Journal articles on the topic 'Design del cultural heritage'
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1
Maldonado Reyes, Ana Aurora. "El diseño industrial, salvaguardia del patrimonio cultural inmaterial en México." Economía Creativa, no. 10 (November 22, 2018): 55–87. http://dx.doi.org/10.46840/ec.2018.10.04.
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Este artículo analiza la participación del diseño en las acciones de salvaguardia del Patrimonio Cultural Inmaterial (PCI), en el ámbito de las técnicas artesanales tradicionales. Primero hablaremos sobre el Diseño, su conceptualización, su práctica y relación con las artesanías. En seguida se conceptualizará el PCI, sus ámbitos y características, así como la necesidad de salvaguardia, se pondrá especial énfasis al ámbito de la práctica artesanal, a partir de este observar su relación con los otros, como el de "usos sociales, rituales y actos festivos”. De esta manera se enmarcará la labor que en el ámbito de las técnicas tradicionales artesanales y práctica artesanal se puede y se ha llevado a cabo por parte del Diseño. Este trabajo también hace un recuento de las investigaciones que el Cuerpo Académico de Diseño y Desarrollo Social ha llevado a cabo en materia de salvaguardia del PCI.
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Lupo, Eleonora. "Design e Cultural driven innovation." i+Diseño. Revista científico-académica internacional de Innovación, Investigación y Desarrollo en Diseño 14 (December 5, 2019): 120. http://dx.doi.org/10.24310/idiseno.2019.v14i0.7085.
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Il saggio si propone di inquadrare il concetto di Cultural Driven Innovation nel discorso su design e patrimonio culturale contemporaneo, inteso come l’heritage continuum attivabile dal design tramite le tecnologie digitali e mobile. In questo approccio il Cultural Heritage non è considerato solo leva per uno sviluppo più sostenibile ma vera e propria fonte di innovazione, grazie al suo ri-uso creativo non soltanto in nuovi prodotti culturali fruibili da utenti finali, ma in strategie e strumenti, abilitati dal design, di co-creazione di valore per tutta la filiera.
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Grande León, Alfredo. "La Génesis de un Museo del Guadalquivir del siglo XXI. Anastylosis virtual del valle del Guadalquivir en el siglo II d. C: La Baetica de Adriano." Virtual Archaeology Review 1, no. 1 (April 11, 2010): 27. http://dx.doi.org/10.4995/var.2010.4753.
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<p>We present an ambitious design in order to a new space and a cultural center in the surrounding area of the city of Seville devoted to Guadalquivir River and its Memory. This project depicts a new framework for multifunctional cultural infrastructures aimed to perpetuate and strengthen the knowledge of our rich cultural heritage, adding new didactic value to it by means of XXI century museology and the latest 3D virtual technologies, thus creating valuable resources for cultural diffusion according to present-day possibilities. This initiative started in year 2005 and shall be concluded in year 2012, as result of the cooperation between several public and private institutions, all of them interested in the cultural, touristical, technological and economic revaluation of Guadalquivir River</p>
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De Rossi, Antonio, and Roberto Dini. "Manipolazioni metasemiche del patrimonio." Manipolazioni metasemiche del patrimonio 2 NS, Issue 2 Ns, July 2019 (June 15, 2019): 13–34. http://dx.doi.org/10.30682/aa1902a.
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The construction of a renewed habitability of the contemporary Alpine space requires a profound critical revision of the ways of looking and of the cultures concerning the theme of re-use of the built heritage. Over the last few decades, a sort of crystallization of imaginaries, operational practices and development ideas has emerged around the two terms of re-use and heritage and their ways of interaction, which today is likely to be an obstacle to the construction of new development scenarios for the Alpine region. Trying to imagine new values and meanings of the concepts of reuse and heritage, however, requires the questioning of those patrimonialization cultures that have served as the ultimate framework for the project of the Alpine space. The essay reconstructs those design processes that, starting from a renewed productive vision of the mountain, attempt today to overcome a hypostatized vision of the conventional cultural landscape produced by the patrimonialist paradigm, to embrace a transformative attitude of the heritage based on the materic character of the basic elements of the Alpine space. In particular we want to underline how the contemporary design culture in the Alps is directed to the development of synthetic languages aimed at capturing the stratified and diachronic dimension of the built landscape through metasemic cognitive and interpretative practices. It is an attitude that, against a background of the change in perspective brought about by climate change and environmental issues, allows the maximization of the opportunities and physical resources recovered in the place, perfectly in line with the aptitude for the continuous re-use of the Alpine civilizations of the past, which focuses on the awareness of participating in a constructive process of transformation of the long lasting Alpine territory.
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Ferrero Jimeno, Alba Camino, and Judit Martínez Ruiz. "Street Escape en la Colonia Güell: conceptualización, diseño y evaluación de una estrategia de mediación del patrimonio cultural." Tourism and Heritage Journal 2 (July 8, 2020): 28–40. http://dx.doi.org/10.1344/thj.2020.2.3.
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In this project, a gamified mediation strategy is proposed for the enhancement of the industrial heritage of Colonia Güell through the Street Escape tool. The general objectives are the conceptualization and design of a mediation strategy and its subsequent evaluation, as well as the analysis of the results obtained. In order to achieve these objectives, an investigation was developed that has as key points the gamification in heritage spaces and the Escape Room tourism. The qualitative methodology used has been a case study that has had the techniques of participant observation and focus group to collect information and behaviors from the ten participants in the game. The Street Escape has been done with two groups, one representing the teenage public and the other representing the youth public, since the tourist and didactic offer of Colonia Güell is insufficient to respond to the needs of young public. Afterwards, the conceptualization, design and evaluation of the Street Escape in Colonia Güell has been carried out. Finally, the results obtained show that the creation of a gamified mediation strategy helps to bring industrial heritage closer to young people.
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Agudo Guevara, María Ximena, and María Rosa Ruíz Cervera. "Estudios sobre conservación, restauración y museología, vol. V." Intervención 1, no. 21 (October 13, 2020): 349–65. http://dx.doi.org/10.30763/intervencion.231.v1n21.10.2020.
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Las autoras reseñan el volumen V del libro Estudios sobre conservación, restauración y museología, el cual contiene quince ponencias en torno del patrimonio cultural como tema principal. Articuladas en cuatro subtemáticas (problemáticas que afectan al patrimonio; fronteras entre la conservación y la restauración; disciplinas del patrimonio; el profesional del patrimonio), se debatieron durante el 10º Foro Académico de la Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), del 25 al 28 de julio de 2017, previo al 50 aniversario de la ENCRyM. En la reseña son notables el énfasis de los trabajos en las tensiones locales-globales que afectan al patrimonio arqueológico, urbano y etnográfico; el ecléctico campo disciplinar que sirve de base a los profesionales del patrimonio, y las experiencias en nuevos contextos de trabajo, así como un correspondiente paradigma educativo, basado en competencias y en un diferente diseño curricular. ___ The authors review the 5th volume of Estudios sobre conservación, restauración y museología, which contains fifteen papers whose main topic is cultural heritage. The papers, organized around four subtopics (problems affecting heritage; conservation-restoration boundaries; heritage disciplines and the heritage professional), were the subject of debate at the 10th Academic Forum of the Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), from the 25th to the 28th of July 2017 before the 50th anniversary of the ENCRyM. The review emphasizes the focus on the local-global tensions affecting archeological, urban, and ethnographic heritage; the various disciplinary fields that serve as a basis for heritage professionals; and the experiences in new work contexts, as well as a corresponding educational paradigm based on competences and a different curriculum design.
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Gamma Granados, Paola Carolina. "Patrimonio geológico , una nueva veta para geoturismo." Revista Habitus: Semilleros de investigación, no. 3 (September 7, 2012): 18–23. http://dx.doi.org/10.19053/22158391.1780.
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La reflexión en torno al patrimonio geológico y el geoturismo surge en el contexto del proyecto “Diseño de una ruta Geoturística en el Anillo de los Dinosaurios, departamentode Boyacá”, derivado del convenio entre el Instituto Colombiano de Geología y Minería INGEOMINAS y la Universidad Pedagógica y Tecnológica de Colombia UPTC, por medio del Grupo de Investigación para la Animación Cultural MUISUATA, de la Escuela de Administración Turística y Hotelera. De acuerdo con lo anterior, en este escrito se abordaron conceptos importantes: sobre patrimonio geológico, que permiten dar cuenta de sus definiciones y los aspectos que lo integran, y sobre geoturismo, los aportes que genera al medio geográfico, así como a lo social, cultural y medioambiental. Palabras clave Patrimonio geológico, geoturismo.AbstractThe reflection on the geological heritage and Geotourism comes in the context of the project “Design of a Geotourist route in the Ring of the Dinosaurs, in Boyacá Department”,derived from the agreement between the Colombian Institute of Geology and Minin Semilleros Revista 19 de investigaciónINGEOMINASand the UPTC, through the Group of Research for the Cultural Animation MUISUATA, of the School of Tourism and Hotel Management. This paper addresses two important concepts: on geological heritage, that allows to give account of its definitions and the aspects comprising, and on Geotourism, its contributions to the geographical environment, as well as social, cultural and environmental aspects.KeywordsGeological heritage, Geotourism
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Ponsoda López de Atalaya, Santiago, Juan Ramon Moreno-Vera, and Ana Isabel Ponce-Gea. "Las TIC como recurso para trabajar el Patrimonio Cultural Inmaterial en el aula." Research in Education and Learning Innovation Archives, no. 30 (January 19, 2023): 99. http://dx.doi.org/10.7203/realia.30.24993.
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The use of ICT as a resource for the treatment of heritage manifestations in the classroom represents an advance in terms of taking advantage of the potential of heritage as an educational resource and, without doubt, in terms of greater accessibility to it. In this line, the work presented here focuses on the use of ICT to work on intangible heritage in the classroom from a didactic inno- vation within the framework of the initial training of teachers, in which a total of 54 students from the subject of Didactics of Social Sciences: History in the Degree in Primary Education of the Uni- versity of Alicante. This innovation consisted in developing a virtual museum focused on various manifestations of intangible cultural heritage, thus contributing, from the field of education, to its dissemination and promotion, as stated in Law 10/2015 for the safeguarding of Intangible Cultural Heritage (“Ley 10/2015, de 26 de mayo, para la salvaguardia del Patrimonio Cultural Inmaterial”, 2015). Therefore, from the creation of this virtual museum in the classroom, and from the propo- sals made by the students to work on this type of heritage content, the use of ICT as a tool for the development of resources and didactic proposals focused on the treatment of manifestations of Intangible Cultural Heritage in the primary education stage. In this way, the work is connected, in turn, to the training of future teachers in regard to digital teaching skills. In light of the results, it reveals a divergence between the manipulative use of digital resources and their applicability when working with them in the classroom, since the participants show advanced digital skills when de- veloping their own creations, which contrasts with the scarce presence of educational technologies in the design of specific didactic proposals.
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López-Hurtado Orjeda, Enrique. "Las convenciones UNESCO para la protección y salvaguarda del patrimonio cultural: un marco global para el diseño de políticas públicas." Turismo y Patrimonio, no. 12 (September 30, 2018): 77–90. http://dx.doi.org/10.24265/turpatrim.2018.n12.04.
