournement de pouvoir). Kedua, Larangan penyalahgunaan wewenang (detournement de pouvoir) di Prancis telah dikembangkan ke dalam 3 (tiga) varian, yaitu Badan Administrasi memiliki tujuan/bertujuan untuk mencapai tujuan yang sepenuhnya selain bagi kepentingan umum, dan sebagai tujuan pribadi. Kata Kunci: Larangan Ultra Vires, Tindakan Pemerintahan, Sistem Hukum.

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Vicas, Astrid. "Reusing Culture: The Import of Detournement." Yale Journal of Criticism 11, no. 2 (September 1998): 381–406. http://dx.doi.org/10.1353/yale.1998.a36810.

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Pendakis, Andrew. "Frugal Powers: Detournement in the Age of Austerity." ti< 3, no. 1 (March 29, 2014): 54–57. http://dx.doi.org/10.26522/ti.v3i1.902.

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What appears is a momentary image from the future, or rather a future, a glimpse of a life re-organized around an alternative set of political desires. The poverty used by detournement, its flagrant meagerness, parallels the material atmospheres of austerity even as it functions as a principled indictment of those not yet capable of glimpsing the political elegance and necessity of the more in less.

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Koran, Gleb. "Detournement as satire in the Belarussian newspaper Navinki." Kontradikce 7, no. 2 (2023): 95–121. http://dx.doi.org/10.46957/con.2023.2.5.

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Huda, Muhammad Chairul, and Budi Ispriyarso. "Contribution of Islamic law in the discretionary scheme that has implications for corruption." Ijtihad : Jurnal Wacana Hukum Islam dan Kemanusiaan 19, no. 2 (December 31, 2019): 147–67. http://dx.doi.org/10.18326/ijtihad.v19i2.147-167.

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This paper explores the studies of the thin line between discretion (freis ermessen) with a criminal act of corruption, using Islamic law’s perspective as one of the law material in Indonesia. Aim of this paper is to make boundaries between discretion which made based on State Administration Product and regulation and help an officer who does discretion will not be trap in a criminal act of corruption through Islamic law’s perspective. This paper purpose four boundaries. First, the boundaries can be seen through understanding the qawāidul fiqhiyyah especially related to governance. Second, act of detournement de povouir (abuse of authority) and abus de droit (arbitrariness) are contradictive with prophetic’s characteristic such as ṣiddiq (honesty), amanah (accountability), tablig (effective communication), faṭonah (smart and heedful). Third, detournement de povouir or abus de droit can categorized as jarimah takzir which can be punish by the authority above them. Fourth, effort to prevent the criminal act of corruption are with uswah leadership, muraqobah, qanaah, and commitment to take care themselves and their family with halal income. For that, public administration can consider using universal values in Islamic Law to help doing discretion without trapped in criminal act of corruption.

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Campeau, Georges. "L'Assurance-Emploi: Les Enjeux Constitutionnels du Detournement du Regime d'Assurance-Chomage." Journal of Law and Social Policy 14, no. 1 (January 1, 1999): 91–106. http://dx.doi.org/10.60082/0829-3929.1069.

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Dissertations / Theses on the topic "Detournement"

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Le, Dung M. "On Emptiness and Detournement." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491305530753604.

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de, Berigny Wall (onacloV) Caitilin, and n/a. "Documentary Transforms into Video Installation via the Processes of Intertextuality and Detournement." University of Canberra. Creative Communication, 2006. http://erl.canberra.edu.au./public/adt-AUC20071017.094719.

