Academic literature on the topic 'Design principles'
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Journal articles on the topic "Design principles"
Siu, Kin Wai Michael, and Kwun Sing Leo Wong. "Flexible design principles." Facilities 33, no. 9/10 (July 6, 2015): 588–621. http://dx.doi.org/10.1108/f-02-2014-0021.
Full textEdwards, K. L. "Engineering design principles." Materials & Design 21, no. 5 (October 2000): 493–94. http://dx.doi.org/10.1016/s0261-3069(00)00039-x.
Full textSarnecki, J., C. Vinodrai, A. Javed, P. O'Kelly, and K. Dick. "Microcell design principles." IEEE Communications Magazine 31, no. 4 (April 1993): 76–82. http://dx.doi.org/10.1109/35.210399.
Full textMeng, Xiao Lei. "Design Principles of the Water Landscape of Cold Regions." Advanced Materials Research 598 (November 2012): 279–82. http://dx.doi.org/10.4028/www.scientific.net/amr.598.279.
Full textYavuz, Merve, Serkan Güneş, and H. Güçlü Yavuzcan. "Industrial design ethics on the basis of akhism principles." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 615–20. http://dx.doi.org/10.18844/gjhss.v2i1.926.
Full textDeora, Prachi. "Smart City Design Principles." International Journal for Research in Applied Science and Engineering Technology 9, no. VIII (August 15, 2021): 865–99. http://dx.doi.org/10.22214/ijraset.2021.37465.
Full textNutt, Paul C. "Evaluating MIS Design Principles." MIS Quarterly 10, no. 2 (June 1986): 139. http://dx.doi.org/10.2307/249033.
Full textBhuvaneswaran, Mohan. "Principles of smile design." Journal of Conservative Dentistry 13, no. 4 (2010): 225. http://dx.doi.org/10.4103/0972-0707.73387.
Full textMcClelland, Ian, Bronwen Taylor, and Bill Hefley. "User-centred design principles." ACM SIGCHI Bulletin 28, no. 4 (October 1996): 23–25. http://dx.doi.org/10.1145/242417.242421.
Full textSieck, Gary. "Design Principles for Life." Physiology 27, no. 6 (December 2012): 330. http://dx.doi.org/10.1152/physiol.00046.2012.
Full textDissertations / Theses on the topic "Design principles"
Johansson, Jan. "Cavern wall design principles." Licentiate thesis, KTH, Civil and Architectural Engineering, 2003. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-1631.
Full textThis licentiate thesis deals with the design of lined rockcaverns used for the storage of gas under high pressures (20-25MPa). This storage technique has been developed in Swedenduring the last 20 years. The concept has been named LRC (LinedRock Cavern).
The goal of the research has been to develop a methodologyfor the design of the cavern wall so that it can fulfil thesafety demands put placed upon it by the society. To achievethis, an extensive knowledge about the properties of the wallmaterials, and how they interact, is required.
The proposed design methodology is based on the cavern wallbuild-up principles that have emerged during the many years ofdevelopment of the LRC concept. The cavern wall consists, inshort, of (from inside outwards): a gastight steel lining, asliding layer of bitumen, a reinforced concrete lining, ashotcrete layer and finally the rock mass.
In the thesis, a step-by-step approach is proposed toanalyse the deformations and strains that the cavern wall issubjected to as the rock caverns expands as a result of thepressurisation. The analysis begins with an assessment of thedeformation properties of the rock mass and proceeds with anestimation of the deformation in the most strained part of therock cavern. The analysis continues with an examination of howthe rock deformation is transmitted through the wall structure,ending in an assessment of the strain in the most strained partof the steel lining. The final step in the methodology is tocompare the calculated steel strain with the acceptable strain,derived from acceptable risk criteria or extracted fromrelevant codes. As an LRC storage is subjected to hundreds ofload cycles (with potentially high strain levels in the steellining) during its lifetime, the dimensioning load case is lowcycle fatigue.
The methodology is based on several assumptions regardingthe properties of the structural parts included in the cavernwall and how they react to the pressure load, both as singleparts and in interaction with adjacent structural parts. Theassumptions regard e.g. the deformation properties of the rockmass, the behaviour of the rock mass during repeatedhigh-pressure loading, the crack distributing effect of thereinforcement and the properties of the sliding layer.