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García-Sampedro Fernández-Canteli, Marta, and Noelia Fernández García. "The Museu del Disseny de Barcelona as an example of pedagogical innovative practices." Res Mobilis 9, no. 11 (September 15, 2020): 107–23. http://dx.doi.org/10.17811/rm.9.11.2020.107-123.
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Design has proved to be a discipline deeply connected to our daily lives. Its identification as a cultural heritage element is undeniable due to its wide-ranging values. In this sense, the Museu del Disseny de Barcelona has been promoting this artistic field since its creation in 2008. This museum has a relevant social and cultural function as it is the only design museum in Spain. Furthermore, the museum also stands out because of its innovative pedagogical programmes pointed to scholars, university students, families and groups of people with accessibility problems. The aim of this article is to present the Musseu del Disseny de Barcelona from an educational perspective, paying attention to its staff members, facilities, programmes and assessment. The 2018 museum annual report results are an example of its success. In order to accomplish this study, the authors have recently interviewed in-depth some members of the pedagogical team (Serveis Educatius).
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Tucci, G., V. Bonora, A. Conti, and L. Fiorini. "HIGH-QUALITY 3D MODELS AND THEIR USE IN A CULTURAL HERITAGE CONSERVATION PROJECT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 21, 2017): 687–93. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-687-2017.
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Cultural heritage digitization and 3D modelling processes are mainly based on laser scanning and digital photogrammetry techniques to produce complete, detailed and photorealistic three-dimensional surveys: geometric as well as chromatic aspects, in turn testimony of materials, work techniques, state of preservation, etc., are documented using digitization processes.<br><br> The paper explores the topic of 3D documentation for conservation purposes; it analyses how geomatics contributes in different steps of a restoration process and it presents an overview of different uses of 3D models for the conservation and enhancement of the cultural heritage. The paper reports on the project to digitize the earthenware frieze of the Ospedale del Ceppo in Pistoia (Italy) for 3D documentation, restoration work support, and digital and physical reconstruction and integration purposes. The intent to design an exhibition area suggests new ways to take advantage of 3D data originally acquired for documentation and scientific purposes.
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Martínez de Miguel López, Silvia, Juan Antonio Salmerón Aroca, and María Luz Serrano Ruiz. "Estudio sobre el patrimonio de la ciudad de Lorca en educación primaria." Revista de Humanidades, no. 38 (November 20, 2019): 11. http://dx.doi.org/10.5944/rdh.38.2019.20430.
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Resumen: El objetivo de este trabajo es analizar el nivel de conocimientos, que posee el alumnado de educación primaria de Lorca (Murcia), acerca de los bienes culturales de la ciudad después del seísmo que asoló a la ciudad en 2011. En el marco de un diseño de investigación no experimental, de tipo exploratorio, se empleó un cuestionario creado ad hoc, que fue aplicado a 156 escolares de educación primaria. Los resultados del estudio muestran una evidente capacidad de mejora respecto al nivel de conocimiento y grado de frecuentación del alumnado al patrimonio histórico artístico. Se concluye que, a pesar de más de un lustro de rehabilitación del patrimonio lorquino, sin embargo, el conocimiento por parte del alumnado es todavía escaso frente a sus posibilidades pedagógicas, siendo necesario promover e incrementar su frecuentación, difusión, divulgación y conocimiento desde la escuela.Abstract: The objective of this work is to analyze the level of knowledge of primary education students about the cultural and museum heritage, after having suffered the earthquake that devastated the city on 2011. A non-experimental research design, of an exploratory type, was used an ad hoc questionnaire, which was applied to 156 primary school students. The results of the study show an evident improvement in the level of knowledge and degree of attendance of the local cultural heritage. It is concluded that, despite after more than a few years of rehabilitation of the lorquino heritage, however, the knowledge of the students is still low compared to their pedagogical possibilities, being necessary to promote and to increase their frequency, dissemination, dissemination and knowledge from school.
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Tomaselli Ingeniero, Javier Ignacio, and Heriberto Pintos Correa. "Algoritmos para búsqueda y ubicación de patrimonio cultural con realidad aumentada usando dispositivos móviles." La Saeta Universitaria Académica y de Investigación 8, no. 1 (February 4, 2020): 75–94. http://dx.doi.org/10.56067/saetauniversitaria.v8i1.170.
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Se presenta el diseño y la implementación de un sistema de realidad aumentada que permite conocer un patrimonio cultural a través de realidad virtual, con el objeto de brindar la posibilidad de satisfacer la necesidad de información acerca de la historia nacional. La aplicación busca difundir y proteger la diversidad cultural estimulando el interés de la ciudadanía y de los viajeros para que amplíen sus conocimientos históricos. Empleando una metodología cualitativa y descriptiva, se aplican algoritmos para la búsqueda de ubicación del patrimonio que, con el concepto de realidad aumentada, brinda información al usuario. Para ello se establecen la orientación del dispositivo y las distancias entre diferentes puntos en un sistema de coordenadas geográficas. Está diseñada para el uso en dispositivos móviles, en las pruebas de funcionamiento se incluyen algunos lugares históricos en la base de datos junto con aspectos que hacen al patrimonio cultural. Incorpora con el uso de sensores una innovadora experiencia de usuario que permite acceder al contenido de forma simple y atractiva. La utilización de esta nueva tecnología, que combina en un escenario real contenido virtual, está al alcance de los usuarios de teléfono inteligente o tableta que funcionen con el sistema android. Esta investigación forma parte del trabajo de conclusión de carrera de la Universidad Columbia del Paraguay.
Abstracts
The design and implementation of an augmented reality system that allows knowing a cultural heritage through virtual reality is presented, in order to provide the possibility of satisfying the need for information about national history. The application seeks to disseminate and protect cultural diversity by stimulating the interest of citizens and travelers to expand their historical knowledge. Using a qualitative and descriptive methodology, algorithms are applied to search for the location of the heritage that, with the concept of augmented reality, provides information to the user. To do this, the orientation of the device and the distances between different points in a geographic coordinate system are established. It is designed for use on mobile devices, in the functional tests some historical places are included in the database along with aspects related to cultural heritage. With the use of sensors, it incorporates an innovative user experience that allows access to content in a simple and attractive way. The use of this new technology, which combines virtual content in a real setting, is available to smartphone or tablet users that run on the android system. This research is part of the completion work of the Columbia University of Paraguay.
Keywords: Information systems. Augmented reality. Cultural heritage on a mobile device. Positioning system. Nearby geolocation.
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Rengifo Gallego, Juan Ignacio, and José Manuel Sánchez Martín. "El patrimonio en Extremadura: un mecanismo para la cooperación transfronteriza = The heritage in Estremadura: a tool for the cross border cooperation." Polígonos. Revista de Geografía, no. 29 (November 29, 2017): 223. http://dx.doi.org/10.18002/pol.v0i29.5207.
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<p>El patrimonio cultural y natural de Extremadura se caracteriza por su abundancia, diversidad y amplia distribución territorial. Desde la década de los ochenta del siglo pasado la administración regional ha sido la encargada de diseñar políticas y estrategias dirigidas a su protección y uso social. En este artículo procedemos a realizar una radiografía, con carácter general, del patrimonio cultural y natural de Extremadura con la finalidad de evaluar el papel que éste ha jugado en la cooperación transfronteriza entre Extremadura y las regiones portuguesas de Alentejo y Centro. En el análisis patrimonial se tienen en cuenta, especialmente, los bienes inscritos en la lista del Patrimonio Mundial de la UNESCO (Cáceres, Mérida y Guadalupe), los Bienes de Interés Cultural (261) y los espacios naturales que tienen algún nivel de protección en sus diferentes categorías (Red de espacios naturales protegidos, red natura 2000 y espacios protegidos por organismo internacionales). Asimismo, se analiza con especial interés la distribución del patrimonio por los 19 municipios de frontera, de los que 9 se distribuyen por la provincia de Badajoz y 10 por la de Cáceres. Por último, llevamos a cabo un repaso de los proyectos de cooperación aprobados en el ámbito del POCTEP (2007-2013).</p><p>The cultural and natural heritage of Estremadura is characterized by its abundance, diversity and wide territorial distribution. Since the eighties of the last century the regional administration has been commissioned to design policies and strategies for social protection and use. In this article we proceed to perform an X-ray, in general, the cultural and natural heritage of Extremadura in order to assess the role it has played in cross-border cooperation between Estremadura and the Portuguese regions of Alentejo and Centre. In the income analysis are taken into account, especially the properties inscribed on the World Heritage list of UNESCO (Caceres, Merida and Guadalupe), the Cultural Interest (261) and natural spaces that have some level of protection different categories (network of protected areas, Natura 2000 and protected by international body spaces). Also it discussed with particular interest the distribution of assets by the 19 border municipalities, of which 9 are distributed by the province of Badajoz and 10 of Caceres. Finally, we conducted a review of the cooperation projects approved in the field of POCTEP (2007-2013).</p>
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Gallo, Anna, and Sergio Leon Guerrero. "Juan María Montijano." Revista Eviterna, no. 10 (September 28, 2021): 55–66. http://dx.doi.org/10.24310/eviternare.vi10.12956.
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A partire da una riflessione maturata da Juan María Montijano riguardo la natura metafisica del design, intesa quale custode del reale significato degli oggetti che ci circondano, lo studio approfondisce il ‘valore immateriale dei prodotti materiali' con l’intento di invitare a porre attenzione non solo sul binomio forma-funzione ma anche sulla stratificazione intangibile che lo sostiene. Una dimensione considerata privilegiata in quanto qui si incontrano il processo progettuale e l’esperienza d’uso contribuendo entrambi a liberare gli oggetti dall’anonimato della standardizzazione e dai rischi della spersonalizzazione, dotandoli di una sorta di ‘biografia’. In questo modo le cose si trasformano in storie, linguaggi, relazioni.
A supporto della tesi della ‘metafisica del disegno’, il terzo paragrafo indaga il pensiero di studiosi del Novecento – da Barthes, Baudrillard, Selle, Kopytoff, De Fusco, le cui ricerche convergono da prospettive differenti verso l’idea di una dimensione culturale del quotidiano costruita mediante i significati e i segni appartenenti alle sue componenti piccole e grandi. In tal senso anche il termine ‘patrimonio’ viene considerato nell’accezione inglese di Cultural Heritage, ovvero come giacimento attivo da continuare ad alimentare nel tempo attraverso strumenti in grado di valorizzarne i contenuti aggiornandoli e rendendoli accessibili e fruibili.
Tra questi la tecnica dello storytelling, canale narrativo che pone in evidenza in particolar modo l’immateriale, ritrovando quindi nei contenitori culturali come archivi e biblioteche delle dimensioni in grado di favorire lo sviluppo di azioni strategiche finalizzate a incrementare conoscenza e cultura. Da qui la parte finale del testo è dedicata ad esaminare l’opera di valorizzazione portata avanti da Juan María Montijano per oltre quindici anni nella Biblioteca e nell’Archivio del san Carlo alle Quattro Fontane a Roma al fine di tutelare, raccontare e trasmettere nel tempo la memoria storica custodita al suo interno.
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Soria-Morales, César. "TRAJES DEL PERÚ, REPOSITORIO DIGITAL PARA VALORAR EL PATRIMONIO CULTURAL INMATERIAL." DISEÑO ARTE Y ARQUITECTURA, no. 10 (June 10, 2021): 23–45. http://dx.doi.org/10.33324/daya.v1i10.377.
