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Books on the topic 'Designerns makt'

Author: Grafiati

Published: 25 June 2021

Last updated: 1 February 2022

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1

Watkins, Charmain. Designer clothes to make. London: Collins, 1985.

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2

Designers of the future: Who should make the decisions? Oxford: Monarch Books, 2005.

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3

Fischer, Volker. Richard Meier: Der Architekt als Designer und Künstler = The architect as designer and artist. Fellbach: Edition Axel Menges, 2003.

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4

1971-, Vassalo Beth, ed. The modern medallion workbook: 11 designers share quilt projects to make, mix & match. Lafayette, CA: Stash Books an imprint of C&T Publishing, Inc., 2015.

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5

From page to stage: How theatre designers make connections between scripts and images. Portsmouth, NH: Heinemann, 1998.

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6

Bostic, Mary Burzlaff. 2014 artist's & graphic designer's market: How to sell your art and make a living. 3rd ed. Cincinnati, Ohio: North Light Books, 2013.

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7

Designer home sewing: Step-by-step instructions for 30 easy-to-make projects / Linda Lee. Gloucester, Mass: Quarry Books, 2005.

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8

The baby business: Elite eggs, designer genes, and the thriving commerce of conception. Boston: Harvard Business School Press, 2005.

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9

Hall, Michelle. Just because type is unreadable does this make the design non-communicative and un-understandable?: One of the fundamental principles of modern typography is that it has to be legible to communicate- today many designers challenge this notion. London: LCP, 1999.

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10

Designer Clothes to Make. HarperCollins Publishers, 1985.

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11

Watkins, Charmian. Designer Clothes to Make. HarperCollins Publishers, 1985.

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12

Type: Hot Designers Make Cool Fonts. Rockport Publishers, 1998.

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13

Stylish weddings: 50 simple ideas to make from top designers. 2014.

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14

Now Make This: 24 DIY Projects by Designers for Kids. Phaidon Press, 2018.

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15

Rau, Dana Meachen. Dessert designer: Creations you can make and eat! 2013.

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16

Knitwear Revolution: Designer Patterns to Make (Penguin Handbooks). Penguin USA (P), 1985.

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17

Fischer, Volker. Richard Meier: The Architect as Designer and Artist. Edition Axel Menges, 2003.

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18

Senoo, Kappa. Kappa no te no uchi maku no uchi. Shinchosha, 1992.

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19

Lambert, Nancy. My Fashion Studio : Clothes Designer: Cut, Color, Make & Create! Imagine That, 2016.

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20

Davis, Karen Ann. Make textured and Stucco Walls With Designer Faux Finishes. Karen Davis Publications, 2001.

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21

Jackson, Paul. How to Make Repeat Patterns: A Guide for Designers, Architects and Artists. King Publishing, Laurence, 2018.

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22

Artist's & graphic designer's market: How to sell your art and make a living. 4th ed. Cincinnati, OH: North Light Books, 2016.

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23

1959-, Sheldon Kathy, ed. Aimee Ray's sweet & simple jewelry: 17 designers, 10 techniques & 32 projects to make. 2013.

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24

Glitschka, Von. Take and make art: Hundreds of royalty-free vector illustrations for discriminating designers. 2015.

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25

Graphic Designer's Guide to Clients: How to Make Clients Happy and Do Great Work. Allworth Press, 2003.

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26

Publishing, Music. I Make Beats: Lined Notebook Writing Journal Gift for BeatMakers, Music Producers and Sound Designers. Independently Published, 2020.

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27

Film Crew of Hollywood: Profiles of Grips, Cinematographers, Designers, a Gaffer, a Stuntman and a Make-Up Artist. McFarland & Company, Incorporated Publishers, 2013.

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28

Blogging For Creatives How Designers Artists Crafters And Writers Can Blog To Make Contacts Win Business And Build Success. How Books, 2012.

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29

Draw 62 Animals and Make Them Cute: Step-By-Step Drawing for Characters and Personality *a Sketchbook for Artists, Designers and Doodlers*. Quarto Publishing Group USA, 2019.

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30

MAKE DO & MEND - how to buy a designer handbag whilst remaining friends with your bank manager and your conscience. Lulu Enterprises, UK Ltd, 2007.

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31

Smyth, J. E. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0001.

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Traditional histories of studio-era Hollywood contend that the film industry offered little more than acting and secretarial jobs to women; however, industry trade papers and syndicated press of the time reveal a different picture. Women worked as producers, executives, writers, script readers, production and costume designers, film and sound editors, set dressers, make-up artists, publicists, agents, researchers, actors, and directors. They worked for their unions and on industry committees. Although they didn’t always agree politically, Hollywood’s women shared a commitment to the Equal Rights Amendment and often helped each other’s careers. This chapter provides an overview of the diverse professions open to women in the Hollywood studio system and challenges the “great man” theories of authorship and female disempowerment that have driven conventional histories of old Hollywood.

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32

Szczepaniak-Gillece, Jocelyn. Nostalgia for the Dark. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689353.003.0002.

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This chapter discusses the movie palace’s decline and the beginnings of the neutralized movie theater from the 1920s to 1932. While much scholarship has attributed the transition to either economics after the Depression or the emergence of sound, the chapter argues for the importance of modernist architectural trends, such as the work of Le Corbusier, and new dimensions of spectatorship invested in attention. Modern machine culture reinforced the need for a theater structure that would make spectators into parts of a filmic assembly line. Ben Schlanger emerges as the loudest voice of neutralization, demanding a “slaughtering” of unnecessary decoration in the urban movie theater. His and multiple lighting designers’ work with light and darkness in the theater exemplify the upheavals in 1920s–1930s exhibition: from a theater with a panoply of effects to one centered on the dramatic play of light and dark within the film and its environment.