Support for these assumptions has been gathered fromtheories, previous experiences and performed practical tests.The long concept development work has included numeroustechnical studies and tests, which have been used in thecreation of the design methodology. The experiences gained fromthe Pilot tests in Grängesberg have been especiallyvaluable to this end. A series of laboratory tests on themechanical properties of the sliding layer, for the load casein question, have been performed as part of this licentiatework.
The proposed design methodology for the cavern wall is basedon a probabilistic approach. This approach has been chosen forseveral reasons, among others because LRC is a new technologywithout established design practice and because a probabilisticview is a good way to manage the uncertainties, which in thepresent case originates from the stochastic nature of the rockmass. The properties of the rock mass vary within the volumeand are better described by an interval or a distributioninstead of a deterministic value.
The calculation tools used are in themselves rather simple.The basis is an elastoplastic analytical solution for thedeformation of the rock cavern during pressurisation. Thecalculations are performed as Monte Carlo simulations in aspreadsheet model. The choice of calculation tool was done fortwo main reasons, partly to get a lucid method where each stepin the process can be followed, partly because of limitationsin time and budget. However, a large number of FEM calculationshave been used, in addition to the observed behaviour of thePilot Plant, to verify and calibrate the model.
The proposed methodology shows one practicable way ofdesigning an LRC storage. The methodology has already beenapplied in the design of the worlds first large scale LRCstorage (the LRC Demo Plant at Skallen, near Halmstad insouth-western Sweden).
Areas where it is judged possible to improve or supplementthe proposed design methodology are:A thorough evaluation of the deformationbehaviour of the Demo Plant can be used to check the validityof the assumptions made. Depending on the outcome of such acheck, this might lead to a modification of the designmethodology.The sliding layer is of great importance for thestress and strain in the steel lining. It is urgent to continuethe development and testing of the sliding layer material andits properties.It should be examined if, and in which case how,the use of stochastic FEM analysis, asa calculation tool,could improve the handling of uncertainties in the designmethodology.
Bullock, James N. "Design Principles for Emotional Durability." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1342103850.
Full textVeiga, Maria Inês Costa da. "Indiscipline social design principles and practices." Doctoral thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20260.
Full textABSTRACT: This thesis is an exploratory study of moves and movements of the design discipline towards social and activist critical practices. It departs from a growing concern for design as a socially committed activity that has been around since the 1960s. The social turn, as we describe it, was a historical plea for designers to expand the nature and complexity of the problems addressed by design, moreover, to involve the users and stakeholders in designing processes. Turning to work with different sectors and diverse publics, the ‘social design’ movement emerged in opposition to the industrial and the commercial paradigms. As participatory and co-design approaches spread to general practice and for all kinds of purposes, social design became increasingly seen as a culture to represent a wider historical actualisation of the discipline. Still, in recent years, authors point to the difficulties of becoming socially engaged. Although literature on the ‘how of’ collaboration abounds i.e. the motivations, structure and techniques to involve others in design processes; it appears co-design entails ambiguous practices where designers often find themselves without a discipline. Struggles to craft a role for design in initiatives coordinated by networks of communities and institutions too often has led to actions imported from other fields hence the end of design. Coming from a background in graphic design, taking steps to become a social designer, we experienced how difficult it is to do away with the discipline. Specific gestures, actions and products in our social engagements that destabilized the visual communication design process also revealed visual communication design practiced in unknown or unexpected ways. Shifting the perspective to consider, beyond destabilization, it is indiscipline that happens to design in the encounter with others we articulated the question: what if choosing to become social is not to lose the discipline? This matter is worth to research because while social design became known for its risky participatory moves, some authors point to shifts in the politics of designing that have not yet been clarified. Through a mixed methodology based on action research and grounded theory we devised case studies to better describe, explain and explore, from a performative perspective and deeper anthropological stance, all that happens in co-design beyond exclusive attention to the design expert. While disclosing different social form-acts of social interaction within design, four images of indiscipline emerged. 1) IT’S ABOUT THE HOW, 2) DESIGN IS THE SITUATION, 3) BEGININGS NOT ENDS, and 4) DESIGN IS A LIVING THING, all point to different sides of the performative and politics turn that happens to design when it becomes social. Addressing the lack of discourse that does not treat the social as a irreducible complexity, this thesis develops a theory of design that reclaims the encounter with others as the space and possibility to grow the discipline in ways that even unexpected may also be radically social. The main conclusion is that indiscipline is not anti-design but an expansion of design possibilities in the encounter with others, which not yet seen or made visible can potentially represent moves from conventional practices towards critical socially engaged designing. Recommendations for future research are to expand the inventive and pedagogic potentials of indiscipline as a concept to understand the social turn and to practice becoming socially engaged in ways that are deemed better for others and ourselves. Another opening is to understand how indiscipline may be articulated in design education how and when students may be ready for design practice to become a more living thing.