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La presente investigación muestra la ausencia de un repositorio ordenado de la indumentaria utilizada en el ámbito de las artes del espectáculo, rituales y actos festivos en el contexto peruano. Como consecuencia, la brecha entre el objeto y el espectador se amplía a pesar de diferentes eventos realizados de manera presencial. El traje típico, como parte del patrimonio cultural inmaterial de las danzas, ritos y festividades de una ciudad, evoluciona y se transforma con el transcurso del tiempo por diferentes factores. Un repositorio digital que capture la esencia del traje y su evolución es necesario para conectar y vincular con el objeto cultural. En este sentido, a partir de las características definidas en el Ux Honeycomb la investigación propone determinar la interacción entre estas características en un repositorio digital de trajes para generar valor a la comunidad. Para lograr los objetivos, se ha realizado una revisión de literatura, un análisis de repositorios digitales y entrevistas a expertos, profesionales y alumnos de carreras creativas. Los factores de valor encontrados en el repositorio digital a partir de la investigación son: preservación, conexión, representación y conocimiento, los cuales son complementarios. A partir de la interacción, producida por la fuerza interna y externa, de dos o más valores mencionados anteriormente se genera la utilidad del repositorio digital. Las relaciones e interacciones entre los elementos aportan funcionalidad y vitalidad al repositorio.
Palabras clave: Repositorio de trajes, valor, patrimonio cultural, user experience, diseño web.
AbstractThe research herein shows the absence of an orderly repository of the garments worn at the show arts environment, rituals, and festive acts in the Peruvian context. Consequently, the gap between the object and the spectator broadens regardless of several events carried out in a face-to-face manner. The typical costume, as part of the intangible material cultural heritage of the dances, rites, and festivities of a city, evolves and transforms over time due to different factors. A digital repository that captures the essence of the costume and its evolution is necessary to connect and link with the cultural object. In this sense, based on the characteristics defined in the Ux Honeycomb, the research proposes to determine the interaction between these characteristics in a digital costume repository to generate value to the community. In order to achieve the objectives, a review of the literature was made, as well as an analysis of digital repositories and interviews with experts, professionals, and students of creative careers. From the interaction, produced by the internal and external force, of two or more values mentioned above the utility of the digital repository is generated. The relationships and interactions between the elements bring functionality and vitality to the repository.
Keywords: Costumes repository, value, cultural heritage, user experience, web design.
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Siniscalco, Andrea, Laura Bellia, and Lisa Marchesi. "Teaching Lighting Design for Cultural Heritage in the Digital and Pandemic Era: Experiencing New and Old Techniques." Heritage 4, no. 4 (October 20, 2021): 3731–48. http://dx.doi.org/10.3390/heritage4040205.
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In the context of the global COVID-19 pandemic, the world of cultural heritage has had to cope with the closures of museums and dedicated structures. In this dramatic context, the digitisation of assets represented a partial solution to guarantee the fruition of the world’s cultural heritage. Even in the context of teaching, the pandemic represented a challenging moment. This contribution presents three different university teaching experiences focused on lighting for cultural heritage. The workshops described were held before, on horseback, and amid the pandemic. The differences are contextualised in the Italian regulatory and methodological framework. Attention is also paid to the digitisation of assets regarding the lighting design verification of the students’ project proposals. The teaching approach, the procedures, the material presented by the students, and the revision methodology are described. The comparison between the three editions allows for evaluations of the main problems encountered in the different contexts and when the used procedures were instead strong points. The use of three-dimensional simulation, initially designed exclusively for lighting verification, has also proved crucial in the communication of students’ works, demonstrating once more that in the future, the information technologies will be able to help those who deal with cultural assets to expand the catchment area and to enhance the communication of sites and museum structures.
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Zanón, Virginia. "Los cimientos de La Casa de las Luces. Enclave rural en clave cultural." eari. educación artística. revista de investigación, no. 11 (December 19, 2020): 193. http://dx.doi.org/10.7203/eari.11.17110.
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Resumen: El presente artículo pretende mostrar los primeros pasos de La Casa de las Luces, un proyecto cultural que nace con el objetivo de poner en valor el rico patrimonio cultural y natural del pueblo de Titaguas y su entorno. El impulso a la iniciativa por parte del Ayuntamiento busca enriquecer la vida cultural del pueblo, así como revitalizar un turismo de calidad que redunde en el desarrollo y bienestar de toda la comarca de La Serranía.
La sede que ha de albergar el centro –la tradicionalmente conocida como “Casa del Tío Florencio”- es una construcción de mediados del siglo XVIII, de gran valor histórico y etnológico. El edificio se encuentra en pleno proceso de rehabilitación, y con el avance del proyecto ve garantizada su conservación y apertura al público. El discurso de su contenido otorgará un especial protagonismo a Simón de Rojas Clemente (1777-1827), personaje clave de la Ilustración y el primer liberalismo valencianos, y célebre vecino titagüeño. A través de la biografía del botánico se revisarán tanto los valores universales de la Ilustración como la cultura local y la riqueza natural que plasmó en sus escritos, así como los avatares históricos y políticos de su tiempo, de los que fue testigo de excepción.
En clave de experiencia, mostramos aquí las particularidades del proyecto, los objetivos que persigue su diseño y las ventajas e inconvenientes que surgen durante el establecimiento de un centro de nueva creación como este.
Palabras clave: Simón de Rojas Clemente, Titaguas, La Casa de las Luces, patrimonio, rural, cultura.
Abstract: This paper aims to summarize the first steps of “La Casa de las Luces” (The House of Lights), a cultural project intended to emphasize the rich heritage, both cultural and natural, of Titaguas and its environment. The impulse of this initiative by the town hall, is to enrich the cultural life of the village, while also revitalizing a quality tourism that would benefit the development and welfare of the region of La Serranía.
The headquarters of the center –traditionally known as “Casa del Tío Florencio” – is a construction from the mid-18th century, of great historical and ethnological value. The building is currently in the process of rehabilitation, and this project guarantees its conservation and opening to the public. The information in its interior will give a special role to Simón de Rojas Clemente (1777-1827), a key figure of the Enlightenment and first Liberalism in Valencia, and notorious citizen of Titaguas. Through the biography of this remarkable botanist, the universal values of the Enlightenment and the local culture and natural wealth described in his works will be revisited, along with the historical and political events of his time, of which he was an exceptional witness.
In terms of experience, we show here the peculiarities of the project, the objectives of its design and the advantages and disadvantages that arise during the establishment of a newly created center like this.
Keywords: Simón de Rojas Clemente, Titaguas, La Casa de las Luces, heritage, rural, culture.
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Nasa, Jacopo La, Greta Biale, Barbara Ferriani, Rafaela Trevisan, Maria Perla Colombini, and Francesca Modugno. "Plastics in Heritage Science: Analytical Pyrolysis Techniques Applied to Objects of Design." Molecules 25, no. 7 (April 8, 2020): 1705. http://dx.doi.org/10.3390/molecules25071705.
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The first synthetic polymers were introduced as constituents of everyday life, design objects, and artworks at the end of the 19th century. Since then, the history of design has been strictly connected with the 20th century evolution of plastic materials. Objects of design from the 20th century are today a precious part of the cultural heritage. They raise specific conservation issues due to the degradation processes affecting synthetic polymer-based plastics. Museums and collections dealing with the conservation of design objects and modern materials need to base their conservation strategies on compositional data that reveal the formulations of historical plastics and their decay processes. Specific and specifically optimized analytical tools are thus needed. We employed flash analytical pyrolysis coupled with gas chromatography and mass spectrometry (Py-GC/MS) and evolved gas analysis coupled with mass spectrometry (EGA-MS) to characterize “historic polymeric materials” (HIPOMS) and heritage plastics at the molecular level with high chemical detail. This approach complements non-invasive spectroscopic diagnosis whenever it fails to obtain significant or complete information on the nature and the state of preservation of the materials under study. We determined the composition of several 20th century design objects (1954–1994) from the Triennale Design Museum of Milan (Triennale Milano - Museo del Design Italiano), which for different morphological, chemical, or physical reasons were unsuitable for characterization by non-invasive spectroscopy. EGA-MS proved capable for the study of the different fractions constituting heterogeneous micro-samples and for gaining an insight into their degradation processes from the contextual interpretation of thermal and mass-spectrometric data.
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Genovese, Rosa Anna. "Accessibility and Enhancement of Cultural Heritage: Examples of Best Practices in Europe." Protection of Cultural Heritage, no. 13 (January 7, 2023): 69–84. http://dx.doi.org/10.35784/odk.2953.
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Premise. The essay will report on actions promoted at international and national level, to ensure accessibility in different sectors of social life and reduce obstacles in this field in European regulations and in the practices of Member States.
The Convention adopted by UNO in 2006, stating that people with different abilities must enjoy fundamental rights and (political, economic, social, cultural) freedoms, constitutes the first great treaty of the twenty-first century concerning the change in attitude and strategies towards people bearing handicaps, to increase respect of their dignity through every possible measure.
Intercultural dialogue. In light of a greater awareness on environmental issues and possible solutions, we are, therefore, all called upon to contribute to changes in the relation with our one and only Planet in order to build a new conservation ethics, which may include the values of Cultural Heritage and accept, for its protection and enhancement, the contribution of Communities, favouring intercultural dialogue.
Best practices. The essay intends to stress the importance of integrated policies in promoting accessibility and the enhancement of cultural heritage, also through the examination of the best practices implemented in different European Countries. Specifically, it shall highlight how one of the criteria informing the Management Plan of the ‘Archaeological Area of Pompeii and Torre del Greco’ is based on the conservation of the archaeological heritage, with the purpose of making it accessible to the public while conserving the testimonial, formal and material features of the site, and addressing conservation issues as well as the design quality of accessibility improvements.
Integrated Conservation. The quality of conservation and restoration interventions on cultural heritage will, therefore, have to be perfected through an aware fact-finding analysis, favouring the application of scientific and digital technologies, paired with a diagnostic approach capable of including the digitalisation of processes, energy efficiency, accessibility, leading to the digital management of anamnesis and control of the restoration project, based on adequate knowledge of the cultural property and its state of conservation.
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Farid, Mohamed M. Abdelaziz, and Abdelhamed Ezzat Abdelhamed. "The Cultural And Economical Impacts Of Using Virtual Heritage In Archaeological Sites In Egypt." Resourceedings 1, no. 2 (November 27, 2018): 183. http://dx.doi.org/10.21625/resourceedings.v1i2.335.
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Egypt is among one of the world’s richest countries in the diverse architectural heritage resulting from the various civilizations that have arisen on the land of Egypt. However, the architectural heritage in Egypt suffers from multiple problems represented in the poor handling of the heritage site and the lack of protection for those sites. Which lead to the deterioration of the situation of some sites, and with the technological advances that the world is witnessing today in all spheres of life. Virtual Heritage Technology is emerging as one of the solutions that can be used in heritage sites in Egypt. This is one of the latest and most innovative technologies for the virtual environment, which is emerging as an integral part of it, and it is the reconstruction of historical sites as they were at the beginning of their construction. This depends on re-documentation of architectural buildings and heritage sites in detail through 3D models and holographic drawings. It also depends on many techniques and one of those that are often used in the applications of the virtual heritage are augmented reality technology, which is used to reconstruct archaeological sites in the site, by using tools or devices that support that technology, whether from portable smartphones or through devices that are worn like glasses and contact lenses. The virtual heritage technology offers many advantages to heritage sites, where it is considered historically as a digital documentation process for heritage which ensures that the artistic and historical value of buildings and heritage sites are preserved. It can also be used in the process of restoration of buildings; in addition to economic assistance in further enhancing heritage sites that attracts many tourists and visitors, which gives them the possibility to view the history of archaeological sites interactively; allowing them the sensory and intellectual integration with the site and this contributes to obtain historical information.