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My argument is that documentary texts can be transformed into artworks via the processes of intertextuality and detournement, when they are exhibited as video installations. I argue that early 1920s modernist avant-garde painter-filmmakers shared with contemporary documentary video installation painter-filmmakers particular tendencies, characteristics and interests. The bodies of work in each period explore the generic properties of documentary through (primarily) abstract visual associations, rather than through a conventional linear space. Important 1920s modernist avant-garde films by Dziga Vertov, Luis Bunuel, Salvador Dali, Joris Ivens, Man Ray and others will be considered in highlighting the relationship between documentary and avant-garde cinema. I use this discussion as a basis for examining my own work: for the creative component of this thesis, I filmed and edited a three screen video installation. I interviewed 67 Australian Muslims and used these interviews to explore the use of documentary in video installation. The theoretical framework I used is based on the following: Julia Kristeva?s notion of intertextuality, derived from Mikhail Bahktin?s work on dialogism, to interpret how documentary texts take on conventions appropriate to other genres; Guy Debord?s concept of d鴯urnement to provide a theory for the reuse of pre-existing artistic elements found in documentary film; genre theory to interpret interactions between documentary texts; Ludwig Wittgenstein?s notion of ?family resemblance? to explore the indistinct boundaries of documentary; and Pascal Beausse?s analysis of how artists have hijacked documentary. I also draw on Bill Nichols?s analytical framework of documentary modes (poetic, expository, observational, participatory, performative, reflexive) to explore documentary in cinema and installation art. The documentary genre is not habitually discussed outside film, television, photography or the web. My research demonstrates that the genre has found its place in other areas of artistic practice and can also apply to medium of video installation.

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Berigny, Wall Caitilin de. "Documentary transforms into video installation via the processes of intertextuality and detournement /." Canberra : University of Canberra, 2006. http://erl.canberra.edu.au/public/adt-AUC20070723.103335/index.html.

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Thesis (PhD) -- University of Canberra, 2007.
Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Canberra, May 2007. Includes filmography (leaves 124-126) and bibliography (leaves 130-136). Also available online.

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Pagadigorria, Marta Maria. "Recursos de presença nas crônicas de Millôr Fernandes /." Araraquara : [s.n.], 2006. http://hdl.handle.net/11449/93987.

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Orientador: Antônio Suárez Abreu
Resumo: Tem esta dissertação o objetivo de descrever, a partir da Nova Retórica e do modelo cognitivista de projeções de imagens, os recursos de presença em uma amostragem de seis crônicas retiradas do livro Lições de um Ignorante escrito por Millôr Fernandes. Esses recursos são entendidos como procedimentos que procuram dar visibilidade aos argumentos utilizados por orador. Em suas crônicas o autor utiliza uma superposição desses recursos. Entre eles, avultam as definições expressivas a reformulação retórica o detournement (provérbio modificados) projeção de um evento em outro as metáforas e quase sempre enumerações progressivas levando ao non sense. O estrato fônico é também bastante utilizado.
Abstract: This dissertation has the aim of describing, from the framework of the New Rhetoric and the cognitive model of the image projection, the resources of presence in sample of six chronicles extrated from the book Lições de um Ignorante, written by Millôr Fernandes, se resourses are understood as procedures that inend to give visibility to the arguments used by an orator. In his chronicles, the author uses a superposition of those resousers. Among them he emphasizes the expressive definitions, the rhetoric reformulations, the detournement (modified proverbs), projection of an event onto other metaphors, and almost always, progressive's enumerations, leading at the non sense. The phonetic level is also widely used.
Mestre

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Nardou, Sylvie. "La toxicomanie par abus de médicaments." Bordeaux 2, 1992. http://www.theses.fr/1992BOR2P007.

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Marcoin-Dubois, Danielle. "La momie de robinson. Aspects d'un detournement de texte (la robinsonnade enfantine dans la france du xixeme)." Cergy-Pontoise, 2000. http://www.theses.fr/2000CERG0099.

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Des la parution de l'emile en 1762, la figure de robinson devient un fondement de la litterature enfantine. Du temps de la philosophie des lumieres jusqu'a l'aube du xxeme siecle, durant toute cette periode de mise au monde contrariee et contrariante mais ressentie comme ineluctable d'une modernite qui conduit a repreciser le statut familial, social, politique et culturel de la jeunesse, les declinaisons romanesques de cette figure mythique temoignent des fonctions tour a tour assignees a la litterature enfantine (entre education, instruction et recreation). L'institution d'un nouveau monde et la definition progressive d'un nouveau lectorat, se rejoignent dans une etonnante proliferation de robinsonnades qui, toutes, nourrissent une conversation serree avec le texte fondateur de daniel defoe mais aussi entre les diverses recritures ou adaptations ainsi qu'une conversation, souvent vive, entre les lecteurs et l'ensemble des producteurs (les familles qui se constituent en forces politiques, les institutions religieuses et scolaires, les editeurs et les auteurs). Tout en prenant en compte le fait que la litterature enfantine exploite des l'origine les ressources de l'hypertextualite et de l'intertextualite, ce travail a pour ambition de cerner, dans une perspective diachronique et avec le plus grand respect pour les dynamiques et les antagonismes sur lesquelles elles reposent, les conditions d'elaboration et de l'evolution d'un genre bien definissable : la robinsonnade. Ce sera d'abord le processus de domestication de l'aventure opere par les pedagogues heritiers des lumieres(le robinson suisse), puis viendra le temps des ecrivains, notamment des femmes (mme malles de beaulieu, mme woillez, eugenie foa) sous la restauration puis la monarchie de juillet. Le petit robinson chretien deviendra chez certains l'expression d'un conservatisme radical ( e. Fouinet), ou la vitrine de l'entreprise coloniale (mirval, j. Morlent, carrey). Enfin, l'installation progressive d'un ordre laique et republicain modifiera le genre, qui hesitera desormais entre exaltation du progres et expression d'un engloutissement des illusions politiques.