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33

Douglas, Gordon C. C. “I’m an Expert on Public Space”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190691332.003.0004.

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Chapter 4 focuses on the personal and professional background of many do-it-yourselfers who employ sophisticated knowledge of professional planning and scholarly urbanism in their interventions. In doing so, it begins to challenge binary notions of formality and informality in urbanism. The chapter includes discussion of the history of informality in cities and the development of professionalized urban planning and placemaking practices. It then discusses how many do-it-yourself urban designers have professional design training that they to use in their projects. Where others lack such a background, they often seek information from official sources in order to strengthen and legitimate their interventions, from tools, techniques, and guidelines to justifications grounded in social science research. Although this may lead to better-designed and more effective improvements, it also gives the individuals a certain confidence in the quality of their actions and their right to make them.

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34

Guins, Raiford. Atari Design. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781474284561.

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Drawing from deep archival research and extensive interviews, Atari Design is a rich, historical study of how Atari’s industrial and graphic designers contributed to the development of the coin-op cabinet. Innovative game design played a key role in the growth of Atari – from Pong to Asteroids and beyond – but fun, challenging, and exciting game play was not unique to the famous Silicon Valley company. What set it apart from its competitors was innovation in cabinet design. Atari did not just make games, it designed products for environments. With “tasteful packaging”, Atari exceeded traditional locations like bars, amusement parks, and arcades, developing the look and feel of their game cabinets for new locations such as fast food restaurants, department stores, country clubs, university unions, and airports, making game-play a ubiquitous social and cultural experience. By actively shaping the interaction between user and machine, overcoming styling limitations and generating a distinct corporate identity, Atari designed products that impacted the everyday visual and material culture of the late 20th century. Design was never an afterthought at Atari.

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35

McRae, Bobbi A. The Essential guide to herbal teas: How to grow tea herbs, how to preserve the herbs, how to make a perfect cup of tea, designer teas. Fiberworks, 1994.

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36

1940-, Furstenberg Frank F., ed. Managing to make it: Urban families and adolescent success. Chicago: University of Chicago Press, 1999.

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37

Computer arts: The designer's handbook[ : tips & tricks : all the quick and easy shortcuts you need to make it easier to work in Adobe Photoshop CS, Adobe Illustrator CS, Adobe inDesign CS, plus the CA jargon buster & essential keyboard shortcuts]. Bath: Future Publishing, 2004.

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38

Touch. Be Yourself : Be Yourself: Cause Human Lives Matter Your Ideas Is Part of You ,make It Live Then /nice Notebook for Man an Woman / Designer Jounal/ Gift to Offer . Blank Lined Paper 120 Pages. Independently Published, 2020.

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39

LoBrutto, Vincent. Ridley Scott. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177083.001.0001.

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This, the first biography of film director Ridley Scott, investigates the life and moving-image work of a major cinema artist. Ridley Scott is a supreme visualist who applies artistry to telling motion picture narratives. The influence of his early work in commercials, television projects, short films, and music videos is explored. The arc of his life experience is examined to provide a total picture of the man, with emphasis on the look and content of his films. Each Ridley Scott film is presented from a series of views: conception, production, postproduction, critical and social reactions, box office results, and impact on his long and continuing career. Scott’s ability to make and release feature films on a regular timetable and run a multifaceted production company at the same time reveals his stamina and work ethic. Thematic patterns in Ridley Scott’s filmography give further insight into his artistic personality; he repeatedly examines subjects such as war, the nature of the male of the species, and the strength of women. Scott deals with these themes through hands-on collaboration with screenwriters and film craft artists such as the director of photography, production designer, and editor. The book embraces the concept that Ridley Scott is a complex artist driven to apply his art in a constant flow of projects. This biography will fill in many gaps of the life and films of this British-born director, who is known and respected by audiences, film critics, and scholars all over the globe.

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40

Menezes, Alexandre Monteiro de. Horizontes: Pinturas e desenhos de Belo Horizonte. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-531-6.

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HORIZONTES is a tribute to the city Belo Horizonte. The drawings and paintings that make up this tribute were presented in individual and collective exhibitions in art galleries and cultural spaces in the capital of Minas Gerais. The peaces bring scenes from the daily life of the city, its mountains seen in the distance, as well as representing some of its buildings. The creative process begins with drawings and sketches developed on the spot, using graphite pencils, colored pencils, ballpoint pens, a pad of paper and a good shade to protect from the sun. The buildings are drafted on the spot on small sheets of paper, allowing you to choose the best viewing angles and seeking to experience the space, smell the scents, hear the sounds, perceive the warmth and life of each place. The drawings made in the place offer important and necessary information to help organize the perception and better understanding of the object in space. The observation drawing activity involved in this creative process is of great importance, as it is a conventional, personal and individual activity, involving the discovery of forms and their communication. The observation drawings developed at the site are more than just a passive container of the author's eye. They are a powerful medium that influence thinking just as they are influenced by the thinking of the designer. The result seems to represent, more and more, the will and the attempt to paint not only the visible world, but the memory, the history, the winds, the sounds, the smells, the city and the life, with all the symbolic aspect.

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41

Cook, Thomas D., Jr Glen H. Elder, Jr Frank F. Furstenberg, and Jacquelynne Eccles. Managing to Make It: Urban Families and Adolescent Success (The John D. and Catherine T. MacArthur Foundation Series on Mental Health and De). University Of Chicago Press, 1999.

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