This research will examine the possibility of utilizing the technology of virtual heritage through its application in the heritage sites in Egypt and the cultural and economic impact of the use of such technology on heritage sites. In addition, some virtual design cases will be discussed for heritage sites around the world and a SWOT analysis would be made to exemplify the challenges and discuss how they may be addressed. These examples are then presented to demonstrate how to deal with some of the difficulties, taking into account the arrival of proposals and recommendations that can be used and applied in Egypt.
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Beato Bergua, Salvador, Miguel Ángel Poblete Piedrabuena, Daniel Herrera Arenas, José Luis Marino Alfonso, and Felipe Fernández García. "Carreteras paisajísticas y realidad aumentada en la Sierra del Aramo (Macizo Central Asturiano) / Scenics roads and augmented reality in the Sierra del Aramo (Asturian Central Massif)." Ería 2, no. 2 (July 13, 2020): 145–66. http://dx.doi.org/10.17811/er.2.2020.145-166.
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Se formula una propuesta geográfico-turística a partir del diseño de un itinerario por carreteras paisajísticas en la Sierra del Aramo y sus estribaciones, que disponen de un gran patrimonio natural y cultural, con la finalidad de promover un turismo científico atraído por el conocimiento y disfrute de la naturaleza del paisaje. La metodología empleada ha consistido en la combinación de la visión panorámica y escénica ofrecida por las carreteras paisajísticas y la realidad aumentada, herramienta tecnológica que facilita la interpretación y comprensión de la complejidad del paisaje. Como resultado se distinguen 7 tramos de carretera paisajística y una red de 6 miradores, a través de los cuales se revelan no solo los principales valores patrimoniales del paisaje de la Sierra del Aramo, sino que además sirven de modelo y embrión para el fomento del desarrollo ecoturístico.Une proposition géographique-touristique est formulée sur la base de la conception d'un itinéraire à travers de routes panoramiques dans la Sierra del Aramo et ses contreforts, qui ont un grand patrimoine naturel et culturel, afin de promouvoir le tourisme scientifique attiré par la connaissance et le plaisir de la nature du paysage. La méthodologie utilisée a consisté en la combinaison de la vision panoramique et scénique offerte par les routes paysagères et la réalité augmentée, un outil technologique qui facilite l'interprétation et la compréhension de la complexité du paysage. Ainsi, 7 tronçons de route et un réseau de 6 belvédères sont distingués. Ils permettent de révéler les principales valeurs patrimoniales du paysage de la Sierra del Aramo, tout en servant également comme modèle et embryon pour le développement écoturistique.A geographic-tourist proposal is formulated based on the design of an itinerary through scenic roads in the Sierra del Aramo and its foothills, which have a great natural and cultural heritage, in order to promote scientific tourism attracted by knowledge and enjoyment of the nature of landscape. The methodology used has been the combination of the panoramic and scenic vision offered by the parkways and the application of augmented reality, a technological tool that facilitates the interpretation and understanding of the complexity of landscape. As a result, 7 strechts of scenic roads and a network of 6 overlooks are distinguished, through which the main heritage values of the Sierra del Aramo landscape are revealed, also serving as a model and germ for the ecotourism development.
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Lazo-Galán, Juan. "DISEÑO GRÁFICO Y PATRIMONIO." Universidad-Verdad, no. 64 (August 15, 2014): 119–46. http://dx.doi.org/10.33324/uv.vi64.257.
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El diseño gráfico profesional en Ecuador se ha convertido en una carrera que tiene una enorme aceptación en el país con más de 24 universidades que tienen la carrera. Es una profesión que utiliza signos y símbolos arraigados en el inconsciente colectivo para generar comunicación. En un importante movimiento en los últimos años, los diseñadores gráficos han estado buscando referentes dentro del patrimonio ecuatoriano para generar propuestas con características propias, en algunos casos volviendo la mirada al pasado y en otras buscando en la cultura popular y en la naturaleza aquello que nos caracteriza. Este artículo analiza el diseño gráfico generado en los últimos 50 años y su relación con el patrimonio histórico, cultural y natural del país.
Palabras Clave: Cultura popular, precolombino, naturaleza, identidad, expresión visual
AbstractProfessional graphic design has become a career with a huge acceptance in Ecuador, with more than 24 universities offering it as a program of study. It’s a profession that uses signs and symbols rooted in the collective subconscious to producecommunication. In an important movement over the last few years, graphic designers have been searching for references within Ecuadorean culture to generate proposals with their own unique characteristics, in some cases, looking at the past andin others, searching within popular culture and in nature all that characterizes us. This article analyzes graphic design generated in the last 50 years and its relationship with the country’s historical, cultural and natural heritage.
Keywords: Popular culture, pre-Columbian, nature, identity, visual expression.
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Trombini, Marco, Federica Ferraro, Emanuela Manfredi, Giovanni Petrillo, and Silvana Dellepiane. "Camera Color Correction for Cultural Heritage Preservation Based on Clustered Data." Journal of Imaging 7, no. 7 (July 13, 2021): 115. http://dx.doi.org/10.3390/jimaging7070115.
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Cultural heritage preservation is a crucial topic for our society. When dealing with fine art, color is a primary feature that encompasses much information related to the artwork’s conservation status and to the pigments’ composition. As an alternative to more sophisticated devices, the analysis and identification of color pigments may be addressed via a digital camera, i.e., a non-invasive, inexpensive, and portable tool for studying large surfaces. In the present study, we propose a new supervised approach to camera characterization based on clustered data in order to address the homoscedasticity of the acquired data. The experimental phase is conducted on a real pictorial dataset, where pigments are grouped according to their chromatic or chemical properties. The results show that such a procedure leads to better characterization with respect to state-of-the-art methods. In addition, the present study introduces a method to deal with organic pigments in a quantitative visual approach.
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Licata, Marta, Omar Larentis, Chiara Tesi, Roberta Fusco, and Rosagemma Ciliberti. "Tourism in the Time of Coronavirus. Fruition of the “Minor Heritage” through the Development of Bioarchaeological Sites—A Proposal." Heritage 4, no. 2 (May 11, 2021): 759–74. http://dx.doi.org/10.3390/heritage4020042.
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The consequences of the coronavirus pandemic are and will continue to be devastating for the tourism sector, especially for the cultural one. It is necessary to reflect on the new strategies to be adopted to deal with the heavy losses that the world of cultural heritage is suffering. The great archaeological attractions will no longer be able to accommodate the prepandemic numbers and therefore we must also think of alternative routes to present the minor heritage of our country. In recent years, our experience has allowed us to realize an open-air museum project in bioarchaeological sites (archaeological cemetery areas characterized by the recovery of human remains) that are part of an archaeological heritage that is little known, but which reserve great dissemination and fruition potential. The design of an archaeological itinerary, even a virtual one, which includes the bioarchaeological sites that we are musealizing, could offer a new visiting experience, especially in this difficult moment for all of us.
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Hằng, Ngô Vũ Thu, Astrid M. W. Bulte, and Albert Pilot. "Examining the Scientific Argumentation Implemented Through a Social Constructivism-Based Curriculum Designed for Primary Science Education in a Confucian Heritage Culture: A Case Study in Vietnam." Review of European Studies 12, no. 2 (May 25, 2020): 64. http://dx.doi.org/10.5539/res.v12n2p64.
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This study describes the improvement of a science curriculum based on a social constructivist approach in order to support primary students in a Confucian heritage culture in practicing scientific argumentation. The former design is adjusted by the application of an adapted model of the learning placemat for argumentation and by the formulation of concrete teaching-learning activities which are articulated with the application of the adapted learning placemat. The practice of a designed curriculum unit reveals that the designed curriculum can support the primary students in practicing scientific argumentation and in attaining consensually agreed knowledge. Nevertheless, the study also shows that primary teachers and students in a Confucian heritage culture do not pay much attention to the activities of qualifying and rebutting in scientific argumentation. The study recommends that further developmental research needs to deal with the refined problem of how to improve qualifying and rebutting in scientific argumentation in the practice of science lessons in a Confucian heritage culture.
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Díaz, Juan Pablo Cabrera, Run Wang (润王), and Dunia Cabrera Díaz. "Design of a touristic product to diversify the economic base of the agroecological farm "La María" in Pinar del Río, Cuba." STUDIES IN ENVIRONMENTAL AND ANIMAL SCIENCES 3, no. 4 (November 29, 2022): 897–918. http://dx.doi.org/10.54020/seasv3n4-007.
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Agroecological Farm "La María" stands out for its productivity and efficiency. Its economy is based exclusively on agriculture and the production of some fruit derivatives. For several years, the possibility of diversifying the activities in the area has been handled, promoting sustainability and the protection of nature. Considering the importance tourism has acquired for Cuba in recent years, this design proposal for tourist use of the farm is made. The latter has several tourist potentialities and natural and cultural heritage to develop rural tourism. The main steps for the design of a tourist product, evaluation and assessment of tourist resources, a proposal for its practical use and a final product recommendation on the eve of its exploitation were followed. The entire proposal was based on sustainability principles and the preservation of the environment. Due to the growing demand for projects that promote local development in Cuba, this proposal is highly significant. Diversifying tourism products makes it possible to satisfy the increasing expectations of tourists arriving in the country.
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Domínguez Martínez, Oriol, Marta Colmenares Fernández, and Alejandro García Hermida. "Cultural heritage and development: the M’hamid Oasis in Southern Morocco." Journal of Cultural Heritage Management and Sustainable Development 7, no. 1 (February 6, 2017): 2–13. http://dx.doi.org/10.1108/jchmsd-05-2016-0030.
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Purpose The M’Hamid Oasis is the last of the palm groves in the Drâa Valley, in Southern Morocco. The 13 villages (ksar/ksour in Arabic) in M’Hamid share many sociological, urban, and architectural similarities with the ksour located in the pre-Saharan valleys. These similarities range from environmental threats, such as extreme climate, to the current social and economic model. As a result, the settlements are being abandoned, and the tangible and intangible heritage of the Drâa Valley is in a progressive disappearance. The paper aims to discuss these issues. Design/methodology/approach To deal with the complexity of this problem, a progressive approach beginning at the territorial scale must be developed. In this regard, a lasting solution can be found only by promoting development that integrates nature, culture, and architecture, as well as by finding a new balance of these elements within the current social and economic requirements. Findings This paper presents part of the research conducted by the team of the Terrachidia Association, which allows an overall understanding of the place. To this aim, the new social and economic context of the Drâa Valley is pointed out, as well as the characteristic features of M’Hamid architecture and urbanism. In this regard, the principles and requirements of its conservation are presented, and the project of the Terrachidia Association is also described. Finally, the project’s impact is assessed and the results of the set of interventions are evaluated. Practical implications Since 2012, the activity of the Terrachidia Association has focussed on the study, promotion, preservation, and restoration of the architectural and cultural heritage of M’Hamid. The main activity of the association focusses on the organization of workshops, which are attended mainly by university students and professionals from around the world. Social implications In total, 13 workshops were organized since 2012, thanks to the engagement of the local population. In this period, around 300 participants from more than 15 different countries attended these workshops, working with approximately a 100 local craftsmen. All of them share a similar commitment to the work that Terrachidia is developing. These workshops allow the participants to know places and people in a way hardly achievable through conventional tourism. At the same time, this awareness is also achieved in the local population, and cultural exchange strengthens its identity. Originality/value The purpose of the workshops organized by Terrachidia is manifold, and the participants actively take part in the restoration works while they interact and exchange experiences with a reality that is generally unknown in western societies. The local population also benefits from this cultural exchange by strengthening their identity, which is linked to architecture, and demonstrating the economic possibilities of conservation through responsible tourism. And these aims are achieved through a self-managed project, which benefits all involved.