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Pagadigorria, Marta Maria [UNESP]. "Recursos de presença nas crônicas de Millôr Fernandes." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/93987.

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Made available in DSpace on 2014-06-11T19:26:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-04-11Bitstream added on 2014-06-13T18:07:51Z : No. of bitstreams: 1 pagadigorria_mm_me_arafcl.pdf: 306440 bytes, checksum: 8be463384906d9684f429517bcf61c92 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Tem esta dissertação o objetivo de descrever, a partir da Nova Retórica e do modelo cognitivista de projeções de imagens, os recursos de presença em uma amostragem de seis crônicas retiradas do livro Lições de um Ignorante escrito por Millôr Fernandes. Esses recursos são entendidos como procedimentos que procuram dar visibilidade aos argumentos utilizados por orador. Em suas crônicas o autor utiliza uma superposição desses recursos. Entre eles, avultam as definições expressivas a reformulação retórica o detournement (provérbio modificados) projeção de um evento em outro as metáforas e quase sempre enumerações progressivas levando ao non sense. O estrato fônico é também bastante utilizado.
This dissertation has the aim of describing, from the framework of the New Rhetoric and the cognitive model of the image projection, the resources of presence in sample of six chronicles extrated from the book Lições de um Ignorante, written by Millôr Fernandes, se resourses are understood as procedures that inend to give visibility to the arguments used by an orator. In his chronicles, the author uses a superposition of those resousers. Among them he emphasizes the expressive definitions, the rhetoric reformulations, the detournement (modified proverbs), projection of an event onto other metaphors, and almost always, progressive's enumerations, leading at the non sense. The phonetic level is also widely used.

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ROGERS, ASHLEY D. "THE INFLUENCE OF GUY DEBORD AND THE SITUATIONIST INTERNATIONAL ON PUNK ROCK ART OF THE 1970s." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1163784738.

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Wilson, Nathan Andrew. "Was that supposed to be funny? : a rhetorical analysis of politics, problems and contradictions in contemporary stand-up comedy." Diss., University of Iowa, 2008. http://ir.uiowa.edu/etd/33.

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Surgers, Anne. "Le detournement du regard. Reflexion a partir du traite de perspective (1735) de ferdinando gali bibiena et de sa proposition d'introduire la "vue sur l'angle" dans les scenographies a l'italienne. Origine et signification de la mise hors champ de l'infini." Paris 3, 1996. http://www.theses.fr/1997PA030006.