This thesis is an exploratory study of moves and movements of the design discipline towards social and activist critical practices. It departs from a growing concern for design as a socially committed activity that has been around since the 1960s. The social turn, as we describe it, was a historical plea for designers to expand the nature and complexity of the problems addressed by design, moreover, to involve the users and stakeholders in designing processes. Turning to work with different sectors and diverse publics, the ‘social design’ movement emerged in opposition to the industrial and the commercial paradigms. As participatory and co-design approaches spread to general practice and for all kinds of purposes, social design became increasingly seen as a culture to represent a wider historical actualisation of the discipline. Still, in recent years, authors point to the difficulties of becoming socially engaged. Although literature on the ‘how of’ collaboration abounds i.e. the motivations, structure and techniques to involve others in design processes; it appears co-design entails ambiguous practices where designers often find themselves without a discipline. Struggles to craft a role for design in initiatives coordinated by networks of communities and institutions too often has led to actions imported from other fields hence the end of design. Coming from a background in graphic design, taking steps to become a social designer, we experienced how difficult it is to do away with the discipline. Specific gestures, actions and products in our social engagements that destabilized the visual communication design process also revealed visual communication design practiced in unknown or unexpected ways. Shifting the perspective to consider, beyond destabilization, it is indiscipline that happens to design in the encounter with others we articulated the question: what if choosing to become social is not to lose the discipline? This matter is worth to research because while social design became known for its risky participatory moves, some authors point to shifts in the politics of designing that have not yet been clarified. Through a mixed methodology based on action research and grounded theory we devised case studies to better describe, explain and explore, from a performative perspective and deeper anthropological stance, all that happens in co-design beyond exclusive attention to the design expert. While disclosing different social form-acts of social interaction within design, four images of indiscipline emerged. 1) IT’S ABOUT THE HOW, 2) DESIGN IS THE SITUATION, 3) BEGININGS NOT ENDS, and 4) DESIGN IS A LIVING THING, all point to different sides of the performative and politics turn that happens to design when it becomes social. Addressing the lack of discourse that does not treat the social as a irreducible complexity, this thesis develops a theory of design that reclaims the encounter with others as the space and possibility to grow the discipline in ways that even unexpected may also be radically social. The main conclusion is that indiscipline is not anti-design but an expansion of design possibilities in the encounter with others, which not yet seen or made visible can potentially represent moves from conventional practices towards critical socially engaged designing. Recommendations for future research are to expand the inventive and pedagogic potentials of indiscipline as a concept to understand the social turn and to practice becoming socially engaged in ways that are deemed better for others and ourselves. Another opening is to understand how indiscipline may be articulated in design education how and when students may be ready for design practice to become a more living thing.
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Jürjens, Jan. "Principles for secure system design." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400047.
Full textHashemi, Nezhad Ashrafi S. "Ethical principles for hospital design." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3022732/.
Full textBamberg, Eberhard 1966. "Principles of rapid machine design." Thesis, Massachusetts Institute of Technology, 2000. http://hdl.handle.net/1721.1/88839.
Full textBraman, Suzanne M. "Design principles for transitional housing." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7836.
Full textThesis research directed by: School of Architecture, Planning and Preservation Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Lu, Karyn Y. "Interaction Design Principles for Interactive Television." Thesis, Georgia Institute of Technology, 2005. http://hdl.handle.net/1853/6962.
Full textBetschon, Felix. "Design principles of integrated magnetic bearings /." Zürich, 2000. http://e-collection.ethbib.ethz.ch/show?type=diss&nr=13643.