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Morena, Sara, and Laura Barrale. "La digitalizzazione del patrimonio come strumento per la conoscenza, un’esperienza sull’architettura ferroviaria siciliana." Mimesis.jasd 2, no. 1 (December 28, 2022): 16–33. http://dx.doi.org/10.56205/mim.2-1.2.
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The process of digitisation of the artistic and cultural heritage has enriched the possibilitiesof representation and communication of architecture, increasing the modes of reproduction,fruition as well as the possibilities of protection and preservation. The study of this researchdraws attention on the continuous progress of technology in the cultural fi eld and highlightsthe important collaboration that exists between digital and analog representation, identifying,with this synergy, a virtuous path that allows, through the use of different methodologies, tobe able to know and analyze the historical phases of a building. In particular, the attentionwas directed to the Caltanissetta Centrale station, a signifi cant junction of the Sicilian railwaynetwork both for the connection of the island and for the sulfur trade. With its late modernism,the station under study is part of the story of Art Nouveau stations in Sicily, and it becomes awitness to economic and social changes in the region, thus making itself an asset to be protectedand disseminated. Through the study of iconographic documents, historical photos, and graphicanalysis it was possible to retrace, through a backward process from the laser scanning survey tothe study of photographic restitution, the main historical phases that characterised the evolutionand extension of the factory. Through such 3D graphic representations, it was also possible toreproduce the characteristics of the building and highlight the changes that occurred over timeand the evident divergences that existed between the building and the original design idea.
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Barranha, Helena, João Vieira Caldas, and Rita Nobre Neto da Silva. "Translating heritage into museums: two architectural strategies inside Lisbon Castle." Journal of Cultural Heritage Management and Sustainable Development 7, no. 1 (February 6, 2017): 33–47. http://dx.doi.org/10.1108/jchmsd-05-2016-0033.
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Purpose The purpose of this paper is to discuss the role of contemporary architecture in heritage protection, reinterpretation and reuse, an issue that has become increasingly relevant due to the recognition of architectural heritage as a key factor for cultural and economic development. Design/methodology/approach In Portugal, as elsewhere in Europe, cultural heritage management has often been associated with the creation of new museum spaces, namely, within national monuments and archaeological sites. Drawing on restoration theories and international charters, this paper analyses and compares two parallel interventions recently built inside São Jorge Castle, in Lisbon: the Museum Centre (Victor Mestre and Sofia Aleixo, 2007-2008) and the Archaeological Site (João Luís Carrilho da Graça, 2008-2010). This approach offers insight on the complexity of addressing and reconfiguring the profusion of past transformations within a single monument. Findings These two complementary museum spaces are representative of different attitudes towards heritage appropriation, substantiating the thesis that musealizing always entails the creation of narratives, which translate history and heritage into architectural and curatorial discourses. Besides meeting the functional requirements of specific museum programmes, such interventions frequently deal with the challenge of opening up new perspectives on the past. Originality/value Considering the central role of communication in contemporary museums, this paper discusses how heritage musealization can contribute to the translation of historical evidence into updated iconographies, narratives and dialogues. Furthermore, the unique characteristics of this twofold case study can provide an insightful contribution for a broader debate on the reinterpretation of iconic monuments and sites.
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Naziris, Iordanis A., Chara Ch Mitropoulou, and Nikos D. Lagaros. "Innovative Computational Techniques for Multi-Criteria Decision Making, in the Context of Cultural Heritage Structures’ Fire Protection: Theory." Heritage 5, no. 3 (July 15, 2022): 1719–33. http://dx.doi.org/10.3390/heritage5030089.
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The preservation of cultural heritage structures includes, among others, an efficient fire protection design process. This engineering design process frequently generates critical decision making issues related to conflicts that involve the buildings’ authenticity preservation, the implementation of special fire protection measures and addressing the particular needs of such structures. However, conventional approaches based on prescriptive regulations are often problematic in such cases; on the contrary, Performance-Based (PB) approaches could successfully deal with such structures to deliver designs that satisfy an acceptable fire safety level, and at the same time minimize the cost and any interventions on the building’s appearance, to the extent that authenticity is a key demand. Thus, in this study the upgrade of the fire safety level of cultural heritage structures is expressed as a Multi-Criteria Decision Making (MCDM) problem. Accordingly, the Analytic Hierarchy Process (AHP) is incorporated into a new fire protection Selection and Resource (S&R) allocation model, aiming to assess both fire safety and authenticity preservation levels with reference to the protection measures selected. Furthermore, in this study two different multi-criteria optimization approaches are applied to generate optimized solutions of the fire safety upgrading scheme. In this first part of the study, the theoretical basis of the proposed S&R allocation model that relies on a MCDM problem and how to deal with is discussed, while in the second part the implementation of the proposed model is presented for two real-world test cases. More specifically, in this study the theoretical part of the multi-objective and the multi-disciplinary problems (belonging to the MCDM type of problems) is provided with respect to the problems’ description and the methods adopted for solving the corresponding problems.
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Verdugo Bernal, Catalina Margarita, Otto Fernando Balseca Sampedro, Carlos Renato Chávez Velásquez, Juan Carlos Carrasco Baquero, Juan Hugo Rodríguez Guerra, Rolando Fabián Zabala Vizuete, and Verónica Lema Lema. "Turismo Comunitario Alternativa Para Lograr Emprendimientos Participativos Estudio De Caso: Determinación Comercial De Un Producto Turístico En El Cantón Suscal, Provincia Del Cañar Provincia De Cañar - Ecuador." European Scientific Journal, ESJ 12, no. 23 (August 29, 2016): 112. http://dx.doi.org/10.19044/esj.2016.v12n23p112.
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This research involved during a first phase a market study of the implementation of a tourist package in the Suscal County, province of Cañar, Ecuador, followed by a second phase, a Comprehensive Feasibility Study of the package. Using bibliographic research and a field tour, we described the package’s commercial potential, technical, environmental, social, administrative, legal, economic, financial aspects. The study of tourism potential in the area identified the richness of an intangible cultural heritage, the existence of an ancestral collective memory alive in every community, and natural attractions of level I and II. The market study identified acceptance of the tourism package by 84% of domestic tourists and interest among 67% of foreign tourists, whose service whose preferences are: accommodation, food, cultural experience, transportation and information. Depending on the tourist profile, we will define and plan the technical design of tourism infrastructure and will conduct feasibility studies on legal, environmental and economic-financial aspects that will appear in a second phase of the project. Despite its great potential, tourism in the province of Cañar has not achieved an optimal level, as reflected in the minimal fraction of GDP in cultural tourism, which in 2011 was 0.26% (MCPEC, 2011:22), much lower than the national level. In Suscal County, this activity currently generates no income, but interest is recently being generated, while this study illustrates the potential of cultural tourism.
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Pãozinho, Fernando Campelo, and Luiza Corral Martins de Oliveira Ponciano. "CAMINHOS PARA A GEOCONSERVAÇÃO NO PARQUE NACIONAL DA CHAPADA DAS MESAS: estratégias para a inclusão participativa comunitária no Geoturismo." InterEspaço: Revista de Geografia e Interdisciplinaridade 4, no. 15 (January 2, 2019): 58. http://dx.doi.org/10.18764/2446-6549.v4n15p58-81.
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WAYS FOR GEOCONSERVATION IN THE CHAPADA DAS MESAS NATIONAL PARK: strategies for participatory community inclusion in geotourismCAMINOS PARA LA GEOCONSERVACIÓN EN EL PARQUE NACIONAL DE LA CHAPADA DE LAS MESAS: estrategias para la inclusión participativa comunitaria en el GeoturismoRESUMOO Patrimônio Geológico está na interseção entre o patrimônio natural e o cultural, sendo formado pelos elementos da Geodiversidade dotados de valores significativos e dispostos em geossítios (in situ) ou em coleções (ex situ). De modo geral, sua disposição espacial pode estar ou não salvaguardada por legislações protetivas, o que, de qualquer forma, não inibe a possibilidade de sofrer impactos negativos de qualquer grau. Sendo assim, verifica-se a oportunidade de mitigação destes impactos negativos por meio do Geoturismo. Para tanto, o planejamento participativo no Geoturismo deve levar em consideração as diferentes características dos atores sociais, incluindo a comunidade local. O objetivo desta pesquisa é evidenciar a relevância de trabalhar atividades relacionadas aos valores culturais e paisagísticos do Patrimônio Geológico como forma estratégica de contemplar a participação comunitária no planejamento do Geoturismo, a fim de atingir maior eficiência nas etapas de valorização, divulgação e monitoramento no Parque Nacional da Chapada das Mesas. Verificou-se que o uso de metodologias participativas de Design Social dinamizou as atividades junto à comunidade local, tornando-se um canal eficiente para descobrir soluções a partir das percepções de suas experiências e da relação do Patrimônio Geológico com a sua identidade cultural. Estas contribuições facilitaram o entendimento da população local de Carolina-MA que trabalha com atividades associadas ao turismo sobre a relevância e a relação do Patrimônio Geológico com os aspectos culturais da Chapada das Mesas, integrando o Geoturismo como opção complementar à oferta turística da região.Palavras-chave: Geodiversidade; Patrimônio Geológico; Geoturismo; Chapada das Mesas.ABSTRACT The geological heritage is at the intersection between the natural and cultural patrimony, being formed by geodiversity elements endowed with significant values and arranged in geosites (in situ) or in collections (ex situ). In general, their spatial disposition may or may not be safeguarded by protective legislation, which, in any case, does not inhibit the possibility of suffering negative impacts of any degree. Therefore, there is an opportunity to mitigate these negative impacts through geotourism. For this purpose, participatory planning in geotourism should take into account the different characteristics of social actors, including the local community. The objective of this research is to highlight the relevance of working activities related to the cultural and landscape values of geological heritage as a strategic way to contemplate community participation in geotourism planning in order to achieve greater efficiency in the stages of valorization, dissemination and monitoring in the National Park of Chapada das Mesas. It was verified that the use of participative methodologies of Social Design dynamized the activities with the local community, becoming an efficient channel to discover solutions from the perceptions of their experiences and the relation of the geological patrimony with its cultural identity. These contributions facilitated the understanding of the local population of Carolina-MA that works with activities associated with tourism on the relevance and the relation of the geological heritage with the cultural aspects of the Chapada das Mesas, integrating geotourism as a complementary option to the tourist offer of the region.Keywords: Geodiversity; Geological Heritage; Geotourism; Chapada das Mesas.RESUMENEl patrimonio geológico está en la intersección entre el patrimonio natural y el cultural, formado por los elementos de la geodiversidad dotados de valores significativos y dispuestos en geosítios (in situ) o en colecciones (ex situ). En general, su disposición espacial puede estar o no salvaguardada por legislaciones protectivas, lo que, de cualquier forma, no inhibe la posibilidad de sufrir impactos negativos de cualquier grado. Siendo así, se verifica la oportunidad de mitigación de estos impactos negativos por medio del Geoturismo. Para ello, la planificación participativa en el Geoturismo debe tener en cuenta las diferentes características de los actores sociales, incluyendo la comunidad local. El objetivo de esta investigación es evidenciar la relevancia de trabajar actividades relacionadas a los valores culturales y paisajísticos del patrimonio geológico como forma estratégica de contemplar la participación comunitaria en la planificación del Geoturismo, a fin de alcanzar mayor eficiencia en las etapas de valorización, divulgación y monitoreo en el Parque Nacional de la Chapada de las Mesas. Se verificó que el uso de metodologías participativas de Diseño Social dinamizó las actividades junto a la comunidad local, convirtiéndose en un canal eficiente para descubrir soluciones a partir de las percepciones de sus experiencias y de la relación del patrimonio geológico con su identidad cultural. Estas contribuciones facilitaron el entendimiento de la población local de Carolina-MA que trabaja con actividades asociadas al turismo sobre la relevancia y la relación del patrimonio geológico con los aspectos culturales de la Chapada de las Mesas, integrando el Geoturismo como opción complementaria a la oferta turística de la región.Palabras clave: Geodiversidad; Patrimonio Geológico; Geoturismo; Chapada de las Mesas.