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Etude des mecanismes de la perspective, et du code de representation utilisant la perspective, a partir de scenographies a l'italienne. Premiere partie : analyse des differents usages de la perspective et de leur raison d'etre, dans les decors a l'italienne. La similitude avec la peinture, et l'anteriorite constante des usages des peintres y sont demontrees. Deuxieme partie : etude particuliere d'un de ces mecanismes, la "vue sur l'angle", et traduction du traite de ferdinando galli bibiena, qui a theorise l'usage de la "vue sur l'angle" au theatre (1735). Troisieme partie : elle cherche les origines de la revolution, a tous les sens du terme, qu'a constitue l'adoption de la vue sur l'angle au theatre. En s'appuyant sur les conclusions de la premiere partie, la question etait de savoir si l'on trouvait la mise hors champ de l'infini et la remise en cause de la fonction premiere de la perspective dans les representations architecturales et picturales du xviie siecle. L'analyse des outils mis en oeuvre par les grands artistes dits baroques montre qu'ils se sont radicalement opposes a la confusion apparue au rinascimento sur le sens du terme infini. Opposition qui s'est traduite concretement par une double ellipse : absence de perspective a seule fin de vraisemblance, et absence de representation vraisemblable du transcendant. On trouve la l'origine de la mise hors champ de l'infini au theatre, a la fin du xviie siecle, par la "vue sur l'angle"
Study of the perspective's mechanisms and the associated representing codes, based on italian style scenographies. First part : analyse of the differents use of perspective, and also why and how they have been employed in italian style stage settings. It explains both the closeness with painting and yhe permanently verified prior use by the painters. Second part : study of a specific mechanism, "the sight per the angle", first appeared in a theater by late xviith, and theorized by ferdinando galli bibiena in his 1735 treatise. This part proposes a translation of the third part of this treatise, dealing with the theater's perspective, and the "sight per the angle". The third part tries to explain the origins of the revolution, in all senses, witch come up "the sight per the angle". Resting on the first part analysis, the question was : could this infinite off-sight and this pull-back on the first role of the perspective be found in pictorials and architecturals representations of the xvii century ? the study of famous baroques artist's works shows that they wera radically opposed to the desorder appeared during the rinascimento concerning the term infinity proper meaning. This opposition has been concreted trought a double ellipse : lack of perspective for likelihood purpose and lake of conceivable representation for the transcendent. There can be found the origin of the off-sight infinity in a theater trought the use of the "sight per the angle" mechanism

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Books on the topic "Detournement"

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Trier, James, ed. Detournement as Pedagogical Praxis. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8.

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L'hymne national du Cameroun: Une valeur républicaine contre la corruption et le detournement des fonds publics. Yaoundé: Éditions SOPECAM, 2016.

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Hawad. Detournement d'horizon. Greges, 2003.

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Trier, James. Detournement As Pedagogical Praxis. BRILL, 2014.

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Detournement As Pedagogical Praxis. BRILL, 2014.

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Detournement As Pedagogical Praxis. BRILL, 2014.

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DANIEL, MATIVAT. Humour Ado, Ou, du Detournement Mineur de Proverbes et Pensees Celebres. TRIPTYQUE, 2005.

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Laurent, Alain. Le Liberalisme Americain: Histoire D'Un Detournement (Romans, Essais, Poesie, Documents) (French Edition). Les Belles Lettres, 2006.

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Peinture Selon Proust: Les Detournements du Visuel. Classiques Garnier, 2021.

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Bertho, Sophie. La Peinture Selon Proust: Les Detournements Du Visuel. Classiques Garnier, 2021.

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Book chapters on the topic "Detournement"

1

Trier, James. "The Introduction to Detournement as Pedagogical Praxis." In Detournement as Pedagogical Praxis, 1–37. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_1.

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Trier, James. "A Detournement of Joe Clark’s Problematic “Motto” of Personal Agency in lean on me 1." In Detournement as Pedagogical Praxis, 39–54. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_2.

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Senta, Amy. "Juan Skippy." In Detournement as Pedagogical Praxis, 55–78. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_3.

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Adcock, Trey. "The Hollywood Indian Goes to School." In Detournement as Pedagogical Praxis, 79–105. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_4.

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Boyd, Ashley. "Detournement as Anti-Oppressive Pedagogy and Invitation to Crisis." In Detournement as Pedagogical Praxis, 107–28. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_5.

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Conder, Tim. "In God’s Country." In Detournement as Pedagogical Praxis, 129–54. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_6.

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Trier, James. "Challenging Waiting For Superman Through Detournement1." In Detournement as Pedagogical Praxis, 155–69. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_7.

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Hooper, Joseph D. "Detourning the Charterization of New Orleans Public Schools with Preservice Teachers." In Detournement as Pedagogical Praxis, 171–94. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_8.

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Mendez, Jason. "Revisiting “Sordid Fantasies”." In Detournement as Pedagogical Praxis, 195–209. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-800-8_9.

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O’Grady, Nathaniel. "Be Prepared, To Protect: Detournement and the Forces Behind Governmental Logics." In Governing Future Emergencies, 111–31. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71991-7_6.

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