Full textPettersson, Elena, and Tiffany Thai. "Design Principles in Mobile Web Usability." Thesis, Högskolan i Borås, Akademin för bibliotek, information, pedagogik och IT, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-13387.
Full textAnvändningen av mobila enheter har på senare tid ökat och användningen av bärbara datorer och stationära datorer har minskat. Det blir därför allt viktigare att designa mer användarvänliga hemsidor på olika plattformar. Etablerade design principer för webbdesign anger riktlinjer för design och test av webbanvändbarhet. Design principer används inte i en större utsträckning för att utvärdera användbarheten på mobila hemsidor, därför syftar denna studie till att undersöka hur användbarheten för mobilhemsidor påverkas utifrån att tillämpningen av design principer för webbdesign. Studien bygger på ett analytiskt ramverk där nyckelord har valts ut från ett antal etablerade webbdesign principer. Studien har ett kvalitativt tillvägagångssätt, med experimentella inslag. Studien har genomförts genom heuristik utvärdering, användbarhets studier och eye-tracking experiment. Studien indikerar att det finns en koppling mellan lägre nivåer av tillämpning av webbdesign principer och användbarheten på mobil- och datorsanpassade hemsidor. Denna studie bidrar till en djupare förståelse om hur anpassningen av design principer och dess påverkan av användbarheten på hemsidor över olika plattformar.
Books on the topic "Design principles"
RFID design principles. 2nd ed. Boston: Artech House, 2012.
Find full textLehpamer, Harvey. RFID design principles. Boston: Artech House, 2008.
Find full textDatabase design principles. Morrisville, NC]: [Lulu.com], 2004.
Find full textBing, Yao S., ed. Principles of database design. Englewood Cliffs, N.J: Prentice-Hall, 1985.
Find full textFreddi, Alessandro, and Mario Salmon. Design Principles and Methodologies. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-95342-7.
Full textNoback, Matthias. Principles of Package Design. Berkeley, CA: Apress, 2018. http://dx.doi.org/10.1007/978-1-4842-4119-6.
Full textSharp, Robin. Principles of Protocol Design. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-77541-6.
Full textGajski, Daniel D. Principles of digital design. Upper Saddle River, N.J: Prentice Hall, 1997.
Find full textRaskin, Jean-François, Krishnendu Chatterjee, Laurent Doyen, and Rupak Majumdar, eds. Principles of Systems Design. Cham: Springer Nature Switzerland, 2022. http://dx.doi.org/10.1007/978-3-031-22337-2.
Full textGao, Wei (Architect). 100 restaurant design principles. Hong Kong: Design Media Pub. Ltd., 2012.
Find full textBook chapters on the topic "Design principles"
Wilson, Robert. "Design Principles." In International Series in Operations Research & Management Science, 159–83. Boston, MA: Springer US, 1998. http://dx.doi.org/10.1007/978-1-4615-5547-6_11.
Full textRothlauf, Franz. "Design Principles." In Natural Computing Series, 157–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-540-72962-4_6.
Full textAbramovici, Alex, and Jake Chapsky. "Design Principles." In Feedback Control Systems, 51–58. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/978-1-4615-4345-9_5.
Full textCsanády, Etele, Zsolt Kovács, Endre Magoss, and Jegatheswaran Ratnasingam. "Design Principles." In Optimum Design and Manufacture of Wood Products, 215–366. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16688-5_4.
Full textAdelman-Larsen, NielsWerner. "Design Principles." In Rock and Pop Venues, 129–42. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-45236-9_6.
Full textDooley, John F. "Design Principles." In Software Development, Design and Coding, 65–74. Berkeley, CA: Apress, 2017. http://dx.doi.org/10.1007/978-1-4842-3153-1_6.
Full textWallin, P. J. "Design Principles." In Handbook of Food Factory Design, 297–324. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7450-0_12.
Full textMulder, Jan, Wouter A. Serdijn, Albert C. Woerd, and Arthur H. M. Roermund. "Design principles." In Dynamic Translinear and Log-Domain Circuits, 7–27. Boston, MA: Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-4955-0_2.
Full textUtkin, Vadim, Alex Poznyak, Yury V. Orlov, and Andrey Polyakov. "Design Principles." In SpringerBriefs in Mathematics, 29–48. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-41709-3_3.