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Morales Pereyra, Alicia, and Carlos Jiménez Martínez. "Codiseño y dinamización cultural comunitaria. Reflexiones conceptuales, metodológicas y prácticas a partir de una experiencia desde la periferia." Arte y Políticas de Identidad 25 (December 30, 2021): 73–94. http://dx.doi.org/10.6018/reapi.506211.
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We analyze the potential to generate critical collaborative and pedagogical practices from Design, which contribute to processes of community artistic and cultural development in contexts of marginal, informal and peripheral urbanism with respect to production centers. We start from the experience of joint work since 2016 between a faculty of fine arts and a nearby self-construction neighborhood; Las Moraditas de Taco, in Santa Cruz de Tenerife. The evidence that "professors are fed up with the classrooms spaces and students lack more experiences in the streets" joins the neighborhood claim; "we live on a mountain but nobody sees us", to explore models of living labs for creation and service-learning, in the recovery and valorization of collective memory, intangible cultural heritage, sense of belonging, dignity and beautification of public space or the external projection of positive values.
Special attention is paid to designers’ emerging roles and competencies, such as facilitator, catalyst or mediator. We highlight the relevance of adopting methodological frameworks based on participatory action-research, thus reorienting the traditional, institutional and top-down culture project, towards iterative process cultures of citizen innovation, from which to generate, stimulate and root transformations within the community and the territory. Analizamos el potencial para generar prácticas colaborativas y pedagógicas críticas desde el Diseño, que contribuyan a procesos de desarrollo artístico y cultural comunitario en contextos de urbanismo marginal, informal y periféricos respecto a los centros de producción. Partimos de la experiencia de trabajo conjunto desde 2016 entre una facultad de bellas artes y un barrio de autoconstrucción cercano; Las Moraditas de Taco, en Santa Cruz de Tenerife. La evidencia de que “al profesorado le sobra aula y al alumnado le falta calle” se une a la reivindicación vecinal de “vivimos en una montaña pero nadie nos ve” para explorar modelos de laboratorios vivos de creación y aprendizaje-servicio, en la recuperación y valorización de la memoria colectiva, el patrimonio cultural inmaterial, el sentido de pertenencia, la dignificación y embellecimiento del espacio público o la proyección exterior de valores positivos.
Prestamos especial atención a la manifestación de roles y competencias emergentes del diseñador, como facilitador, catalizador o mediador. Constatamos la pertinencia de adoptar marcos metodológicos de investigación-acción participativa, que reorienten la tradicional cultura del proyecto institucional de arriba-abajo hacia una cultura de procesos iterativos de innovación ciudadana desde los que generar, dinamizar y arraigar las transformaciones en la comunidad y el territorio.
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Hardie, Mary, Melvyn Green, and Yaping He. "Fire and heritage protection in Australian public housing." Journal of Cultural Heritage Management and Sustainable Development 4, no. 2 (November 17, 2014): 196–212. http://dx.doi.org/10.1108/jchmsd-08-2013-0040.
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Purpose – Heritage housing in inner city areas represents a valuable cultural asset that belongs, in part, to the community as a whole. Despite this, the risk of destruction by fire in closely spaced heritage housing has not received a great deal of research attention. The purpose of this paper is to identify potential faults in building fabric that may result in unacceptable fire safety risks to irreplaceable heritage streetscapes. Design/methodology/approach – This paper examines a sample of publically administered heritage houses in inner Sydney. A condition survey looks at the occurrence of noted defects, or non-compliances to the current building regulations, in fire separation between attached or closely spaced occupancies. Findings – Fire spread between adjacent buildings is identified as a potential hazard which needs to be addressed in order to ensure both the sustainability of the remaining heritage housing stock and the safety of the occupants. Research limitations/implications – While the survey is small, it represents a significant proportion of a dwindling stock of nineteenth century heritage housing in public ownership in Sydney. Practical implications – Based on the results of the survey, a recommendation has been made in regard to improving building surveying practice when dealing with renovation of heritage housing. Social implications – Concern over the diminishing availability of social housing in inner city locations indicates the need for more attention to the fire safety of the remaining stock. Originality/value – The research provides original data on the level of fire safety risk in a regional cluster of heritage housing.
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Atakul, Nur, Muhammad Jamaluddin Thaheem, and Alberto De Marco. "Risk management for sustainable restoration of immovable cultural heritage, part 1: PRM framework." Journal of Cultural Heritage Management and Sustainable Development 4, no. 2 (November 17, 2014): 149–65. http://dx.doi.org/10.1108/jchmsd-12-2012-0068.
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Purpose – The purpose of this paper is to introduce and develop a knowledge base for the restoration industry to understand and deal with risks arising in restoration projects in a sustainable way. Restoration projects face a number of risks and are viewed unfavorably. The research study, therefore, is expected to generate interest and debate among the professional and researcher community in the arena of restoration of built cultural heritage for formally applying Project Management (PM) and Project Risk management (PRM) theories and practices. Design/methodology/approach – The research method consists of reviewing published literature and analyzing the dynamics of restoration industry (both from academic and practitioner point of view) in order to propose an application framework. Building upon and taking inspiration from the fundamentals of Construction Management, the proposed framework aims at methodically applying risk management within the proposed PM stages. Findings – Research results confirm that the restoration industry has not yet exposed to formal PM and PRM theories and practices to a greater level. The restoration projects are not necessarily so sustainable in their approach. Thus, there is enormous impetus and ensuing incentive for incorporating the formal theories and customized tools. Research limitations/implications – This research attempts to target the exceedingly important area of cultural heritage restoration and the missing aspect of PM and PRM. Further, the proposed framework is an attempt at bridging communication gaps between management and restoration experts. Thus, it highlights the importance of scientifically and effectively managing restoration projects. Nevertheless, this uniting attempt has its own risks in terms of terminologies, technical language, and the understanding of risk and its management which may be the effective limitations. Since in the field of engineering as well, the foundation of PM and PRM areas of knowledge finds its traces in Construction Management – which is further an application of management in construction engineering – therefore, it is rather challenging to reconcile knowledge from different areas. Practical implications – The paper explores issues concerning sustainability of restoration projects based on their use of PM and PRM. Results are expected to help stakeholders of restoration projects understand and apply the proposed PRM framework. This study is also aimed to develop a foundation for dissemination of PM and PRM knowledge in the restoration industry, and provide an impetus for future studies to examine how restoration projects can deal with risky situations. Social implications – The paper explores the sustainable development aspects of restoration projects in order to help stakeholders of built cultural heritage make critical decisions because if not managed properly, risks in a restoration project may either cause project failure or damage the historical buildings. Therefore, from a sustainable perspective, it is imperative that stakeholders identify, analyze, control and manage risks before commencing the restoration activities. Originality/value – The study is an original effort in examining the penetration of PM and PRM practices in restoration industry. Based on it, the study proposes an original framework for application of formal PRM for restoration projects. Results are of relevance in today's world where risks hinder and sustainability guides the decision making.
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H. Walker, John. "Reflections on archaeology, poverty and tourism in the Bolivian Amazon." Worldwide Hospitality and Tourism Themes 6, no. 3 (June 3, 2014): 215–28. http://dx.doi.org/10.1108/whatt-03-2014-0015.
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Purpose – This paper aims to argue that one of the ways of enabling tourism to become sustainable is for archaeologists to relate archaeology to poverty, while being aware of the process of heritage production. It proposes that one way to engage with issues of poverty is to talk to people who are trying to get out of poverty. Many archaeologists are already at work using a similar perspective not just to integrate international scholarship with local interests, but to hand over authority relating to aspects of research to the local community. Design/methodology/approach – This paper reviews literature about and archaeological study in the Bolivian Amazon region. Here, all-weather roads are scarce and unreliable. Scholars are beginning to document and analyze the archaeological record of this region, and as lowland Bolivians develop tourism, the article considers how archaeology could help connect the Bolivian Amazon to an international audience. Findings – An anthropological perspective suggests that projects in which local people are connected to decision-making will have long-term effects. Without such integration, cycles of boom and bust are likely to repeat. The article cites two examples: the inscription of the Ichapekene Piesta Moxos on the UNESCO Representative List of Intangible Cultural Heritage of Humanity, and the Museo Yacuma, in Santa Ana del Yacuma. Community archaeology, in which the community makes decisions about how research will proceed, is a developing trend, which stands to benefit local people, archaeologists and tourists. Originality/value – The paper outlines how community archaeology in the Beni region of Bolivia can be built on a strong foundation: first, by a community of Benianos that are ready, willing and able to be a part of both the development of tourism and of archaeology and second, via its long and varied archaeological record, providing plenty of material for the development of heritage. The question is whether a community archaeology can generate and sustain archaeological heritage as part of a tourism industry?
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Witker Barra, Rodrigo. "Museos de la vergüenza. El uso de la memoria política como patrimonio cultural." Illapa Mana Tukukuq, no. 13 (February 19, 2019): 88–97. http://dx.doi.org/10.31381/illapa.v0i13.1901.
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Los museos son, por antonomasia, los recintos de la memoria. Las distintas sociedades humanas concentran en los museos su memoria material para ser preservada, interpretada y convertida en discursos para ser expuestos de manera pública. Los museos de la memoria, corriente museológica de relativamente reciente aparición, principalmente en países de América del Sur, nos enseñan a observar este patrimonio cultural, desde una postura eminentemente política, lo que ha suscitado diseños en que se ponen de manifiesto la vergüenza, el dolor y el olvido entre otros.
Palabras clave: comunidades, memoria política, discursos, orgullo, vergüenza, sentimientos, dolor, olvido, perdón, tolerancia, dignidad
Abstract Museums are par excellence enclosures of memory. The different human societies concentrate in the museums their material memory to be preserved, interpreted and converted into speeches to be exposed publicly. The museums of memory, museum trend, a relatively recent development, mainly in South America countries, that teaches us to observe this cultural heritage, from an eminently political stance, which has raised designs that apparently show the shame, the pain and the forgetfulness among others
Keywords: communities, political memory, speeches, pride, shame, feelings, pain, oblivion, forgiveness, tolerance, dignity
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Wieja, Tomasz, Janusz Chmura, and Maciej Bartos. "Underground Tourist Routes in the Context of Sustainable Development / Podziemne Trasy Turystyczne W Procesie Zrównoważonego Rozwoju." Archives of Mining Sciences 60, no. 3 (September 1, 2015): 859–73. http://dx.doi.org/10.1515/amsc-2015-0056.
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Abstract Recent years paved the way for progress focused on maximising the financial and political profits, leading in consequence to a social and economic crisis and environmental disasters. In response to those negative impacts, the concept of sustainable development appeared, understood as the need to improve life quality at the same time retaining social balance, bio-diversity of species and the variety of natural resources. A society that is active and has a full awareness of those issues will play a major role in sustainable development. On one hand, it will control the impacts the economy has on the environment, whilst on the other, the condition of the social capital guarantees the continuity of the progress envision and planning of its implementation. Protection of old underground sites is in line with the principles of sustainable development. Well preserved underground sites opened to visitors are a part of the cultural heritage, ensuring that historic, cultural , natural and utility values are maintained. Recently a great deal of attention has been given to revival and revitalisation of old historical underground sites and giving them a new function. Revitalisation and preservation of old abandoned excavations is a most complicated process aimed at restoring the functional utility of abandoned or disused infrastructure. Practical design should envision activities well in line with natural processes. Underground sites being preserved and adapted have to be visitor - friendly and acceptable, being a vital component of cultural heritage viewed in the context of sustainable development. Engineering problems involve not only the practical application of science, but also the way the world is defined. That is why the social and even spiritual aspects of revitalisation projects are recalled: recreation of human interactions with the nature and with the entire surroundings. Underground tourist routes should be harmonised with land development in the area and the residence patterns that have emerged over centuries. Well - preserved and protected excavations are the relics of the past, are part of the cultural heritage and become a rich source of knowledge about history.
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Caballero, Gabriel Victor Aves. "The role of natural resources in the historic urban landscape approach." Journal of Cultural Heritage Management and Sustainable Development 6, no. 1 (May 16, 2016): 2–13. http://dx.doi.org/10.1108/jchmsd-11-2014-0037.
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Purpose – The purpose of this paper is to explore possible contributions of natural resources for the historic urban landscape (HUL) approach. It points to several possible avenues for collaborative research, which can expand the discourse on the topic of urban sustainability with different disciplines of heritage studies, natural resource management, urban planning and disaster risk reduction. Design/methodology/approach – There are already several UNESCO initiatives such as the Man and Biosphere Programme, World Heritage Forests Programme and the World Heritage Programme for Small Island Developing States, which the HUL approach can learn from to understand approaches that integrate natural resource management in urban planning methods. Different cases from the USA, Japan and Singapore applying landscape approaches have also been documented in this research. Findings – Several examples have been found in which natural resources are integrated to bigger strategies of urban planning. Japan has enacted the “Landscape Law” in 2004 to highlight the importance of preserving landscapes in improving the quality and viability of community life. The “Mauritius Strategy” created by small island developing states is another example. It holistically looks at policies to deal with environmental challenges while advocating economic growth and protecting cultural and natural heritage, among other concerns. The long tradition of creating greenways in the USA have also contributed in presenting heritage assets and providing environmental benefits. The High Line in New York City is a good example of this. Originality/value – In line with the HUL approach, the research points out possibilities of non-traditional collaborations in solving current urban challenges. Finding ways of linking natural resources to a bigger urban framework can inspire new solutions for the interlinked problems of urban growth, heritage management and nature conservation amidst climate change.
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Piccioni, Sara, Mariapia D’Angelo, and Maria Chiara Ferro. "I Corpora SEAH di comunicazione specializzata nel settore dell’Architettura e delle Costruzioni." Linguistica 61, no. 2 (December 30, 2021): 97–122. http://dx.doi.org/10.4312/linguistica.61.2.97-122.
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La mancanza di competenze nel linguaggio accademico-disciplinare costituisce spesso un ostacolo alla mobilità degli studenti. Questo è particolarmente vero nel campo dell’Architettura e delle Costruzioni (AC), in cui il percorso formativo comprende una serie di sotto-domini tecnici che sono spesso definiti da pratiche professionali, tradizioni culturali e quadri giuridici specifici di un dato paese. Con l’obiettivo di favorire la partecipazione ai programmi di scambio, il progetto Erasmus+ SEAH (Sharing European Architectural Heritage: Innovative language teaching tools for academic and professional mobility in Architecture and Construction) mira a creare corpora specializzati nel campo dell’AC e moduli linguistici open access basati sui suddetti corpora in lingua francese, tedesca, italiana, russa e spagnola. Il contributo presenta il quadro teorico di riferimento, le metodologie e le finalità del progetto SEAH, soffermandosi sui criteri e sulle procedure generali del corpus design, con esemplificazioni della compilazione e impiego dei corpora per la lingua spagnola, italiana e russa.
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Петрушонис, В. "The most acceptable form of presenting the outcomes of studying cultural identity of heritage architecture and architectural complexes to serve the purposes of design." Architectural archeology, no. 2 (December 20, 2020): 236–46. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-327-5.236-246.
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Результаты исследований идентичности, предоставляемые проектировщикам, в подавляющем большинстве случаев выражаются информационными средствами, игнорирущими требования психологии творчества. Преобладают денотативные характеристики в ущерб информации, которую передают культурные идеи, коннотации, активизирующие тот уровень сознания проектировщика, где воспринимаются социокультурная память и культурная идентичность. На примере садово-паркового ансамбля в Лентварисе (Литва), в композиции которого проявляется значительная для христианской культуры идея Земного рая, показывается, как информация об охраняемом комплексе может быть дополнена коннотационными характеристиками. The outcomes of identity studies as they are presented to architectural designers most frequently appear as pieces of information which ignore the findings of psychology of art. Denotative characteristics take precedence over cultural ideas and connotations appealing to those parts of the designer's consciousness which deal with sociocultural memory and cultural identity. On the example of the garden and park ensemble in Lentvaris (Lithuania), in the composition of which the idea of the Earthly Paradise, which is significant for Christian culture, is manifested, it is shown how information about the protected complex can be supplemented with connotation characteristics.
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Rosado, A. C., J. M. Aladro-Prieto, and M. T. Pérez-Cano. "WINE CULTURAL LANDSCAPE AND VERNACULAR TYPOLOGIES IN SOUTH-WESTERN IBERIA: THREE CASE STUDIES IN ALENTEJO AND ANDALUSIA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 87–94. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-87-2020.
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Abstract. In the Mediterranean scenery of the south-western Iberian Peninsula, vineyards and wine-making have consistently been key pieces of the man-made cultural landscape, influencing urban design and even housing. This paper compares wine production influence in the cities of Borba, in Portuguese Alentejo, Jerez de la Frontera and Bollullos Par del Condado, in Spanish Andalusia, throughout the spheres of territorial organization, urban layout, presence of production buildings inside urban areas, and winemaker and wineworker housing. The study is based on architectonic surveys of building types: wineries, dwellings and houses with integrated wine production on both sides of the Guadiana River. The information gathered in surveys is complemented with data from historical documents, such as transaction records from the 16th to the 19th centuries. The research analyses cycles of prosperity for the three case studies – which are often coincident and related, within the frame of pre-industrial global trade – and the effects of those in winery and housing typologies. Across the studied area, vernacular winery types adhere to the same two categories, or typological lines, of building: the domestic winery and the autonomous building. Wine related architecture is still a key asset in these cities' material and cultural heritage, as it provides scale and uniqueness to the urban and rural ensembles, despite the fact that wine production has been removed from cities’ centres to outer industrial wineries. The memory of wine-induced prosperity is imprinted on the cities’ physical realities, giving meaning to their collective memories and proving to be an asset to future development.
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Muslikhah, RR Siti, and Budhi Haryanto b. "The Role of Culture Orientation as a Moderation Variable on Visiting Behavior at the World Heritage Site." 14th GCBSS Proceeding 2022 14, no. 2 (December 28, 2022): 1. http://dx.doi.org/10.35609/gcbssproceeding.2022.2(60).
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Indonesia is famous for its diversity of tourism among tourist destinations in Indonesia, some of which have been recognized by UNESCO as included in the list of world cultural heritage sites, such as the Borobudur Temple. The problem that has occurred so far is the lack of concern from millennials towards Borobudur Temple as a tourist attraction marked by a low interest in visiting (Dimyati, 2019). Various efforts have been made, including collaborating with travel bloggers and influencers assisted by Indonesian digital agencies. Its role is to give a good impression of a tourist destination in Indonesia so that it can attract interest to visit, especially the millennial generation (Bernadiaz, 2021). Efforts to increase the interest in traveling to world heritage sites by millennials through various strategies that have been carried out require an empirical explanation of the signification of the results obtained; this study aims to explain the factors that influence millennial behavior in traveling, especially millennial responses to Borobudur Temple tourism objects. Various studies discussing individual behavior towards World Heritage Site (WHS) tourist destinations have been conducted a lot. Some that can be put forward here include Halpeny et al. (2018); Mehmood et al. (2018); See and Goh (2019); Rio et al. (2020); Carreira et al. (2021); Deb and Lomo-David (2021); and Xu et al. (2021). However, there is no universal model explaining travel behavior in all situations and conditions, including cultural tourism at Borobudur Temple. This is what provides an opportunity in this study to design a model that explains explicitly the phenomenon of individual behavior, which is millennials traveling at Borobudur Temple. Keywords: Perceived Destination Quality, Perceived Social Media, Attitude, Intention to Visit, Culture Orientation
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Pratali Maffei, S., E. Canevese, and T. De Gottardo. "THE REAL IN THE VIRTUAL. THE 3D MODEL IN THE CULTURAL HERITAGE SECTOR: THE TIP OF THE ICEBERG." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 615–21. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-615-2019.
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<p><strong>Abstract.</strong> The twenty-year and interdisciplinary research activity carried out by Virtualgeo has focused on the development of new methods and tools for 3D modeling that go beyond the simple digital-virtual reconstruction of solid modelling, in order to realize three-dimensional informative and photogrammetric representations that faithfully reproduce reality. These so called Advanced 3D models are the basis for carrying out metrological investigations to support the design and the BIM database population. In particular, in this paper we will deal with the segmentation tool, which allows the classification of the photogrammetric 3D model (material, degradation and chronological features). In detail, we will illustrate the collaboration experience between Virtualgeo and the University of Trieste, course in Technologies for the conservation and enhancement of architectural heritage of the Master's Degree in Architecture. The experience focused on the study of the archaeological site of the Roman river port of Aquileia, which Advanced 3D model was supplied by Virtualgeo. Firstly, the work focused on the informative contents necessary for the subsequent elaborations (different types of materials, alteration/degradation forms), starting from the use of coded lexicons (UNI 11182/2006). Subsequently, the quantitative data were associated to each category of homogeneous elements, obtainable from the segmentation (“mapping”) of the 3D model. This experience gave the chance to test the EasyCUBE PRO software: it was gradually adapted to the specific needs emerged both during the analysis of the site and the definition of conservation interventions, so as the outputs that can be generated after the elaboration of the Advanced 3D model.</p>
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Islam, Md Tarikul, Selvajothi Ramalingam, and Kazi Enamul Hoque. "Supremacy of English Language Proficiency: Identity Transmission and Transgression among Bangladeshi Graduates." Issues in Language Studies 11, no. 1 (June 27, 2022): 129–45. http://dx.doi.org/10.33736/ils.4074.2022.