Full textDooley, John. "Design Principles." In Software Development and Professional Practice, 59–69. Berkeley, CA: Apress, 2011. http://dx.doi.org/10.1007/978-1-4302-3802-7_6.
Full textConference papers on the topic "Design principles"
Kuo, Pei-Yi, and Elizabeth Gerber. "Design principles." In the 2012 ACM annual conference extended abstracts. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2212776.2223679.
Full textBallin, Philipp. "Tactile Design Principles." In TEI '21: Fifteenth International Conference on Tangible, Embedded, and Embodied Interaction. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3430524.3443688.
Full textSchlagenhaufer, F. "EMC design principles." In 2008 Asia Pacific Microwave Conference. IEEE, 2008. http://dx.doi.org/10.1109/apmc.2008.4958198.
Full textMerkle, Fritz. "Principles of adaptive optics." In Optical Systems Design '92, edited by Karl H. Guenther. SPIE, 1993. http://dx.doi.org/10.1117/12.141056.
Full textMerkle, Fritz. "Principles of adaptive optics." In Lens and Optical Systems Design. SPIE, 1993. http://dx.doi.org/10.1117/12.142842.
Full textHobbs, Jerry, and David Israel. "Principles of template design." In the workshop. Morristown, NJ, USA: Association for Computational Linguistics, 1994. http://dx.doi.org/10.3115/1075812.1075849.
Full textKondermann, Daniel. "Ground truth design principles." In VIGTA '13: International Workshop on Video and Image Ground Truth in computer vision Applications. New York, NY, USA: ACM, 2013. http://dx.doi.org/10.1145/2501105.2501114.
Full textKidger, Michael J. "Principles of lens design." In Critical Review Collection. SPIE, 1992. http://dx.doi.org/10.1117/12.131967.
Full textSHENTSOVA, O. M., and M. A. VORONIN. "BIONIC ARCHITECTURE DESIGN PRINCIPLES." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.45.
Full textSalvador, Tony, Steve Barile, and John Sherry. "Ubiquitous computing design principles." In Extended abstracts of the 2004 conference. New York, New York, USA: ACM Press, 2004. http://dx.doi.org/10.1145/985921.986099.
Full textReports on the topic "Design principles"
Yu, J. Scalable Routing Design Principles. RFC Editor, July 2000. http://dx.doi.org/10.17487/rfc2791.
Full textDaily, B., J. Loveland, and A. Whatley. Team learning center design principles. Office of Scientific and Technical Information (OSTI), June 1995. http://dx.doi.org/10.2172/90733.
Full textCanles, Seturnino, Benjamin Davis, Robert T. Johnk, David R. Novotny, Jason Veneman, and Chriss A. Grosvenor. TEM horn antenna design principles. Gaithersburg, MD: National Bureau of Standards, 2007. http://dx.doi.org/10.6028/nist.tn.1544.
Full textFowler, Steven E. Safety and Arming Device Design Principles. Fort Belvoir, VA: Defense Technical Information Center, May 1999. http://dx.doi.org/10.21236/ada363924.
Full textSchaum, Alan. Principles of Interpolator Design and Evaluation. Fort Belvoir, VA: Defense Technical Information Center, November 1991. http://dx.doi.org/10.21236/ada242822.
Full textBECK, DAVID F. Developing Design Principles for Information Technology Security. Office of Scientific and Technical Information (OSTI), February 2002. http://dx.doi.org/10.2172/793334.
Full textThompson, Joe David. Design Principles for Materials with Magnetic Functionality. Office of Scientific and Technical Information (OSTI), November 2015. http://dx.doi.org/10.2172/1225568.
Full textMohammadi, K. Preserving SSC Design Function Using RCM Principles. Office of Scientific and Technical Information (OSTI), February 2009. http://dx.doi.org/10.2172/947741.
Full textJackson, J. G. Y-12 Sustainable Design Principles for Building Design and Construction. Office of Scientific and Technical Information (OSTI), November 2008. http://dx.doi.org/10.2172/969028.
Full textLin, Shizeng, Sean Michael Thomas, and Priscila Ferrari Silveira Rosa. Design principles for skyrmions in f-electron materials. Office of Scientific and Technical Information (OSTI), February 2019. http://dx.doi.org/10.2172/1496735.
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