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The study focuses on the language use of Bangladeshi graduates and how they deal with the local Bengali language with English as an international language. The study investigates whether the perception of ELP promotes identity transmission or transgression. The study is conducted with a mixed-method approach using a triangulation research design with a convergence model. Questionnaire data were collected from 370 respondents consisting of three groups of graduates according to educational qualifications, income level, and living places. The findings indicate that ELP may be disadvantageous to the local culture and results in the use of mixed languages. The results suggest that ELP accelerates a form of language and cultural transgression that reshapes personality and erodes the traditional local culture and heritage language identity among Bangladeshi graduates.
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Medina-Valdivia, Sandy A., Carmen Maganda-Ramírez, R. Carlos Almazán-Núñez, América L. Rodríguez-Herrera, Columba Rodríguez-Alviso, and José Luis Rosas-Acevedo. "Valoración participativa de servicios ecosistémicos en Laguna de Nuxco, Guerrero." Regions and Cohesion 11, no. 2 (June 1, 2021): 83–110. http://dx.doi.org/10.3167/reco.2021.110205.
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English Abstract: How do societies value and interact with ecosystem services (ES) to favor their long-term conservation? Under the premise that sociocultural assessment of ES offers an expanded perspective for potential societal nature contributions, we present here the empirical results of a participative assessment of ES in the Laguna de Nuxco coastal wetland in 2019. The methodological design includes the combination of applied qualitative tools on site and quantitative methods for analysis of information. The results emphasize that the ES of the wetland support socioeconomic needs and important socio-cultural community traits, such as cultural heritage and identity as fishing communities. We identify emerging socio-ecological conflicts that promote the decrease of ES. We suggest conceptual and methodological adaptations for the participative assessment of ES on the local scaleSpanish Abstract: ¿Cómo las sociedades valoran e interactúan con los servicios ecosistémicos (SE) que les rodean para favorecer su conservación a largo plazo? Bajo la premisa que la valoración sociocultural de SE ofrece una perspectiva ampliada para potenciales contribuciones sociedad-naturaleza, presentamos aquí los resultados empíricos de una valoración participativa de SE del humedal costero Laguna de Nuxco en 2019. El diseño metodológico incluyó la combinación de herramientas cualitativas aplicadas en sitio y cuantitativas para el análisis de información. Los resultados enfatizan que los SE del humedal sustentan necesidades socioeconómicas e importantes aspectos socioculturales como patrimonio cultural e identidad como comunidades pesqueras. Identificamos conflictos socioecológicos emergentes que promueven la disminución de SE. Sugerimos adecuaciones conceptuales y metodológicas para la valoración participativa de SE en la escala local.French Abstract: Comment les sociétés valorisent-elles et interagissent-elles avec les services écosystémiques (SE) pour favoriser leur conservation à long terme? Le principe de l’évaluation socioculturelle des SE off re une perspective élargie des contributions potentielles société-nature, et est utilisé pour présenter les résultats empiriques d’une évaluation participative des SE réalisée en 2019 dans la zone humide côtière de Laguna de Nuxco, au Mexique. La méthodologie comprenait la combinaison d’outils qualitatifs sur site et d’outils quantitatifs pour l’analyse de l’information. Les résultats soulignent que les SE de la zone humide répondent aux besoins socio-économiques et à des aspects socioculturels tels que le patrimoine culturel et l’identité en tant que communautés de pêcheurs. Nous identifions les conflits socio-écologiques émergents qui favorisent la diminution des SE. Nous suggérons des adaptations conceptuelles et méthodologiques pour l’évaluation participative des SE à l’échelle locale.
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P.S, Pratheep. "The Impact Of Tourism On Indian Culture." KnE Social Sciences 1, no. 3 (April 13, 2017): 429. http://dx.doi.org/10.18502/kss.v1i3.765.
Full textAbstract:
<p>Tourism is an important, even vital, source of income for many regions and countries. Increased leisure time and changes in lifestyle and consumption have given renewed importance to tourism. Travel outside a person's local area for leisure was largely confined to wealthy classes, who at times travelled to distant parts of the world, to see great buildings, works of art, <a title="Multilingualism" href="https://en.wikipedia.org/wiki/Multilingualism">learn new languages</a>, experience new cultures, and to taste different <a title="Cuisine" href="https://en.wikipedia.org/wiki/Cuisine">cuisines</a>. Tourism also encourages respect for and preservation of monuments and heritage properties.” At the interface between culture and tourism lies a series of deep and challenging issues relating to how we deal with issues of political engagement, social justice, economic change, belonging, identity and meaning. Tourism is a cultural phenomenon. It both impacts cultures and society, and is shaped by cultures and society. There is a deep influence of tourists and tourism on host country. Tourism is genuinely powerful and unique force for change in the community. Tourist impact has been most noticeable in lesser developed countries but is not entirely restricted to them. The cultural impact of tourism is concerned with the question of protecting and maintaining the cultural heritage and certain allied issues. The paper is an attempt to discuss the impact of tourism on Indian culture. The research design of this paper will be descriptive in nature.</p><p> </p><p><strong>Keywords: </strong><em>Manila Declaration, Tradition, Value system, tribal tourism, Globalization<strong></strong></em></p>
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Andrés de Vicente, Javier De. "Intervenciones termodinámicas: una aproximación a la termodinámica como herramienta de intervención sobre el patrimonio industrial a través del FRAC Nord-Pas de Calais y el Centre Civic Cristalerías Planell = Thermodynamic Interventions: an approach to thermodynamics as a tool for intervention on built industrial heritage through the FRAC Nord-Pas de Calais and the Centre Civic Cristalerías Planell." Cuadernos de Proyectos Arquitectónicos, no. 10 (December 30, 2020): 16–27. http://dx.doi.org/10.20868/cpa.2020.10.4550.
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ResumenLa introducción del concepto de entropía en la arquitectura permite entender el profundo vínculo que hay entre la degradación de la energía y la degradación de la materia, bifurcando la atención hacia el consumo diario de energía de un edificio a lo largo de su vida y hacia el coste energético que implica levantar —o reparar— la propia construcción. En definitiva, dos enfoques para entender el impacto de la construcción sobre el medio. El primero, nos habla de aquella arquitectura que utiliza las energías libres que proceden del aprovechamiento de las variables climáticas como herramientas de diseño. El segundo se refiere a esa arquitectura que, en sus distintas variantes, recupera el patrimonio construido. La reflexión que aquí se plantea pasa por hibridar ambos enfoques de entender el impacto de la construcción sobre el medio, aproximándose a la intervención sobre el patrimonio construido a partir del empleo de principios termodinámicos. Para ello, se apoya en el análisis de dos intervenciones contemporáneas consideradas como paradigmáticas que operan sobre piezas del patrimonio industrial transformándolas para usos culturales. A diferencia de los habituales criterios de intervención basados principalmente en el léxico, el contexto o el programa, estas obras reflejan una forma de recuperar el patrimonio desde premisas de diseño fundamentadas en intercambios de energía con la atmósfera del entorno próximo y abiertas al cambio. Ambas, en cierto modo, son una forma de entender la arquitectura como esa “dialéctica del cambio entrópico” de la que hablaba Robert Smithson. Así, desde un dualismo material y conceptual que aúna presente y pasado, energía y memoria, ambas intervenciones generan imágenes memorables. En última instancia, su estética, basada en el ensamblaje, la hibridación y la contraposición, tanto a nivel energético como material y formal, busca hacer visibles las tensiones y dificultades inherentes al paso del tiempo por arquitecturas pasadas.AbstractThe introduction of the concept of entropy in architecture has brought to light the tight bond that exists between the degradation of energy and the degradation of matter, shifting the focus to the daily energy consumption of a building during its lifespan, as well as to the cost, in energy terms, of constructing —or repairing— that particular building. In short, it has given way to two different approaches to understanding the impact of construction on the environment. The first approach refers to the kind of architecture that uses free energies generated from an efficient use of climate variables as a design tool. The second approach refers to the kind of architecture that, in its different variants, chooses to restore built heritage. The purpose of this article is to hybridise these two approaches to the impact of construction on the environment by examining architectural intervention on built heritage through the lens of thermodynamic principles. To this end we will review two contemporary interventions that have paradigmatically transformed old industrial buildings into new cultural premises. Far from applying standard intervention criteria, largely based on architectural language, context or programme, these restoration works follow design premises that are founded on energy exchanges with the neighbouring environment, and that are open to change. In a way, both exemplify how architecture can be understood as a “dialectics of entropic change”, as coined by Robert Smithson. From a stance of material and conceptual dualism that blurs the lines between past and present, energy and memory, both interventions generate memorable images. Their outward appearance, based on assemblage, hybridisation and contrast, both in terms of energy, form and matter, ultimately seeks to showcase the tensions and challenges inherent to the passing of time in architecture.
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Navarro-Adelantado, Vicente, and Miguel Pic. "Las situaciones no-habituales en el diseño de juegos motores de tríada (Non-habitual situations through triad motor game designs)." Retos 46 (August 26, 2022): 932–40. http://dx.doi.org/10.47197/retos.v46.94574.
Full textAbstract:
Es necesario abordar el estudio de las situaciones no-habituales en el seno del diseño de juegos con el propósito de enriquecer las relaciones de los jugadores al jugar. El presente trabajo muestra estas situaciones en el desarrollo estratégico de un juego motor de tríada el laberinto, visto como juego deportivo. Las principales aportaciones consistieron en: i) promover decisiones novedosas en un juego triádico, con situaciones paradójicas, superando la inercia lúdica cultural; ii) fomentar el diseño novedoso mediante un procedimiento estructurado. Para ello se postulan dos enfoques con ingredientes complementarios: a) principios de juego y conductas tácticas, y b) roles y relaciones con jugadores, espacio y tiempo. La emergencia de procesos creativos precisa de entornos reglados para generar adaptaciones de los jugadores. En este sentido, la tríada es un entorno altamente condicionado por la complejidad estratégica, enmarcada en situaciones no habituales. Para asegurar estas situaciones no habituales, el diseño de juego es una herramienta útil para dar mayor calidad a las interacciones motrices y enriquecer el patrimonio lúdico conocido. Palabras Clave: Tríada, juegos deportivos, estrategia, juegos motores, diseño de juegos. Abstract. It is necessary to approach the study of non-habitual situations within game design in order to enrich the players’ relationships when playing. The present work shows these non-habitual situations through the strategic development of a triad game the maze as sporting game. Thus, the main contributions were: i) promoting innovative decisions by the players in a triadic game, sometimes with paradoxical situations; overcoming cultural inertia, ii) promoting novel design through a structured procedure. To do this, we rely on two approaches with complementary ingredients: a) play principles and tactical conducts, and b) roles and relationships with players, space and time. The emergence of creativity requires regulated environments to generate adaptive processes. In this sense, the triad is an environment highly conditioned by strategic complexity framed in non-habitual situations. To ensure these non-habitual situations, game design is a useful tool to generate greater quality for motor interactions and for enrich the known play heritage. Keywords: Triad, sporting games, strategic, motor games, game design.